Soprano, Chamber Group and Orchestra - Grade 4 SKU: HL.14043633 Composed ...(+)
Soprano, Chamber Group
and Orchestra - Grade 4
SKU: HL.14043633
Composed by Kaija
Saariaho. Music Sales
America. Classical.
Softcover. 92 pages.
Chester Music #CH79112.
Published by Chester
Music (HL.14043633).
ISBN 9781783054749.
12.0x16.5x0.52
inches.
Kaija
Saariaho 'S Emilie Suite
Was A Joint Commission By
Carnegie Hall, New York
City, Cite De La Musique,
Paris, Luzerner
Sinfonieorchester And
Orchestre Philharmonique
De Strasbourg. It Was
First Performed On 30
November 2011 At Carnegie
Hall By The Avanti!
Chamber Orchestra
Conducted By Hannu Lintu,
With Elizabeth Futral
(Soprano). The First
Performance In Paris Took
Place On 23 April 2013 At
Cite De La Musique By The
Avanti! Chamber
Orchestraconducted By
Ernest Martinez
Izquierdo, With Barbara
Hannigan (Soprano).
Guitar Atlas: Jamaica Guitare notes et tablatures [Partition + CD] Alfred Publishing
(Your passport to a new world of music). By Raleigh Green. For Guitar. Guitar Me...(+)
(Your passport to a new
world of music). By
Raleigh Green. For
Guitar. Guitar Method or
Supplement. National
Guitar Workshop.
Multicultural. Book & CD.
Published by Alfred Music
Publishing
From Terra Nostra.
Composed by Stacy Garrop.
Full score. Duration
3:15. Theodore Presser
Company #312-41902S.
Published by Theodore
Presser Company
(PR.31241902S).
UPC:
680160690589.
English.
Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano
SKU:
PR.312419020
From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020).
ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English.
Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
Composed by Various. Edited by David Wordsworth. For Choral (SATB). Choral. Soft...(+)
Composed by Various.
Edited by David
Wordsworth. For Choral
(SATB). Choral.
Softcover. 192 pages.
Novello and Co Ltd.
#NOV164681. Published by
Novello and Co Ltd.
From Terra Nostra.
Composed by Stacy Garrop.
Set of Score and Parts.
Duration 3:15. Theodore
Presser Company
#312-41902A. Published by
Theodore Presser Company
(PR.31241902A).
UPC:
680160690510.
English.
Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
Recorder and Piano - Grade 4 SKU: HL.14018198 By Michala Petri. By Ernest...(+)
Recorder and Piano -
Grade 4
SKU:
HL.14018198
By
Michala Petri. By Ernest
Kramer. Edited by Michala
Petri. Music Sales
America. Classical. Book
[Softcover]. Composed
2002. 32 pages. Edition
Wilhelm Hansen #WH29965.
Published by Edition
Wilhelm Hansen
(HL.14018198).
ISBN
9788759857366.
English-German.
Kra
hmer's Variations
Brillantes was originally
written for the Csakan,
an instrument similar to
the Recorder. In this
edition the original
notation has been
retained. Scored here for
Recorder and Piano (or
Harpsichord)
accompaniment.
Melody, Lyrics & Simplified Chords in the Key of C. By Various. Fake Book (Inclu...(+)
Melody, Lyrics &
Simplified Chords in the
Key of C. By Various.
Fake Book (Includes
melody line and chords).
Softcover. Size 9x12
inches. 200 pages.
Published by Hal Leonard.
Concert Band; Orchestra
2.2.3+BCl.2: 3Sax(AAT;
opt.): 2.3.3.1:
Perc(1-2): Hp.Clst.Gtr:
Str (9-8-7-6-5 in set):
Pno Cond Score in set
SKU: AP.36-A672690
Composed by Ernesto
Lecuona. Arranged by
Morton Gould. Full
Orchestra, Conductor
Score & Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A672690.
Published by
LudwigMasters
Publications
(AP.36-A672690).
UPC:
659359666292.
English.
The Cuban
composer and pianist
Ernesto Lecuona
(1896-1963) wrote many
works labelled as
Afro-Cuban, and sorting
them all can be
difficult. While some are
lost and others are
scattered about, the 1930
piano suite titled Danzas
Afro-Cubanas, a
collection of six of the
dances, remains a core
group in the style. La
Comparsa (Carnival
Procession) is the sixth
dance in the suite, and
it is based on the
traditional parade and
ceremony that occurs
during Carnival season in
Cuba. This composition
starts with the gradual
approach of the
procession and carries
one through all the
excitement until the last
faint notes of the
departing parade die away
in the distance. This
version for full
orchestra has been
arranged by Morton Gould
(1913-1996).
Instrumentation:
2.2.3+BCl.2: 3Sax(AAT;
opt.): 2.3.3.1:
Perc(1-2): Hp.Clst.Gtr:
Str (9-8-7-6-5 in set):
Pno Cond Score in
set.
These
products are currently
being prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2.2.3+BCl.2: 3Sax(AAT;
opt.): 2.3.3.1:
Perc(1-2): Hp.Clst.Gtr:
Str (9-8-7-6-5 in set):
Pno Cond Score in set
SKU: AP.36-A672699
Composed by Ernesto
Lecuona. Arranged by
Morton Gould. Full
Orchestra, Condensed
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A672699.
Published by
LudwigMasters
Publications
(AP.36-A672699).
ISBN
9798888527887. UPC:
659359811340.
English.
The Cuban
composer and pianist
Ernesto Lecuona
(1896-1963) wrote many
works labelled as
Afro-Cuban, and sorting
them all can be
difficult. While some are
lost and others are
scattered about, the 1930
piano suite titled Danzas
Afro-Cubanas, a
collection of six of the
dances, remains a core
group in the style. La
Comparsa (Carnival
Procession) is the sixth
dance in the suite, and
it is based on the
traditional parade and
ceremony that occurs
during Carnival season in
Cuba. This composition
starts with the gradual
approach of the
procession and carries
one through all the
excitement until the last
faint notes of the
departing parade die away
in the distance. This
version for full
orchestra has been
arranged by Morton Gould
(1913-1996).
Instrumentation:
2.2.3+BCl.2: 3Sax(AAT;
opt.): 2.3.3.1:
Perc(1-2): Hp.Clst.Gtr:
Str (9-8-7-6-5 in set):
Pno Cond Score in
set.
These
products are currently
being prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
I. Farfallina (Butterfly) 2. Lucciola (Firefly). Composed by Italian Folk So...(+)
I. Farfallina (Butterfly)
2.
Lucciola (Firefly).
Composed
by Italian Folk Song and
Tuscan Folk Song.
Arranged by
Christi Jones. Fold.
Octavo.
8 pages. Duration 2
minutes,
35 seconds. BriLee Music
#BL1123. Published by
BriLee
Music
Reverie Russe Flûte, Clarinette, Piano (trio) [Conducteur et Parties séparées] IMC (International Music Co.)
Grand duo. Composed by Ernesto Cavallini. Edited by Stephanie Jutt and Al...(+)
Grand duo.
Composed by Ernesto
Cavallini. Edited by
Stephanie Jutt and Alan
Kay. Score and parts. 20
6 6 pages. Published
by International Music
Company (IM.3752).
SATB choir divisi, SSAA choir, organ SKU: GH.CG-6433 Loven honom. ...(+)
SATB choir divisi, SSAA
choir, organ
SKU:
GH.CG-6433
Loven
honom. Composed by
Bengt Lundin. Children /
adults. With Language:
Swedish. Gehrmans
Musikforlag #CG 6433.
Published by Gehrmans
Musikforlag (GH.CG-6433).
ISBN 9790070040396. A4
inches. Text: Ernesto
Cardenal.
For
blandad kor och/eller
diskantkor och orgel.
Text ur Latinamerikanska
psalmer av Ernesto
Cardenal i svensk
tolkning av Lars
Thunberg.
Cavaquinho Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Verlag Dohr
(Samba Movida (Beabeitung fur Streichquartett)). By Ernesto Nazareth (1863-1934)...(+)
(Samba Movida (Beabeitung
fur Streichquartett)). By
Ernesto Nazareth
(1863-1934). For String
quartet, Double bass ad
lib.. Der musikalische
Salon Vol. 55. Score and
Parts. Published by
Verlag Dohr
Piano; Piano/Keyboard SKU: HL.50498813 Easy Level. By Cesi-Marcian...(+)
Piano; Piano/Keyboard
SKU: HL.50498813
Easy Level. By
Cesi-Marciano. By
Various. Edited by
Cesi-Marciano. Piano
Collection. Classical.
Softcover. Composed 2012.
Ricordi #ER2999.
Published by Ricordi
(HL.50498813).
An dieser
Stuckeauswahl aus der
beruhmten Anthologie fur
Klavierschuler von
Sigismondo Cesi und
Ernesto Marciano in 12
Banden von 1928/29 kommt
kein angehender
Tastenkunstler vorbei.
Nach ansteigendem
Schwierigkeitsgrad
geordnet, schlagen die
Stucke einen
musikalischen Bogen vom
Barock bis zum fruhen 20.
Jahrhundert. Die Stucke
sind uberwiegend in den
einfacheren Tonarten,
andere technische und
musikalische Aspekte wie
z.B. Legato, die Akkorde
der linken Hand,
Staccato, Triolen,
einfache Verzierungen,
moll-Tonarten usw. werden
nach und nach
eingefuhrt.
Composed by Ernesto De Curtis (1860-1926). For string quartet, bass ad lib.. Der...(+)
Composed by Ernesto De
Curtis (1860-1926). For
string quartet, bass ad
lib.. Der Musikalische
Salon Vol. 80. Classic.
Vocal score. 9 pages
(score), 10 pages
(parts). Published by
Verlag Dohr
Composed by Ernesto
Lecuona. Arranged by
Morton Gould. Full
Orchestra, Condensed
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A672199.
Published by
LudwigMasters
Publications
(AP.36-A672199).
ISBN
9798888528525. UPC:
659359599880.
English.
Originally
composed for piano, this
orchestration from
Lecuona's celebrated
Andalucia Suite by Morton
Gould is a sure
crowd-pleaser!
Instrumentation:
2(1dPicc).2.2+BCl..1:
4Sax(opt.): 2.3.3.1:
Perc(2): Hp.Clst.Gtr: Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Ernesto
Lecuona. Arranged by
Morton Gould. Full
Orchestra, Conductor
Score & Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A672190.
Published by
LudwigMasters
Publications
(AP.36-A672190).
UPC:
659359722615.
English.
Originally
composed for piano, this
orchestration from
Lecuona's celebrated
Andalucia Suite by Morton
Gould is a sure
crowd-pleaser!
Instrumentation:
2(1dPicc).2.2+BCl..1:
4Sax(opt.): 2.3.3.1:
Perc(2): Hp.Clst.Gtr: Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Piano SKU: FG.55011-602-3 Kaksi pianokappaletta - Pensamientos 1974 & ...(+)
Piano
SKU:
FG.55011-602-3
Kaksi pianokappaletta
- Pensamientos 1974 &
Toccata-fantasia.
Composed by Ann-Elise
Hannikainen. Fennica
Gehrman #55011-602-3.
Published by Fennica
Gehrman (FG.55011-602-3).
ISBN
9790550116023.
Ann-
Elise Hannikainen
(1946-2012) was born in
Hanko, Southern Finland,
but lived mainly abroad,
her father working as
diplomat. Her
grandfather's father was
P.J. Hannikainen, the
head of a prominent
Finnish musical family.
Ann-Elise's attraction to
music was first found at
age of five, when her
family, then living in
Warsaw, bought a grand
piano. Hannikainen
started to study piano
playing at the Sibelius
Academy in 1967, but
rheumatoid arthritis
prevented her from
pursuing a carrier as a
concert pianist. In 1972
she moved to Madrid and
started to study
composition with Ernesto
Halffter Ercriche, a
student of Manuel de
Falla. Hannikainen
advanced quickly in her
career, and her piano
concerto was premiered in
Helsinki Festival in
1976. Her composing style
evolved into luminous
melodies, free atonal
harmonies and
improvisatory forms.
Hannikainen wrote the two
piano pieces Pensamientos
1974 (1974) and
Toccata-fantasia (1975)
in El Escorial. The first
one carries features
typical for piano writing
of the Late Romantic,
whereas the playful and
improvisatory
Toccata-fantasia gives a
neoclassical
impression.
2010
Edition. Composed by
The Royal Conservatory.
Overtones: A
Comprehensive Flute
Series. Book/CD. The
Frederick Harris Music
Company #FLS01. Published
by The Frederick Harris
Music Company (FH.FLS01).
ISBN
978-1-55440-297-7.
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
repertoire and supporting
materials such as
Studies, Compact Discs,
Orchestral Excerpts, and
Technique. The richness
of music carefully
selected for this
compilation will resonate
with teachers and
students at every level
of study.This compilation
of standard orchestral
passages for flute is an
indispensable resource
for the developing years
and beyond. Teachers and
students will find this
unrivalled volume
essential for examination
or audition
preparation. Study in
F Major Robert
Winn Learning to Skate
Dianne Aitken Study in
C Major Giuseppe
Gariboldi The Yeti
Waltz Jamie
Thompson Siren Kathryn
Cernauskas Many and
Few Wil
Offermans Study in C
Major Giuseppe
Gariboldi Study in C
Major Robert
Winn Study in F Major
Wilhelm Popp Study in
G Major Christian Cheret
Itchy Feet Oliver
Ledbury Study in G
Major Russell
Stokes Study in C
Major Hans
Koehler Study in G
Major Ernesto
Koehler Study in F
Major Giuseppe
Gariboldi Study in C
Major Charles
Nicholson Romany Song
Philip Sparke Flute
Salad Oliver
Ledbury Cloud Nine
James Rae Study in C
Minor Hans
Koehler Study in D
Minor Heinrich
Soussmann Study in F
sharp Minor Francois
Devienne Hungarian
Dance Philip
Sparke Waltzer Oliver
Ledbury One-Line Story
Wil Offermans Groove
It! James Rae Study in
E Minor Hans
Koehler Study in B
Minor Wilhelm
Popp Study in F Minor
Johann Georg
Tromliltz Party Piece
Philip Sparke The
Wrong Button! James
Rae Interlude Allen
Vizzutti.
About
Overtones
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
Repertoire and supporting
materials such as Etudes,
Compact Discs, Orchestral
Excerpts, and Technique.
The richness of music
carefully selected for
this compilation will
resonate with teachers
and students at every
level of study and is the
official series for those
using The Royal
Conservatory Music
Development program.
Violin, piano SKU: VD.ED12551 Composed by Ernesto Camillo Sivori. Edited ...(+)
Violin, piano
SKU:
VD.ED12551
Composed
by Ernesto Camillo
Sivori. Edited by Bella
Kalinowsky and Semjon
Kalinowsky. Classical.
Score, solo part. 30 S.
Part. + 12 S. Stimme
pages. Verlag Dohr
#ED12551. Published by
Verlag Dohr (VD.ED12551).
17 Duos des 18.-20. Jahrhunderts von Soussmann, Hugo, Harris u.a. Edited by W0ch...(+)
17 Duos des 18.-20.
Jahrhunderts von
Soussmann, Hugo, Harris
u.a. Edited by W0chter,
Edmund;Weinzierl,
Elisabeth. For Flute (2).
Playing Score. Published
by Baerenreiter-Ausgaben
(German import).