Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105203

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Cantatas, End of the church year, Trinity. Vocal score. Composed 1726. BWV 52. 24 pages. Duration 18 minutes. Carus Verlag #CV 31.052/03. Published by Carus Verlag (CA.3105203).

ISBN 9790007187637. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score available separately - see item CA.3105200.

Orchestra SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ] - Grade 3

SKU: CA.4018714

Chorale cantata. Composed by Felix Bartholdy Mendelssohn and Martin Luther. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Wir glauben all. Sacred vocal music, Cantatas. Single Part, Cello/Double Bass. Composed 1831. MWV A 12. 4 pages. Duration 8 minutes. Carus Verlag #CV 40.187/14. Published by Carus Verlag (CA.4018714).

ISBN 9790007064501. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018700.

Soprano voice solo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 violins, viola, cello, contrabass

SKU: CA.4006214

Composed by Vincenzo Bellini. German title: Tecum principium. Sacred vocal music, Christmas, Daily hours. Single Part, Cello/Double Bass. Composed 1725. 2 pages. Duration 5 minutes. Carus Verlag #CV 40.062/14. Published by Carus Verlag (CA.4006214).

ISBN 9790007060008. Language: Latin/English.

Scor e available separately - see item CA.4006200.

Orchestra SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ] - Grade 3

SKU: CA.4018712

Chorale cantata. Composed by Felix Bartholdy Mendelssohn and Martin Luther. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Wir glauben all. Sacred vocal music, Cantatas. Single Part, Violin 2. Composed 1831. MWV A 12. 4 pages. Duration 8 minutes. Carus Verlag #CV 40.187/12. Published by Carus Verlag (CA.4018712).

ISBN 9790007064488. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018700.

SATB choir and Piano (E-flat Soprano saxophone, 2 Horns in F, Piano, Organ (or digital keyboard), Double String Quartet, Double Bass) - Early Intermediate

SKU: MN.56-0107

Composed by Howard Goodall. Lent, Holy Week, Triduum/Three Days, Tenebrae, 21st Century. Score and instrument parts. Duration 3 minutes, 32 seconds. MorningStar Music Publishers #56-0107. Published by MorningStar Music Publishers (MN.56-0107).

UPC: 688670221248. English, Latin.

Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This excerpt is scored for SATB (divisi) choir and piano. A text by Æmelia Lanyer (née Bassano) (“Why should unlawful actions use the Light?”) is set as a homophonic chorale with a supportive accompaniment. Duration 3:32.

Concert Band/Harmonie - Grade 3

SKU: BT.AMP-279-140

Composed by Philip Sparke. Anglo Music Midway Series. Concert March. Score Only. Composed 2010. 28 pages. Anglo Music Press #AMP 279-140. Published by Anglo Music Press (BT.AMP-279-140).

9x12 inches. English-German-French-Dut ch.

Exultation is a short and energetic concert opener that is similar to a palindrome. A fanfare opens the work, juxtaposing 3/4 and 6/8, reminiscent of Latin-American music. The main theme is first heard on the euphonium, horns and saxophones which is very bluesy. The contrasting second theme is short and spikey and played by the bass instruments of the band. A lyric melody emerges as the rest of the orchestra joins in. The second theme reappears which leads back to the ‘blues’ melody, which leads back to the opening fanfare. Palindromic!

Exult ation (Jubel) ist ein kurzes, rhythmisch und stilistisch abwechslungsreiches Eröffnungsstück, das in seiner Form einem Palindrom ähnelt: Nach einer Fanfare in einem fast lateinamerikanischen Stil erscheint ein bluesiges“ Hauptthema, das nach einer kurzen Ãœberleitung zu einem zweiten Staccato-Thema führt. Es folgt ein lyrisches Thema, sodann geht es rückwärts wieder zum Stacccato-Thema und dann über die Bluesmelodie“ zurück zur Eröffnungsfanfare und damit zum Anfang und Ende zugleich!

Exultati on est une oeuvre courte, rythmée et stylistiquement variée. Sa structure est b tie comme un palindrome, autrement dit, comme une forme particulière d’inversion. L’oeuvre débute avec une fanfare aux accents latino-américains laquelle succèdent un thème « bluesy », une courte transition, un second thème staccato et une mélodie lyrique. Puis le fil s’enroule pour revenir au début. Musique ou symétrie ? Telle est la question.

Exultation è un breve brano di apertura che offre diversit ritmiche e stilistiche e che nella sua forma ricorda un palindromo. Dopo una fanfara in stile latino-americano, appare il tema principale eseguito dagli eufoni, dai corni e dai sax, caratterizzato da accenti di blues che accompagna ad un seconda tema in staccato. Segue un tema lirico, prima di tornare nuovamente al tema in staccato e, attraverso una “melodia blues”, nuovamente alla fanfara di apertura e alla fine del brano.

Chorus and piano (1. version: 0.0.0.0. - 2litui.0.corn.3.0 - db / 2. version: 0.2(ad lib.).ob.da cac(cor ang.)0.1 - 2litui. 0.0.0 - str - db)

SKU: BR.EB-7118

1st and 2nd Version - Urtext. Composed by Johann Sebastian Bach. Edited by Wolfram Ensslin. Arranged by Matthias (KA) Grunert. Choir; stapled. Edition Breitkopf. The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments. Have a look into EB 7. Motet; Baroque. Piano/Vocal Score. 12 pages. Duration 8'. Breitkopf and Haertel #EB 7118. Published by Breitkopf and Haertel (BR.EB-7118).

ISBN 9790004172728. 7.5 x 10.5 inches. German / English.

The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments. Both versions are printed consecutively. Of particular interest for an authentic performance are two Litui, which are called for in both versions. To this day it has been impossible to determine what instruments are meant here: high horns in B flat? Or trumpets? The work has more unanswered questions for us for example, the occasion for which the first version was written in ca. 1736/37, and the reason why the work was newly orchestrated after 1740.

The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments.

SSA (TTB) soli, SATB choir, 2 flutes, 2 oboes, 2 horns (timpani), 4 strings (2 violins, viola and basso continuo)

SKU: CA.4010113

Composed by George Frideric Handel. German title: Tochter Zion. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Viola. HWV. 2 pages. Duration 3 minutes. Carus Verlag #CV 40.101/13. Published by Carus Verlag (CA.4010113).

ISBN 9790007061791. Language: German/English.

Sco re available separately - see item CA.4010100.

By Felix Mendelssohn. Edited by Graulich, Gunter. For Soli STTBB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. Full score available separately - see item CA.4007200. Psalms, German; Stuttgart Urtext editions; Occasions: Psalms; Use during church year: Trinity. Study score. Language: German/English. Composed 1837. 42. 96 pages. Duration 24 min. Published by Carus Verlag (German import).

SSA (TTB) soli, SATB choir, 2 flutes, 2 oboes, 2 horns (timpani), 4 strings (2 violins, viola and basso continuo)

SKU: CA.4010119

Composed by George Frideric Handel. German title: Tochter Zion. Sacred vocal music, Cantatas, Advent, Christmas. Set of Orchestra Parts. HWV. Duration 3 minutes. Carus Verlag #CV 40.101/19. Published by Carus Verlag (CA.4010119).

ISBN 9790007137762. Language: German/English.

Sco re and parts available separately - see item CA.4010100.

By Felix Bartholdy Mendelssohn. Edited by Todd, R. Larry. For Soli SATB, SATB/SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ, Harp. Full score available separately - see item CA.4007500. Psalms, German; Stuttgart Urtext editions; Occasions: Praise and thanks, Psalms; Use during church year: Easter and Eastertide. Piano/Vocal score. Language: German/English. Composed 1843. 91. 16 pages. Duration 8 min. Published by Carus Verlag (German import).

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105221

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Oboe 1. Cantatas, End of the church year, Trinity. Single Part, Oboe 1. Composed 1726. BWV 52. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.052/21. Published by Carus Verlag (CA.3105221).

Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105222

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Oboe 2. Cantatas, End of the church year, Trinity. Single Part, Oboe 2. Composed 1726. BWV 52. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.052/22. Published by Carus Verlag (CA.3105222).

Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

Soprano solo, SATB choir, piano, organ, and brass ensemble (Horns I and II in F, B-flat Trumpets I and II, Trombones I and II, Tuba, Piano, Organ (or digital keyboard if a tuned pipe organ is unavailable)) - Intermediate

SKU: MN.56-0120

Composed by Howard Goodall. Thanksgiving. MorningStar Music Publishers #56-0120. Published by MorningStar Music Publishers (MN.56-0120).

UPC: 688670221484. English.

The first movement in the larger work Unconditional Love. This piece compares the journey of the pilgrims to a new land to where we are today.

By Wolfgang Amadeus Mozart. Arranged by Patrick M. Liebergen. For Choir. (SATB). Choral Octavo. Choral Designs. Masterwork. Choral Octavo. 12 pages. Published by Alfred Publishing.
Level: Level 5 (grade L5).

By Johannes Brahms (1833-1897). Edited by Clive Brown. For violin and orchestra (solo violin/2 flutes/2 oboes/2 clarinets/2 bassoons/4 horns/2 trumpets/timpani/2 violins/viola/cello/doubl e bass). This edition: Paperback, Urtext edition. Study score. Text Language: English/German. Opus 77. 101 pages. Duration 38'. Published by Baerenreiter Verlag

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 oboe d'caccia, 3 trumpets, timpani, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3124878

Cantatas IV-VI. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Weihnachtsoratorium 4-6 N.N.E. Sacred vocal music, Oratorios, Christmas. Set of Orchestra Parts. Composed 1734. BWV 248. Carus Verlag #CV 31.248/78. Published by Carus Verlag (CA.3124878).

ISBN 9790007096908. Language: German/English.

Wit h the edition of the Christmas Oratorio within the framework of the Stuttgart Bach Editions, Carus presents a scholarly edition for practical performance. The basis for this publication are Bach's autograph score and the original parts. The conducting score contains an appendix with a concise Critical Report which provides information about the sources and their readings; when necessary, the latter are discussed in more detail, especially with regard to how the editor arrived at solutions for questions of articulation which differ from those found in previous editions. The representative, clothbound volume is supplemented by a study score as well as a choral score, a vocal score and complete orchestral material. In the orchestral material short excerpts containing the conclusions of the secco recitatives are rendered with cue notes in separate vocal systems printed above the score where the instrumentalists pause, thus enabling them make their entrances in the movements which follow these recitatives. This work is also available in carus music, the choir app! Score and parts available separately - see item CA.3124800.

(Oratorium in drei Teilen). Composed by George Frideric Handel (1685-1759). Edited by Helmut Bornefeld / Matthias Wamser / Friedrich Chrysander. For S(A)TB vocal soli, SATB choir, flute, 2 oboes, 2 bassoons, horns, 2 trumpets, timpani, basso continuo. German title: L'Allegro il Penseroso /arr. Bornefeld. Oratorios. Full score. Language: German/English. Composed 1740. HWV 55. Published by Carus Verlag

Composed by Bedrich Smetana (1824-1884). Edited by Hugh MacDonald. For orchestra (flute 1/flute 2 (and piccolo)/2 oboes/2 clarinets/5 bassoons/4 horns/2 trumpets/3 trombones/tuba/timpani/tr iangle/cymbal/bass drum/harp/2 violins/viola/2 cellos/double bass). This edition: Urtext edition. Paperback. Level 3. Study score. Text Language: Czech/English/German. Published by Baerenreiter Verlag

Brass Quartet

SKU: BT.EMBZ14660

By Peter Perenyi. Educational Tool. Book Only. Composed 2009. 68 pages. Editio Musica Budapest #EMBZ14660. Published by Editio Musica Budapest (BT.EMBZ14660).

Hungarian-English-Germ an-French.

This volume contains mainly transcriptions, the majority of them from four-part choral works, these transcriptions have been prepared by the highly experienced teacher of brass instruments, Péter Perényi. In compiling the collection he was helped by his own music school pupils, who played through a large mass of material and selected the pieces they liked best. The pieces can be played on two trumpets and two trombones (or two tenor horns), the trombone parts avoid the seventh position throughout.

Der Stoff dieses Bandes besteht größtenteils aus Transkriptionen von vierstimmigen Chorwerken, die der erfahrene Blasinstrumentenlehrer, Péter Perényi selber anfertigte. Bei der Zusammenstellung der Sammlung waren ihm seine Schüler behilflich, die einen umfangreicheren Stoff durchspielten und dann aus diesem Stücke auswählten, die ihnen am besten gefielen. Die Stücke werden auf zwei Trompeten und zwei Posaunen (oder zwei Tenorhörnern) gespielt. Die Posaunenstimmen vermeiden immer die siebte Lage.

(Chorale cantata). Composed by Felix Mendelssohn Bartholdy / Martin Luther. Edited by Gunter Graulich. For SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ]. This edition: Paperbound. Stuttgart Urtext Edition. German title: Wir glauben all an einen Gott. Cantatas. Level 3. Full score. Language: German/English. Composed 1831. A 12. Duration 8 minutes. Published by Carus Verlag