Chorus and piano (SSATTB - bc) SKU: BR.PB-5217 Urtext. Composed by...(+)
Chorus and piano (SSATTB
- bc)
SKU:
BR.PB-5217
Urtext. Composed
by Claudio Monteverdi.
Edited by Rudolf
Ewerhart. Choir;
Softcover.
Partitur-Bibliothek
(Score Library). Sacred.
Full score. 32 pages.
Breitkopf and Haertel #PB
5217. Published by
Breitkopf and Haertel
(BR.PB-5217).
ISBN
9790004209479. 9 x 12
inches.
The
preparation was like
putting together an
exciting puzzle: Rudolf
Ewerhart had to piece
together the parts
(printed in Venice in
1620) from various
libraries. Since the
continuo almost always
follows the lowest vocal
part, it is also possible
to perform the four
motets a cappella.
Chorus a cappella SKU: BR.CHB-5155-02 Willkommen schoener Juengling(+)
Chorus a cappella
SKU:
BR.CHB-5155-02
Willkommen schoener
Juengling. Composed
by Franz Schubert. Choir;
Softcover.
Chor-Bibliothek (Choral
Library). Song; Romantic.
Choral score. 2 pages.
Breitkopf and Haertel
#ChB 5155-02. Published
by Breitkopf and Haertel
(BR.CHB-5155-02).
Composed by Carl Maria
von Weber. Arranged by
Hector Berlioz. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Dances/marches; Romantic.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 4826-27.
Published by Breitkopf
and Haertel
(BR.OB-4826-27).
Wind
set. Composed by
Johann Sebastian Bach.
Folder.
Orchester-Bibliothek
(Orchestral Library).
Suite; Baroque. Set of
parts. 40 pages. Duration
22'. Breitkopf and
Haertel #OB 4310-30.
Published by Breitkopf
and Haertel
(BR.OB-4310-30).
Septuagesimae
Sunday. Composed by
Johann Sebastian Bach.
Choir; Softcover.
Chor-Bibliothek (Choral
Library). Cantata;
Baroque. Choral score. 2
pages. Duration 15'.
Breitkopf and Haertel
#ChB 4584-02. Published
by Breitkopf and Haertel
(BR.CHB-4584-02).
Organ and orchestra SKU: BR.PB-5681 Urtext. Composed by George Fri...(+)
Organ and orchestra
SKU: BR.PB-5681
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). Baroque
period. Study Score.
Breitkopf and Haertel #PB
5681. Published by
Breitkopf and Haertel
(BR.PB-5681).
Cantata for Christmas
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque;
Renaissance/early
Baroque. Part. 12 pages.
Duration 15'. Breitkopf
and Haertel #OB 32119-11.
Published by Breitkopf
and Haertel
(BR.OB-32119-11).
ISBN
9790004349458. 10 x 12.5
inches.
The cantata
O heilige Zeit [O Holy
Time] of the former St.
Thomas cantor Johann
Kuhnau is the ideal
baroque festive music for
small scorings. Even
though this is the larger
of two cantatas with this
text underlay, it can be
performed by four
soloists (SATB), single
or double strings, and
continuo organ. The
participation of a choir
in non-soloistic passages
is optional, for
historically unproven.
The cantata was composed
in the years 1704/05 and
can therefore be placed
in Kuhnau's term as St.
Thomas cantor in Leipzig.
A contemporary text by
Erdmann Neumeister is
fitted with a modern
musical garb here while
keeping unconditional
adherence to it. Using a
structural artifice as
simple as it is
effective, he provides a
ritornello-like musical
equivalent to the
repeatedly recurring line
of text O heilige Zeit!.
This edition continues
the series of works by
Kuhnau started in the
Pfefferkorn Musikverlag.
Another festive music by
Kuhnau with larger
scoring is found in the
Magnificat in C major,
deemed a direct
predecessor of Bach's
Magnificat.
Violoncello part
(picc.2.2.2.2. - 4.2.3.0.
- timp.perc - str)
SKU: BR.OB-5273-23
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Picc.2.2.2.2. - 4.2.3.0.
- timp.perc - str.
Dances/marches; Romantic.
Part. 26 pages. Duration
35'. Breitkopf and
Haertel #OB 5273-23.
Published by Breitkopf
and Haertel
(BR.OB-5273-23).
ISBN
9790004332528. 10 x 12.5
inches.
In his
Slavonic Dances Op. 46,
Dvorak did not draw on
pre-existent music, but
created something
original and new,
projecting his own
compositional will into
the creative process.
What we hear are Dvoraks
melodies,and that it is
due to his creative will
that he cast them as in
Dance 3, for example in
the form of a melodic
four-tone model which is
common to many folk songs
and childrens songs.
Finally, it is his
rhythmic invention and
shaping of the musical
character of each dance
that breathe life into
the elements of Slavonic
dance music.
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman). Solo
concerto; Baroque. Set of
parts. 12 pages. Duration
12'. Breitkopf and
Haertel #OB 5383-30.
Published by Breitkopf
and Haertel
(BR.OB-5383-30).
ISBN
9790004335406. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
11th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Carl Adolf Martienssen.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Part.
12 pages. Duration 25'.
Breitkopf and Haertel #OB
4699-12. Published by
Breitkopf and Haertel
(BR.OB-4699-12).
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 12'.
Breitkopf and Haertel #OB
5252-12. Published by
Breitkopf and Haertel
(BR.OB-5252-12).
ISBN
9790004334010. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
Formerly attributed to
J. S. Bach (BWV 189).
Composed by Melchior
(fruher J. S. Bach)
Hoffmann. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Part. 4
pages. Duration 20'.
Breitkopf and Haertel #OB
4689-15. Published by
Breitkopf and Haertel
(BR.OB-4689-15).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Choir; Softcover.
Partitur-Bibliothek
(Score Library).
Classical period. Full
score. 12 pages. Duration
6'. Breitkopf and Haertel
#PB 5240. Published by
Breitkopf and Haertel
(BR.PB-5240).
Composed by Wolfgang
Amadeus Mozart. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Solo concerto;
Classical. Part. 8 pages.
Duration 25'. Breitkopf
and Haertel #OB 4415-15.
Published by Breitkopf
and Haertel
(BR.OB-4415-15).
Ascension Day.
Composed by Johann
Sebastian Bach. Edited by
Wilhelm Rust. Choir;
stapled.
Partitur-Bibliothek
(Score Library). Cantata;
Baroque. Full score. 24
pages. Duration 17'.
Breitkopf and Haertel #PB
4537. Published by
Breitkopf and Haertel
(BR.PB-4537).
Jubilate [3rd Sunday
after Easter].
Composed by Johann
Sebastian Bach. Edited by
Paul Graf Waldersee.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Part.
12 pages. Duration 40'.
Breitkopf and Haertel #OB
4646-15. Published by
Breitkopf and Haertel
(BR.OB-4646-15).
Textcritical
Edition. Composed by
Gustav Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
First edition based on
the copy of the score
revised by Mahler Hamburg
1893
Symphony;
Romantic; Late-romantic.
Part. 4 pages. Duration
8'. Breitkopf and Haertel
#OB 5642-23. Published by
Breitkopf and Haertel
(BR.OB-5642-23).
ISBN
9790004343708. 10.5 x 14
inches.
The Blumine
movement included in the
original five-movement
version of Mahler's
Symphony No. 1 was long
considered lost. Composed
as early as 1884 for a
theater piece, Mahler
inserted it into the
symphony as its second
movement in 1888. After
three performances, he
turned his back on this
Love Episode, calling the
sentimental, gushing
movement a youthful
folly, and removed it.
Mahler's Hamburg
autograph score was only
rediscovered in 1966.
Benjamin Britten gave the
Blumine movement a new
hearing at the 1967
Aldeburgh Festival. The
critical new edition is
based for the first time
on the autograph score,
together with the
meanwhile rediscovered
score copy with Mahler's
last revisions.The
cloth-bound volume PB
5661 contains next to the
final version of the
four-movement Symphony,
the Blumine
movement.
First
edition based on the copy
of the score revised by
Mahler Hamburg 1893.
Urtext. Composed
by Felix Bartholdy
Mendelssohn. Edited by
Christian R. Riedel.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
I had really become
especially fond of this
piece, although it is
hardly appropriate for
the so-called public; but
I liked it..., wrote
Mendelssohn about his
setting of Psalm
CXIV.
Psalm;
Romantic. Part. 8 pages.
Duration 14'. Breitkopf
and Haertel #OB 5188-19.
Published by Breitkopf
and Haertel
(BR.OB-5188-19).
ISBN
9790004330241. 9 x 12
inches.
Felix
Mendelssohn Bartholdy set
the 114th Psalm to music
during a summer holiday
in Horchheim near Koblenz
in 1839. After the world
premiere at the Leipzig
Gewandhaus, he subjected
the score to a thorough
revision, altered all the
tempo markings and, above
all, added a considerable
amount of new measures.
The result satisfied even
the notoriously
self-critical
Mendelssohn: I had really
become particularly fond
of this piece, even
though it is hardly
appropriate for the
so-called public; but I
liked it...The present
Urtext edition follows
the first prints which
were published
simultaneously in Leipzig
(by Breitkopf & Hartel)
and London.
1st
Sunday in Advent.
Composed by Johann
Sebastian Bach. Choir;
stapled. Chor-Bibliothek
(Choral Library).
Cantata; Baroque. Choral
score. 12 pages. Duration
20'. Breitkopf and
Haertel #ChB 4561-02.
Published by Breitkopf
and Haertel
(BR.CHB-4561-02).
ISBN
9790004406489. 7.5 x 10.5
inches. German /
English.
Chorus a cappella SKU: BR.CHB-4785-02 Composed by Felix Bartholdy Mendels...(+)
Chorus a cappella
SKU:
BR.CHB-4785-02
Composed by Felix
Bartholdy Mendelssohn.
Choir; Softcover.
Chor-Bibliothek (Choral
Library). Song; Romantic.
Choral score. 2 pages.
Breitkopf and Haertel
#ChB 4785-02. Published
by Breitkopf and Haertel
(BR.CHB-4785-02).
Viola (solo: clar - str -bc) SKU: BR.OB-5043-19 Composed by Johann Melchi...(+)
Viola (solo: clar - str
-bc)
SKU:
BR.OB-5043-19
Composed by Johann
Melchior Molter. Edited
by Heinz Becker.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Baroque.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 5043-19.
Published by Breitkopf
and Haertel
(BR.OB-5043-19).
3rd
Day of Christmas [St
John's Day]. Composed
by Johann Sebastian Bach.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Part. 4
pages. Duration 23'.
Breitkopf and Haertel #OB
4564-19. Published by
Breitkopf and Haertel
(BR.OB-4564-19).
Cantate [4th Sunday
after Easter].
Composed by Johann
Sebastian Bach. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Part. 4
pages. Duration 18'.
Breitkopf and Haertel #OB
4608-19. Published by
Breitkopf and Haertel
(BR.OB-4608-19).
![6 Lieder [Op. 88]](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw5159d486/images/5887/21665887_cover-large_file.png)
