2 soprano voice solos, alto voice solo, 2 tenor voice solos, bass voice solo, SSATB choir, piano (2 Soprano Voice Solo, Alto Voice Solo, 2 Tenor Voice Solo, Bass Voice Solo, Mixed choir: SSATB, 2 Trp, Str, Continuo) - Level 3

SKU: BA.BA03517-90

Sequenz-Komposition für Solostimmen, Chor und Orchester. Composed by Antonio Caldara. Edited by István Homolya. Stapled. Vocal Score. Baerenreiter Verlag #BA03517_90. Published by Baerenreiter Verlag (BA.BA03517-90).

ISBN 9790006436224. 27 x 19 cm inches. Text Language: Latin.

(2+1.2.2+1.2/4.2.3.1,timp ,perc,hp,str,SMezMezBar soli)

SKU: TM.14075SC

Composed by Engelbert Humperdinck. Score. Lucks Music Library #E1175. Published by Lucks Music Library (TM.14075SC).

Act III scene 4: Erlost befreit fur alle Zeit! (Malto tranquillo in 4/4 with children's chorus); Act III scene 5: Vater Mutter. Reh. 200-212.

(2+1.2.2+1.2/4.2.3.1,timp ,perc,hp,str,SMezMezBar soli)

SKU: TM.14075SET

Composed by Engelbert Humperdinck. Set Type: D. Set of parts. Lucks Music Library #E1175. Published by Lucks Music Library (TM.14075SET).

Act III scene 4: Erlost befreit fur alle Zeit! (Malto tranquillo in 4/4 with children's chorus); Act III scene 5: Vater Mutter. Reh. 200-212.

Composed by Gottfried August Homilius. Edited by Uwe Wolf. For SATB choir. Stuttgart Urtext Edition. Motets. Collection. 440 pages. Published by Carus Verlag

Recorder, orchestra (solo: rec - 1(picc).1.cor ang.0.2. - 2.1.1.0. - timp.perc(2) - hp.guit ad lib. - str)

SKU: BR.PB-4891-07

Auf der Suche nach der verlorenen Zeit. Composed by Jurg Baur. Softbound. Partitur-Bibliothek (Score Library).

World premiere: Essen, May 4, 1975

Solo concerto; Music post-1945. Study Score. Composed 1975. 80 pages. Duration 17'. Breitkopf and Haertel #PB 4891-07. Published by Breitkopf and Haertel (BR.PB-4891-07).

ISBN 9790004206874. 6.5 x 9 inches.

Das Concerto da camera will weder eine barockisierende noch avantgardistische Musik fur die Blockflote sein - sondern ein instrumentgerechtes, abwechslungsreiches, temperamentvolles Stuck. Der Solopart (im Wechsel von Alt- und Piccolo-Flote) ist virtuos und ausdrucksstark zugleich angelegt, unter Berucksichtigung der in den letzten Jahren fur die Blockflote speziell entwickelten Techniken (uberblasene Akkorde, Flackergerausche, Fingervibrato etc.). Die relativ umfangreiche Orchesterbesetzung (funf Holz-, vier Blechblaser, Harfe, Schlagwerk, Streicher) soll farbige Kontraste schaffen und verschiedene Strukturen verdeutlichen. Im ersten Satz, einem knappen ,,Preludio bringt das Solo-Instrument verfremdete Zitate aus dem langsamen Satz eines Telemann-Konzertes (a-moll) uber Klangflachen von Streichern und Blasern. Zweiter Satz: Ein mehrteiliges, rhapsodisches Allegro, bei dem der Part der Blockflote von Repetitionsfiguren bestimmt wird. Das Orchester setzt mosaikahnliche kurze dodekaphonische und serielle Klanggruppen und -blocke dagegen. Im ruhigeren Zwischenteil korrespondiert die Solostimme mit dichtem polyphon gefuhrten Streicherensemble. Der langsame Satz , Mittelpunkt des ganzen Konzerts, entwickelt sich als weit ausgesponnene Fantasie und kristallisiert sich um die einzelnen Zeilen der alten Liedweise ,,Innsbruck, ich muss dich lassen - ,,auf der Suche nach der verlorenen Zeit. Ein rhythmisch eigenwilliges zwolftoniges Bass-Ostinato beherrscht das Finale, greift allmahlich in steter Steigerung auf alle Stimmen uber und ubertont schliesslich den Solopart. Nach kurzer Klimax kehrt das Thema nach und nach in die Bassregister zuruck, wahrend das Solo-Instrument mit virtuosen Spielfiguren dominiert. Eine Fanfare und eine im Unisono aus der Hohe herabschiessende Figur leiten diesen letzten Satz ein, erscheinen in der Mitte und am Ende, ehe eine humorvolle Stretta das Werk beschliesst. Das ,,Concerto da camera ist an kein festes Kompositionsprinzip gebunden; es konfrontiert den relativ zarten Klang der Blockflote mit den verschiedenen lautstarkeren Orchestergruppen und zeigt in diesem Spannungsfeld die Moglichkeiten und Grenzen des Soloinstruments auf.(Jurg Baur)Bibliography:Schneid er, Michael: Verschmitzt Jurg Baur und die Blockflote, in: Tibia 38 (2013), S. 418-431.Wallerang, Lars: Die Orchesterwerke Jurg Baurs als Dialog zwischen Tradition und Moderne, Koln: Dohr 2003.

(Kammermusikwerke, Band 3). Composed by Johann Sebastian Bach (1685-1750). Edited by Hans-Peter Schmitz. For Flute, piano/harpsichord. This edition: Complete edition, Urtext edition. Linen. New Bach Edition. Series VI, Volume 3. Performance score, anthology. 103 pages. Published by Baerenreiter Verlag

Recorder and piano (solo: rec - 1(picc).1.cor ang.0.2. - 2.1.1.0. - timp.perc(2) - hp.guit ad lib. - str)

SKU: BR.EB-6762

Auf der Suche nach der verlorenen Zeit. Composed by Jurg Baur. Solo instruments; Softcover. Edition Breitkopf.

World premiere: Essen, May 4, 1975

Solo concerto; Music post-1945. Piano reduction. Composed 1975. 28 pages. Duration 17'. Breitkopf and Haertel #EB 6762. Published by Breitkopf and Haertel (BR.EB-6762).

ISBN 9790004169636. 9 x 12 inches.

Das Concerto da camera will weder eine barockisierende noch avantgardistische Musik fur die Blockflote sein - sondern ein instrumentgerechtes, abwechslungsreiches, temperamentvolles Stuck. Der Solopart (im Wechsel von Alt- und Piccolo-Flote) ist virtuos und ausdrucksstark zugleich angelegt, unter Berucksichtigung der in den letzten Jahren fur die Blockflote speziell entwickelten Techniken (uberblasene Akkorde, Flackergerausche, Fingervibrato etc.). Die relativ umfangreiche Orchesterbesetzung (funf Holz-, vier Blechblaser, Harfe, Schlagwerk, Streicher) soll farbige Kontraste schaffen und verschiedene Strukturen verdeutlichen. Im ersten Satz, einem knappen ,,Preludio bringt das Solo-Instrument verfremdete Zitate aus dem langsamen Satz eines Telemann-Konzertes (a-moll) uber Klangflachen von Streichern und Blasern. Zweiter Satz: Ein mehrteiliges, rhapsodisches Allegro, bei dem der Part der Blockflote von Repetitionsfiguren bestimmt wird. Das Orchester setzt mosaikahnliche kurze dodekaphonische und serielle Klanggruppen und -blocke dagegen. Im ruhigeren Zwischenteil korrespondiert die Solostimme mit dichtem polyphon gefuhrten Streicherensemble. Der langsame Satz , Mittelpunkt des ganzen Konzerts, entwickelt sich als weit ausgesponnene Fantasie und kristallisiert sich um die einzelnen Zeilen der alten Liedweise ,,Innsbruck, ich muss dich lassen - ,,auf der Suche nach der verlorenen Zeit. Ein rhythmisch eigenwilliges zwolftoniges Bass-Ostinato beherrscht das Finale, greift allmahlich in steter Steigerung auf alle Stimmen uber und ubertont schliesslich den Solopart. Nach kurzer Klimax kehrt das Thema nach und nach in die Bassregister zuruck, wahrend das Solo-Instrument mit virtuosen Spielfiguren dominiert. Eine Fanfare und eine im Unisono aus der Hohe herabschiessende Figur leiten diesen letzten Satz ein, erscheinen in der Mitte und am Ende, ehe eine humorvolle Stretta das Werk beschliesst. Das ,,Concerto da camera ist an kein festes Kompositionsprinzip gebunden; es konfrontiert den relativ zarten Klang der Blockflote mit den verschiedenen lautstarkeren Orchestergruppen und zeigt in diesem Spannungsfeld die Moglichkeiten und Grenzen des Soloinstruments auf. (Jurg Baur) Bibliography: Schneider , Michael: Verschmitzt Jurg Baur und die Blockflote, in: Tibia 38 (2013), S. 418-431. Wallerang , Lars: Die Orchesterwerke Jurg Baurs als Dialog zwischen Tradition und Moderne, Koln: Dohr 2003.

World premiere: Essen, May 4, 1975.

STB Voices, SATB Choir, [2 Tr, Timp], 2 Vl, Va, Vc/Cb, Org - Level 3

SKU: CA.4067592

Composed by Franz Schubert. Carus CD series: Carus Choir Coach; Sacred vocal music, Masses, Latin. Carus Choir Coach. Mp3, Practice-CD, alto. Sacred vocal music, Masses, Latin. Compact Disc. D 167. Duration 25 minutes. Carus Verlag #CV 40.675/92. Published by Carus Verlag (CA.4067592).

Key: G major. Language: Latin.

Franz Schubert's Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert's final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. However, since the mid-1990s it has been known that the parts for trumpets and timpani were additionally composed by Franz Schubert himself for use ad libitum. The present edition offers this Klosterneuburg Version - with trumpets and timpani ad libitum, but without Ferdinand's wind parts - in an Urtext edition reflecting Schubert's own intended orchestration. This work is available in carus music, the choir app! Score available separately - see item CA.4067500.

STB Voices, SATB Choir, [2 Tr, Timp], 2 Vl, Va, Vc/Cb, Org - Level 3

SKU: CA.4067594

Composed by Franz Schubert. Carus CD series: Carus Choir Coach; Sacred vocal music, Masses, Latin. Carus Choir Coach. Mp3, Practice-CD, basso. Sacred vocal music, Masses, Latin. Compact Disc. D 167. Duration 25 minutes. Carus Verlag #CV 40.675/94. Published by Carus Verlag (CA.4067594).

Key: G major. Language: Latin.

Franz Schubert's Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert's final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. However, since the mid-1990s it has been known that the parts for trumpets and timpani were additionally composed by Franz Schubert himself for use ad libitum. The present edition offers this Klosterneuburg Version - with trumpets and timpani ad libitum, but without Ferdinand's wind parts - in an Urtext edition reflecting Schubert's own intended orchestration. This work is available in carus music, the choir app! Score available separately - see item CA.4067500.

By Various. Edited by Zeh, Dieter. Romantic Choral Music; Secular Choral Music; Choral Collections, Men's Choir. Choral collection. 56 pages. Published by Carus Verlag (German import).

STB Voices, SATB Choir, [2 Tr, Timp], 2 Vl, Va, Vc/Cb, Org - Level 3

SKU: CA.4067591

Composed by Franz Schubert. Carus CD series: Carus Choir Coach; Sacred vocal music, Masses, Latin. Carus Choir Coach. Mp3, Practice-CD, soprano. Sacred vocal music, Masses, Latin. Compact Disc. D 167. Duration 25 minutes. Carus Verlag #CV 40.675/91. Published by Carus Verlag (CA.4067591).

Key: G major. Language: Latin.

Franz Schubert's Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert's final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. However, since the mid-1990s it has been known that the parts for trumpets and timpani were additionally composed by Franz Schubert himself for use ad libitum. The present edition offers this Klosterneuburg Version - with trumpets and timpani ad libitum, but without Ferdinand's wind parts - in an Urtext edition reflecting Schubert's own intended orchestration. This work is available in carus music, the choir app! Score available separately - see item CA.4067500.

2 solo soprano voice, solo bass voice, basso continuo or Mixed choir: SAB, organ (Soprano solo (2), Bass solo, Basso continuo or Mixed choir (SAB), Organ) - Level 3

SKU: BA.BA06947

Für Solostimmen oder Chor und Basso continuo. Composed by Johann Vierdanck. Edited by Gerhard Weiss. Stapled. Chor-Archiv. Choral score, anthology. 24 pages. Baerenreiter Verlag #BA06947_00. Published by Baerenreiter Verlag (BA.BA06947).

ISBN 9790006498673. 27 x 19 cm inches.

Johann Vierdanck (1605-1646) was a choirboy in Dresden and a pupil of Heinrich Schütz. After short stays in Lübeck and Copenhagen he became an organist at St Mary's in Stralsund. His 1641 collection of 45 „sacred concerts“ appeared in several editions reflecting its popularity among his contemporaries. All the settings are based on Luther's translation of the Bible and are related stylistically to Heinrich Schütz's „Symphoniae sacrae“ (1629) and “Kleine geistliche Konzerte” (1636). The three psalm settings in this volume are ideally suited for small choirs or solo voices in church or concert performance.

STB Voices, SATB Choir, [2 Tr, Timp], 2 Vl, Va, Vc/Cb, Org - Level 3

SKU: CA.4067593

Composed by Franz Schubert. Carus CD series: Carus Choir Coach; Sacred vocal music, Masses, Latin. Carus Choir Coach. Mp3, Practice-CD, tenore. Sacred vocal music, Masses, Latin. Compact Disc. D 167. Duration 25 minutes. Carus Verlag #CV 40.675/93. Published by Carus Verlag (CA.4067593).

Key: G major. Language: Latin.

Franz Schubert's Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert's final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. However, since the mid-1990s it has been known that the parts for trumpets and timpani were additionally composed by Franz Schubert himself for use ad libitum. The present edition offers this Klosterneuburg Version - with trumpets and timpani ad libitum, but without Ferdinand's wind parts - in an Urtext edition reflecting Schubert's own intended orchestration. This work is available in carus music, the choir app! Score available separately - see item CA.4067500.

Osterkantate fur Solostimmen, Chor und Instrumente. By Dietrich Buxtehude. Edited by Traugott Fedtke. For Soprano solo (2), Alto solo, Tenor solo, Bass solo, Mixed Choir-SSATB, Trumpet (2), Kettledrum, Strings, Basso continuo. Ostern (Easter). Score. BuxWV 43. Published by Baerenreiter-Ausgaben (German import).