(37 Original Piano Pieces Schott Piano Classics Series). Composed by Various. Ed...(+)
(37 Original Piano Pieces
Schott Piano Classics
Series). Composed by
Various. Edited by Monika
Twelsiek. For Piano.
Piano Collection. 84
pages. Schott Music
#ED9044. Published by
Schott Music
Concert Band - Grade 2 SKU: AP.49094 Based on Jingle Bells. Compos...(+)
Concert Band - Grade 2
SKU: AP.49094
Based on Jingle
Bells. Composed by
James Lord Pierpont.
Arranged by Brian Beck.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble. Sound
Innovations for Concert
Band. Christmas; Winter.
Score and Part(s). 93
pages. Duration 2:20.
Alfred Music #00-49094.
Published by Alfred Music
(AP.49094).
ISBN
9781470645984. UPC:
038081564388.
English.
Haunted
Sleigh Ride is based on
Jingle Bells but shifted
to a minor key,
transforming a winter
favorite into an eerie
adventure into the snowy
unknown. We may not be
laughing all the way.
Brian Beck's setting is
jam-packed with various
style and dynamic
markings as well as
accidentals in every
part, challenging
musicians, and engaging
audiences. Shifting a
piece from major to minor
(or vice versa) will
instantly illuminate a
melody and breathe new
life into a piece. What
was happy is now sad,
what was dark is now
vibrant, and, in this
case, what was cheerful
is now spooky. Correlated
to Sound Innovations for
Concert Band, Book 2,
Level 4. (2:20) This
title is available in
MakeMusic Cloud.
Concert Band - Grade 2 SKU: AP.49094S Based on Jingle Bells. Compo...(+)
Concert Band - Grade 2
SKU: AP.49094S
Based on Jingle
Bells. Composed by
James Lord Pierpont.
Arranged by Brian Beck.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble. Sound
Innovations for Concert
Band. Christmas; Winter.
Score. 16 pages. Duration
2:20. Alfred Music
#00-49094S. Published by
Alfred Music (AP.49094S).
ISBN 9781470645991.
UPC: 038081564395.
English.
Haunted
Sleigh Ride is based on
Jingle Bells but shifted
to a minor key,
transforming a winter
favorite into an eerie
adventure into the snowy
unknown. We may not be
laughing all the way.
Brian Beck's setting is
jam-packed with various
style and dynamic
markings as well as
accidentals in every
part, challenging
musicians, and engaging
audiences. Shifting a
piece from major to minor
(or vice versa) will
instantly illuminate a
melody and breathe new
life into a piece. What
was happy is now sad,
what was dark is now
vibrant, and, in this
case, what was cheerful
is now spooky. Correlated
to Sound Innovations for
Concert Band, Book 2,
Level 4. (2:20) This
title available in
MakeMusic Cloud.
Concerto Orchestre d'harmonie [Conducteur et Parties séparées] Baton Music
For Trumpet. Composed by Johann Nepomuk Hummel (1778-1837). Arranged by D...(+)
For Trumpet.
Composed by Johann
Nepomuk Hummel
(1778-1837). Arranged by
Douglas McLain. Full
score and set of parts.
Duration 17:30. Published
by Baton Music
(BF.BM524-SET).
Concert Band (Score) SKU: HL.50602096 Concert Band Score. Composed...(+)
Concert Band (Score)
SKU: HL.50602096
Concert Band
Score. Composed by
Ferenc Farkas. EMB. 20Th
Century, Classical.
Softcover. 32 pages.
Duration 540 seconds.
Editio Musica Budapest
#Z14992. Published by
Editio Musica Budapest
(HL.50602096).
ISBN
9781540062307. UPC:
888680961305.
The
composer wrote of his
work as follows: In the
music of Hungary, folk
songs are manifestly of
great importance, on the
other hand our ancient
airs and dances play a
modest role. For this
work I have been
influenced by dances of
the 17th century, written
by unknown amateurs in a
relatively simple style.
Most of these dances were
recorded between the 14th
and 18th centuries under
the usual form of
tablature notation. My
interest in this music
was first captured in the
1940s. I was so
fascinated that I decided
to give these melodies
new life. I fitted the
little eight-bar dances
together into ternary and
rondo forms, and leaning
on early Baroque harmony
and counterpoint, I
attempted a reminiscence
of that atmosphere of the
provincial Hungarian
Baroque.
Score and Parts Concert Band (Score & Parts) SKU: HL.50602108 Concert ...(+)
Score and Parts Concert
Band (Score & Parts)
SKU: HL.50602108
Concert Band Score and
Parts. Composed by
Ferenc Farkas. EMB. 20Th
Century, Classical,
Hungarian. Softcover. 274
pages. Duration 540
seconds. Editio Musica
Budapest #Z14992SET.
Published by Editio
Musica Budapest
(HL.50602108).
ISBN
9781540064202. UPC:
888680964627.
The
composer wrote of his
work as follows: In the
music of Hungary, folk
songs are manifestly of
great importance, on the
other hand our ancient
airs and dances play a
modest role. For this
work I have been
influenced by dances of
the 17th century, written
by unknown amateurs in a
relatively simple style.
Most of these dances were
recorded between the 14th
and 18th centuries under
the usual form of
tablature notation. My
interest in this music
was first captured in the
1940s. I was so
fascinated that I decided
to give these melodies
new life. I fitted the
little eight-bar dances
together into ternary and
rondo forms, and leaning
on early Baroque harmony
and counterpoint, I
attempted a reminiscence
of that atmosphere of the
provincial Hungarian
Baroque.
Chorus a cappella SKU: BR.CHB-5319-02 Urtext based on the Leipzig Mend...(+)
Chorus a cappella
SKU:
BR.CHB-5319-02
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Ralf Wehner.
Choir; stapled.
Chor-Bibliothek (Choral
Library). Song; Romantic.
Choral score. 8 pages.
Breitkopf and Haertel
#ChB 5319-02. Published
by Breitkopf and Haertel
(BR.CHB-5319-02).
ISBN
9790004412459. 7.5 x 10.5
inches. German.
The
previously unknown Heilig
MWV B 47, which was
presumably written in
1844 at about the time of
other choral works
written by the composer
for the Royal Cathedral
Choir in Berlin. The
choral piece, which is
only 25 measures long,
was rehearsed several
times back then, but not
performed in public. The
autograph soon
disappeared into the
album of a Viennese
collector. Although
Mendelssohn, upon sending
him the piece, insisted
that it was not intended
for the public, he wanted
above all to block a
publication that he would
not have been able to
control. Today, Heilig
expands our knowledge of
the composer's artistic
personality during his
last period of creativity
while at the same time
adding a rewarding little
a cappella piece to the
repertoire.
One
little first edition
shared the limelight with
some of the more
spectacular releases.
(A Festival of Passion Readings and Hymns). By Michael Burkhardt. For SATB choir...(+)
(A Festival of Passion
Readings and Hymns). By
Michael Burkhardt. For
SATB choir, organ,
handbells, optional brass
quartet, cello/bass
instrument, Orff
instruments, violin. Holy
Week/Three Days, Lent.
Moderately easy. Choral
score. 72 pages. Duration
50 minutes. Published by
MorningStar Music
Publishers
Brass Band - Grade 6 SKU: BT.DHP-1155640-130 Unknown Land. Compose...(+)
Brass Band - Grade 6
SKU:
BT.DHP-1155640-130
Unknown Land.
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Score Only.
Composed 2015. De Haske
Publications #DHP
1155640-130. Published by
De Haske Publications
(BT.DHP-1155640-130).
English-German-French-
Dutch.
Download the
Digeridoo sound file
here.In five musically
and thematically
continuous parts, this
composition transports us
to foreign, fascinating
places - stepping into
the shoes of the
explorers who set off to
discover unknown lands
centuries ago. The test
piece for the Dutch Brass
BandChampionships 2015
(Challenge Section) holds
interesting solo parts
for flugelhorn and
trombone. An exciting
musical journey!
Brass Band - Grade 6 SKU: BT.DHP-1155640-030 Unknown Land. Compose...(+)
Brass Band - Grade 6
SKU:
BT.DHP-1155640-030
Unknown Land.
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2015. De Haske
Publications #DHP
1155640-030. Published by
De Haske Publications
(BT.DHP-1155640-030).
English-German-French-
Dutch.
Download the
Digeridoo sound file
here.In five musically
and thematically
continuous parts, this
composition transports us
to foreign, fascinating
places - stepping into
the shoes of the
explorers who set off to
discover unknown lands
centuries ago. The test
piece for the Dutch Brass
BandChampionships 2015
(Challenge Section) holds
interesting solo parts
for flugelhorn and
trombone. An exciting
musical journey!
Chorus a cappella SKU: BR.CHB-32104-02 Urtext. Composed by Friedri...(+)
Chorus a cappella
SKU:
BR.CHB-32104-02
Urtext. Composed
by Friedrich Schneider.
Choir; stapled.
Chor-Bibliothek (Choral
Library). Mass; Romantic;
Classical. Choral score.
80 pages. Duration 30'.
Breitkopf and Haertel
#ChB 32104-02. Published
by Breitkopf and Haertel
(BR.CHB-32104-02).
ISBN 9790004413517.
7.5 x 10.5
inches.
Friedrich
Schneider's dedication to
sacred vocal music dates
back into his early years
as a schoolboy in Zittau.
As of today Schneider is
- if at all - only known
as the composer of the
ground-breaking oratorio
The Last Judgement, but
his extensive
compositional output,
which serves nearly all
musical genres, is
unknown to a great
extent. Breitkopf &
Hartel will fill this gap
in the coming years.The
mass in A minor presented
here (No. 8) is his
second completed
a-cappella mass. It was
composed during September
9 to 28, 1815 and thus
still falls into the
almost overproductive
Leipzig years of the
composer. It would be no
exaggeration to say, that
Schneider gained his
overwhelming treatment
and the finishing touches
of the choruses in his
oratorios by his year
long preoccupation with
the genre of the mass.
Although the majority of
his masses remained
unpublished, they enjoyed
great popularity, which
is evidently by the
numerous copies that are
preserved in several
libraries.
(Complete Piano Sonatas, Volume 1). By Alexandr Skrjabin. Edited by Christoph Fl...(+)
(Complete Piano Sonatas,
Volume 1). By Alexandr
Skrjabin. Edited by
Christoph Flamm. For
piano. This edition:
Urtext edition.
Performance score,
Anthology (paperbound).
Text language: German,
English. 123 pages.
Published by Baerenreiter
Verlag
Emotions Piano seul [Partition] - Intermédiaire Schott
(35 Original Pieces for Piano Schott Piano Classics Series). By Various. Edited ...(+)
(35 Original Pieces for
Piano Schott Piano
Classics Series). By
Various. Edited by Monika
Twelsiek. Piano
Collection. Softcover. 80
pages. Schott Music
#ED9045. Published by
Schott Music
Composed by Benjamin M.
Culli. Augsburg Choral
Library. Christian.
Octavo. Augsburg Fortress
#9781506492469. Published
by Augsburg Fortress
(AU.9781506492469).
ISBN 9781506492469.
7x10.25 inches.
A
cello obligato adds
warmth and depth to a new
setting by Benjamin Culli
of this familiar text
using the John Ireland
tune, LOVE UNKOWN. The
choir sings in unison
with optional assembly
for much of the anthem,
breaking into SATB on
stanza five. The setting
ends with a descant that
beautifully floats above
the melody. Perfect for
Sunday of the
Passion/Palm Sunday or
Good Friday.
Cantata for the Sunday
Jubilate. Composed by
Johann Sebastian Bach.
Edited by Anja
Morgenstern. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Wir mussen
durch viel Trubsal.
Sacred vocal music,
Cantatas, Easter and
Eastertide. Choral Score.
Composed circa 1728? BWV
146. 8 pages. Duration 40
minutes. Carus Verlag #CV
31.146/05. Published by
Carus Verlag
(CA.3114605).
ISBN
9790007112479. Key: D
minor. Language:
German/English.
It
is evident from the
sources that the cantata
was written for the 3rd
Sunday after Easter. The
text, the identity of
whose author is unknown,
is based on the
comparison between
sadness and joy
prescribed in the Gospel
for that Sunday. This
cantata has survived only
in copies made after
1750, but undoubtedly the
cantata dates from
Bachs's years in Leipzig.
Score available
separately - see item
CA.3114600.
Cantata for the Sunday
Jubilate. Composed by
Johann Sebastian Bach.
Edited by Anja
Morgenstern. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Wir mussen
durch viel Trubsal.
Sacred vocal music,
Cantatas, Easter and
Eastertide. Study score.
Composed circa 1728? BWV
146. 80 pages. Duration
40 minutes. Carus Verlag
#CV 31.146/07. Published
by Carus Verlag
(CA.3114607).
ISBN
9790007092467. Key: D
minor. Language:
German/English.
It
is evident from the
sources that the cantata
was written for the 3rd
Sunday after Easter. The
text, the identity of
whose author is unknown,
is based on the
comparison between
sadness and joy
prescribed in the Gospel
for that Sunday. This
cantata has survived only
in copies made after
1750, but undoubtedly the
cantata dates from
Bachs's years in Leipzig.
Score available
separately - see item
CA.3114600.
SATB choir, piano accompaniment, percussion - Beginning SKU: GI.G-8952 Co...(+)
SATB choir, piano
accompaniment, percussion
- Beginning
SKU:
GI.G-8952
Composed by
Hal H. Hopson. Choral.
Choral. Sacred. Octavo.
12 pages. GIA
Publications #8952.
Published by GIA
Publications (GI.G-8952).
UPC: 785147895206.
English, Swahili. Text
Source: Ref.: trad.
Swahili, English tr.:
unknown, vv.: Jeremiah E.
Rankin, 1828–1904,
alt. Text by Jeremiah
Eames
Rankin.
Vigorous
rhythms drive this
gleeful benediction that
alternates the standard
text by Jeremiah Rankin
with a traditional
Swahili refrain. This is
an excellent way to send
your congregation into
the world to minister.
Optional part for two
drums. The percussion
part for two drums is
optional.
Orchestra; Vocal (Study Score) SKU: HL.51489547 Solo Voice(S) & Orches...(+)
Orchestra; Vocal (Study
Score)
SKU:
HL.51489547
Solo
Voice(S) & Orchestra
Study Score. Composed
by Ludwig van Beethoven.
Edited by Ernst
Herttrich. Henle Study
Scores. Classical.
Softcover. 190 pages. G.
Henle #HN9547. Published
by G. Henle
(HL.51489547).
UPC:
888680991333.
6.75x9.5x0.493
inches.
The works
for solo voice(s) and
orchestra assembled in
this volume owe their
composition to the most
diverse occasions. Some
were tailor-made for
female singers in
Beethoven's milieu, while
with others he was
dabbling in the field of
Italian opera (under the
tutelage of none other
than Antonio Salieri).
Scarcely any of them made
it into print during
Beethoven's lifetime.
Aside from canonical
works of the repertoire
such as “Ah!
perfido†op. 65,
this volume also contains
unknown gems like the
scene and aria Beethoven
revised multiple times,
“No, non
turbarti†-
“Ma tu tremi, o mio
tesoro?â€. The study
score contains the text
of the scholarly Complete
Edition. Beethoven
specialist Ernst
Herttrich additionally
provides information
about the genesis and
exciting variants in the
transmission history.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
(Instr-Str-solo,Orch) SKU: BA.BA10578-01 Composed by Bohuslav Martinu. Ed...(+)
(Instr-Str-solo,Orch)
SKU: BA.BA10578-01
Composed by Bohuslav
Martinu. Edited by
Aleš Brezina, Jitka
Zichová, Paul
Silverthorne, Pavel
Žurek, and Sandra
Bergmannová. This
edition: complete
edition, urtext edition.
Linen. The Bohuslav
Martinu Complete Edition
III/1/8. Replaces H 277.
Complete edition, Score,
anthology. Baerenreiter
Verlag #BA10578_01.
Published by Baerenreiter
Verlag (BA.BA10578-01).
ISBN 9790260109056. 33
x 26.2 cm inches.
Preface: Brezina,
Aleš.
The two
concertos contained in
this volume represent two
different stylistic
periods within Martinu's
work. TheConcerto da
Camera(1941) is the last
of his works inspired by
the Baroque concerto
grosso.
TheRhapsody-Concerto,
composed eleven years
later (1952), was the
first work of his
so-calledfantasia period,
marked by a more open
sense of form and an
expansion of tonality.
The edition of
theConcerto da
Camerashows, for the
first time, the extent of
Martinu's modifications
to the work since its
composition and
publication, particularly
to the solo violin part.
The edition of
theRhapsody-Concertotakes
into account previously
unknown contemporary
performance materials
which have recently been
discovered.
This
volume of the Bohuslav
Martinu Complete Edition
(BMCE) is based on a
wealth of text and music
sources, in particular
autographs and
contemporary copies that
were recognized by the
composer and early
performers of the works,
as well as some first
editions produced under
the supervision of
Martinu.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Early Hungarian Dances Orchestre d'harmonie - Intermédiaire EMB (Editio Musica Budapest)
Concert Band - Grade 3 SKU: BT.EMBZ14992 Composed by Ferenc Farkas. EMB C...(+)
Concert Band - Grade 3
SKU: BT.EMBZ14992
Composed by Ferenc
Farkas. EMB Concert Band
Series. Concert Piece.
Score Only. Composed
2016. 32 pages. Editio
Musica Budapest
#EMBZ14992. Published by
Editio Musica Budapest
(BT.EMBZ14992).
The composer
wrote of his work as
follows: In the music of
Hungary, folk songs are
manifestly of great
importance, on the other
hand our ancient airs and
dances play a modest
role. For this work I
have been influenced by
dances of the 17th
century, written by
unknown amateurs in a
relatively simple style.
Most of these dances were
recorded between the 14th
and 18th centuries under
the usual form of
tablature notation. My
interest in this music
was first captured in the
1940s. I was so
fascinated that I decided
to give these melodies
new life. I fitted the
little eight-bar dances
together into ternary and
rondo forms, and leaning
on early Baroque harmony
and counterpoint,
Iattempted a reminiscence
of that atmosphere of the
provincial Hungarian
Baroque.
So
schrieb der Komponist
über sein Werk:
In
der ungarischen Musik
sind natürlich die
Volkslieder sehr wichtig,
doch die alten Melodien
und Tänze spielen in
unserer Musik eine
geringere Rolle. Für
dieses Werk habe ich mich
von Tänzen des 17.
Jahrhunderts anregen
lassen, die von
unbekannten Dilettanten,
also ziemlich einfach,
geschrieben worden waren.
Die meisten waren in der
zwischen dem 14. und 18.
Jahrhundert geläufigen
Tabulaturschrift notiert.
In den vierziger Jahren
begann ich mich erstmals
für diese Musik zu
interessieren. Ich war
davon so fasziniert, dass
ich mich entschloss, sie
wieder zum Leben zu
erwecken. Ich fügte
die kleinen achttaktigen
Tänze zu dreiteiligen
undRondoformen zusammen.
Ausgehend von der
frühbarocken Harmonik
und Kontrapunktik habe
ich mich in einer Art
ungarischen provinziellen
Barocks
versucht.“.
Early Hungarian Dances Orchestre d'harmonie - Intermédiaire EMB (Editio Musica Budapest)
Concert Band - Grade 3 SKU: BT.EMBZ14992SET Composed by Ferenc Farkas. EM...(+)
Concert Band - Grade 3
SKU:
BT.EMBZ14992SET
Composed by Ferenc
Farkas. EMB Concert Band
Series. Concert Piece.
Set (Score & Parts).
Composed 2016. 274 pages.
Editio Musica Budapest
#EMBZ14992SET. Published
by Editio Musica Budapest
(BT.EMBZ14992SET).
English-Hungarian.
The composer wrote of
his work as follows: In
the music of Hungary,
folk songs are manifestly
of great importance, on
the other hand our
ancient airs and dances
play a modest role. For
this work I have been
influenced by dances of
the 17th century, written
by unknown amateurs in a
relatively simple style.
Most of these dances were
recorded between the 14th
and 18th centuries under
the usual form of
tablature notation. My
interest in this music
was first captured in the
1940s. I was so
fascinated that I decided
to give these melodies
new life. I fitted the
little eight-bar dances
together into ternary and
rondo forms, and leaning
on early Baroque harmony
and counterpoint,
Iattempted a reminiscence
of that atmosphere of the
provincial Hungarian
Baroque.
So
schrieb der Komponist
über sein Werk:
In
der ungarischen Musik
sind natürlich die
Volkslieder sehr wichtig,
doch die alten Melodien
und Tänze spielen in
unserer Musik eine
geringere Rolle. Für
dieses Werk habe ich mich
von Tänzen des 17.
Jahrhunderts anregen
lassen, die von
unbekannten Dilettanten,
also ziemlich einfach,
geschrieben worden waren.
Die meisten waren in der
zwischen dem 14. und 18.
Jahrhundert geläufigen
Tabulaturschrift notiert.
In den vierziger Jahren
begann ich mich erstmals
für diese Musik zu
interessieren. Ich war
davon so fasziniert, dass
ich mich entschloss, sie
wieder zum Leben zu
erwecken. Ich fügte
die kleinen achttaktigen
Tänze zu dreiteiligen
undRondoformen zusammen.
Ausgehend von der
frühbarocken Harmonik
und Kontrapunktik habe
ich mich in einer Art
ungarischen provinziellen
Barocks
versucht.“.
Tenor Voice and Piano SKU: HL.14019832 Composed by Gian Francesco Malipie...(+)
Tenor Voice and Piano
SKU: HL.14019832
Composed by Gian
Francesco Malipiero.
Music Sales America.
Classical. Book
[Softcover]. Composed
2002. Chester Music
#CH03935. Published by
Chester Music
(HL.14019832).
In 1918-19,
Gian Francesco
Malipiero wrote a
collection of seven
songs, commonly known as
Sette Canzoni.
They were initially
intended as a stand-alone
work, but became
incredibly popular when
they wereincluded as the
second act of the
composer's opera
L'Orfiede.
However, in recent years
the collection has come
to be recognised in its
own right as one of the
composer's
masterpieces.
Like
all of the seven
songs,the fifth,
Serenata
, is designed as an
individual mini-opera.
Scored for a solo Tenor
with Piano accompaniment,
it tells the story of a
young lover serenading
his beloved. At the same
time, unknown to him,
shesits inside lamenting
the death of a
relative.
S
erenata has been
translated from the
original Italian into
French by Henry
Prunieres, and into
English by Edwin
Evans.