(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

SKU: CA.1232100

Composed by Helga Maria List. This edition: Paperbound. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. German title: Moby Dick und Kissenschlacht. Songs for children, Secular choral music. Full score. 48 pages. Carus Verlag #CV 12.321/00. Published by Carus Verlag (CA.1232100).

ISBN 9790007018146. Illustrator: Rudi Kammerer.

This collection contains 33 new children's songs for ages kindergarten through third grade. The collection is designed to appeal to children in all age groups, as is especially indicated in the table of contents. Musically the songs - many with refrains and suggestions for playing games - are ideal for children and are similar to folksongs. The songs encompass a wide range of themes, including animals (dinosaurs too), games, fairy tales, stories, the body and the senses, living, hiking, the circus, songs with gags which can be performed .... The cheerful tone throughout these songs finds its counterpart in the rich, colourful illustrations. A true picture book.

Soprano, baritone, spoken voice, mixed choir (SSSSAAAATTTTBBBB, and 9 boys' voices, S/A) and orchestra (Vocal Score) - difficult

SKU: HL.49006579

Oratorio Vocal Score. Composed by Hans Werner Henze. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Piano reduction. Composed 1968/1990. 336 pages. Duration 70'. Schott Music #ED6719. Published by Schott Music (HL.49006579).

ISBN 9790001071291. 9x12 inches. German - English. Text: Ernst Schnabel.

4 (1., 2. auch Picc., 3., 4. auch Altfl.) * 1 * Ob. d'am. * Engl. Hr. * Heckelphon * Es-Klar. * 1 * Altklar. (oder Bassetthr.) * Bassklar. * Sopransax. * Tenorsax. * 2 * Kfg. - 4 * Picc.-Trp. * 2 * Basstrp. * Altpos. * 1 * Basspos. * Alt-Ofikleide (oder Bombardino) * Bass-Ofikleide (oder Pos. mit Quartventil) * Bombardino (oder Tb. in F) * Wagnertb. * 1 * Kb.-Tb. - P. S. (3 Trgl. * 3 hg. Beck. * Beckenpaar * 3 Gongs * Kuhgl. * 5 Tamt. * Tamb. * Mil. Tr. * 3 Bong. * Tabla * orient. Woodbl. * gr. Tr. * 2 Tempelbl. * Metallbl. * Woodbl. * Mar. * Guiro * Bambusbundel * 3 Metallplatten * Shell-Chimes * Vibr. * Marimba * Rohrengl.) (5 Spieler) - E-Git. * E-Bassgit. * 2 Hfn. * Klav. * E-Org. - Str. (12 * 0 * 8 * 6 * 4).

By Carol Barratt. For Piano. Folk, Blues, Classical. 64 pages. Published by Music Sales

Composed by Cesar Auguste Franck (1822-1890). Edited by Ernst-Gunter Heinemann. Sheet Music. Paperbound. Henle Music Folios. Classical. Score and Parts. 142 pages. G. Henle #HN1142. Published by G. Henle

Composed by Anton�­n Dvor�¡k. Edited by Andreas Groethuysen and Peter Jost. For Piano Trio (Score and Parts). Henle Music Folios. Softcover. 115 pages. G. Henle #HN1230. Published by G. Henle

Horn and Piano. Composed by Camille Saint-Sa�«ns. Edited by Dominik Rahmer. Henle Music Folios. Softcover. 24 pages. G. Henle #HN1284. Published by G. Henle (HL.51481284).

Essential Elements Band Method. Size 9x12 inches. 48 pages. Published by Hal Leonard.

By C. V. Stanford. For Voices: SATB. Organ. Royal School of Church Music Sacred. 8 pages. Published by GIA Publications.
Level: easy.

Eulenburg Audio Score Series. By Johannes Brahms. This edition: EAS119. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 106 pages. Published by Eulenburg.

For Piano Solo - by Masters of the 17th, 18th, and 19th Centuries. By Franz Joseph Haydn; Georg Philipp Telemann; Giornovichi; Jan Ladislav Dussek; Johann C. Bach; Johann Friedrich Reichardt; Johann Kuhnau; Johann Pachelbel; Muzio Clementi. Edited by Alfred Mirovitch. Text: Alfred Mirovitch. Solo piano. For Piano Solo. Solo part. 40 pages. Published by Theodore Presser Company.

Voice and Piano. By Various Composers. Schott. Size 9x12 inches. 48 pages. Published by Schott.

Flute and Piano with Piano Accompaniment On CD. By Benedetto Marcello. Edited by Donald Peck. Arranged by Donald Peck. For Flute Solo, Piano. Carl Fischer CD Solo Series. Level: Intermediate Level. Score and parts. 8 pages. Published by Carl Fischer.

By Benedetto Marcello. For Clarinet, Piano. Carl Fischer Solo Series. Classical. Level: Intermediate Level. Score and Audio CD. 8 pages. Published by Carl Fischer.

By Wolfgang Amadeus Mozart (1756-1791). Edited by Ernst Herttrich. Henle Music Folios. Book only. 28 pages. G. Henle #HN1041. Published by G. Henle

Chamber Music harp

SKU: CF.H84

Composed by Marcel Tournier. Edited by Carl Swanson. Collection - Score. Carl Fischer Music #H84. Published by Carl Fischer Music (CF.H84).

ISBN 9781491165539. UPC: 680160924530.

Marce l Tournier (1879–1951) was one of the most important harpist/composers in the history of the harp. Over his long career, he added a significant catalogue of very beautiful works to the harp repertoire. Many of his solo works, almost one hundred, have been consistently in print since they were first published. But in recent years harpist Carl Swanson has discovered a treasure trove of pieces by Tournier heretofore unknown and unpublished. These include the Déchiffrages in this edition, as well as songs set for voice, harp, and string quartet, and ensemble arrangements of some of his most beloved works.All of the works that Carl Swanson found were in manuscript only. With the help of the great harpist Catherine Michel, he has put these pieces into playable form, and they are being published for the very first time. He and Catherine often had to re-notate passages to show clearly how they could be played, adding fingerings and musical nuances, tempos, pedals, and pedal diagrams.Tournier wrote these pieces when he was in his 20s, and before he became the impressionistic composer those familiar with his work know so well. They are written in the late nineteenth-century romantic style that was being taught at that time at the Paris Conservatory. They are beautiful short, intermediate level pieces by a first rate composer, and add much needed repertoire to that level of playing.
Marcel Tournier (1879–1951) was one of the most important harpist/composers in the history of the harp. He graduated from the Paris Conservatory with a first prize in harp in 1899. He also studied composition there and won a second prize in the prestigious Prix de Rome competition, as well as a first prize in the Rossini competition, another major composition competition of the day. From 1912 to 1948 he taught the harp class at the Paris Conservatory. But composition, and almost entirely, composition for the harp, was the main focus of his life. His published works, including many works for solo harp, a few for harp and other instruments, and several songs, number around one hundred pieces.In 2019, while researching Tournier for my edition MARCEL TOURNIER: 10 Pieces for Solo Harp, I discovered that there was a significant list of pieces by this composer that had never been published and were not included on any inventory of his music. Principal on this list were his déchiffrages (pronounced day-she-frahge, like the second syllable in the word garage).The word déchiffrage means sight-reading exercise, and that was their original purpose. Tournier numbered and dated these pieces, with dates ranging from 1900 to 1910, indicating that they were in all likelihood written for Alphonse Hasselmans’ class at the Paris Conservatory. Tournier was probably told how long to make each one, and how difficult. They range in length from two to four pages, with only one in the whole series extending to five, and from thirty to fifty-five measures, with only one extending to eight-five. The level of difficulty for the whole series is intermediate, with some at the easier end, and others at the middle or upper end.We don’t know if they were intended to test students trying to enter the harp class, or if they were used to test students in the class as they played their exams. The fact that they were never published means that students had to not only sight read them, but sight read them in manuscript form!I worked from digital images of the original manuscripts, which are in the private music library of a harpist in France. She had twenty-seven of these pieces, and this edition is the second in a series of three that will publish, for the first time, all of the ones that I have found thus far. The manuscripts themselves consist of little more than notes on the page: no pedals written in, no fingerings, few if any musical nuances and tempo markings, and no clear indication as to which hand plays which notes. These would have been difficult to sight read indeed! My collaborator Catherine Michel and I added musical nuances, fingerings, pedals and pedal diagrams, and tempo indications to put them into their current condition.At the time these were written, Tournier would have been in his twenties, having just graduated from the harp class himself (1899), and might still have been in the composition class. These are the earliest known pieces that he wrote, and they were written at the very beginning of a cultural revolution and upheaval in Paris that was to completely and profoundly alter musical composition. Tournier himself would eventually be caught up in this new way of composing. But not yet.All of the déchiffrages are written in the late romantic style that was being taught at that time at the Paris Conservatory. Each one is built on a clear musical idea, and the variety over the whole series makes them wonderful to listen to as well as to learn. They are also great technical lessons for intermediate level players.The obvious question is: Why didn’t Tournier publish these pieces, and why didn’t he list them on his own inventory of his music? Actually, four of them were published, with small changes, as his collection Four Preludes, Op. 16. These came from the ones that will be in volume three of this series from Carl Fischer. His first large piece, Theme and Variations, was published in 1908, and his two best known and frequently played pieces, Féerie and Au Matin, followed in 1912 and 1913 respectively. We can only speculate because there is so much still unknown about Tournier and about these unpublished pieces. He may have looked at them, fresh out of school as he was, as simply a way to make some quick money. The first several pieces that he did publish are much longer than any of the déchiffrages. So it could be that, because of their shorter length, as well as the earlier musical style that he was moving away from, he chose not to publish any more of them. We may never know the full story. But all these years later, more than a century after they were composed, we can listen to them for their own merits, and not measured against whatever else was going on at the time. The numbers on these pieces are the ones that Tournier assigned to them, and the gaps between some of the numbers suggest that there are perhaps thirty or more of these pieces still to be found, if they still exist. They will, in all likelihood, be found, as these were, in private collections of harp music, not in institutional libraries. We can only hope that more of them will be located in years to come.—Carl SwansonGlossary of French Musical TermsTournier was very precise about how he wanted his pieces played, and carefully communicated this with many musical indications. He used standard Italian words, but also used French words and phrases, and occasionally mixed both together. It is extremely important to observe and understand everything that he put on the page.Here is a list of the French words and phrases found in the pieces in this edition, with their translation.bien chanté well sung, melodiousdécidé firm, resolutediminu peu à peu becoming softer little by littleen diminuant becoming softeren riten. slowing downen se perdant dying awayGaiement gayly, lightlygracieusement gracefully, elegantlyLéger light, quickLent slowmarquez le chant emphasize the melodyModéré at a moderate tempopeu à peu animé more lively, little by littleplus lent slowerRetenu held backsans lenteur without slownesssans retinir without slowing downsec drily, abruptlysoutenu sustained, heldtrès arpegé very arpeggiatedTrès Modéré Very moderate tempoTrès peu retenu slightly held backTrès soutenu very sustainedun peu retenu slightly held back.

4 Flutes

SKU: BT.EMBZ14476

Zum Teil mit Altflöte (Sol). By László Zempléni. By Imre Kovacs. Educational Tool. Set (Score & Parts). Composed 2006. 64 pages. Editio Musica Budapest #EMBZ14476. Published by Editio Musica Budapest (BT.EMBZ14476).

Hungarian-English-Germ an-French.

Editio Musica Budapest is launching a new series entitled Musica da camera. As its very general title indicates, the publishers' intention is that the volumes in this series, which is designed specifically for music school students, will include works composed for chamber ensembles of every kind, from the trio to the sextet. The first two volumes contain mostly transcriptions for three and four flutes respectively, selected from every period of music history from the late Renaissance to the present day. This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.

Unter dem Titel ‚Musica da camera' bringt Editio Musica Budapest eine neue Serie auf den Weg. Bereits dieser sehr allgemeine Titel zeigt an, dass in die Bände dieser neuen Serie den Wünschen des Verlags entsprechend Werke für Kammerensembles der unterschiedlichsten Besetzung - vom Trio bis zum Sextett - aufgenommen werden. Die ersten beiden Bände enthalten grösstenteils Bearbeitungen für drei oder vier Flöten aus allen musikgeschichtlichen Epochen von der Spätrenaissance bis zur Gegenwart.

Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.

Classroom Kit (Teacher and P/A CD) Choral (Classrm Kit)

SKU: HL.9971522

New Lyrics to Old Favorites. Composed by John Jacobson. ExpressiveArts. Collection, Composers, Elementary. Published by Hal Leonard (HL.9971522).

ISBN 9781617805899. UPC: 884088555214. 8.5x11.0x0.336 inches.

Did you know . . . Bach had twenty kids; Beethoven lost most of his hearing by the time he was an adult; Haydn's parents sent him off to study music at the age of six; Mozart was performing for kings and queens by age five? Learn a wealth of interesting and fun facts about 10 famous composers with this delightfully whacky collection of familiar melodies set to new lyrics. Perform songs live with piano accompaniments in the Teacher Edition or use the professionally-produced recordings available separately on the Performance/Accompaniment CD. Choreography is also included along with reproducible lyric sheets. Enhance learning further with reproducible composer bios and review questions, and a comprehensive word search and crossword puzzle for a final check of the facts! Available separately: Teacher Edition (with reproducible pages), Performance/Accompaniment CD, Classroom Kit (Teacher & P/A CD). Suggested for grades 3-6.