Music from the Motion Picture La La Land. Composed by Justin Hurwitz, lyrics b...(+)
Music from the Motion
Picture La La Land.
Composed
by Justin Hurwitz, lyrics
by
Benj Pasek and Justin
Paul.
Arranged by Jacob
Narverud.
This edition: SoundTrax
CD.
CD; Choral Octavo. Alfred
Pop Series. Movie;
Secular.
Published by Alfred Music
Music from the Motion Picture La La Land. Composed by Justin Hurwitz, lyrics...(+)
Music from the Motion
Picture La La Land.
Composed
by Justin Hurwitz, lyrics
by
Benj Pasek and Justin
Paul.
Arranged by Jacob
Narverud.
Choral Octavo. Alfred Pop
Series. Movie; Secular.
20
pages. Published by
Alfred
Music
Music from the Motion Picture La La Land. Composed by Justin Hurwitz, lyrics b...(+)
Music from the Motion
Picture La La Land.
Composed
by Justin Hurwitz, lyrics
by
Benj Pasek and Justin
Paul.
Arranged by Jacob
Narverud.
Choral Octavo. Alfred Pop
Series. Movie; Secular.
20
pages. Published by
Alfred
Music
Composed by Ronald Perera. Advanced/Collegiate. Catholic Year A The Nativity of ...(+)
Composed by Ronald
Perera.
Advanced/Collegiate.
Catholic Year A The
Nativity of Our Lord.
Secular, Christmas,
21st Century. Octavo.
Duration 4 minutes, 40
seconds. Published by
E.C. Schirmer Publishing
(EC.8320).
Organ SKU: ST.EC66 Composed by Various. Edited by John Caldwell. This edi...(+)
Organ
SKU: ST.EC66
Composed by Various.
Edited by John Caldwell.
This edition: Collected
Editions. Library
Volumes. Early Tudor
Organ Music. Collection.
Stainer and Bell Ltd.
#EC66. Published by
Stainer and Bell Ltd.
(ST.EC66).
ISBN
9780852499726.
EECM
65 and EECM66 revisit the
repertoire of the
ground-breaking volumes 6
and 10 in the series,
Early Tudor Organ Music,
in the light of 60 years
of continuing research
and deeper understanding
of the surviving corpus.
Some 109 works are
brought together here, in
the order in which they
appear in each manuscript
â?? British Library
Additional MS 29996
accounting for
three-quarters of the
content, plus 22 works
from other sources. There
are settings for the
Office (antiphons, hymns,
the Te Deum and
Magnificat) and Mass
ordinary and propers
(particularly the
Offertory).
The
format is of the same
dimensions as other EECM
volumes, although
presented in landscape
for more practical use.
EECM66 contains Advent,
Christmas, Epiphany and
Lenten hymns from Add. MS
29996, and 22 pieces from
other sources. Three
appendices include
intabulated pieces,
plainchant melodies, and
hymns and
faburdens.
In
addition to numerous
anonymous titles,
composers found in these
volumes include Avery
Burnett, Robert Coxsun,
William Kyrton, Thomas
Preston, John Redford,
Philip ap Rhys, Edmund
Strowger, Thomas Tallis,
John Thorne, Robert White
and Richard Wynslate.
Organ SKU: ST.EC65 Composed by Various. Edited by John Caldwell. This edi...(+)
Organ
SKU: ST.EC65
Composed by Various.
Edited by John Caldwell.
This edition: Collected
Editions. Library
Volumes. Early Tudor
Organ Music. Collection.
Stainer and Bell Ltd.
#EC65. Published by
Stainer and Bell Ltd.
(ST.EC65).
ISBN
9780852499719.
EECM
65 and EECM66 revisit the
repertoire of the
ground-breaking volumes 6
and 10 in the series,
Early Tudor Organ Music,
in the light of 60 years
of continuing research
and deeper understanding
of the surviving corpus.
Some 109 works are
brought together here, in
the order in which they
appear in each manuscript
â?? British Library
Additional MS 29996
accounting for
three-quarters of the
content, plus 22 works
from other sources. There
are settings for the
Office (antiphons, hymns,
the Te Deum and
Magnificat) and Mass
ordinary and propers
(particularly the
Offertory).
The
format is of the same
dimensions as other EECM
volumes, although
presented in landscape
for more practical use.
Containing music
exclusively from Add. MS
29996, EECM65 includes
updated composer
biographies compiled by
David Mateer, and
introductory notes for
the two volumes on cantus
firmus techniques and
metrical structure,
counterpoint and musica
ficta, alternatim
practice, and an
historical account of the
early English
organ.
In addition
to numerous anonymous
titles, composers found
in these volumes include
Avery Burnett, Robert
Coxsun, William Kyrton,
Thomas Preston, John
Redford, Philip ap Rhys,
Edmund Strowger, Thomas
Tallis, John Thorne,
Robert White and Richard
Wynslate.
Chorus (with soloists) and piano (solos: SMezMez(A)ATTBarBBB - choir: SSAATTBB -...(+)
Chorus (with soloists)
and piano (solos:
SMezMez(A)ATTBarBBB -
choir: SSAATTBB -
picc.2.2.2.2. - 4.2.3.0.
- timp - hp - str)
SKU: BR.DV-6081
Lyrical Opera in 3
Acts. Composed by
Pjotr Iljitsch
Tschaikowsky. Edited by
Manfred Koerth / Wo
Ebermann. Arranged by M.
Koerth and W. Ebermann.
Choir; Softbound.
Deutscher Verlag. Opera;
Music theatre; Romantic.
Piano/Vocal Score. 300
pages. Deutscher Verlag
fur Musik #DV 6081.
Published by Deutscher
Verlag fur Musik
(BR.DV-6081).
ISBN
9790200460032. 9.5 x 12
inches.
Duration:
full evening Translation
: German (W. Ebermann/M.
Koerth), Engl. (D.
Llyod-Jones), French (M.
Delines) Place and
time: Partly on the
estate, partly in
Petersburg, in 20ies of
the 19th
Century
Characters
: Larina, Owner of the
Estate (mezzo-soprano) -
Tatiana (soprano) and
Olga (alto), her
Daughters - Filipjewna,
Wet Nurse
(mezzo-soprano/alto) -
Eugen Onegin (baritone) -
Lenskij (tenor) - Prince
Gremin (bass) - A
Commander (bass) -
Saretzkij (bass) -
Triquet, a French Man
(tenor) - Guillot, a
Valet (silent part) -
Country Folk, Ball
Guests, Squire, Officers
(chorus) - Waltz,
mazurka, polonaise and
Russian dance (Ballet
)
There is an
interesting parallel
between the subject of
the opera and
Tchaikovsky's life during
the year he wrote the
work (1877): in each
case, a letter provokes
fateful developments in
the lives of the
protagonists. In the
opera, Tatyana's love
letter to Eugene sets off
the tragedy, whereas in
real life, the love
letter of a pupil led the
composer into a marriage,
which lasted all of ...
three months. Tchaikovsky
took this doomed decision
without love, solely
because the circumstances
want it and because I
cannot act differently.
Certain allusions made,
for example, in a letter
of January 1878 to
Taneyev suggest that the
composer's personal
situation also flowed
into the work: I did not
want anything to do with
the so-called 'grand
opera.' I am looking for
an intimate but powerful
drama which is built on
the conflict of
circumstances which I
myself have seen and
experienced, a conflict
which truly moves me.
Partly for this reason
the composer decided to
call the work not an
opera but lyrical
scenes.Eugene Onegin,
conceived by Tchaikovsky
for limited resources and
a small stage, is the
most frequently performed
Russian opera today along
with Mussorgsky's Boris
Godunov, which represents
a completely contrary
aesthetic stance.
Tschaikowskys
letzte Oper - auf ein
Libretto seines Bruders
Modest nach der
Dramenvorlage des
danischen Schriftstellers
Henrik Hertz - lebt von
den poetischen Momenten
und den symbolbeladenen
Charakterportrats der
Hauptfiguren: Die junge
blinde Jolanthe wird von
ihrem Vater aus Sorge um
ihren Makel und zum
Schutz ihrer
Jungfraulichkeit und vor
den Widrigkeiten der Welt
in einen paradiesischen
Garten gesperrt. Er
befielt zu ihrem Schutz
sie um ihre Blindheit
unwissend zu lassen. Ein
Arzt warnt sehen werde
sie nur konnen wenn sie
es selbst wolle gleich
welche Angste aus der
vollstandigen Erkenntnis
der Welt erwachsen. Als
der junge Vaudemont in
ihre Abgeschiedenheit
einbricht und sich beide
ineinander verlieben
befreit er sie von ihrer
Unwissenheit erklart was
Farbe und Licht bedeuten.
Erst die Liebe zu ihm
macht sie sehend.
Die dunkle Welt
der Jolanthe zeichnet
Tschaikowsky zu Beginn
musikalisch durch eine
Introduktion
ausschliesslich fur
Blaser. Erst mit dem
Eintritt in die
unbekannte Welt der Liebe
und des Sehens verwendet
Tschaikowsky einen warmen
Streicherklang. Gerade
dadurch stiess die Oper
wohl bei Zeitgenossen auf
Verstorung. Tschaikowskys
,,Jolanthe nimmt in
seinem Opernschaffen eine
Sonderstellung ein: neben
dem glucklichen Ende
einer Apotheose des
Lichts und der Liebe mit
einem religios gepragten
Schlusschoral ist es
eines der wenigen
Buhnenwerke Tschaikowskys
ohne Bezug zur russischen
Geschichte. Der
ausgepragte Lyrismus des
Werks verweist
stattdessen auf
Tschaikowskys Nahe zur
franzosischen Kultur die
im 19. Jahrhundert einen
starken Einfluss auf
Russland hatte. Die Oper
wurde 1892 am
Mariinsky-Theater in
Sankt Petersburg als
Auftragswerk zusammen mit
seinem Ballett ,,Der
Nussknacker
uraufgefuhrt.
Nebe
n der Produktion des
Munchner
Rundfunkorchesters wurde
,,Jolanthe szenisch
erfolgreich bei den
Festspielen Baden-Baden
mit Anna Netrebko und
Piotr Beczala als
Liebespaar rehabilitiert.
Ausserhalb Deutschlands
lief die Opernraritat in
Toulouse Tokyo San
Sebastian und Monte
Carlo. Zuletzt erneut die
,,Suddeutsche Zeitung:
,,Jolanthe ist eine
Opernausgrabung die
,,wirklich zu Unrecht
vergessen ist.
Tchaikovsky's last opera
- on a libretto by the
composer's brother Modest
based on the drama by the
Danish author Henrik
Hertz - derives its
life-blood from its
poetic moments and the
symbol-laden portraits of
the leading characters:
the blind young Yolanta
is kept prisoner in a
paradisiacal garden by
her father who fears for
her purity and her
virginity and seeks to
protect her from the
adversities of the world.
To do so he orders
everyone to keep her
ignorant of the fact that
she is blind. A doctor
warns that she will only
be able to see when she
is ready to do so herself
no matter what fears
might result from a
complete experience of
the world. When the young
Vaudemont breaks into her
secluded world and the
two fall in love he frees
her from her ignorance
and explains the
significance of color and
light. It is through her
love for him that she is
finally able to see. At
the beginning of the work
Tchaikovsky depicts
Yolanta's dark world with
an introduction scored
exclusively for winds. It
is not until her
discovery of the unknown
world of love and sight
that Tchaikovsky uses a
warm string sound. This
is what many of the
composer's contemporaries
found disturbing about
the
opera.
Tchaikovsky
's Yolanta occupies a
special place in the
composer's operatic
oeuvre: for one it has a
happy ending an
apotheosis of light and
love with a religiously
stamped closing chorale;
for another it is one of
Tchaikovsky's few stage
works without any
reference to Russian
history. Instead the
work's pronounced
lyricism points to the
composer's closeness to
French culture. which
exerted a strong
influence on Russia in
the 19th
century.
The opera
was given its world
premiere at the Mariinsky
Theater in St. Petersburg
in 1892. It had been
commissioned along with
the ballet The
Nutcracker. Next to the
production by the
Munchner
Rundfunkorchester Yolanta
was also successfully
rehabilitated in a recent
staged production at the
Baden-Baden Festival with
Anna Netrebko and Piotr
Beczala as the lovers.
Outside of Germany the
operatic rarity was
performed in Toulouse
Tokyo San Sebastian and
Monte Carlo.
In
closing another quote
from the Suddeutsche
Zeitung: 'Yolanta' is an
operatic rediscovery of a
work that was truly
'wrongly forgotten'.
Trumpet SKU: M7.AHW-308 Composed by Miles Davis. Arranged by David Berger...(+)
Trumpet
SKU:
M7.AHW-308
Composed
by Miles Davis. Arranged
by David Berger. Sheet
music. Performance book.
35 pages. Charles Colin
Corp. #AHW 308. Published
by Charles Colin Corp.
(M7.AHW-308).
As recounted by
our dad, Charles Colin,
he was first introduced
to Miles in the mid '50's
by Charlie Parker. Pop
had already published
Charlie Parker's,
'Yardbird Originals'
under our other
publishing company, 'New
Sounds in Modern Music'.
Miles had been away for a
period and, now that he
was back on the scene,
Parker thought it would
be worthwhile for Miles
to meet his new
publisher, with the hope
of working out a similar
arrangement. Parker
brought Miles to the
office, then on 48th
Street to meet Pop. Pop
was very happy to give it
a go, whereupon he gave
Miles a trumpet, a
mouthpiece and tape
recorder and asked him to
lay down solos over some
standard tunes. The
original transcriptions
which, I believe were
done by Hank Edmonds,
were given the 'cool'
knick-names, Miles Away,
Miles Cools Off, etc.
rather than the names of
actual standards. So,
here we are decades
later, and have decided
to ask renowned arranger,
David Berger, to identify
the tunes and clarify
some of the chord changes
- for posterity!
By John Philip Sousa. Edited by Frederick Fennell. By John Philip Sousa / ed. Fr...(+)
By John Philip Sousa.
Edited by Frederick
Fennell. By John Philip
Sousa / ed. Frederick
Fennell. For Concert
Band. Concert Band.
Fennell Edition Marches
for Band. Patriotic.
Level: Medium Easy (grade
3). Conductor Score and
Parts. 168 pages.
Duration 3:10:00.
Published by Alfred
Publishing.
Organ SKU: PL.1951M Composed by Benjamin Cornelius-Bates. Score. Paraclet...(+)
Organ
SKU:
PL.1951M
Composed by
Benjamin Cornelius-Bates.
Score. Paraclete Press
#1951M. Published by
Paraclete Press
(PL.1951M).
This work is
titled for the cycle of
prayers in which the
Psalms are sung or
chanted at eight services
or Offices throughout a
day and night. Each
movement attempts to
capture his vision of
each Office, beginning
with Matins sung in the
darkness of early
morning, continuing
through each service
during the daytime and
closing with Compline
before a night of
rest.
Unison/2-part choir - Easy SKU: WD.679143037282 The Gift Goes On!....(+)
Unison/2-part choir -
Easy
SKU:
WD.679143037282
The Gift Goes On!.
Composed by David
Clydesdale. Arranged by
David Clydesdale. Choral,
cantatas. Christmas,
Christian, Children's
Musicals, Choral. Fun
kit. Word Music
#679143037282. Published
by Word Music
(WD.679143037282).
UPC:
679143037282.
Join
Brody, Ashley and the
rest of the class
officers as they meet at
the mall to search for
the perfect present for
their homeroom teacher.
There are many
temptations and detours
along the way, but they
come to learn that true
joy is only found when we
give to others in the
same way Christ gave to
us. Featuring the
engaging songs, spiritual
message, and sparkling
arrangements youve come
to expect from a Celeste
Clydesdale musical, The
Great Christmas Giveaway
is sure to delight
audiences of all
ages.
* An
exciting new way to teach
children the joy of
giving at Christmas
through The Great
Christmas Giveaway Kit -
use the kit to donate to
a charity of your
choosing.
Music For Piano Trio Piano Trio: piano, violon, violoncelle Theodore Presser Co.
Chamber Music Violin, cello, Piano SKU: PR.114412950 The March of Foll...(+)
Chamber Music Violin,
cello, Piano
SKU:
PR.114412950
The
March of Folly.
Composed by Justin Dello
Joio. Contemporary. Set
of Score and Parts. With
Standard notation.
Composed April 1 2005.
52+16+16 pages. Theodore
Presser Company
#114-41295. Published by
Theodore Presser Company
(PR.114412950).
UPC:
680160589197. 9.5 x 13
inches.
Music for
Piano Trio/ The March of
Folly was inspired by
Barbara Tuchman's book of
the same name. In her
book, Ms. Tuchman defines
folly as, the pursuit by
governments of pursuing
policies contrary to
their own interests. In
the preface she asks, why
do holders of high office
so often act contrary to
the way reason points
seem so often not to
function? She illuminates
four decisive points in
history that illustrate
the very heights of folly
in government, and
illustrates folly as 'a
child of power'.