Mixed Trios. By Various. Arranged by Daniel Kelley. For Keyboard or Guitar. Trios. Music for Three. Classical / Baroque. Level: Intermediate/Advanced. Part. Published by Last Resort Music Publishing.

(Symphonie dramatique). Composed by Hector Berlioz (1803-1869). Edited by D. Kern Holoman. For alto voice solo, tenor voice solo, bass voice solo, double ATB choir, double STB choir, piccolo, 2 flutes, piccolo, 2 oboes, english horn, 2 clarinets, 4 bassoons, 4 horns, 2 trumpets, 2 cornets, 3 trombones, ophicleide, 2 timpani, percussion, 2 harps, st. This edition: Complete edition, Urtext edition. Linen. New Berlioz Edition, Volume 18. Score. Opus 17, Hol. 73. Published by Baerenreiter Verlag

By Jayce John Ogren. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bb Clarinet 1/2, Bb Clarinet 3/4, Bass Clarinet, Contrabass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bassoon 1/2, Horn 1/3, Horn 2/4, Bb Trumpet 1/2, Bb Trumpet 3/4, Trombone 1/2, Trombone 3/4, Eupho). Grade 5. Score and parts. Composed 2001. Duration 7:40. Published by C. Alan Publications

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Timpani, Triangle, Trombone 1 and more. - Grade 5

SKU: CF.SPS78

Composed by Victor Herbert. Symphonic Band (SPS). Set of Score and Parts. With Standard notation. 3+12+12+6+6+3+12+24+24+6+ 6+8+8+6+6+9+18+18+27+8+8+ 8+8+9+9+9+9+12+3+6+6+40+6 pages. Duration 7:37. Carl Fischer Music #SPS78. Published by Carl Fischer Music (CF.SPS78).

ISBN 9781491152553. UPC: 680160910052. Key: Bb major.

Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic.
Festival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  .

Orchestra Bassoon 1, Bassoon 2, Bassoon 3, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 3, Horn 4, Oboe 1, Oboe 2, Oboe 3, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Piano, Timpani, Trombone 1 and more.

SKU: PR.466000470

Composed by Dan Welcher. Spiral. Large Score. With Standard notation. Duration 10 minutes. Theodore Presser Company #466-00047. Published by Theodore Presser Company (PR.466000470).

UPC: 680160099405. 11 x 17 inches.

This is the second incarnation of a work I first composed in 1994 for symphonic wind ensemble. The earlier version was intended to be the summation of three-part suite, each part being named for a different national park in the Western United States. This orchestral version, commissioned in 1999 by the Utah Symphony and dedicated to the memory of Aaron Copland, is more than a re-scoring of the earlier piece; it is a re-thinking of all its elements. Zion is a place with unrivaled natural grandeur, being a sort of huge box canyon in which the traveler is constantly overwhelmed by towering rock walls on every side of him -- but it is also a place with a human history, having been inhabited by several tribes of native Americans before the arrival of the Mormon settlers in the mid-19th century. By the time the Mormons reached Utah, they had been driven all the way from New York State through Ohio and, with tragic losses, through Missouri. They saw Utah in general as a place nobody wanted, but they were nonetheless determined to keep it to themselves. Although Zion Canyon was never a Mormon Stronghold, the people who reached it and claimed it (and gave it its present name) had been through extreme trials. It is the religious fervor of these persecuted people that I was able to draw upon in creating Zion as a piece of music. There are two quoted hymns in the work: Zion's Walls (which Aaron Copland adapted to his own purposes in both his Old American Songs and the opera The Tender Land) and Zion's Security, which I found in the same volume in which Copland found Zion's Walls -- that inexhaustible storehouse of 19th-century hymnody called The Sacred Harp. My work opens with a three-verse setting of Zion's Security, a stern tune in F-sharp minor which is full of resolve. (The words of this hymn are resolute and strong, rallying the faithful to be firm, and describing the city of our God they hope to establish). This melody alternates with a fanfare tune, whose origins will be revealed in later music, until the second half of the piece begins: a driving rhythmic ostinato based on a 3/4-4/4 alternating meter scheme. This pauses at its height to restate Zion's Security one more time, in a rather obscure setting surrounded by freely shifting patterns in the flutes, clarinets, and percussion -- until the sun warms the ground sufficiently for the second hymn to appear. Zion's Walls is set in 7/8, unlike Copland's 9/8-6/8 meters (the original is quite strange, and doesn't really fit any constant meter), and is introduced by a warm horn solo. The two hymns vie for attention from here to the end of the piece, with the glowingly optimistic Zion's Walls finally achieving prominence. The work ends with a sense of triumph.

Biblical Solo Cantata for Soprano (or Mezzo) and Orcestra - Study Score. By Lukas Foss. Text: Anonymous. Orchestra. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, English Horn, Clarinet I, Clarinet II, Bass Clarinet, Bassoon I, Bassoon II, Contra Bassoon, Horn I, Horn II, Horn III, Horn IV, Trumpet in C I, Trumpet in C II, Trumpet in C III, Tenor I, Tenor II, Timpani, Percussion, Harp, Violin I, Violin II, Viola, Cello, Contrabass. Carl Fiscer Study Score Series: Orchestra Works - Chamber Music. Premiered March 7, 1947 - The Boston Symphony Orchestra, Serge Koussevitzky conducting, Ellabelle Davis, soloist. Full Score - Study. 98 pages. Published by Carl Fischer.

Orchestra Bass Clarinet, Bassoon I, Bassoon II, Clarinet I, Clarinet II, English Horn, Flute, Flute II, Flute III, Horn I, Horn II, Horn III, Horn IV, Oboe I, Oboe II, Piccolo, Snare D, Tenor I, Tenor II, Tenor III, Timpani, Trumpet I, Trumpet II, Trumpet III, Tuba

SKU: PR.416410830

Passacaglia. Composed by Robert Hall Lewis. First performance: Baltimore Symphony Orchestra, Perer Herman Adler conducting, on January 7, 1964. Classical. Study Score. With Standard notation. Duration 14 minutes. Theodore Presser Company #416-41083. Published by Theodore Presser Company (PR.416410830).

UPC: 680160090686.

Concert band - Grade 5

SKU: MH.1-59913-078-5

Composed by Bob Margolis. Suitable for the most advanced high school bands, community, college, university, and professional bands. Conductor score and set of parts. Duration 3:00. Published by Manhattan Beach Music (MH.1-59913-078-5).

ISBN 9781599130781.

Alle gro Brillante is the first movement of Dragonland for band. The first performance (under the original title, A Short Symphony) was given by the L.E. Dieruff High School Concert Band, conducted by Raymond S. Becker, Jr., on April 21, 1978. The work was subsequently revised, and first performed in its new version by the University of Wisconsin-Eau Claire Symphony Band, conducted by Donald S. George, on November 23rd, 1980. Allegro Brillante is the first movement of four. The music is almost profligate in its tunefulness, quick to change tack and tempo, and will benefit from an interpretation of headstrong abandon. Ensemble instrumentation: 1 Piccolo, 7 Flute I-II, 2 Oboe I-II, 2 Bassoon I-II, 1 Eb Clarinet, 4 Bb Clarinet I, 4 Bb Clarinet II, 4 Bb Clarinet III, 2 Eb Alto Clarinet, 2 Eb Bass Clarinet, 2 Eb Contra Alto Clarinet, 2 Eb Alto Saxophone I, 2 Eb Alto Saxophone II, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 2 Bb Cornet I, 4 Bb Cornet II-III, 2 Bb Trumpet I-II, 2 F Horn I-II, 2 F Horn III-IV, 2 Trombone I, 4 Trombone II-III, 3 Euphonium B.C., 2 Euphonium T.C., 6 Tuba, 2 String Bass, 1 Timpani, 1 Percussion I, 2 Percussion II, 2 Percussion III, 1 Percussion IV, 2 Percussion V.

Concert band - Grade 5

SKU: MH.1-59913-079-3

Composed by Bob Margolis. Suitable for the most advanced high school bands, community, college, university, and professional bands. Conductor Full Score. Duration 3:00. Published by Manhattan Beach Music (MH.1-59913-079-3).

ISBN 9781599130798.

Alle gro Brillante is the first movement of Dragonland for band. The first performance (under the original title, A Short Symphony) was given by the L.E. Dieruff High School Concert Band, conducted by Raymond S. Becker, Jr., on April 21, 1978. The work was subsequently revised, and first performed in its new version by the University of Wisconsin-Eau Claire Symphony Band, conducted by Donald S. George, on November 23rd, 1980. Allegro Brillante is the first movement of four. The music is almost profligate in its tunefulness, quick to change tack and tempo, and will benefit from an interpretation of headstrong abandon. Ensemble instrumentation: 1 Piccolo, 7 Flute I-II, 2 Oboe I-II, 2 Bassoon I-II, 1 Eb Clarinet, 4 Bb Clarinet I, 4 Bb Clarinet II, 4 Bb Clarinet III, 2 Eb Alto Clarinet, 2 Eb Bass Clarinet, 2 Eb Contra Alto Clarinet, 2 Eb Alto Saxophone I, 2 Eb Alto Saxophone II, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 2 Bb Cornet I, 4 Bb Cornet II-III, 2 Bb Trumpet I-II, 2 F Horn I-II, 2 F Horn III-IV, 2 Trombone I, 4 Trombone II-III, 3 Euphonium B.C., 2 Euphonium T.C., 6 Tuba, 2 String Bass, 1 Timpani, 1 Percussion I, 2 Percussion II, 2 Percussion III, 1 Percussion IV, 2 Percussion V.

Mixed Trios. By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Trios. Music for Three. Classical / Baroque. Level: Intermediate/Advanced. Part 3. Published by Last Resort Music Publishing.

(Mixed Trios). By Various. Arranged by Daniel Kelley. For viola. Trios. Music for Three. Classical / Baroque. Intermediate/Advanced. Part 2

(Mixed Trios). By Various. Arranged by Daniel Kelley. For Clarinet in Bb. Trios. Music for Three. Classical / Baroque. Intermediate/Advanced. Part 1

For Orchestra. By Lukas Foss. For Flute, Oboe, Clarinet, Bassoon, Horn, Trumpet, Piano, Guitar, Percussion, Violin I, Violin II, Viola, Cello. Premiered July 7, 1967 by the Chicago Symphony with seiji Ozawa Conducting. Classical. Performance score. 50 pages. Published by Carl Fischer.