Concerto in G harpsichord, violin, viola, cello (string orchestra) [Conducteur] - Facile Furore Verlag
By Wilhelmine Von Bayreuth. Edited by Irene Hegen. For harpsichord, violin, viol...(+)
By Wilhelmine Von
Bayreuth. Edited by Irene
Hegen. For harpsichord,
violin, viola, cello
(string orchestra). First
Publication. Level:
beginning. Full score.
Composed 1734. Published
by Furore-Verlag (German
import).
By Wolfgang Amadeus Mozart (1756-1791). Edited by Ernst Herttrich. For Piano. He...(+)
By Wolfgang Amadeus
Mozart (1756-1791).
Edited by Ernst
Herttrich. For Piano.
Henle Music Folios.
Softcover. 30 pages. G.
Henle #HN1063. Published
by G. Henle
From the Classic Hot Licks Video Series. By Joe Pass. Hot Licks. Jazz, Jazz I...(+)
From the Classic Hot
Licks
Video Series. By Joe
Pass.
Hot Licks. Jazz, Jazz
Instruction. Softcover
Video
Online. With guitar
tablature. 40 pages.
Published by Hal Leonard
Piano - Moderately Advanced SKU: LO.70-2275L Composed by Mark Hayes. Sacr...(+)
Piano - Moderately
Advanced
SKU:
LO.70-2275L
Composed
by Mark Hayes. Sacred,
Christmas. Lorenz
Publishing Company
#70/2275L. Published by
Lorenz Publishing Company
(LO.70-2275L).
ISBN
9780787772857.
This
classic, beloved, and
previously out-of-print
collection is available
once again with a brand
new arrangement
specifically for this
edition. Fill the air
this Christmastime with
the sounds of these
timeless, stunning
arrangements!
SKU: BA.BVK02305 July 1836 to January 1838. Composed by Felix Bart...(+)
SKU: BA.BVK02305
July 1836 to January
1838. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Helmut Loos, Thomas
Kauba, Uta Wald, and
Wilhelm Seidel. Linen.
Samtliche Briefe in 12
Banden. Only available as
a full subscription to
ISBN 978-3-7618-2300-2.
Book. With Language:
German. Baerenreiter
Verlag #BVK02305_00.
Published by Baerenreiter
Verlag (BA.BVK02305).
ISBN 9783761823057.
23.5 x 16 cm inches.
Preface: Helmut
Loos.
Felix
Mendelssohn Bartholdy as
letter-writer: at the
heart of 19th century
European
culture
As one of
the most important
letter-writers of the
19th century, Felix
Mendelssohn Bartholdy
maintained an extensive
correspondence. With
great style and eloquence
he wrote letters to
friends and family,
letters from his travels
and he also wrote to
leading composers,
musicians, artists as
well as publishers. He
corresponded with famous
contemporaries such as
Robert Schumann, Franz
Liszt and Richard Wagner
as well as Johann
Wolfgang von Goethe, Carl
Friedrich Zelter and
Alexander von
Humboldt.
The
correspondence begins in
1816 and ends in 1847
with the
composer’s death.
These letters are
invaluable documents
shedding light not only
on the genesis,
publication and revision
of his musical works, but
also on a period when
relations between
Christians and Jews still
had a chance to become
harmonious, as Moses
Mendelssohn, the imminent
scholar and grandfather
of the composer had
advocated.
This
edition will therefore be
of great interest far
beyond the circles of
musicologists and music
specialists. It will
appeal to those who are
interested in the history
of culture and ideas and
to those who perceive
Mendelssohn and his
family as representatives
of a unique, diverse
cultural epoch.
The complete
correspondence shows that
Mendelssohn not only went
on to become one of the
leading figures of German
musical culture in the
1840s, but that he also
maintained a network of
musical contacts
throughout
Europe.
The
edition of the complete
letters This
scholarly-critical
complete edition
comprises 5,855 letters
by Felix Mendelssohn
Bartholdy. Previously
only a small part of his
correspondence had been
published and made
accessible to the public.
The complete edition is
based on Mendelssohn
letters which have been
compiled over decades by
Rudolf Elvers as well as
on international research
carried out by an
academic workgroup in
Leipzig spearheaded by
chief editors Helmut Loos
and Wilhelm Seidel. They
determined 500 additional
letters hitherto
unknown.
Versions
of the letter texts have
been compiled from a
scholarly-critical
analysis of the sources,
their historical context
has been discussed and
comments on all points in
need of explanation have
been made.
This
edition of the complete
letters consists of 12
volumes and a CD-ROM.
Each volume contains
indices of mentioned
individuals and
institutions,
compositions by Felix
Mendelssohn Bartholdy and
Fanny Hensel as well as a
register of place names
and currencies. In this
way one obtains an
all-encompassing view of
this unique historical
cosmos.
The
Complete edition has been
produced to the highest
standards in terms of
layout, cover and
binding. It is an ideal
collector’s item
for bibliophiles,
providing an excellent
means for studying the
composer and the period
in which he
lived.
The CD-ROM
forms a valuable addition
to the printed volumes.
It offers the complete
printed edition in the
form of pdf. files,
thereby making its
approximately 9,500 pages
digitally accessible and
enabling letters and the
corresponding commentary
to be read in parallel.
All terms can be located
quickly and conveniently
via a full text
search. (The 12
volumes as well as the
CD-ROM can only be
purchased
complete).
-
German text
only
The
Editors Helmut Loos is
Professor of Musicology
at the University of
Leipzig. He specialises
in the music of the 19th
and 20th centuries, in
particular the reception
of Beethoven, sacred
music and links between
Germany and Central and
Eastern Europe.
Wilhelm Seidel was
professor at the
universities of
Heidelberg, Marburg and
Leipzig. His publications
are devoted to the
temporal structure of
music, music aesthetics
in the 18th and 19th
centuries and music of
the 16th to 20th
centuries, currently on
Mozart and
Mendelssohn.
Piano SKU: M7.AHW-3027 For the Modern Improviser. Composed by Olig...(+)
Piano
SKU:
M7.AHW-3027
For
the Modern
Improviser. Composed
by Oligario Diaz. Sheet
music. 174 pages. Charles
Colin Corp. #AHW 3027.
Published by Charles
Colin Corp.
(M7.AHW-3027).
English.
This
theoretical book is meant
to improve contemporary
jazz styles techniques
for all musician players
of modern jazz. We will
divide this book into
scale exercises, arpeggio
exercises, jazz line
phrases as well as
contemporary chord
progressions. Exercises
consist of diatonic and
chromatic exercises; and,
line phrases, consist of
jazz solos by great
musicians such as Miles
Davis, Bill Evans, John
Coltrane, Freddy Hubbard,
Woody Shaw, Wayne
Shorter, Joe Henderson,
Chick Corea, Herbie
Hancock, Joe Farrel, Dave
Liebman, Bob Berg,
Michael and Randy
Brecker, Jerry Bergonzi,
George Garzone, Tom
Harrel, Chris Potter,
Brad Mehldau, Joey
Calderazzo, Kenny
Garrett, Branford
Marsalis, Walt Weiskopf,
Rich Perry, Seamus Blake,
Alex Sipiagin and many
other well known
musicians these days. The
majority of these
exercises should be
transposed to all twelve
(12) tones, so we can
achieve perfect
coordination. Major
chords, Minor chords and
Dominant chords will be
extended to their highest
level, in scales,
arpeggios and chromatic
form. There will not be
key signature centres, so
we will work all
exercises in accidental
way. These exercises were
made as an extension of
my first book 'Improvise
Now'. There are as well
many improvisational
lines transcribed from
some of the previously
mentioned musicians.
Chorus (with soloists) and piano (solos: SATB - choir: SATB - 0.2.0.0 - 2.0.0.0 ...(+)
Chorus (with soloists)
and piano (solos: SATB -
choir: SATB - 0.2.0.0 -
2.0.0.0 - str - bc)
SKU: BR.EB-8636
Urtext. Composed
by Domenico Cimarosa.
Edited by Reinmar Emans.
Arranged by Siegfried
Petrenz. Choir;
Softbound. Edition
Breitkopf. Piano vocal
score by Siegfried
Petrenz. Requiem;
Classical. Piano/Vocal
Score. 112 pages.
Duration 61'. Breitkopf
and Haertel #EB 8636.
Published by Breitkopf
and Haertel (BR.EB-8636).
ISBN 9790004183038.
7.5 x 10.5
inches.
At long
last: complete with the
Libera me Domenico
Cimarosa's Requiem,
composed in 1787,
achieved widespread
dissemination through
copies shortly after its
premiere, and has
remained a repertoire
work of classical church
music to this day. All
the more amazing is the
discovery of an
authentic, subsequently
added Libera me movement
that is found in the main
sources (autograph score,
original parts), but had
not been published up to
now. The complete
liturgical form of the
Requiem requires a Libera
me and with this new
edition, Cimarosa's
Requiem can now finally
be performed again its
entirety, more than 200
years after it was
written. Reinmar Emans'
new Urtext edition thus
contains much more than
just the previously known
music text. Valuable aid
was provided here by a
number of contemporary
copies which yielded
further important
details.
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Clive Brown.
This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume I.
Classical.
Score and part.
Baerenreiter
Verlag #BA09014.
Published
by Baerenreiter Verlag
Carmen Chorale, Orchestre [Conducteur d'étude / Miniature] Eulenburg
Opera Comique in Four Acts. By Georges Bizet. Arranged by Robert Didion. (Study...(+)
Opera Comique in Four
Acts. By Georges Bizet.
Arranged by Robert
Didion. (Study Score).
Schott. Size 7.75x10.5
inches. 608 pages.
Published by Eulenburg.
Later Elementary Level. By William L. Gillock. Arranged by William L. Gillock. W...(+)
Later Elementary Level.
By William L. Gillock.
Arranged by William L.
Gillock. Willis. Book
only. Size 9x12 inches.
16 pages. Published by
Willis Music.
Metal Strings Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Chester
Score String Quartet SKU: HL.14032634 For String Quartet Score. Co...(+)
Score String Quartet
SKU: HL.14032634
For String Quartet
Score. Composed by
Karen Tanaka. Music Sales
America. 20th Century.
Score. Composed 2004. 36
pages. Chester Music
#CH61405. Published by
Chester Music
(HL.14032634).
ISBN
9780711975156. UPC:
888680967635.
Score
d For String Quartet.
Commissioned by the New
Arts String Quartet,
first performed in Tokyo
November 1996. Quoting
Tanaka: The title Metal
Strings suggests speed
metal rock music which I
have been listening to a
lot in recent years. I
find an explosive energy
in its music that people
of today thirst for.
Previously I have
explored solid, speedy
and metallic sound in
pieces such as 'Wave
Mechanics' (1994), 'Wave
Mechanics II' (1994) and
'Metalic Crystal'
(1994-95). This idea has
been extended and
developed in my string
quartet, Metal Strings.
Score only edition,
separate parts are also
available on sale.
Piano; Violin; Cello SKU: AP.12-0571540805 Composed by Tom Coult. Piano T...(+)
Piano; Violin; Cello
SKU:
AP.12-0571540805
Composed by Tom Coult.
Piano Trio; Trio. Score.
Faber Music
#12-0571540805. Published
by Faber Music
(AP.12-0571540805).
ISBN 9780571540808.
English.
Accelerati
on, deceleration, and the
inconsistent nature of
time are at the heart of
Piano Trio The
Chronophage by Tom Coult.
Throughout the 17-minute
work, cello and piano
lines constantly speed up
or slow down relative to
one another, while the
violin has only one
role---to accelerate
throughout. The listener
feels clunky gear
changes, as previously
reliable demarcations of
time seem unsteady, even
unsafe. The trio's
subtitle comes from The
Corpus Clock in
Cambridge, a clock that
plays with exactly this
perception. Completely
accurate every five
minutes, the clock
lurches unevenly from
second to second, the
grinding mechanism driven
by the terrifying metal
insect escapement known
as the Chronophage (from
the Greek meaning of
time-eater).
Conway's Cantata Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-2594-00 March. Composed by Alexander. Arranged...(+)
Grade 3
SKU:
CL.012-2594-00
March. Composed by
Alexander. Arranged by
Glover. Concert Band.
Score and set of parts.
Composed 2014. Opus III
Wind Orchestra
Publications
#012-2594-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-2594-00).
A previously
unpublished work by
Russell Alexander
(1877-1915), probably
composed in the early
1900's. Dedicated to
Patrick Conway, a leading
conductor and bandmaster
from the early 20th
century. This edition,
created from the
coposer's original
manuscripts, includes
full score and parts for
contemporary concert band
instrumentation.
Volume 1 - How To Play Jazz and Improvise - Portuguese Edition by Jamey Aebersol...(+)
Volume 1 - How To Play
Jazz and Improvise -
Portuguese Edition by
Jamey Aebersold. For any
C, Eb, Bb, bass
instrument or voice.
Play-Along series with
accompaniment CD. Jamey
Aebersold Play-A-Long
series. The culmination
of Jamey's 35 years as
the world's leading jazz
exponents.. Beginner,
intermediate. Book and
CD. Language: Portuguese.
Published by Jamey
Aebersold Jazz
Oboe SKU: GI.G-MOB Introducing the Instruments. Composed by James ...(+)
Oboe
SKU: GI.G-MOB
Introducing the
Instruments. Composed
by James Froseth. Band
Method. Other Band
Methods. Music Education.
Book. 32 pages. GIA
Publications #MOB.
Published by GIA
Publications (GI.G-MOB).
English.
For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction.
Trumpet SKU: BT.EMBZ13492 Composed by Eva Nagyivan, Frigyes Varasdy, and ...(+)
Trumpet
SKU:
BT.EMBZ13492
Composed
by Eva Nagyivan, Frigyes
Varasdy, and Istvan
Sztan. EMB Music Lesson -
Methods. Method. Book
Only. Composed 1990. 96
pages. Editio Musica
Budapest #EMBZ13492.
Published by Editio
Musica Budapest
(BT.EMBZ13492).
English-German-Hungari
an.
The third
volume of the present
trumpet tutor comprising
the subjectmatter of the
third form of music
schools is built upon the
former two ones. It
consists of three parts:
a) everyday exercises, b)
exercises in the
previously studied keys
c) scale exercises.
SATB chorus - Easy SKU: JK.99019 Composed by David A. Zabriskie and Sandr...(+)
SATB chorus - Easy
SKU: JK.99019
Composed by David A.
Zabriskie and Sandra
Ruconich. Choral SATB,
Difficulty Easy, Piano
Choir, Enduring to the
End, Faith, Hope, Jesus
Christ - Example, Praise
and Worship. Christian,
Inspirational. Duration
4:00. Jackman Music
Corporation #99019.
Published by Jackman
Music Corporation
(JK.99019).
13th
Article of Faith and
Philippians
4:8.
Elegant choral
anthem for mixed chorus
(SATB) incorporating text
from the 13th Article of
Faith and Philippians
4:8: We believe all
things, we hope all
things, we have endured
many things and hope to
be able to endure all
things. If there is
anything virtuous,
lovely, or of good
report, we seek after
these things. Previously
listed as item
#00813. Composer:
Sandra Ruconich / David
A. Zabriskie
Lyricist: Scriptural
text Difficulty:
Easy Performance
time: 4:00 Reference:
13th Article of Faith and
Philippians 4:8.
Composed by Traditional. Arranged by Hidan Mamudov. For alto saxophone or teno...(+)
Composed by Traditional.
Arranged by Hidan
Mamudov.
For alto saxophone or
tenor
saxophone, piano. World
Music. Score, parts and
CD.
42 pages. Published by
Universal Edition
Urtext. Composed
by Domenico Cimarosa.
Edited by Reinmar Emans.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
At long last: complete
with the Libera me
Domenico Cimarosa's
Requiem, composed in
1787, achieved widespread
dissemination through
copies shortly after its
premiere, and has
remained a repertoire
work of classical church
music to this day.
Requiem; Classical. Part.
28 pages. Duration 61'.
Breitkopf and Haertel #OB
5284-16. Published by
Breitkopf and Haertel
(BR.OB-5284-16).
ISBN
9790004339497. 10 x 12.5
inches.
At long
last: complete with the
Libera me Domenico
Cimarosa's Requiem,
composed in 1787,
achieved widespread
dissemination through
copies shortly after its
premiere, and has
remained a repertoire
work of classical church
music to this day. All
the more amazing is the
discovery of an
authentic, subsequently
added Libera me movement
that is found in the main
sources (autograph score,
original parts), but had
not been published up to
now. The complete
liturgical form of the
Requiem requires a Libera
me and with this new
edition, Cimarosa's
Requiem can now finally
be performed again its
entirety, more than 200
years after it was
written. Reinmar Emans'
new Urtext edition thus
contains much more than
just the previously known
music text. Valuable aid
was provided here by a
number of contemporary
copies which yielded
further important
details.
Volume 1 - How To Play Jazz and Improvise - French Edition by Jamey Aebersold. F...(+)
Volume 1 - How To Play
Jazz and Improvise -
French Edition by Jamey
Aebersold. For any C, Eb,
Bb, bass instrument or
voice. Play-Along series
with accompaniment CD.
Jamey Aebersold
Play-A-Long series. The
culmination of Jamey's 35
years as the world's
leading jazz exponents..
Beginner, intermediate.
Book and CD. Language:
French. Published by
Jamey Aebersold Jazz
Flute - Intermediate SKU: MB.30875M Folk, Saddle-stitched. World. Book an...(+)
Flute - Intermediate
SKU: MB.30875M
Folk, Saddle-stitched.
World. Book and online
audio. Mel Bay
Publications, Inc
#30875M. Published by Mel
Bay Publications, Inc
(MB.30875M).
ISBN
9781513477435. 8.75X11.75
inches.
Volume III of
Playing Outside the
Lines is the third
of a comprehensive
four-part Irish flute
method book series
offering beginning to
advanced Irish
traditional flute
instruction for Boehm and
simple system flutists in
graduated books,
chapters, and exercises.
Building on the
foundation provided in
the first two books of
the series, Volume III
dives into more
complicated Irish
traditional flute
ornamentation such as
rolls, short rolls,
crans, and
breath-ornament
techniques. Volume III
contains ornamentation
fingering charts;
advanced ornamentation
options, explanations,
and placement guidelines;
62 accompanying audio
tracks; and more than 170
exercises.
Pla
ying Outside the
Lines is the first
Irish flute method book
series of its kind,
containing more than 600
technical exercises, rich
and nuanced discussions
of Irish flute style and
cultural context,
previously undocumented
techniques, side-by-side
explanations for Boehm
and simple system
flutists (as well as
information for musicians
transitioning between the
two instruments), audio
excerpts, simple system
flute care and purchasing
information, and
resources for further
study. By the end of the
four-part series, Boehm
and simple system
flutists of any
background will have the
tools necessary to play
Irish music with a deep
understanding of the
tradition as well as with
individual
creativity.
“A
fantastic bible of Irish
flute playing. Harrison
is a very meticulous and
thorough author.”
—Viviana Guzman, The
Flute View
Magazine
“An invaluable
resource for any
flutist.” —Brook
Ferguson, Principal
Flutist of the Colorado
Symphony
Orchestra
“Leslie Anne
Harrison’s Playing
Outside the Lines is
a marvelous gift to all
interested in Irish
music. Her clear and
detailed writing is a
huge boon to those
embracing the traditional
Irish flute and is truly
enlightening to those
(like me) who want to
delve into this music
while playing the Boehm
flute. From tiniest
detail to largest form,
Leslie Anne Harrison is
there every step of the
way. Playing Outside
the Lines is a major
contribution to flute
pedagogy.” —Robert
Dick, Performer and
Author of The Other
Flute
Know Before You Blow - Jazz Modes for Alto Sax with CD composed by Chris Tedesco...(+)
Know Before You Blow -
Jazz Modes for Alto Sax
with CD composed by Chris
Tedesco. For alto sax.
This edition: Paperback.
Instructional. Jazz
Method. Book and CD. Text
Language: English. 32
pages. Published by
Santorella Publications