(A Musical History of the Holy Land). By Various. For Piano/Vocal/Guitar. Transcontinental Music Folios. Softcover. 92 pages. Transcontinental Music #993356. Published by Transcontinental Music

Arranged by Bernadine Johnson. For Piano. Book; Piano Collection; Piano Supplemental. Pure and Simple. Contemporary Christian; Sacred. Easy Piano. 80 pages. Published by Alfred Music Publishing

By Richard Matteson, Jr. For Fretted. Tune book. Bluegrass. Level: Beginning. Book. Size 8.75x11.75. 248 pages. Published by Mel Bay Publications, Inc.

By David Arcus. Arranged by David Arcus. Text: Ruth 1:16-17. For Soprano Solo. (Accompaniment: Organ). Sacred. Level: Medium Advanced Adult. 16 pages. Duration 10 min. Published by Hinshaw Music Inc.

By Max Lucado and Randy Frazee. Sacred Folio. Softcover. 128 pages. Word Music #080689546280. Published by Word Music

Choral (SHOWTRAX CD)

SKU: HL.301351

From Aladdin. By Naomi Scott. By Alan Menken. Arranged by Jacob Narverud. Pop Choral Series. Disney, Inspirational, Movies, Musicals, Pop, Show Choir. CD. Duration 200 seconds. Published by Hal Leonard (HL.301351).

UPC: 888680964504. 5.0x5.0x0.199 inches.

Featuring an all-star songwriting match made in heaven, Alan Menken sets new lyrics by Broadway sensations Pasek & Paul into a poetic, powerful and long-overdue showcase for Princess Jasmine in the 2019 live-action film adaptation of Aladdin. Sung by Naomi Scott in the movie, this rousing arrangement will leave you breathless!

Guitar - Intermediate

SKU: OT.26114

Composed by Ariel Lazarus. A short suite for classical guitar based on themes from the Spanish and Portuguese tradition. Classical. Score. OR-TAV Music Publications #26114. Published by OR-TAV Music Publications (OT.26114).

ISBN 9789655051049. 8.27 x 11.69 inches.

Ariel Lazarus
Guitarra Liturgia
Two pieces based on music from the Spanish and Portuguese tradition.
Contents:
Jerusalem de Sefarad - Suite for Guitar
Contrapunto Sefardi
The composer writes:
For many years I wanted to compose a piece for guitar which would inspire interested students to expand their repertoire in the direction of Jewish music. The most natural thing for me was to write a suite based on themes from the synagogue in which I grew up – the Spanish and Portuguese synagogue of Gibraltar. My beloved grandfather served all his life as hazzan (cantor) of this synagogue, and I always felt as a composer and educator that I had a special obligation to continue his tradition and pass it on to a new generation. In this composition, I let the guitar echo the piyyutim (semi-liturgical poems) that were part of my childhood: Adon Olam, Sh'charchoret, Achot K'tana, Yigdal, Borei ad Ana, all of which are sung in the Spanish and Portuguese tradition from Gibraltar to London, and from New York to Jerusalem. I let myself dream the piyyutim, take them apart and reconstruct them as a short suite for guitar, the results of which you are invited to hear here. As a conceptual idea for the suite, I choose to suggest about the cultural continuation between the Diaspora and the land of Israel by way of referencing the well-known melody of Naomi Shemer, which is also popular among the hazzanim.
Dr. Ariel Lazarus is a unique voice among Israeli composer-performers today. Brought up in a family with Jewish musical roots both in Gibraltar and Westphalia, he began composing and playing the guitar in his teens, and has been committed to developing his own compositional language ever since, always maintaining an open dialogue with his traditions.
Lazarus received his BMus and MMus degrees from Oklahoma City University in classical guitar performance and composition where he studied with American composer Dr. Edward Knight. He earned his PhD from Bar Ilan University, studying composition with Prof. Betty Olivero and Prof. Gideon Lewensohn and conducting research under the supervision of Prof. Edwin Seroussi from the Hebrew University. His symphonic works have been premiered by the Raanana Symphonette Orchestra, and his chamber works have been performed by various ensembles in the United States, Central Europe, Portugal, Gibraltar, Scandinavia and Israel. Lazarus performs regularly as Art Ambassador on behalf of the Israeli Ministry of Diaspora affairs Amiel BaKehila program.
His solo album A Hebrew Capriccio was released by the German boutique label SmoothFactor and was awarded critical acclaim, among others, in Haaretz, and Neue Westfalishe.
Dr. Lazarus is the musical director and co-founder of the Israeli Ladino Orchestra. His work with the orchestra has been recognized by the official Carta de España. He teaches at the Academic College for Education Givat Washington, and the Rimon School of Music. Lazarus’s work has been awarded by the Israeli Pais Art council and ACUM.

Accordion and 1 or more inst.

SKU: BR.EB-9191

Composed by Nicolaus A. Huber. Solo instruments; Folder. Edition Breitkopf. World premiere: Stuttgart, December 5, 2009. Music post-1945; New music (post-2000). Performance score. Composed 2007/08. 22 pages. Duration 15'. Breitkopf and Haertel #EB 9191. Published by Breitkopf and Haertel (BR.EB-9191).

ISBN 9790004183434. 11.5 x 16.5 inches.

Ich denke beim Komponieren immer an Horer. Ich selbst bin mein erster und oftmaliger Horer. Aber zuallererst denke ich immer an Tone. Sie stehen mir gegenuber, auch in ihren angereicherten Formen als Klange, Gerausche, Positionen. In diesem Stuck gibt es einige Tone, deren Lautstarken nicht ihre eigenen sind, sondern mit denen sie uns Horer um Aufmerksamkeit bitten, ja sie geradezu erflehen. Ihr Hauptselbst, meine ich, ist ihre Lange. Nur wenn diese Langen mit offenem Horen empfangen werden, erfahrt man Charakter, Blickrichtung, Sehnsuchte, Tonwelten. Daneben gibt es eine Menge eleganter, fluchtiger Tone, eine Art Frequenzhupfer: Engelsstaub. Ich begegnete diesem Begriff kurz vor Beginn meiner Kompositionsarbeit in Naomi Kleins erschreckendem Buch ,,Die Schock-Strategie, in dem zu Beginn die Psychoschockversuche (CIA / USA und Dr. E. Cameron / Montreal) zur totalen Zerstorung von Personlichkeit geschildert werden. Zu diesen Entpragungs-Versuchen gehort(e) auch ein Drogencocktail mit LSD und PCP (Phenyl-Cyclidin-Piperidi n). Dieses PCP ist auch als Angel Dust bekannt. Es stellte sich heraus, dass Entpragung mit anschliessender Um- und Neupragung nicht moglich war. Nur katastrophale Personlichkeitszerstorung . Diese hat allerdings zur Entwicklung heutiger amerikanischer (nur?) Foltertechniken Zentrales beigetragen. Dagegen ist Musik ein Klacks! Sie hat eine andere Realistik als die Realitat. Das beinhaltet ihre Freiheit! Zeigen baut auf! Alle Ereignisse des Stuckes sind in eine Massstabstruktur von 80x13 eingesperrt und bewegen sich doch dauernd in erneuerter Teilung. Die harmonische Grundstruktur fallt mit der syntaktischen Gliederung nicht immer zusammen. Tone verlieren dadurch ihre Deutlichkeit. Sie gewinnen entlokalisierte Beweglichkeit. Und ein Einsperrmodell, in dem ein Ereignis (A) an Beginn und Ende (B1 / B2) umklammert ist, wird zum polyphonen Bewegungsprozess des Entgleitens und Entkommens. Realitat als Anstoss musikalischer Realistik. Dialektisch? Ansprechpartner?? Ihr Zeuge, lieber Horer!!! Nicolaus A. Huber (14. Januar 2008)

World premiere: Stuttgart, December 5, 2009.

SATB choir and small orchestra or piano, with optional soprano voice solo (tpt, harp, strings) - Intermediate

SKU: MN.56-0116

Composed by Howard Goodall. Secular, Christmas, Christmas-Secular/Holiday . MorningStar Music Publishers #56-0116. Published by MorningStar Music Publishers (MN.56-0116).

UPC: 688670221408. English.

The Gravity of Kindness is Howard Goodallâ??s stunning setting of Naomi Shihab Nyeâ??s poem Kindness, for SATB and piano with optional soprano solo. It was composed for the highly regarded Addison Singers, in memory of their long-standing member Cathy Bereznicki. Kindness is framed by two lullabies: the Mexican Arrorró mi niño and the well-known Coventry Carol, underpinned by the universal themes of unconditional love and the hope that kindness brings. The contemporary, reflective and uplifting style of the music makes this a versatile work: whilst ideal for Christmas concerts, it is equally suitable for performance at any time of the year.

Composed by Pettit. Arranged by Ryan Murphy. Octavo. Published by Jackman Music Corporation (JK.01667).

TTBB chorus a cappella - Medium

SKU: JK.01563

Composed by Mildred T. Pettit. Arranged by Charles Cardin. Choral A cappella, Choral TB, Difficulty Medium, Children, Example, Family, Fatherhood, God the Father, Home, Leadership, Love, Motherhood, Teaching, Youth. Christian, Inspirational. Duration 2:30. Jackman Music Corporation #01563. Published by Jackman Music Corporation (JK.01563).

Psalm 82:6, Mosiah 4:15, Doctrine and Covenants 14:7.

Harmonic anthem for a cappella mixed men's chorus (TTBB), recently developed for Ray Smith and BYU Synthesis 2010.
Composer: Mildred T. Pettit
Arranger: Charles Cardin
Lyricist: Naomi Randall
Difficulty: Medium
Performance time: 2:30
Reference: Psalm 82:6, Mosiah 4:15, Doctrine and Covenants 14:7.

Two Clarinets

SKU: SU.80111401

For Two Clarinets. Composed by Meyer Kupferman. Woodwinds, Clarinet. Performance Score. Subito Music Corporation #80111401. Published by Subito Music Corporation (SU.80111401).

Four duos for two clarinets: High Tensions, New Games, Ancient Canons, and Tight Spirals. Recorded by Stanley and Naomi Drucker.Two Clarinets Composed: 1971 Published by: Soundspells Productions Includes 2 scores.

Performed by The Judds. By Naomi Judd, Paul Overstreet, John Jarvis. Arranged by Kirby Shaw. (SATB). Pop Choral Series. Festival. Size 6.7x10.5 inches. 12 pages. Published by Hal Leonard.

Performed by The Judds. By Naomi Judd, Paul Overstreet, John Jarvis. Arranged by Kirby Shaw. (SSA). Pop Choral Series. Festival. Size 6.7x10.5 inches. 12 pages. Published by Hal Leonard.

Performed by The Judds. By Naomi Judd, Paul Overstreet, John Jarvis. Arranged by Kirby Shaw. (SAB). Pop Choral Series. Festival. Size 6.7x10.5 inches. 12 pages. Published by Hal Leonard.

Performed by The Judds. By Naomi Judd, Paul Overstreet, John Jarvis. Arranged by Kirby Shaw. (Showtrax Cd). Pop Choral Series. Festival. CD only. Size 5x5.5 inches. 12 pages. Published by Hal Leonard.

SKU: TL.TCL-018076

Strings. Book. Trinity College London #TCL 018076. Published by Trinity College London (TL.TCL-018076).

ISBN 978-0-85736-728-0.

Take Your Bow is a collection of 20 concert pieces for beginner string players written by Celia Cobb and Naomi Yandell. Years of string teaching have given them the inspiration to produce pieces which will both delight and engage. Their imaginative writing strengthens rhythmic and stylistic concepts, whilst employing a variety of adventurous playing techniques that students will find to be a fun and achievable challenge. Each piece is compatible with any of the other instruments in the series, in any combination, making it an excellent resource for individual or group teaching. Take Your Bow is available in 4 individual editions -- for violin, viola, cello and double bass, each with piano accompaniment -- and as a separate full score.

Cello

SKU: TL.TCL-018069

Strings. Book. Trinity College London #TCL 018069. Published by Trinity College London (TL.TCL-018069).

ISBN 978-0-85736-727-3.

Take Your Bow is a collection of 20 concert pieces for beginner string players written by Celia Cobb and Naomi Yandell. Years of string teaching have given them the inspiration to produce pieces which will both delight and engage. Their imaginative writing strengthens rhythmic and stylistic concepts, whilst employing a variety of adventurous playing techniques that students will find to be a fun and achievable challenge. Each piece is compatible with any of the other instruments in the series, in any combination, making it an excellent resource for individual or group teaching. Take Your Bow is available in 4 individual editions -- for violin, viola, cello and double bass, each with piano accompaniment -- and as a separate full score.

Choir - easy

SKU: JK.02026

Christian, Children, Children's Musicals, Contemporary Christian, Gospel, Inspirational. Duration 3:30. Jackman Music Corporation #02026. Published by Jackman Music Corporation (JK.02026).

I Am a Child of God Song Kit is a resource designed to facilitate spirit-rich learning of this beloved children's song using beautiful graphics, reverent activities, scriptures, and a breath-taking new piano accompaniment (sheet music included in the kit and sold separately). The kit, including the activities and visual aids, is perfect for Primary Music Leaders at church and families at home. (As featured in MINISTER THROUGH MUSIC Primary - Episode 4 I Am a Child of God)


Words: Naomi Ward Randall
Music: Mildred Tanner Pettit
Arrangement: Grant Gibbons
Difficulty: Easy for Children's Chorus/Medium Hard Accompaniment
Duration : approx. 3:30
Scripture References: Romans 8:16, Psalm 82:6, Mosiah 4:15, Doctrine and Covenants 14:7
I Am a Child of God - Children's Chorus Sheet Music is also available separately.

Composed by Stan Pethel. Choral. Sacred Anthem, General, Pentecost. Octavo. Lorenz Publishing Company #10/5390L. Published by Lorenz Publishing Company

SSSAA, a cappella

SKU: SU.80300127

For SSSAA, a cappella. Composed by Naomi Stephan. Vocal/Choral, Secular Choral. A cappella. Choral Octavo. Treble Clef Music Press #80300127. Published by Treble Clef Music Press (SU.80300127).

Strong rhythms, a wide range, unusual voicing, and the use of open fifths and medieval cantus firmus and tone painting techniques give this piece its unique excitement. A major contribution to the literature for women's voices. SSSAA and two soprano solos a cappella. Medium/Difficult. SSSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.

Flute - Level 3-4

SKU: HF.FH-3381

Ein Flotenbuch fur Friedrich II.. Edited by Liedtke. Sheet music. Friedrich Hofmeister Musikverlag #FH 3381. Published by Friedrich Hofmeister Musikverlag (HF.FH-3381).

ISBN 9790203433811. 9 x 12 inches.

1. Solfeggio fur Flote (Agnesens, Udo); 2. Solfeggio fur Altflote in G (Baader-Nobs, Heidi); 3. Joshua, fur Grosse Flote (Brandt, Christopher); 4. Solfege Sous-si, sans-fa fur Piccoloflote (Brandmuller, Theo); 5. Solfeggio fur Altblockflote (Buchholz, Thomas); 6. 5-7-9, Solfeggio fur Flote (Burkholz, Thomas); 7. Solfeggio, fur Flote (Eun-Hwa, Cho); 8. Etude fur Friedrich den Grossen fur Piccolo-Flote oder Flote (Dinescu, Violeta); 9. Solfeggio fur Flote solo (Eggert, Moritz); 10. geradlinig, fur Flote (Elikowski-Winkler, Sebastian); 11. Solfeggio uber sol, fa und la fur jede Stimme (Emeliantseva, Irina); 12. Solfeggio fur Sopranblockflote (Gatzmaga, Johann Lukas); 13. Miniatur 9/61 fur Querflote solo (Gerwin, Thomas); 14. kattethym fur Flote (Glandien, Lutz); Solfeggio fur Traversflote und Sprechstimme (Gubler, Rico); 15. Solfeggien fur F. von seiner ghostwriterin fur Flote (Heller, Barbara); 16. Sol-fedch-o fur Flote (Hildebrandt, Johannes K.); 17. 3 Farben fur Piccoloflote (Hirsch, Michael); 18. Ming II, Solfeggio fur Flote (Hoche, Hubert); 19. Solfeggion fur Flote solo (Hoyer, Ralf); 20. Solfeggio fur Friedrich II fur Alt- oder Bassflote solo (Iranyi, Gabriel); 21. approche II fur Flote (Jann, Matthias); 22. Petit hommage a Frederic II fur Flote (Katzer, Georg); 23. Solfeggio fur Flote (Keller, Hermann); 24. Solfeggio du roi et pour le roi fur Flote (Keller, Max E.); 25. Solfeggio fur Flote oder Oboe in G-Dur (Kirchner, Danny); 26. Solfeggio in F fur Flote (Kobjela, Detlef); 27. Solfeggio Rosettafur Friedrich II fur Flote (Kram, Christian FP); 28. Solfeggio fur Friedrich fur Grosse Flote, Piccoloflote, Altflote und Kuckucksflote (Kratzschmar, Wilfried); 29. Solfeggion (to his brain) fur Querflote (Krimitza, Vasiliki); 30. Solfeggio fur Flote (Levitskiy, Benjamin); 31. Je m' en fifre fur Flote (Lienenkamper, Stefan); 32. Solfeggio fur Flote solo (Ludwig, Marcus Botho); 33. Hochtief - Tiefhoch / a Solfeggio for Piccolo (Mack, Dieter); 34. Solfeggio nach einem Cornet-Thema fur Piccolo (Matthus, Siegfried); 35. Solfeggion No. X fur Altflote in G (Merkel, Marcus); 36. Solfeggio per flauto alto (Meyer, Krzysztof); 37. ...und Friedrich der Grosse, fur Flote (MOller, Mathias Monrad); 38. Die bunten Vogel des Konigs fur Floteninstrumente (Muller, Alfred Thomas); 39. Solfeggio fur Flote (Muller-Goldboom, Gerhardt); 40. Flotenspiel fur Floten (Munch, Christian); 41. Solfeggio 1, 2 fur Flote (Nather, Gisbert); 42. Solfeggio per Flauto (Natschinski, Gerd); 43. SOL fur Flote (oder Bassflote) solo (Nemtsov, Sarah); 44. 3 Solfeggien Hommage a F. R. (Fridericus Rex) fur Flote (Neubert, Gunter); 45. Solfeggio fur Flote (Oehring, Helmut); 46. Solfeggio 1 fur F-r-i-E-D-r-i-C-H & Solfeggio 2 fur Friedrich fur Flote (Pfundt, Reinhard); 47. Solfeggio ... no words ... fur Flote (Pinnock, Naomi); 48. Solfeggio fur Flote (Pomorin, Sibylle); 49. Divertimento (mit kaputter Klappe) fur Flote (Querfurth, Kaspar); 50. Solfeggio fur grosse Flote (Reinhold, Gregor und Steffen); 51. Abschied fur Flote (Riehm, Rolf); 52. contrapunctum fur Flote (Romero, Lula); 53. Solfeggio fur grosse Flote solo (Sanders, Arne); 54. Solfeggio fur Bassflote (Schafer, Patrick); 55. Solfeggio fur Flote solo (Schellhase, Steffen); 56. Solfeggien fur Flote, in Erinnerung an den flotenden Friedrich II, Konig von Preussen (Schenker, Friedrich); 57. Solfeggio fur und mit F. fur Flote (Schleiermacher, Steffen); 58. Seul avec des ombres fur Altflote in G oder grosse Flote (Seither, Charlotte); 59. Ithaka. Exzerpt fur grosse Flote oder Bassflote solo (Stabler, Gerhard); 60. Ri - Ri, Solfeggio fur Friedrich II, fur Flote solo (Stier, Sebastian); 61. Solfeggio En bateau fur Flote (Ternes, Tina); 62. Solfeggio (Burleske) fur Flote solo (Thiel, Wolfgang); 63. Piccolino solfeggio per Federico per Flauto traverso (Thiele, Siegfried); 64. Solfeggio f. F. fur Flote (Treibmann, Karl Ottomar); 65. Solfeggio fur Flote solo (Waschk, Arno); 66. Solfeggio fur Flote (Wiegand, Mario); 67. VI. for Carin Levine (Williamson, Gordon); 68. Solfeggio fur Flote (Witte, Michael); 69. articolazione e tempo fur Flote (Zapf, Helmut).