Dating Songs for
Baritone and Chamber
Ensemble. Composed by
Robert Paterson.
Classical, 21st Century.
Full score and parts.
Bill Holab Music
#1248-SC-PTS. Published
by Bill Holab Music
(B9.1248-SC-PTS).
9 x
12
inches.
(Extrao
rdinary is a duet
for sop/bar. & chamber
ensemble) Reeds (1
player:
Flute/Oboe/Clarinet),
Perc. (1 player), Violin,
Viola, Violoncello,
Keyboard.
By Glee Cast. By Adam Anders, Peer Astrom, and Shelly Peiken. Arranged by Mark A...(+)
By Glee Cast. By Adam
Anders, Peer Astrom, and
Shelly Peiken. Arranged
by Mark A. Brymer. For
Choral (ShowTrax CD).
Secular Christmas Choral.
CD only. Published by Hal
Leonard
Fiddle and clawhammer banjo - Intermediate-Advanced SKU: MB.30518 Extr...(+)
Fiddle and clawhammer
banjo -
Intermediate-Advanced
SKU: MB.30518
Extraordinary Tunes
for Fiddle and Clawhammer
Banjo. Composed by
Dan Levenson. Banjo:
5-String, Banjo:
Clawhammer, Squareback
saddle stitch, Country,
Bluegrass, Old Time,
Tunebook. Made Easy.
Style. Book. 96 pages.
Mel Bay Publications, Inc
#30518. Published by Mel
Bay Publications, Inc
(MB.30518).
ISBN
9780786696109. UPC:
786696109. 8.75 x 11.75
inches.
Youve
played Over the
Waterfall, marched along
to Soldiers Joy and
perhaps even found your
fortune while trotting
along on that Old Spotted
Pony. Now its time to
take the next step;
beyond the waterfall to
the land of lesser-played
tunes.Inside this volume
are 40 challenging,
unusual, interesting and
dare I say- extraordinary
tunes. As it includes
standard notation,
clawhammer banjo
tablature, suggested
chords and fiddle bow
markings, this book is
truly suitable for
anyone. A number of
old-time songs also
include lyrics, so you
can sing these great
songs in the old-time
style.Most of the tunes
include notes about their
history and recording
references are provided
if you wish to hear how
they were played and sung
way back when. I
encourage you to take the
time to do that. It may
jump start your stalled
old-time music collection
or as some folks say,
start you a new one.
Pippin Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 3 SKU: AP.42222S From the Broadway Musical (featu...(+)
Concert Band - Grade 3
SKU: AP.42222S
From the Broadway
Musical (featuring:
Corner the Sky / Magic to
Do / Extraordinary /
Simple Joys / (Pippin)
Finale / Morning
Glow). Composed by
Stephen Schwartz.
Arranged by Ralph Ford.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Pop Concert Band.
Broadway; Pop. Score. 36
pages. Duration 5:45.
Alfred Music #00-42222S.
Published by Alfred Music
(AP.42222S).
UPC:
038081480053.
English.
Scored by
Stephen Schwartz and
arranged for concert band
by Ralph Ford, this
endearing medley includes
Corner of the Sky, Magic
to Do, Extraordinary,
Simple Joys, Pippin
(Finale), and the
mega-hit, Morning Glow.
(5:45) This title is
available in MakeMusic
Cloud.
Wildflowers Flûte, Clarinette, Piano (trio) Theodore Presser Co.
(A Trio for Piccolo (or Flute), Clarinet, and Piano). By Eric Ewazen. Piano trio...(+)
(A Trio for Piccolo (or
Flute), Clarinet, and
Piano). By Eric Ewazen.
Piano trio. For Piccolo
(or Flute), Clarinet in
Bb, Piano. Contemporary.
Score and part(s).
Standard notation. 40 12
pages. Duration 22
minutes. Published by
Theodore Presser Company
Piano SKU: HL.14042802 Composed by Sadie Harrison. Music Sales America. S...(+)
Piano
SKU:
HL.14042802
Composed
by Sadie Harrison. Music
Sales America. Softcover.
University of York Music
Press #M570364602.
Published by University
of York Music Press
(HL.14042802).
These short
pieces are inspired by
the extraordinary piano
music of the little known
Yorkshire composer
William Baines. Baines
died in 1922 at the age
of 23 but left behind a
substantial catalogu
e of over 150 works.
Likened to that of
Scriabin, Baines’
piano music is
sensuous, highly
coloured and quite unlike
anything being written by
his British
contemporaries.
Shadows (Volume I)
are reflections on
episodes from
Baines’ life and
diary entries, each
piece incorporating
a chord, a gesture or a
figuration from one of
Baines’ solo piano
works. It
was particularly
fitting that the set
received its premiere in
Yorkshire inthe fabulous
surroundings
of Ripon
Cathedral.
These
short pieces are inspired
by the extraordinary
piano music of the little
known
Yorkshire composer
William Baines. Baines
died in 1922 at the age
of 23 but left behind a
substantial catalogu
e of over 150 works.
Likened to that of
Scriabin, Baines’
piano music is
sensuous, highly
coloured and quite unlike
anything being written by
his British
contemporaries.
Shadows (Volume
I) are
reflections on episodes
from Baines’ life
and diary entries, each
piece incorporating
a chord, a gesture or a
figuration from one of
Baines’ solo piano
works. It
was particularly
fitting that the set
received its premiere
inYorkshire in the
fabulous surroundings
of Ripon
Cathedral.
Guitar - advanced SKU: M7.KC-2005 Seis por derecho, Pasaje AragüeÃ...(+)
Guitar - advanced
SKU:
M7.KC-2005
Seis
por derecho, Pasaje
Aragüeño.
Composed by Antonio
Lauro. Arranged by Alirio
Diaz. This edition:
Saddle-wire stitching.
Sheet music. 32 pages.
MDS (Music Distribution
Services) #KC 2005.
Published by MDS (Music
Distribution Services)
(M7.KC-2005).
Piano/Vocal/Guitar Guitar; Piano/Keyboard SKU: HL.1152691 By Joni Mitchel...(+)
Piano/Vocal/Guitar
Guitar; Piano/Keyboard
SKU: HL.1152691
By
Joni Mitchell.
Piano/Vocal/Guitar Artist
Songbook. Folk.
Softcover. 176 pages.
Published by Hal Leonard
(HL.1152691).
ISBN
9781705186800. UPC:
196288119562.
9.0x12.0x0.417
inches.
Immerse
yourself in the
extraordinary musical
world of Joni Mitchell
with this new collection
of 32 of Joni's most
cherished masterpieces,
carefully arranged for
piano, voice, and guitar
chords. Crafted with
care, The Joni Mitchell
Sheet Music Collection is
more than just a
collection of sheet
music; it's an homage to
Joni's extraordinary
talent and enduring
influence on the music
world. Offering unique
arrangements that stay
true to the original
compositions, this
songbook is the perfect
addition to the
collection of any
musician or music
enthusiast eager to
explore the rich tapestry
of Joni Mitchell's work.
Songs include: Amelia
⢠Big Yellow Taxi
⢠Both Sides Now
⢠California â¢
A Case of You ⢠The
Circle Game ⢠Coyote
⢠Help Me ⢠The
Blessing of Summer Lawns
⢠Ladies of the
Canyon ⢠My Old Man
⢠River â¢
Trouble Child â¢
Woodstock ⢠and
more!
Guitar - advanced SKU: M7.KC-2008 La Gatica, Momoti, Merengue. Com...(+)
Guitar - advanced
SKU:
M7.KC-2008
La
Gatica, Momoti,
Merengue. Composed by
Antonio Lauro. Arranged
by Alirio Diaz. This
edition: Saddle-wire
stitching. Sheet music.
24 pages. MDS (Music
Distribution Services)
#KC 2008. Published by
MDS (Music Distribution
Services) (M7.KC-2008).
Partita No. 2 Piccolo [Conducteur] Theodore Presser Co.
Chamber Music Piccolo SKU: PR.114422450 Composed by Johann Sebastian Bach...(+)
Chamber Music Piccolo
SKU: PR.114422450
Composed by Johann
Sebastian Bach. Arranged
by Nicola Mazzanti. Sws.
Full score. 20 pages.
Duration 17 minutes.
Theodore Presser Company
#114-42245. Published by
Theodore Presser Company
(PR.114422450).
ISBN
9781491134986. UPC:
680160685974. 9 x 12
inches.
Bachâs
colossal Partita No. 2
for Solo Violin has been
crowned by many masters
as one of musicâs
greatest achievements,
and even its famous
Chaconne movement alone
is a mountain many
performers dare not
scale. While the
literature of several
other instruments has
been enriched by
transcriptions of the
Chaconne, Mazzantiâs
heroic adaptation of the
complete Partita is the
culmination of many
yearsâ work, and the
only transcription
specifically for the
piccoloâs unique
range. THE
INSPIRATIONEver since my
childhood, Johann
Sebastian Bachâs
solo violin music (like
his works for solo cello)
has always held a charm
and mystery for me.
Thereâs something
about this repertoire
that sparks an
inextinguishable
questioning in my musical
and human soul.It is
music without spatial
limits or temporal cages,
a music as essential as
it is masterfully
complex, in which the
solitary voice of man
meets the
all-encompassing voice of
God. It is a music whose
vertical and horizontal
dimensions, already
admirably fused, are
faceted into new and
mysterious realities. For
every violinist, the
study of these
compositions is at the
apex of tenacious
technical study and
interpretative
effort.Violinist Joshua
Bell has said the
Ciaccona (Bach did write
the Partitaâs
movement titles in
Italian) is ânot
just one of the greatest
pieces of music ever
written, but one of the
greatest achievements of
any man in history.
Itâs a spiritually
powerful piece,
emotionally powerful,
structurally
perfect.âTranscribin
g and performing
Bachâs PARTITA NO.
2, BWV 1004 on piccolo
was a feat that took
years of work. The famous
Ciaccona movement is, of
course, the piece that
alone occupied most of
this time. How does one
honor and elevate such
high music with such a
âsmallâ
instrument, devoid of the
enormous expressive
potential of the violin,
devoid of its chords and
its polyphony? How might
I transform the piccolo
into an instrument with,
like the violin,
full-bodied low notes and
subtle high notes? Above
all, why undertake such a
demanding and
extraordinary journey?The
first reason is obvious:
by transcribing,
studying, and performing
such an admirable piece,
we assimilate it, it
becomes part of us, it
enormously enriches our
musical interior.In
addition, it forces us
technically to expand the
colors, agility, and
flexibility of the
instrument; it makes us
think in a polyphonic
way.Finally, the daily
study, especially of the
Ciaccona, is an
extraordinary gymnasium
in which to consolidate
and strengthen our
general technique.THE
TRANSCRIPTIONThe whole
Partita was transcribed
in the key of A minor, a
fifth above the original
in D minor. This was
necessary for the lowest
note of the violin (G) to
correspond to the lowest
note of the piccolo (D).
This version exploits the
full range of the
piccolo, from the D of
the first octave to the B
of the third octave.
However some octave
adjustments were
needed.The chords,
particularly in the
Sarabanda and the
Ciaccona, have been left
with the same notational
system used by Bach in
his version for violin. I
chose to respect
Bachâs presentation
and did not transcribe
these into grace notes
breaking the chords. I
advocate that we must at
least try to think of
this music in its
vertical dimension,
trying to make the notes
resonate as if they were
being played together,
deciding the speed of the
arpeggio based on musical
needs.While some woodwind
editions of Bachâs
string solos do indicate
broken chords as grace
notes, this implies that
the most important note
is necessarily the
highest one, while
sometimes it is precisely
in the lower pitches that
the theme is voiced.In
this piccolo adaptation,
many of Bachâs
original articulations
have been respected. Some
have been changed, when
needing to adapt them to
the specific needs of
flute playing.The two
passages in the Ciaccona
where Bach indicates
âarpeggioâ were
rendered trying to
respect the most
consolidated and virtuous
violin traditions, and at
the same time the
possibilities that the
piccolo offers us. For
this purpose, in some
cases, different
revoicings of the chords
have been used.I thank
all those who patiently
listened to me and were
close to me during this
period, for their
observations and advice.
In particular, I thank my
daughter Sara for her
assistance and skill in
entering this edition
into music writing
software.
Composed by
Evan Ramos. 8 pages.
Duration 0:01:35. Carl
Fischer Music #CM9698.
Published by Carl Fischer
Music (CF.CM9698).
ISBN 9781491159996.
UPC: 680160918591. Key:
Ab major. Latin.
Traditional
Latin.
O Magnum
Mysterium is a setting of
a Latin sacred text
written for Christmas.
The text depicts the
extraordinary occurring
among the ordinary: God
coming to earth as a tiny
baby, and animals in a
lowly stable being the
first to witness his
arrival. Adding dynamic
contrast
(crescendo/decrescendo)
on every phrase and
singing legato (smoothly)
with a gentle choral tone
will reflect the wonder
and awe the original text
and this setting attempt
to communicate. Original
Latin Text: English
Translation: O magnum
mysterium, O great
mystery, Et admirabile
sacramentum, And
wonderful sacrament, Ut
animalia viderunt That
animals should see
Dominum natum the newborn
Lord jacentem in
praesepio. Lying in a
manger. O magnum
mysterium. Amen. O great
mystery. Amen. General
Latin Pronunciation
Guidelines: 1. There are
only five pure vowel
sounds in Latin: A = AH
E=EH I = EE O = AW U = OO
2. Strive to flip all R's
as if singing in Italian.
Latin Pronunciation
(accented syllables are
UPPER CASE): aw MAH-nyoom
mee-STEHR-yoom,* eht
ahd-mee-RAH-bee-leh
sah-krah-MEHN-toom, oot
ah-nee-MAH-lee-ah
vee-DEHR-oont
DAW-mee-noom NAH-toom,
yah-CHEHN-tehm een
preh-SEH-pee-aw. aw
MAH-nyoom mee-STEHR-yoom.
AH-mehn. *The word
mysterium in this piece
is a three-syllable
rather than a
four-syllable word. This
can be accomplished by
pronouncing the last
syllable ium as yoom
rather than ee-oom. O
Magnum Mysterium is a
setting of a Latin sacred
text written for
Christmas. The text
depicts the extraordinary
occurring among the
ordinary: God coming to
earth as a tiny baby, and
animals in a lowly stable
being the first to
witness his arrival.
Adding dynamic contrast
(crescendo/decrescendo)
on every phrase and
singing legato (smoothly)
with a gentle choral tone
will reflect the wonder
and awe the original text
and this setting attempt
to communicate.Original
Latin Text: English
Translation:O magnum
mysterium, O great
mystery,Et admirabile
sacramentum, And
wonderful sacrament,Ut
animalia viderunt That
animals should seeDominum
natum the newborn
Lordjacentem in
praesepio. Lying in a
manger.O magnum
mysterium. Amen. O great
mystery. Amen.General
Latin Pronunciation
Guidelines:1. There are
only five pure vowel
sounds in Latin:A = AH
E=EH I = EE O = AW U =
OO2. Strive to flip all
R’s as if singing
in Italian.Latin
Pronunciation (accented
syllables are UPPER
CASE):aw MAH-nyoom
mee-STEHR-yoom,*eht
ahd-mee-RAH-bee-leh
sah-krah-MEHN-toom,oot
ah-nee-MAH-lee-ah
vee-DEHR-oontDAW-mee-noom
NAH-toom,yah-CHEHN-tehm
een preh-SEH-pee-aw.aw
MAH-nyoom mee-STEHR-yoom.
AH-mehn.*The word
“mysteriumâ€
in this piece is a
three-syllable rather
than a four-syllable
word. This can be
accomplished by
pronouncing the last
syllable
“ium†as
“yoom†rather
than
“ee-oomâ€.
Solo piano - Grade 1; Late Elementary SKU: FJ.FJH2359 Book 1. Comp...(+)
Solo piano - Grade 1;
Late Elementary
SKU:
FJ.FJH2359
Book
1. Composed by
Christopher Oill. Piano
Collection; Piano
Resources; Piano
Supplemental. The
Christopher Oill FJH
Originals Series. Form:
Theme. Living Composer.
Book. The FJH Music
Company Inc #98-FJH2359.
Published by The FJH
Music Company Inc
(FJ.FJH2359).
ISBN
9781619283435. UPC:
241444443233.
English.
Eureka! is
the sound someone makes
after discovering
something extraordinary
and life changing. I hope
anyone who plays music
from this series yells,
eureka for the same
reason. In the series,
you will find music that
is super fun to play and
even more fun for
audiences to hear. All
pieces are inspired by
popular topics, so
performers and audiences
can truly connect
emotionally. Using the
piano in this
extraordinary way
inspires pianists to keep
playing the piano for
their entire lives!