41 Fiddle Solos. by Natalie MacMaster transcribed by Stacy Phillips. Level: Inte...(+)
41 Fiddle Solos. by
Natalie MacMaster
transcribed by Stacy
Phillips. Level:
Intermediate. Book. Size
8.75x11.75. 64 pages.
Published by Mel Bay
Pub., Inc.
Guitar - Intermediate SKU: MB.WBM76M Saddle-stitched. Country. Book and o...(+)
Guitar - Intermediate
SKU: MB.WBM76M
Saddle-stitched. Country.
Book and online audio.
Mel Bay Publications, Inc
#WBM76M. Published by Mel
Bay Publications, Inc
(MB.WBM76M).
ISBN
9781736363096. 8.75x11.75
inches.
This
comprehensive book
contains the solos found
in five William Bay
guitar solo
collections.á The
solos range from colorful
foot tapping reels,
breakdowns, hornpipes,
jigs, fiddle tunes and
sea chanteys to country
and Celtic ballads and
waltzes.á Also
included are numerous
original guitar
solos.á All 143 solos
in this collection are
recorded by the author
and online access to the
recordings is included.
All solos are presented
in notation and
tablature.
Choral TBB chorus SKU: CF.CM9638 Composed by John Bennet. Arranged by Rus...(+)
Choral TBB chorus
SKU:
CF.CM9638
Composed by
John Bennet. Arranged by
Russell L. Robinson.
Fold. Performance Score.
4 pages. Duration 2
minutes. Carl Fischer
Music #CM9638. Published
by Carl Fischer Music
(CF.CM9638).
ISBN
9781491157107. UPC:
680160915668. 6.875 x
10.5 inches. Key: A
minor. English, English.
Original.
Robinson'
s TBB arrangement of this
beloved Bennett madrigal,
originally published for
four voices in 1599, has
been changed from the
original key of A minor
to the key of D minor,
making the ranges and
texture more
characteristic for TBB
voices. A wonderful
concert or festival
staple piece!. Weep, O
Mine Eyes is a classic
madrigal from the
Renaissance period (circa
1400-1650). Although John
Bennet's exact birth and
death dates are unknown,
we know that he was
English and composed
madrigals (non-sacred a
cappella pieces) in the
late 16th - early 17th
centuries. Although,
Bennet was not as
prolific as other
madrigal writers of the
time, such as Thomas
Morley, Weep, O Mine Eyes
has certainly stood the
test of time. Originally
published in a book of 17
madrigals for four voices
in 1599, this arrangement
for TBB voices has been
changed from the original
key of A minor to the key
of D minor, making the
ranges and texture more
characteristic for TBB
voices. The original
flavor of Bennet's
four-part setting has
been preserved, including
the counterpoint
(independent voices)
where each voice is of
equal importance. In
Renaissance style no
parts should over sing;
the beauty of the melodic
lines and text should
come through and over
singing will take away
from the beauty. The EE
vowel is sometimes
problematic in the word
weep. I suggest that you
produce the EE vowel with
OO on the lips and EE
inside the mouth for
better blend and to avoid
a horizontal spreading of
the vowel. Enjoy this
wonderful
madrigal!. Weep, O
Mine Eyes is a classic
madrigal from the
Renaissance period (circa
1400-1650). Although John
Bennet's exact birth and
death dates are unknown,
we know that he was
English and composed
madrigals (non-sacred a
cappella pieces) in the
late 16th - early 17th
centuries. Although,
Bennet was not as
prolific as other
madrigal writers of the
time, such as Thomas
Morley, Weep, O Mine Eyes
has certainly stood the
test of time.Originally
published in a book of 17
madrigals for four voices
in 1599, this arrangement
for TBB voices has been
changed from the original
key of A minor to the key
of D minor, making the
ranges and texture more
characteristic for TBB
voices.The original
flavor of Bennet's
four-part setting has
been preserved, including
the counterpoint
(independent voices)
where each voice is of
equal importance. In
Renaissance style no
parts should over sing;
the beauty of the melodic
lines and text should
come through and over
singing will take away
from the beauty.The EE
vowel is sometimes
problematic in the word
weep. I suggest that you
produce the EE vowel with
OO on the lips and EE
inside the mouth for
better blend and to avoid
a horizontal spreading of
the vowel.Enjoy this
wonderful madrigal!
SKU: GI.G-317160 Thoughts, Analysis and Commentary on Contemporary Mas...(+)
SKU: GI.G-317160
Thoughts, Analysis and
Commentary on
Contemporary Masterpieces
for Wind Band.
Composed by Timothy
Salzman. Music Education.
303 pages. GIA
Publications #317160.
Published by GIA
Publications
(GI.G-317160).
ISBN
9781574630480. UPC:
884088095826.
A
Composer's Insight,
Volume 3 - with a
foreword by John
Corigliano - is the third
in a five-volume series
on major contemporary
composers and their works
for wind band. Included
in this initial volume
are rare,
behind-the-notes
perspectives acquired
from personal interviews
with each composer. An
excellent resource for
conductors, composers or
enthusiasts interested in
acquiring a richer
musical understanding of
the composers' training,
compositional approach,
musical influences and
interpretative ideas.
Features the music of:
Richard Rodney Bennett,
Warren Benson, Roger
Cichy, John Corigliano,
David Holsinger, Roger
Nixon, Bernard Rands,
Philip Sparke, Frank
Ticheli, Michael
Weinstein, and John
Zdechlik.
Good work for examinations and recitals by an important British composer. Durati...(+)
Good work for
examinations and recitals
by an important British
composer. Duration c.6'.
AMEB (Australian
Syllabus) 2004. Programme
notes as
follows:
Lennox
Berkeley was born in 1903
and died in 1989. After
reading modern languages
at Oxford he had no
intention of becoming a
composer until he met
Ravel in 1926, who
encouraged him to study
in Paris with Nadia
Boulanger. He stayed in
Paris until 1932,
developing his own
musical language. In
1936, after the death of
his mother, he went to
Barcelona for the
International Society for
Contemporary Music
festival where he met
Benjamin Britten. The two
lived together at Snape
in Suffolk for a while
until the outbreak ofwar,
before Berkeley moved
back to London to work
for the BBC. Here he met
his future wife Freda
Bernstein. He taught at
the Royal Academy of
Music in London from 1946
until 1968, where his
pupils included Richard
Rodney Bennett, Nicholas
Maw and John Tavener,
among others. He was
knighted in 1974.
In early
February 1971 I was
playing in a concert at
St. John's Smith Square,
London, then only
relatively recently
restored as a superb
venue for music. The
programme, which I
believe was being
broadcast, included
Berkeley's Serenade
Op.12. It was a work I
had always enjoyed
playing and was standard
string orchestra
repertoire at the time.
There was initially no
platform at St. John's
and so the audience sat
virtually on top of the
performers. So close were
they on this occasion
that I had to ask for a
little more room in order
to play. At the end of
the piece the orchestra
acknowledged the applause
and the gentleman who I
had all but practically
decapitated with my
over-enthusiastic
playing, stood up and
took a bow. I had been
almost playing in Lennox
Berkeley's lap! The
opportunity was too good
to miss and I wasted
little time in
introducing myself. Mr
Berkeley said that he had
been fascinated by my
playing and asked me to
write to him about a
possible
commission.
For Studio, Concert, Recital - Book 1, Low Voice. By Daniel Pinkham, Ann Scott, ...(+)
For Studio, Concert,
Recital - Book 1, Low
Voice. By Daniel Pinkham,
Ann Scott, Edvard Grieg,
Charles Bennett. Edited
by Richard D. Row.
Arranged by Del Arden;
John Edmunds; Richard D.
Row; Samuel Endicott;
Stewart Wille. Text:
Edward Teschemacher; F.
Von Holstein; Fet;
Frederic Brough; Guy
D'Hardelot; John Milton;
W.B. Rands; William
Shakespeare. For Low
Voice, Piano. Piano/Vocal
Score. 72 pages.
Published by Carl
Fischer.
Composed by Bart Howard,
Charles Strouse, Howard
Greenfield, Jimmy Webb,
L. Duddy, L. Pockriss,
Lee Adams, Neil Sedaka,
R.C. Bennett, and Sid
Tepper. Arranged by
Naohiro Iwai. New Sounds
for Concert Band. Pop &
Rock. Set (Score &
Parts). Composed 2007.
Music Sales #1510-07-010
MS. Published by Music
Sales
(BT.1510-07-010-MS).
9x12 inches.
For
this medley, Naohiro Iwai
has gathered six of the
finest Americanhits from
the 1940's and 1950's,
that despite their age
are still in thehearts
and minds of many people
today - true American
Beauties!
Dit
werk bevat een aantal
Amerikaanse muzikale
juweeltjes in een
vakkundig arrangement
voor harmonieorkest van
de hand van Naohiro Iwai.
Met Johnny Angel, By
the Time I Get to
Phoenix, Oh! Carol, Red
Roses for a Blue Lady,
FlyMe to the Moon
en Bye Bye
Birdie.
In
diesem Medley versammelte
Naohiro Iwai sechs der
schönsten
amerikanischen Hits, die
in den vierziger und
fünfziger Jahren
erstmals
veröffentlicht wurden,
aber heute noch in aller
Munde und Herzen sind:
wahre musikalische
American Beauties
eben!
Composed by Bart Howard,
Charles Strouse, Howard
Greenfield, Jimmy Webb,
L. Duddy, L. Pockriss,
Lee Adams, Neil Sedaka,
R.C. Bennett, and Sid
Tepper. Arranged by
Naohiro Iwai. New Sounds
for Concert Band. Pop &
Rock. Score Only.
Composed 2007. 36 pages.
Music Sales #1510-07-140
MS. Published by Music
Sales
(BT.1510-07-140-MS).
9x12 inches.
Dit
werk bevat een aantal
Amerikaanse muzikale
juweeltjes in een
vakkundig arrangement
voor harmonieorkest van
de hand van Naohiro Iwai.
Met Johnny Angel, By
the Time I Get to
Phoenix, Oh! Carol, Red
Roses for a Blue Lady,
FlyMe to the Moon
en Bye Bye
Birdie.
In
diesem Medley versammelte
Naohiro Iwai sechs der
schönsten
amerikanischen Hits, die
in den vierziger und
fünfziger Jahren
erstmals
veröffentlicht wurden,
aber heute noch in aller
Munde und Herzen sind:
wahre musikalische
American Beauties
eben!
Bewitched! Piano seul - Facile Faber Music Limited
(11 Magical Pieces for Piano). By Ned Bennett, Elissa Milne, James Rae, Pam Wedg...(+)
(11 Magical Pieces for
Piano). By Ned Bennett,
Elissa Milne, James Rae,
Pam Wedgwood, and John
York. For Piano. Book;
Piano Collection. Faber
Edition. Early
Elementary; Elementary.
Published by Faber Music
Organ SKU: GI.G-003072 Children. Sacred. GIA Publications #003072. Publis...(+)
Organ
SKU:
GI.G-003072
Children.
Sacred. GIA Publications
#003072. Published by GIA
Publications
(GI.G-003072).
UPC:
641151030722.
This
collection for organ
brings together music
based on chants and hymns
from different centuries.
Commissioned for the 2001
San Diego Regional AGO
Convention, it celebrates
the rich heritage of
Church literature with a
wide variety of styles
and levels of difficulty.
Works by John Karl
Hirten, Emma Lou Deimer,
Mary Beth Bennett, Pamela
Decker, Robert Jones,
Kathleen Scheide,
Norberto Guinaldo, and
Miguel del Aguila.
(13 Buzzing Pieces for Piano). By Ned Bennett, Elissa Milne, James Rae, Pam Wedg...(+)
(13 Buzzing Pieces for
Piano). By Ned Bennett,
Elissa Milne, James Rae,
Pam Wedgwood, and John
York. For Piano. Book;
Piano Collection. Faber
Edition. Published by
Faber Music