(TB BR) SKU: HL.49041688 Der Ring des Nibelungen. Composed by Rich...(+)
(TB BR)
SKU:
HL.49041688
Der
Ring des Nibelungen.
Composed by Richard
Wagner. Edited by Kurt
Pahlen. This edition:
Paperback/Soft Cover.
Paperback. Serie Musik.
Text book/libretto. 304
pages. Duration 140'.
Schott Music #SEM 8033.
Published by Schott Music
(HL.49041688).
ISBN
9783254080332.
German.
Although
'Rhinegold', like any of
the following three
parts, is a drama on its
own, it reveals its
entire meaning only as
introduction to the
complete work. In 'The
Nibelung's Ring', Wagner
used his own word
creations the principal
characteristics of which
are effective
alliterations. For the
first time, this first
part of the 'Ring' also
contains the
'reminiscence motifs' (it
was not until after
Wagner's death that Hans
von Wolzogen invented the
expression of the
'leitmotif' as it is used
today).Apart from the
libretto, this edition
contains introductory
commentaries of Kurt
Pahlen who also adds
information on the
compositional structure
and context to the
musical as well as
external and internal
dramatic action of the
opera. A short synopsis
and a brief outline of
the genesis bring the
work into relation with
the composer's entire
oeuvre and life, thus
offering a comprehensive,
richly illustrated
introduction.
Galea et Bellum Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 5 SKU: BT.DHP-1175781-020 The Unrevealed Story of...(+)
Fanfare Band - Grade 5
SKU:
BT.DHP-1175781-020
The Unrevealed Story
of Skelte van Aysma.
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2017. De Haske
Publications #DHP
1175781-020. Published by
De Haske Publications
(BT.DHP-1175781-020).
English-German-French-
Dutch.
Galea et
Bellum was
commissioned by the
Excelsior Schraard music
society (Friesland, the
Netherlands). The work
tells the story of a rare
helmet that was
discovered in a church in
the Frisian village of
Schettens in 2015.
Research revealed that it
had been the property of
Skelte van Aysma, a
Frisian officer who
fought in the armies of
the Princes of Orange
Maurice and Frederick
Henry during the Eighty
Years’ War. This
little piece of history
was the starting point
for this composition. As
a leitmotif, the hymn
‘Ach wie
flüchtig, ach wie
nichtig ist der Menschen
Leben’ (‘Ah,
how fleeting, ah how
insignificant’)
has been used. This 17th
century melody by Michel
Franck, inan arrangement
by Johann Sebastian Bach,
initially appears only in
fragments, but grows to
full stature toward the
end of the work. An ideal
contest piece with lots
of challenges for your
band.
Galea et
Bellum is geschreven
in opdracht van
muziekvereniging
Excelsior Schraard. Het
werk verhaalt over een
zeldzame helm die in 2015
werd ontdekt in een kerk
in het Friese dorpje
Schettens. Dit stukje
geschiedenis is het
uitgangspunt geweest voor
deze compositie. Als
leidmotief wordt het lied
‘Ach wie
flüchtig, ach wie
nichtig ist der Menschen
Leben’ gebruikt.
Deze 17e-eeuwse melodie
van Michel Franck, in een
zetting van Johann
Sebastian Bach, duikt
eerst fragmentarisch op,
maar komt tegen het einde
van het werk tot volle
wasdom. Een ideaal
wedstrijdwerk met veel
uitdaging voor uw
orkest.
Galea
et Bellum wurde von
der Music Society
Excelsior Schraard
(Friesland/Niederlande)
in Auftrag gegeben. Das
Werk erzählt die
Geschichte eines seltenen
Helms, der 2015 in einer
Kirche in dem friesischen
Dorf Schettens entdeckt
wurde. Dieses kleine
Stück Geschichte
bildet den Ausgangspunkt
für die Komposition.
Als Leitmotiv wurde das
Kirchenlied Ach wie
flüchtig, ach wie
nichtig“ verwendet.
Diese Melodie aus dem 17.
Jahrhundert von Michael
Franck, in einer
Bearbeitung von Johann
Sebastian Bach, erscheint
anfangs fragmentarisch,
entwickelt sich dann aber
zum Ende des Werkes hin
zu seiner vollen
Größe. Ein
hervorragendes
Wettbewerbsstück mit
vielen
Herausforderungenfür
Ihr Orchester.
Galea et Bellum Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1185781-010 The Unrevealed...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1185781-010
The Unrevealed Story
of Skelte van Aysma.
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2018. De
Haske Publications #DHP
1185781-010. Published by
De Haske Publications
(BT.DHP-1185781-010).
English-German-French-
Dutch.
‘Galea
et Bellum’ was
commissioned by the
Excelsior Schraard music
society (Friesland, the
Netherlands). The work
tells the story of a rare
helmet that was
discovered in a church in
the Frisian village of
Schettens in 2015. It
uses the hymn ‘Ah,
how fleeting, ah how
insignificant’ as
a leitmotif.
Galea et
Bellum is geschreven
in opdracht van
muziekvereniging
Excelsior Schraard. Het
werk verhaalt over een
zeldzame helm die in 2015
werd ontdekt in een kerk
in het Friese dorpje
Schettens. Als leidmotief
wordt het lied ‘Ach
wie flüchtig, ach wie
nichtig ist der Menschen
Leben’ gebruikt.
Een ideaal wedstrijdwerk
met veel uitdaging voor
uw orkest.
Das
Werk erzählt die
Geschichte eines Helms,
der 2015 in einer Kirche
des friesischen Dorfs
Schettens entdeckt wurde.
Als Leitmotiv dient das
Kirchenlied Ach wie
flüchtig, ach wie
nichtig“ aus dem
17. Jahrhundert, das
anfangs fragmentarisch
erscheint, zum Ende des
Werkes hin aber in voller
Größe erklingt. Ein
hervorragendes
Wettbewerbsstück mit
vielen Herausforderungen
für Ihr Orchester!
Galea et
Bellum (L’elmo
e la guerra) è stato
commissionato dalla
Societ musicale Excelsior
di Schraard (Paesi
Bassi). Il lavoro
racconta la storia di un
raro elmo ritrovato in
una chiesa nel villaggio
di Schettens nel 2015.
Come leitmotiv è stato
usato l'inno Ach wie
flüchtig, ach wie
nichtig, che appare
inizialmente solo in
frammenti, ma raggiunge
il pieno sviluppo verso
la fine del lavoro.
Galea et Bellum Fanfare [Conducteur] - Intermédiaire De Haske Publications
Fanfare Band - Grade 5 SKU: BT.DHP-1175781-120 The Unrevealed Story of...(+)
Fanfare Band - Grade 5
SKU:
BT.DHP-1175781-120
The Unrevealed Story
of Skelte van Aysma.
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Score Only. Composed
2017. 53 pages. De Haske
Publications #DHP
1175781-120. Published by
De Haske Publications
(BT.DHP-1175781-120).
English-German-French-
Dutch.
Galea et
Bellum was
commissioned by the
Excelsior Schraard music
society (Friesland, the
Netherlands). The work
tells the story of a rare
helmet that was
discovered in a church in
the Frisian village of
Schettens in 2015.
Research revealed that it
had been the property of
Skelte van Aysma, a
Frisian officer who
fought in the armies of
the Princes of Orange
Maurice and Frederick
Henry during the Eighty
Years’ War. This
little piece of history
was the starting point
for this composition. As
a leitmotif, the hymn
‘Ach wie
flüchtig, ach wie
nichtig ist der Menschen
Leben’ (‘Ah,
how fleeting, ah how
insignificant’)
has been used. This 17th
century melody by Michel
Franck, inan arrangement
by Johann Sebastian Bach,
initially appears only in
fragments, but grows to
full stature toward the
end of the work. An ideal
contest piece with lots
of challenges for your
band.
Galea et
Bellum is geschreven
in opdracht van
muziekvereniging
Excelsior Schraard. Het
werk verhaalt over een
zeldzame helm die in 2015
werd ontdekt in een kerk
in het Friese dorpje
Schettens. Dit stukje
geschiedenis is het
uitgangspunt geweest voor
deze compositie. Als
leidmotief wordt het lied
‘Ach wie
flüchtig, ach wie
nichtig ist der Menschen
Leben’ gebruikt.
Deze 17e-eeuwse melodie
van Michel Franck, in een
zetting van Johann
Sebastian Bach, duikt
eerst fragmentarisch op,
maar komt tegen het einde
van het werk tot volle
wasdom. Een ideaal
wedstrijdwerk met veel
uitdaging voor uw
orkest.
Galea
et Bellum wurde von
der Music Society
Excelsior Schraard
(Friesland/Niederlande)
in Auftrag gegeben. Das
Werk erzählt die
Geschichte eines seltenen
Helms, der 2015 in einer
Kirche in dem friesischen
Dorf Schettens entdeckt
wurde. Dieses kleine
Stück Geschichte
bildet den Ausgangspunkt
für die Komposition.
Als Leitmotiv wurde das
Kirchenlied Ach wie
flüchtig, ach wie
nichtig“ verwendet.
Diese Melodie aus dem 17.
Jahrhundert von Michael
Franck, in einer
Bearbeitung von Johann
Sebastian Bach, erscheint
anfangs fragmentarisch,
entwickelt sich dann aber
zum Ende des Werkes hin
zu seiner vollen
Größe. Ein
hervorragendes
Wettbewerbsstück mit
vielen
Herausforderungenfür
Ihr Orchester.
Galea et Bellum Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1185781-140 The Unrevealed...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1185781-140
The Unrevealed Story
of Skelte van Aysma.
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2018. 52 pages.
De Haske Publications
#DHP 1185781-140.
Published by De Haske
Publications
(BT.DHP-1185781-140).
English-German-French-
Dutch.
‘Galea
et Bellum’ was
commissioned by the
Excelsior Schraard music
society (Friesland, the
Netherlands). The work
tells the story of a rare
helmet that was
discovered in a church in
the Frisian village of
Schettens in 2015. It
uses the hymn ‘Ah,
how fleeting, ah how
insignificant’ as
a leitmotif.
Galea et
Bellum is geschreven
in opdracht van
muziekvereniging
Excelsior Schraard. Het
werk verhaalt over een
zeldzame helm die in 2015
werd ontdekt in een kerk
in het Friese dorpje
Schettens. Als leidmotief
wordt het lied ‘Ach
wie flüchtig, ach wie
nichtig ist der Menschen
Leben’ gebruikt.
Een ideaal wedstrijdwerk
met veel uitdaging voor
uw orkest.
Das
Werk erzählt die
Geschichte eines Helms,
der 2015 in einer Kirche
des friesischen Dorfs
Schettens entdeckt wurde.
Als Leitmotiv dient das
Kirchenlied Ach wie
flüchtig, ach wie
nichtig“ aus dem
17. Jahrhundert, das
anfangs fragmentarisch
erscheint, zum Ende des
Werkes hin aber in voller
Größe erklingt. Ein
hervorragendes
Wettbewerbsstück mit
vielen Herausforderungen
für Ihr Orchester!
Galea et
Bellum (L’elmo
e la guerra) è stato
commissionato dalla
Societ musicale Excelsior
di Schraard (Paesi
Bassi). Il lavoro
racconta la storia di un
raro elmo ritrovato in
una chiesa nel villaggio
di Schettens nel 2015.
Come leitmotiv è stato
usato l'inno Ach wie
flüchtig, ach wie
nichtig, che appare
inizialmente solo in
frammenti, ma raggiunge
il pieno sviluppo verso
la fine del lavoro.
Friedensmarsch Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064021-140 From Rienzi(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1064021-140
From Rienzi.
Composed by Richard
Wagner. Arranged by Wil
van der Beek. The Great
Classics. Transcription.
Score Only. Composed
2006. De Haske
Publications #DHP
1064021-140. Published by
De Haske Publications
(BT.DHP-1064021-140).
9x12 inches.
English-German-French-Dut
ch.
Rienzi remains
one of the most popular
works from the ?master of
romantic opera?, Richard
Wagner. The
Friedensmarsch from the
fourth act (scene 2) of
Rienzi is subdued and
solemn in character: in
the sounds of this march,
Rienzi strides to a
stately church service.
This is sure to be a very
popular addition to any
performance and is one
not to be missed.
Entdecken Sie
Wagner neu mit Rienzi,
der Letzte der
Tribunen, einer Oper,
die heute nicht mehr zu
den bekanntesten Werken
Richard Wagners zählt,
aber seinerzeit sehr gut
beim Publikum ankam. Das
war auf zahlreiche
Elemente des Werkes
zurückzuführen:
Prozessionen, Märsche,
Schlachten, Hymnen, ein
großes Ballett,
Glockengeläut,
Trompetensignale und
vieles mehr. Wil van der
Beek wählte sich den
eher gedämpften,
ruhigen
Friedensmarsch aus
dem vierten Akt von
Rienzi für
diese attraktive
Blasorchesterbearbeitung
aus.
Richard Wagner è un
compositore unico:
arricchisce
l’armonia di
aggregazioni fino ad
allora non utilizzate, le
sue orchestrazioni sono
diverse da quelle dei
suoi contemporanei, le
sue melodie sembrano
infinite, i leitmotif
nascono con fluidit e i
temi delle sue opere sono
in rottura con le
correnti
dell’epoca.
Rienzi (1840) è
un’opera che
contiene tutti questi
elementi innovatori.
Friedensmarsch
è una marcia cupa, ma
allo stesso tempo
maestosa, estratta
dall’Atto IV,
scena 2
dell’opera.
Friedensmarsch Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064021-010 From Rienzi(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1064021-010
From Rienzi.
Composed by Richard
Wagner. Arranged by Wil
van der Beek. The Great
Classics. Transcription.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064021-010. Published by
De Haske Publications
(BT.DHP-1064021-010).
9x12 inches.
English-German-French-Dut
ch.
Rienzi remains
one of the most popular
works from the ?master of
romantic opera?, Richard
Wagner. The
Friedensmarsch from the
fourth act (scene 2) of
Rienzi is subdued and
solemn in character: in
the sounds of this march,
Rienzi strides to a
stately church service.
This is sure to be a very
popular addition to any
performance and is one
not to be missed.
Rienzi is
een vroeg werk van
Wagner: deze opera
behoort zeker niet tot
zijn bekendste werken.
Rienzi, der Letzte der
Tribunen - zoals de
volledige titel luidt -
werd door tijdgenoten
enthousiast ontvangen. Er
zijn inde partituur
voldoende elementen te
vinden die dit kunnen
verklaren: processies,
marsen, gevechten,
lofzangen, goed in het
gehoor liggende
ensembles, een
grootschalig ballet,
klokgelui, veelvuldige
trompetsignalen,
enzovoort.
DeFriedensmarsch uit de
vierde akte (scène 2)
van Rienzi is
ingetogen, statig en
gedragen van karakter:
Rienzi schrijdt op de
klanken van deze mars
naar een plechtige dienst
in de
kerk.
Entdecken
Sie Wagner neu mit
Rienzi, der Letzte der
Tribunen, einer Oper,
die heute nicht mehr zu
den bekanntesten Werken
Richard Wagners zählt,
aber seinerzeit sehr gut
beim Publikum ankam. Das
war auf zahlreiche
Elemente des Werkes
zurückzuführen:
Prozessionen, Märsche,
Schlachten, Hymnen, ein
großes Ballett,
Glockengeläut,
Trompetensignale und
vieles mehr. Wil van der
Beek wählte sich den
eher gedämpften,
ruhigen
Friedensmarsch aus
dem vierten Akt von
Rienzi für
diese attraktive
Blasorchesterbearbeitung
aus.
Richard Wagner è un
compositore unico:
arricchisce
l’armonia di
aggregazioni fino ad
allora non utilizzate, le
sue orchestrazioni sono
diverse da quelle dei
suoi contemporanei, le
sue melodie sembrano
infinite, i leitmotif
nascono con fluidit e i
temi delle sue opere sono
in rottura con le
correnti
dell’epoca.
Rienzi (1840) è
un’opera che
contiene tutti questi
elementi innovatori.
Friedensmarsch
è una marcia cupa, ma
allo stesso tempo
maestosa, estratta
dall’Atto IV,
scena 2
dell’opera.
Friedensmarsch Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band - Grade 3 SKU: BT.DHP-1064021-040 From Rienzi. Compos...(+)
Concert Band - Grade 3
SKU:
BT.DHP-1064021-040
From Rienzi.
Composed by Richard
Wagner. Arranged by Wil
van der Beek. The Great
Classics. Transcription.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064021-040. Published by
De Haske Publications
(BT.DHP-1064021-040).
9x12 inches.
English-German-French-Dut
ch.
Rienzi remains
one of the most popular
works from the ?master of
romantic opera?, Richard
Wagner. The
Friedensmarsch from the
fourth act (scene 2) of
Rienzi is subdued and
solemn in character: in
the sounds of this march,
Rienzi strides to a
stately church service.
This is sure to be a very
popular addition to any
performance and is one
not to be missed.
Entdecken Sie
Wagner neu mit Rienzi,
der Letzte der
Tribunen, einer Oper,
die heute nicht mehr zu
den bekanntesten Werken
Richard Wagners zählt,
aber seinerzeit sehr gut
beim Publikum ankam. Das
war auf zahlreiche
Elemente des Werkes
zurückzuführen:
Prozessionen, Märsche,
Schlachten, Hymnen, ein
großes Ballett,
Glockengeläut,
Trompetensignale und
vieles mehr. Wil van der
Beek wählte sich den
eher gedämpften,
ruhigen
Friedensmarsch aus
dem vierten Akt von
Rienzi für
diese attraktive
Blasorchesterbearbeitung
aus.
Richard Wagner è un
compositore unico:
arricchisce
l’armonia di
aggregazioni fino ad
allora non utilizzate, le
sue orchestrazioni sono
diverse da quelle dei
suoi contemporanei, le
sue melodie sembrano
infinite, i leitmotif
nascono con fluidit e i
temi delle sue opere sono
in rottura con le
correnti
dell’epoca.
Rienzi (1840) è
un’opera che
contiene tutti questi
elementi innovatori.
Friedensmarsch
è una marcia cupa, ma
allo stesso tempo
maestosa, estratta
dall’Atto IV,
scena 2
dell’opera.
Pisa Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1165673-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1165673-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2016. De
Haske Publications #DHP
1165673-010. Published by
De Haske Publications
(BT.DHP-1165673-010).
English-German-French-
Dutch.
The Tower of
Pisa is beyond doubt the
most famous and legendary
tower in the world. The
main motif symbolizes the
three bells of the tower.
The motif is transformed
throughout the piece in
which the spectacular
effect of a downward
motive playedagainst
sustained chords,
symbolizing the leaning
tower, is used. The
finale portrays a
parade of all bands from
around Pisa coming to
town to celebrate,
accompanied by the bells
of the tower!
De
Toren van Pisa is zonder
twijfel de beroemdste en
meest legendarische toren
van de wereld. In dit
werk symboliseert het
hoofdmotief de drie
klokken van de toren. Dit
hoofdthema wordt
gaandeweg
getransformeerd, terwijl
halverwege de
compositieeen
spectaculair neerwaarts
motief tegenover
aangehouden akkoorden
staat voor het scheef
hellen van de toren. De
finale weerspiegelt een
optocht van blaasorkesten
uit de omgeving, op weg
naar Pisa om er feest te
vieren, begeleid door
hetklokkenmotief!
Der Schiefe Turm von Pisa
gehört zweifellos zu
den berühmtesten und
legendärsten Türmen
der Welt. Das Hauptmotiv
des Stückes
symbolisiert die drei
Glocken des Turms. Das
Thema mit dem
großartigen Effekt
eines abwärtsgehenden
Motivs, welches
denschiefen Turm
symbolisiert, im Kontrast
zu den gehaltenen
Akkorden, kehrt im
gesamten Stück in
verschiedenen Versionen
wieder. Das Finale stellt
eine Parade aller
Orchester aus der
Umgebung von Pisa dar,
die zum Feiern in die
Stadt kommen und von
denGlocken des Turms
begleitet
werden!
Quella di Pisa
è, con ogni probabilit
, la più famosa torre
al mondo. Il leitmotif
del brano di de Haan
simbolizza le tre campane
della torre, mentre tutta
l’opera mantiene
un andamento fluttuante
capace di rendere
pienamente il senso di
pendenza della torre. Il
finale illustra una
grande parata alla quale
partecipano tutte le
bande dei dintorni della
citt , festanti e
accompagnate dal suono
gioioso delle
campane.
Quels Sauts! Hautbois, Piano (duo) [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
Chamber Music & Piano Accompaniment 1 Oboe 1 Piano - Grade 4 SKU: FL.FX072775...(+)
Chamber Music & Piano
Accompaniment 1 Oboe 1
Piano - Grade 4
SKU:
FL.FX072775
Composed
by Alain Lopez. Original
Composition. Classical,
Educational. Score and
Set of Parts. FLEX
Editions #FX072775.
Published by FLEX
Editions (FL.FX072775).
As the title
suggests, this piece
focuses primarily on the
octave leaps and
chromatism. The arpeggio
sequences serve as a
leitmotif throughout the
piece. - Alain LOPEZ ;
A Piece for
students from 7 years of
instrument practice ;
Instruments: 1 Oboe 1
Piano; Difficuly Level:
Grade 4; Duration: 3 mn
10 s; Musical Style:
Classical, Educational;
Category: Original
Composition; Composer:
Alain LOPEZ;.
Quels Sauts! Flûte traversière et Piano [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
Chamber Music & Piano Accompaniment 1 Flute 1 Piano - Grade 4 SKU: FL.FX07277...(+)
Chamber Music & Piano
Accompaniment 1 Flute 1
Piano - Grade 4
SKU:
FL.FX072774
Composed
by Alain Lopez. Original
Composition. Classical,
Educational. Score and
Set of Parts. FLEX
Editions #FX072774.
Published by FLEX
Editions (FL.FX072774).
As the title
suggests, this piece
focuses primarily on the
octave leaps and
chromatism. The arpeggio
sequences serve as a
leitmotif throughout the
piece. - Alain LOPEZ ;
A Piece for
students from 7 years of
instrument practice ;
Instruments: 1 Flute 1
Piano; Difficuly Level:
Grade 4; Duration: 3 mn
10 s; Musical Style:
Classical, Educational;
Category: Original
Composition; Composer:
Alain LOPEZ;.
Pisa Orchestre d'harmonie - Facile De Haske Publications
Concert Band (Score & Parts) - Grade 3 SKU: HL.44012881 For Concert Ba...(+)
Concert Band (Score &
Parts) - Grade 3
SKU:
HL.44012881
For
Concert Band
(Score/Parts).
Composed by Jacob De
Haan. De Haske Concert
Band. Concert Piece.
Softcover. Composed 2016.
De Haske Publications
#1165673010. Published by
De Haske Publications
(HL.44012881).
English-German-French-
Dutch.
The Tower of
Pisa is beyond doubt the
most famous and legendary
tower in the world. The
main motif symbolizes the
three bells of the tower.
The motif is transformed
throughout the piece in
which the spectacular
effect of a downward
motive playedagainst
sustained chords,
symbolizing the leaning
tower, is used. The
finale portrays a
parade of all bands from
around Pisa coming to
town to celebrate,
accompanied by the bells
of the tower!
De
Toren van Pisa is zonder
twijfel de beroemdste en
meest legendarische toren
van de wereld. In dit
werk symboliseert het
hoofdmotief de drie
klokken van de toren. Dit
hoofdthema wordt
gaandeweg
getransformeerd, terwijl
halverwege de
compositieeen
spectaculair neerwaarts
motief tegenover
aangehouden akkoorden
staat voor het scheef
hellen van de toren. De
finale weerspiegelt een
optocht van blaasorkesten
uit de omgeving, op weg
naar Pisa om er feest te
vieren, begeleid door
hetklokkenmotief!
Der Schiefe Turm von Pisa
gehort zweifellos zu den
beruhmtesten und
legendarsten Turmen der
Welt. Das Hauptmotiv des
Stuckes symbolisiert die
drei Glocken des Turms.
Das Thema mit dem
grossartigen Effekt eines
abwartsgehenden Motivs,
welches denschiefen Turm
symbolisiert, im Kontrast
zu den gehaltenen
Akkorden, kehrt im
gesamten Stuck in
verschiedenen Versionen
wieder. Das Finale stellt
eine Parade aller
Orchester aus der
Umgebung von Pisa dar,
die zum Feiern in die
Stadt kommen und von
denGlocken des Turms
begleitet
werden!
La tour de
Pise est sans doute la
tour la plus celebre et
legendaire du monde. Le
motif principal symbolise
les trois cloches de la
tour et est transforme
tout au long du morceau.
En contraste aux accords
soutenus, une impression
descendante estcreee par
un autre motif qui
symbolise la tour
inclinee. Le final
depeint une parade de
tous les orchestres des
alentours de Pise qui se
rassemblent en ville pour
celebrer, accompagnees
par les cloches de la
tour !
Quella di
Pisa e, con ogni
probabilita, la piu
famosa torre al mondo. Il
leitmotif del brano di de
Haan simbolizza le tre
campane della torre,
mentre tutta l'opera
mantiene un andamento
fluttuante capace di
rendere pienamente il
senso di pendenza della
torre. Il finale illustra
una grande parata alla
quale partecipano tutte
le bande dei dintorni
della citta, festanti e
accompagnate dal suono
gioioso delle
campane.
Score and Parts Concert Band; Concert Band Set (Score & Parts) - Grade 4 SKU:...(+)
Score and Parts Concert
Band; Concert Band Set
(Score & Parts) - Grade 4
SKU: HL.4007995
For Concert Band,
Grade 4 4:00 Score and
Parts. Composed by
Otto M. Schwarz. Concert.
Softcover. Duration 240
seconds. Hal Leonard
#SDP0922102. Published by
Hal Leonard (HL.4007995).
Symphonic
Dimensions is a powerful
opening piece with a
continually recurring
motif. Beginning with a
festive fanfare in which
the leitmotif is heard
for the first time, it
continues in a buoyant
12/8 meter. The themes
alternate again and
again, in various
instrumentations, and end
in an epic finale.
Symphonic Dimensions can
equally be played at the
end of a concert as a
rousing finale.
Score and Parts Concert Band Set (Score & Parts) - Grade 4 SKU: HL.4008294(+)
Score and Parts Concert
Band Set (Score & Parts)
- Grade 4
SKU:
HL.4008294
For
Concert Band, Grade 4
4:00 Score and Parts.
Composed by Otto Schwarz.
Symphonic Dimensions.
Concert, Fanfare.
Softcover. Duration 240
seconds. Hal Leonard
#SDP0922102. Published by
Hal Leonard (HL.4008294).
ISBN 9781705197028.
UPC:
196288145158.
Symph
onic Dimensions is a
powerful opening piece
with a continually
recurring motif.
Beginning with a festive
fanfare in which the
leitmotif is heard for
the first time, it
continues in a buoyant
12/8 meter. The themes
alternate again and
again, in various
instrumentations, and end
in an epic finale.
Symphonic Dimensions can
equally be played at the
end of a concert as a
rousing finale.
Quels Sauts! Saxophone Alto et Piano [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
Chamber Music & Piano Accompaniment 1 Alto Saxophone 1 Piano - Grade 4 SKU: F...(+)
Chamber Music & Piano
Accompaniment 1 Alto
Saxophone 1 Piano - Grade
4
SKU: FL.FX072326
Composed by Alain Lopez.
Original Composition.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX072326.
Published by FLEX
Editions (FL.FX072326).
As the title
suggests, this piece
focuses primarily on the
octave leaps and
chromatism. The arpeggio
sequences serve as a
leitmotif throughout the
piece. - Alain LOPEZ ;
A Piece for
students from 7 years of
instrument practice ;
Instruments: 1 Alto
Saxophone 1 Piano;
Difficuly Level: Grade 4;
Duration: 3 mn 10 s;
Musical Style: Classical,
Educational; Category:
Original Composition;
Composer: Alain
LOPEZ;.
Pisa Orchestre d'harmonie - Facile De Haske Publications
Concert Band (Score) - Grade 3 SKU: HL.44012882 For Concert Band (Full...(+)
Concert Band (Score) -
Grade 3
SKU:
HL.44012882
For
Concert Band (Full
Score). Composed by
Jacob De Haan. De Haske
Concert Band. Softcover.
Composed 2016. De Haske
Publications #1165673140.
Published by De Haske
Publications
(HL.44012882).
UPC:
888680671563.
English-German-French-Dut
ch.
The Tower of
Pisa is beyond doubt the
most famous and legendary
tower in the world. The
main motif symbolizes the
three bells of the tower.
The motif is transformed
throughout the piece in
which the spectacular
effect of a downward
motive playedagainst
sustained chords,
symbolizing the leaning
tower, is used. The
finale portrays a
parade of all bands from
around Pisa coming to
town to celebrate,
accompanied by the bells
of the tower!
De
Toren van Pisa is zonder
twijfel de beroemdste en
meest legendarische toren
van de wereld. In dit
werk symboliseert het
hoofdmotief de drie
klokken van de toren. Dit
hoofdthema wordt
gaandeweg
getransformeerd, terwijl
halverwege de
compositieeen
spectaculair neerwaarts
motief tegenover
aangehouden akkoorden
staat voor het scheef
hellen van de toren. De
finale weerspiegelt een
optocht van blaasorkesten
uit de omgeving, op weg
naar Pisa om er feest te
vieren, begeleid door
hetklokkenmotief!
Der Schiefe Turm von Pisa
gehort zweifellos zu den
beruhmtesten und
legendarsten Turmen der
Welt. Das Hauptmotiv des
Stuckes symbolisiert die
drei Glocken des Turms.
Das Thema mit dem
grossartigen Effekt eines
abwartsgehenden Motivs,
welches denschiefen Turm
symbolisiert, im Kontrast
zu den gehaltenen
Akkorden, kehrt im
gesamten Stuck in
verschiedenen Versionen
wieder. Das Finale stellt
eine Parade aller
Orchester aus der
Umgebung von Pisa dar,
die zum Feiern in die
Stadt kommen und von
denGlocken des Turms
begleitet
werden!
La tour de
Pise est sans doute la
tour la plus celebre et
legendaire du monde. Le
motif principal symbolise
les trois cloches de la
tour et est transforme
tout au long du morceau.
En contraste aux accords
soutenus, une impression
descendante estcreee par
un autre motif qui
symbolise la tour
inclinee. Le final
depeint une parade de
tous les orchestres des
alentours de Pise qui se
rassemblent en ville pour
celebrer, accompagnees
par les cloches de la
tour !
Quella di
Pisa e, con ogni
probabilita, la piu
famosa torre al mondo. Il
leitmotif del brano di de
Haan simbolizza le tre
campane della torre,
mentre tutta l'opera
mantiene un andamento
fluttuante capace di
rendere pienamente il
senso di pendenza della
torre. Il finale illustra
una grande parata alla
quale partecipano tutte
le bande dei dintorni
della citta, festanti e
accompagnate dal suono
gioioso delle
campane.
Piano - Grade 4 SKU: FA.MFCD007PN By Nicolas Horvath. By Claude Debussy a...(+)
Piano - Grade 4
SKU:
FA.MFCD007PN
By
Nicolas Horvath. By
Claude Debussy and Robert
Orledge. Rediscoverd
Debussy. Classical,
Impressionistic. Score.
Musik Fabrik #MFCD007PN.
Published by Musik Fabrik
(FA.MFCD007PN).
8.27 x
11.69
inches.
Debussy's
friendship with the
versatile poet and
playwright Gabriel Mourey
began in 1899, and in
July 1907 Mourey offered
Debussy a libretto based
on Le roman de Tristan -
Joseph Bedier's
adaptation of a
twelfth-century Breton
romance by the
Anglo-Norman poet known
as Thomas - which had
recently been published
in Paris. Debussy
enthusiastically outlined
the four-act plot to
Victor Segalen that
October, and the main
differences from Wagner's
Tristan und Isolde are
that none of the action
takes place in Cornwall
and that Isolde of the
White Hands is found
guilty of cuckolding King
Marc with Tristan, who
has to rescue her from
the leper colony in which
she is abandoned in Act
1. She also betrays him
when he goes mad at the
end.
The idea of a
Tristan that restored its
'legendary character' and
had no connections with
Wagner, appealed to
Debussy, who was
extremely moved by the
circumstances of
Tristan's death. Even if
he thought that Mourey's
poetry was 'not very
lyrical and many passages
do not exactly invite
music', he did work on
the libretto and the
music that summer and
sent his publisher,
Jacques Durand, 'one of
the 363 themes for the
Roman de Tristan' in a
letter sent from
Pourville on 23 August,
1907. The present prelude
grows from this theme,
together with the
poignant Breton folksong
Le Faucon. After a short
atmospheric introduction,
Debussy's dance-like
theme (which is
definitely not a
leitmotif) gradually
gains momentum and after
it reaches its ecstatic
climax, representing the
transient happiness of
the lovers, it dissolves
into an expressive coda
and an elegiac close (all
growing from Debussy's
opening, off-stage
trumpet calls), leaving
us with the ultimate
tragedy of their
ill-fated
affair.
Unfortunat
ely, Mourey's actual
libretto has been lost
and the project
eventually foundered
because Bedier's cousin,
Louis Artus, wanted
Debussy to use the
scenario he had prepared
and copyrighted for the
stage, and would not
allow him to proceed with
Mourey's version.
Debussy, it need hardly
be said, would never have
dreamed of collaborating
with the author of the
vaudeville hit La culotte
(The pants)!
Concert Band (Score) - Grade 4 SKU: HL.4008295 For Concert Band, Grade...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.4008295
For
Concert Band, Grade 4
4:00 Score. Composed
by Otto Schwarz.
Symphonic Dimensions.
Concert, Fanfare.
Softcover. 28 pages.
Duration 240 seconds. Hal
Leonard #SDP0922101.
Published by Hal Leonard
(HL.4008295).
UPC:
196288145165.
Symph
onic Dimensions is a
powerful opening piece
with a continually
recurring motif.
Beginning with a festive
fanfare in which the
leitmotif is heard for
the first time, it
continues in a buoyant
12/8 meter. The themes
alternate again and
again, in various
instrumentations, and end
in an epic finale.
Symphonic Dimensions can
equally be played at the
end of a concert as a
rousing finale.
Chamber Music & Piano Accompaniment 1 Bb Clarinet 1 Piano - Grade 4 SKU: FL.F...(+)
Chamber Music & Piano
Accompaniment 1 Bb
Clarinet 1 Piano - Grade
4
SKU: FL.FX072772
Composed by Alain Lopez.
Original Composition.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX072772.
Published by FLEX
Editions (FL.FX072772).
As the title
suggests, this piece
focuses primarily on the
octave leaps and
chromatism. The arpeggio
sequences serve as a
leitmotif throughout the
piece. - Alain LOPEZ ;
A Piece for
students from 7 years of
instrument practice ;
Instruments: 1 Bb
Clarinet 1 Piano;
Difficuly Level: Grade 4;
Duration: 3 mn 10 s;
Musical Style: Classical,
Educational; Category:
Original Composition;
Composer: Alain
LOPEZ;.
Metamorphosis Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Brass Band - Grade 6 SKU: BT.DHP-1145577-030 For Brass Band. Compo...(+)
Brass Band - Grade 6
SKU:
BT.DHP-1145577-030
For Brass Band.
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2014. De Haske
Publications #DHP
1145577-030. Published by
De Haske Publications
(BT.DHP-1145577-030).
English-German-French-
Dutch.
The opening
of this three-movement
work features an initial
appearance of the
thematic material that
returns in various guises
later on in the work. The
leitmotiv centres on a
minor second. A range
of thematic variations is
heard in the lively and
energetic
Metamorphosis One.
This movement is
interrupted by an
atmospheric meno mosso,
containing melodic
passages that return to
the opening
theme. Metamorhosis
Two is characterised
by various changes in
tempo and musical
character. Seven
different soloists
transform the thematic
material each in their
own way. This eventually
culminates in a
passionate tutti
passage. The source of
inspiration for
Metamorphosis
Three is the
so-called BACH-motif, a
musical autograph
consisting of the notes B
flat, A, C and B. This
distinctive motif arises
from the leitmotiv (here
a descending minor
second), which
continuesto evolve
through various
transpositions and
transformations. For the
composer, this
spectacular last movement
is an homage to one of
the greatest and most
influential composers in
the history of music:
Johann Sebastian
Bach.
An
impressive contest piece
commissioned by Brass
Band Schoonhoven,
performed at the 2014
European Brass Band
Championships.
In de
opening van deze
driedelige compositie
wordt het thematische
materiaal gepresenteerd
dat verderop in het werk
in allerlei
transformaties voorkomt.
De ‘kleine
secunde’ dient
daarbij als leidmotief.
In het levendige en
flitsende
Metamorphosis One
wordt volop gevarieerd
met de thematiek. Het
deel wordt onderbroken
door een sfeervol meno
mosso met daarin
melodische passages die
teruggrijpen op het
beginthema. In
Metamorhosis Two
treden veel veranderingen
op in het tempo en het
muzikale karakter. Zeven
verschillende solisten
transformeren ieder op
hun eigen wijze het
thematische materiaal.
Uiteindelijk resulteert
dat in een gepassioneerd,
tuttigespeeld
gedeelte. De
inspiratiebron voor
Metamorphosis
Three is het
zogenaamde BACH-motief,
een muzikale handtekening
met de noten Bes, A, C en
B. Dit karakteristieke
motief ontstaat vanuit
het leidmotief (in dit
geval een dalende kleine
secunde) en verandert
voortdurend van gedaante
door allerlei
transposities en
omvormingen. De componist
beschouwt dit
spectaculaire laatste
deel als een eerbetoon
aan een van de grootste
en invloedrijkste
componisten uit de
geschiedenis van de
muziek: Johann
SebastianBach.
In
der Eröffnung dieses
dreisätzigen Werkes
wird zum ersten Mal das
thematische Material
präsentiert, das im
weiteren Verlauf in
diversen Gewändern
wiederkehrt. Kern des
Leitmotivs ist eine
kleine Sekunde. Eine
Reihe von thematischen
Variationen ist in der
lebhaften und
energiereichen
Metamorphosis One
zu hören. Der Satz
wird von einem
stimmungsvollen Meno
mosso aus melodischen
Passagen, die zum
Eröffnungsthema
zurückführen,
unterbrochen. Metam
orphosis Two ist von
mehreren Wechseln im
Tempo und im
musikalischen Charakter
geprägt. Sieben
verschiedene Solisten
verwandeln das
thematische Material
jedes auf seine eigene
Weise. Das Ganze steigert
sich schließlich zu
einemfulminanten
Tutti. Quelle der
Inspiration für
Metamorphosis
Three ist das so
genannte BACH-Motiv, eine
musikalische Signatur aus
den Tönen B, A, C und
H. Dieses ausgeprägte
Motiv geht aus dem
Leitmotiv hervor (hier
ist es eine absteigende
kleine Sekunde),welches
fortwährend durch
verschiedene
Transpositionen und
Transformationen
weiterentwickelt wird.
Für den Komponisten
ist dieser
spektakuläre letzte
Satz eine Hommage an
einen der größten
und einflussreichsten
Komponisten der
Musikgeschichte:
JohannSebastian
Bach.
Composed by
George Lloyd. Band Music.
Score only. Duration
10:00. Published by G & M
Brand Music Publishers
(CN.S11042).
This symphonic
sketch for concert band
is packed full different
motives thrown around the
ensemble hinting at the
programmatic leitmotifs
of Wagner. Every section
of the ensemble gets a
workout in this
delightful 10-minute
work.
A Symphonic
Sketch for Concert Band.
The resurgence of
interest in George
Lloyd's music must give
us faith that such talent
will ultimately prevail
against sometimes unhappy
circumstances. Lloyd was
Cornish and showed
precocious gifts at an
early age - he had
completed his first
symphony by the age of
nineteen. During the
1930s he completed two
operas, one of which -
The Serf - was produced
at Covent Garden in 1938.
He was set for a
glittering career as a
composer. The Second
World War intervened and
he was invalidad out of
the Navy in a
shell-shocked state, and
having written very
little serious music
since 1937 went to
Switzerland to
recuperate, looked after
by his wife, Nancy.
Painfully, he began
writing again -
symphonies Nos. 4 and 5 -
and then returned to
England. He needed to
earn a living and he set
up a mushroom farm in
Dorset. But slowly he
began to compose again
and drafted more
symphonies in short
score. By this time he
was virtually unknown -
despite being considered
the equal of Walton,
Britten, and other young
stars of English music
some 30 years earlier.
Lloyd decided to embark
on a series of recordings
of his symphonies, and
slowly popular acclaim
enabled him to regain his
position. The Forest of
Arden was written in 1987
as a result of a
commission by the
Solihull Youth Wind Band.
Although Lloyd's music
feels instinctively
written one should not be
misled - it is carefully
crafted, but the craft
and structure are always
subordinated to create a
flow with a strongly
melodic content. Instead
of two or three themes,
The Forest of Arden
contains an abundance of
ideas which can be
described in two groups.
The first group contains
the opening rhythmic
motif, quickly developed
into a short rising
quaver passage in the
woodwinds, and later then
a chromatic ostinato bass
- only 8 bars at this
stage but later expanded.
The second group is broad
and expansive, initially
based on intervals of
rising fifths introduced
by euphonium, tubas, and
baritone saxophone,
immediately echoed by
horns. Low brass and
winds expand the theme
into rising sixths and
octaves. There is a hint
of development, bit this
is arrested as the music
moves to a piu tranquillo
section introduced by the
alto saxophone which
further develops the
rising sixth theme. There
follows a true
development of the
opening material,
starting with the
ostinato bass and
gradually passing through
different tonal centers
until the rising fifths
of the second theme group
are heralded - fortissimo
and poco piu largamente
shortly before the end.
The structure is almost
Wagnerian (albeit on a
much smaller scale), with
themes being used as
leitmotifs, but this is
music which, even within
the space of ten minutes
is conceived on a grand
design.
De Ruigewaard Fanfare [Conducteur] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1135452-120 Introductie en variatie...(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1135452-120
Introductie en
variaties over het Dies
Irae. Composed by Jan
de Haan. Concert and
Contest Collection Brass
Band en Fanfare. Concert
Piece. Score Only.
Composed 2013. 56 pages.
De Haske Publications
#DHP 1135452-120.
Published by De Haske
Publications
(BT.DHP-1135452-120).
9x12 inches.
English-Dutch.
De
Ruigewaard is a large
polder (reclaimed land
protected by dykes) in
the Dutch province of
Groningen. Shortly after
the land was reclaimed
around 1500, a settlement
was established at the
location of the current
village of Grijpskerk.
This was the source of
inspiration for this
concert work, together
with a 13th-century
Gregorian theme - the
Dies Irae - which
is used as a
leitmotiv.After the
introduction follow five
variations, in randon
order - however, each one
of them carries us back
to a striking moment in
the history of
Grijpskerk, home of the
Excelsior Christian Music
Association (CMV), who
commissioned this work on
the occasion of its
participation in theWMC
in Kerkrade (the
Netherlands) in 2013.
De Ruigewaard is
een grote polder in de
provincie Groningen. Kort
na de inpoldering rond
1500 ontstond er een
nederzetting op de plaats
waar nu het dorp
Grijpskerk is gelegen.
Dit gegeven vormde de
inspiratiebron voor dit
concertwerk - samen met
een als leidmotief
gebruikt 13e-eeuws
gregoriaans thema: het
Dies Irae.Na de
introductie volgen vijf
variaties, in
willekeurige volgorde,
maar wel allemaal terug
te voeren op een markant
moment uit de
geschiedenis van de
vestigingsplaats van de
opdrachtgever van deze
compositie: Grijpskerk.
CMV Excelsior Grijpskerk
heeft deze compositie
laten schrijven vanwege
haar deelname aan het WMC
te Kerkrade in 2013.
The Order of the Temple Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1084493-010 L'Ordre du Tem...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1084493-010
L'Ordre du Temple.
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2008.
De Haske Publications
#DHP 1084493-010.
Published by De Haske
Publications
(BT.DHP-1084493-010).
9x12 inches.
English-German-French-Dut
ch.
De Orde van de
Tempeliers was een van de
belangrijkste
christelijke ridderordes
in de middeleeuwen. Het
lot van de Orde was twee
eeuwen lang verweven met
dat van de kruistochten.
The Order of the
Temple opent met het
‘ridderthemaâ€
,een leidmotief dat door
de compositie is
verweven. Het hero sche
tweede thema, met
gesyncopeerde ritmes,
doet denken aan een
kruistocht. Na een korte
recitatieve passage wordt
de muziek serener, de
fluitsolo onthult een
nieuwemelodische lijn.
Ten slotte speelt de
klarinetsectie een
koraal, dat wordt
overgenomen door het hele
orkest en uitmondt in een
grootse
finale.
The
Order of the Temple (Der
Templerorden) vom
französischen
Komponisten Thierry
Deleruyelle ist ein
musikalisches Fresko
über diesen
kriegerischen
Mönchsorden. Der
Templerorden war einer
der dominierenden
christlichen Ritterorden
des Mittelalters:
Rittertum,
Kreuzzüge, Geld,
Macht, aber auch tiefer
Glaube sind die Themen,
die sich in Thierry
Deleruyelles
großartiger
Komposition spiegeln - in
heroischen, kriegerischen
Themen, in rezitativen
Passagen, sanften
melodischen Linien und
einem starken
Finale.