Composed by Peter Ilyich Tchaikovsky. For solo piano. Format: piano solo book. R...(+)
Composed by Peter Ilyich
Tchaikovsky. For solo
piano. Format: piano solo
book. Romantic period.
Series: The World's Great
Classical Music. 216
pages. 9x12 inches.
Published by Hal Leonard.
Flute Solo with Piano. Composed by Charles Marie Widor (1844-1937). Arranged ...(+)
Flute Solo with Piano.
Composed by Charles Marie
Widor (1844-1937).
Arranged
by James Galway. Southern
Music. Softcover. 28
pages.
Lauren Keiser Music
Publishing #SU803.
Published
by Lauren Keiser Music
Publishing
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann.
The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
French conductor and composer, Albert Beaucamp (1921-1967) first studied organ w...(+)
French conductor and
composer, Albert Beaucamp
(1921-1967) first studied
organ with his father,
and then with Marcel
Dupre. His compositional
catalogue is relatively
small, however, Fantasy
for Flute and Piano
remains prominent in the
advanced flautist's
repertoire. Beaucamp is
best remembered for
founding the Rouen
Conservatory and
organising and conducting
many concerts. Published
in 1954, Fantasy reflects
typical French
romantic-modern
characteristics,
including flourishing
semiquaver passages,
chromaticism and much
dynamic contrast. For all
advanced flautists
seeking alternative
repertoire, Beaucamp's
Fantasy is a delightful
addition to the
repertoire
Composed by Harl
Mcdonald. This edition:
Study Score.
Contemporary. Full score.
With Standard notation.
84 pages. Duration 15
minutes. Theodore Presser
Company #466-41177.
Published by Theodore
Presser Company
(PR.466411770).
UPC:
680160640850. 9 x 12
inches.
Mississippi
I. Father of Waters: born
of the Highlands and the
Lakes; the Glaciers, the
Mountains, and the
Prairies. The picture of
your birth is clounded in
the ice and mists of
ancient ages but your
spirit remains our life
stream. II. The Red Man
knew your bountiful gifts
and gave thanks to the
Great Spirit on your
banks. -- The Spanish and
French Fathers brought
the glory of Christianity
to America on
Mississippi. But all men,
white and dark; --
Indian, Spaniard, and
Negro; Bourbon and
Yankee, combined to make
Mississippi the heart of
America. Saga of the
Mississippi Harl McDonald
Born near Boulder,
Colorado, July 27, 1899
Now living in
Philadelphia The original
suggestion for a
symphonic work on the
subject of the
Mississippi came
indirectly from the late
Booth Tarkington who saw
in it color and movement
and atmosphere
translatable into the
terms of music. In the
course of time, by the
mysterious processes of
composers' chemistry, it
took shape as a tone-poem
of two sections, one
representing the rise of
the great stream from its
primeval geologic
sources, the other the
human history of the
river. Mr. McDonald
devised the following
verbal outline of the
general scheme of his
diptych: I. Father of
Waters: born of the
Highlands and the Lakes;
the Glaciers, the
Mountains, and the
Prairies. The picture of
your birth is clounded in
the ice and mists of
ancient ages but your
spirit remains our life
stream. II. The Red Man
knew your bountiful gifts
and gave thanks to the
Great Spirit on your
banks. -- The Spanish and
French Fathers brought
the glory of Christianity
to America on
Mississippi. But all men,
white and dark; --
Indian, Spaniard, and
Negro; Bourbon and
Yankee, combined to make
Mississippi the heart of
America. The first of the
two movements, beginning
molto andante, is vaguel
modal to hint at
antiquity. It is built
upon the conventional two
themes, with an episode,
poco piu mosso,
misterioso, for
prehistoric murk and
muck. There are various
changes of pace and mood.
The second, Allegro ma
vigorosamente, prefigures
an Indian ceremony. A
theme presented by flute,
clarinet and bassoon is a
Canadian Indian fishing
call collected by the
late J.B. Beck. A later
passage of
quasi-Gregorian chant
identifies the French and
Spanish priests who made
the great river their
highway. The fishing-call
is altered in rhythm and
harmony to represent
Negro field hands and
roustabous. A turbulent
close brings all these
elemts together in the
muddy swirling currents
of the Mississippi. The
work was begun in the
summer of 1945, and was
revised and completed in
the summer of 1947. Harl
McDonald, who is the
manager of The
Philadelphia Orchestra,
has concerned himself
with music as an art, as
a science and as a
business in course of his
career. He was born on a
cattle ranch in the
Rockies, but since his
was a musical family, his
up-bringing combined
piano lessons with ranch
life. Years of study and
professional experience
followed in Los Angeles
and in Germany. In 1927
he was appointed lecuter
in composition at the
University of
Pennsylvania and he has
since then made is home
in Philadelphia. In 1933
under a grant of the
Rockefeller FOundation he
collaborated with
physicists in research
dealing with the
measurement of
instrumental and vocal
tone, new scale divisions
and the resultant
harmonies. In that same
year he was named head of
the University's music
faculty and conductor of
its choral organizations.
In 1939, having been a
member of the Board of
Directors for five years,
he was appointed manager
of The Philadelphia
Orchestra. He continus to
write, but otherwise his
entire attention is now
devoted to managerial
duties. Chief items in
the catalogue of his
compositions are four
symphonies, three
orchestra suites, a
half-dozen tone-poems,
three concertos and
considerable quantity of
choral music.
By Peter Ilyich Tchaikovsky. (Piano). Ashley Mark "His Greatest" Series (Piano s...(+)
By Peter Ilyich
Tchaikovsky. (Piano).
Ashley Mark "His
Greatest" Series (Piano
solo arrangements). Book
only. 192 pages.
Published by Ashley
Publications Inc.
(Schirmer's Library of Musical Classics Volume 2116). Composed by Peter Ilyich T...(+)
(Schirmer's Library of
Musical Classics Volume
2116). Composed by Peter
Ilyich Tchaikovsky
(1840-1893). For Piano.
Piano Collection.
Softcover. 170 pages. G.
Schirmer #LB2116.
Published by G. Schirmer
Choral SATB chorus and piano (opt. Flute, Viola, Violin, Cello & French Horn) (+)
Choral SATB chorus and
piano (opt. Flute, Viola,
Violin, Cello & French
Horn)
SKU:
HP.C6259
Composed by
Traditional Spiritual.
Arranged by Joel Raney.
Piano with optional
instruments and organ
(available separately).
Spirituals & Gospel,
Lent, General Worship,
Discipleship, Spiritual.
Octavo. 8 pages. Hope
Publishing Company
#C6259. Published by Hope
Publishing Company
(HP.C6259).
UPC:
763628162597.
Tradi
tional Spiritual Ideal
during the season of Lent
with a message that
co-mingles the themes of
following Jesus and
walking with him on
life's journey, this
elegant arrangement
incorporates the
traditional spiritual
tune SOJOURNER and the
gospel hymn Footsteps of
Jesus. Originally
appearing in Joel Raney's
Tenebrae service, WHO IS
JESUS? (code # 8941), it
includes optional
instrumental parts or
organ.
Offertorium in C. By Franz Schubert. Edited by Bodendorff, Werner. For S (T), Cl...(+)
Offertorium in C. By
Franz Schubert. Edited by
Bodendorff, Werner. For S
(T), Clarinet (Violin), 2
Flutes, 2 Horns, 2
Violins,
Cello/Contrabass, Organ.
D 136. Full score
available separately -
see item CA.7004500.
Stuttgart Urtext
editions. Piano/Vocal
score. Language: Latin.
Composed 1815. 12 pages.
Duration 6 min. Published
by Carus Verlag (German
import).
SATB chorus and piano (opt. Flute, Viola, Violin, Cello & French Horn) SKU: H...(+)
SATB chorus and piano
(opt. Flute, Viola,
Violin, Cello & French
Horn)
SKU:
HP.C6259C
Composed by
Traditional Spiritual.
Arranged by Joel Raney.
Piano with optional
instruments and organ
(available separately).
Spiritual, Sacred. Choral
Performance/Accompaniment
CDs. Hope Publishing
Company #C6259C.
Published by Hope
Publishing Company
(HP.C6259C).
UPC:
763628962593.
Tradi
tional Spiritual Ideal
during the season of Lent
with a message that
co-mingles the themes of
following Jesus and
walking with him on
life's journey, this
elegant arrangement
incorporates the
traditional spiritual
tune SOJOURNER and the
gospel hymn Footsteps of
Jesus. Originally
appearing in Joel Raney's
Tenebrae service, WHO IS
JESUS? (code # 8941), it
includes optional
instrumental parts or
organ.
SATB chorus and piano (opt. Flute, Viola, Violin, Cello & French Horn) SKU: H...(+)
SATB chorus and piano
(opt. Flute, Viola,
Violin, Cello & French
Horn)
SKU:
HP.C6259G
Composed by
Traditional Spiritual.
Arranged by Joel Raney.
Piano with optional
instruments and organ
(available separately).
Spiritual, Sacred. Choral
Parts. 4 pages. Hope
Publishing Company
#C6259G. Published by
Hope Publishing Company
(HP.C6259G).
UPC:
763628262594.
Tradi
tional Spiritual Ideal
during the season of Lent
with a message that
co-mingles the themes of
following Jesus and
walking with him on
life's journey, this
elegant arrangement
incorporates the
traditional spiritual
tune SOJOURNER and the
gospel hymn Footsteps of
Jesus. Originally
appearing in Joel Raney's
Tenebrae service, WHO IS
JESUS? (code # 8941), it
includes optional
instrumental parts or
organ.
SATB chorus and piano (opt. Flute, Viola, Violin, Cello & French Horn) SKU: H...(+)
SATB chorus and piano
(opt. Flute, Viola,
Violin, Cello & French
Horn)
SKU:
HP.C6259P
Composed by
Traditional Spiritual.
Arranged by Joel Raney.
Piano with optional
instruments and organ
(available separately).
Spiritual, Sacred. Choral
Parts. 16 pages. Hope
Publishing Company
#C6259P. Published by
Hope Publishing Company
(HP.C6259P).
UPC:
763628362591.
Tradi
tional Spiritual Ideal
during the season of Lent
with a message that
co-mingles the themes of
following Jesus and
walking with him on
life's journey, this
elegant arrangement
incorporates the
traditional spiritual
tune SOJOURNER and the
gospel hymn Footsteps of
Jesus. Originally
appearing in Joel Raney's
Tenebrae service, WHO IS
JESUS? (code # 8941), it
includes optional
instrumental parts or
organ.
Composed by French Processional, 15th Century. Arranged by Trevor Manor. Hinshaw...(+)
Composed by French
Processional, 15th
Century. Arranged by
Trevor Manor. Hinshaw
Sacred. Octavo. Hal
Leonard #HMC2447A.
Published by Hal Leonard
(HL.8764860).
Pachelbel Canon [Conducteur et Parties séparées] Theodore Presser Co.
For Any 2 or 3 Melody Instruments and Bass Instrument. By Johann Pachelbel. Arra...(+)
For Any 2 or 3 Melody
Instruments and Bass
Instrument. By Johann
Pachelbel. Arranged by
Daniel Dorff. Mixed
chamber ensemble. For
Flute, Oboe, Clarinet,
Saxophone, Bassoon, Horn,
Trumpet, Tenor, Tuba,
Violin, Viola, Cello,
Double Bass, Marimba,
Keyboard. Score and
parts. Composed 2003. 4
pages. Duration 3:30.
Published by Theodore
Presser Company.
Flute SKU: HL.48185476 Composed by Henri Bert. Leduc. Classical. Softcove...(+)
Flute
SKU:
HL.48185476
Composed
by Henri Bert. Leduc.
Classical. Softcover. 10
pages. Alphonse Leduc
#AL29059. Published by
Alphonse Leduc
(HL.48185476).
UPC:
888680837587.
9.0x12.0x0.069
inches.
Small modal
suite is a piece written
for Flute and Piano
accompaniment by Henri
Bert. Perfect for
upper-beginner flautists,
this nice work in five
parts can be executed in
its totality in 6?10
minutes. Each part can
also be played
separately. It includes:
1. Sonnerie 2. Legende 3.
Tambourin 4. Cantilene 5.
Saltarelle Henri Bert
(1926-2007) was a French
musician who received
Harmony anc Conductor
Prizes. He also studied
the Organ and Choral
songs..
Flute SKU: SP.TS022 Composed by Jonathon Robbins and Tony Santorella. Col...(+)
Flute
SKU:
SP.TS022
Composed by
Jonathon Robbins and Tony
Santorella. Collection;
Classical. Book and CD.
Santorella Publications
#TS022. Published by
Santorella Publications
(SP.TS022).
ISBN
9781585600489. UPC:
649571100223.
Unlik
e many collections which
feature obscure titles,
Exceptional Classics for
Flute, arranged by Tony
Santorella and Jonathon
Robbins features a broad
assortment of well-known
classics originally
written for piano. This
best selling title
contains works from a
variety of major
composers, which by its
nature, provides examples
of music written from
several different eras.
This eliminates the need
for multiple teaching
materials and is a great
resource for teaching
young horn players early,
easy, original classics.
Exceptional Classics for
Flute published by
Santorella Publications
is a required text for
many state audition lists
and is suggested by music
educators associated with
the highly regarded
NYSSMA organization. The
accompanying CD is an
acoustic piano
accompaniment and
extremely helpful towards
learning these important
masterpiece themes.
Little Cradle Song,
Schumann - Russian Folk
Song, Beethoven - Tell
Me, Fair Ladies from The
Marriage of Figaro,
Mozart - The Organ
Grinder, Tchaikovsky -
Allegro, Mozart - Minuet,
Bach - Minuet, Haydn -
Russian Song, Tchaikovsky
- Serenade, Mozart -
Gavotte, Bach - German
Dances, Haydn - Andante
from The Surprise
Symphony No. 94, Haydn -
Waltz, Beethoven - German
Dance, Schubert -
Ecossaise, Beethoven -
Canon In D, Pachelbel -
Ode to Joy from Symphony
No. 9, Beethoven - Two
Minuets, Bach - Jesu, Joy
of Man's Desiring, Bach -
Andante, Mozart - Aria,
Bach - Serenade from Eine
Kleine Nachtmusik, Mozart
- Norse Song, Schumann -
Old French Song,
Tchaikovsky - Turkish
March from The Ruins of
Athens, Beethoven - The
Wild Horseman, Schumann -
Two Minuets from The
Notebook of Anna
Magdalena Bach, Bach.
Solomotette zum Dreifaltigkeitsfest oder zu Weihnachten. By Wolfgang Amadeus Mo...(+)
Solomotette zum
Dreifaltigkeitsfest oder
zu Weihnachten. By
Wolfgang Amadeus Mozart.
Edited by Hochstein,
Wolfgang. For Solo
Soprano, 2 Oboes (2
Flutes), 2 Horns, 2
Violins, Viola,
Cello/Bassoon/Contrabass,
Organ. KV 165 (158a).
Full score available
separately - see item
CA.4076700. Stuttgart
Urtext editions;
Occasions: Praise and
thanks, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary; Use during
church year: Trinity,
Christmas. Piano/Vocal
score. Language: Latin.
Composed 1773. 20 pages.
Duration 17 min.
Published by Carus
SATB chorus and piano (opt. Flute, Viola, Violin, Cello & French Horn) SKU: H...(+)
SATB chorus and piano
(opt. Flute, Viola,
Violin, Cello & French
Horn)
SKU:
HP.C6280C
Composed by
Joel Raney. Piano with
Instrumental parts and
Organ (available
separately). Holy Week,
Maundy Thursday. Choral
Performance/Accompaniment
CDs. Hope Publishing
Company #C6280C.
Published by Hope
Publishing Company
(HP.C6280C).