Chamber Music Piano SKU: PR.110418140 Composed by James Matheson. Perform...(+)
Chamber Music Piano
SKU: PR.110418140
Composed by James
Matheson. Performance
Score. 24 pages. Duration
25 minutes. Theodore
Presser Company
#110-41814. Published by
Theodore Presser Company
(PR.110418140).
ISBN
9781491129432. UPC:
680160640379.
Mathe
son’s
five-movement work is a
setting of stained glass
windows created by Marc
Chagall and Henri Matisse
for a rustic country
church adjoining the
Rockefeller estate near
Sleepy Hollow on the
Hudson River.
Matheson’s suite
draws from four Chagall
windows: 1. Jeremiah, 2.
Isaiah, 3. Crucifixion,
4. The Good Samaritan,
and culminates with
Matisse’s 5. The
Rose. In 1954, the
Rockefeller family asked
Henri Matisse to create a
stained glass Rose
Window for the Union
Church of Pocantico
Hills, New York as a
memorial to Abby
Aldrich Rockefeller,
the great art patroness
and a founder of the
Museum of Modern Art. It
was to be the
artist’s last
work. A few years
later, Mrs.
Rockefeller’s
youngest son, David,
acting on behalf of the
family, commissioned
Marc Chagall to create an
entire series of stained
glass windows to fill
the rest of the small
church resulting in the
large, majestic
“Good
Samaritan†window
and eight sublime
smaller windows, each
depicting a biblical
figure or scene. In 2015,
Premiere Commission
commissioned James
Matheson to compose
WINDOWS to celebrate
the centennial of the
Union Church of Pocantico
Hills and the 100th
birthday of
David Rockefeller.Â
This deeply touching,
epic cycle distills into
music the intimate, often
heart-rending,
visions of Chagall as
well as the powerful
simplicity of
Matisse’s modern
design which utilizes
the striking collage
forms he employed in his
final years.
Matheson’s work
also reflects
the influence of
Olivier Messiaen’s
own
theologically-inspired
music. Like the French
master, Matheson
utilizes large-scale
blocks of harmonies with
organ-like sonorities to
support and shift the
music’s
kaleidoscopic planes of
color and set into relief
the work’s
piercing motifs and
intricate patterns. The
universal themes of love
and sacrifice
(“Jeremiahâ€
and “Isaiahâ€
), loss and altruism
(“Crucifixionâ€
and “The Good
Samaritanâ€) and the
jubilant celebration
of life and nature
(“The Roseâ€)
are memorably portrayed
in this
poignant tribute to
the human
spirit.—Bruce
Levingston.
Piano SKU: PR.510076960 Pour Piano. Composed by Stephane Delplace....(+)
Piano
SKU:
PR.510076960
Pour
Piano. Composed by
Stephane Delplace. Full
score. With Standard
notation. 28 pages.
Duration 25 minutes, 37
seconds. Gerard Billaudot
Editeur #510-07696.
Published by Gerard
Billaudot Editeur
(PR.510076960).
1. Choral: An
improbably superimposing
of Beethoven and Brahms.
At the end of the first
performance of the
latter's 1st Symphony,
someone asked the
composer: Don't you find
that your main theme
remin ds one of the Ode
to Joy? To which he
retorted: Even an idiot
would have noticed it! 2.
Fugue: in the last
exposition, the subject
of Fugue I from volume 1
of Bach's Well-Tempered
Keyboard is super imposed
on the theme from
Mozart's so-called easy
sonata. 3. Passion: In
his Violin Concerto,
Mendelssohn, to whom we
owe the rediscovery of
Bach's Passions, seems to
have borrowed a theme
from a lost Passion. 4.
Recitativo: Tribute to
Franck's tribute to Bach
in his Sonata for violin
and piano. 5. Invention:
A private revenge, after
a bitter failure.
Debussy's Toccata was on
the compulsory list for
the Conservatory piano
class entrance exam. 6.
Arpeggione: In which the
listener realizes the
similarity in the
introduction to
Schubert's Unfinished
Symphony and Arpeggione
Sonata. 7. Sarabande: The
most iconoclastic, for
Bach's 5th Cello Suite is
already suffused with
harmony. There might be
an evocatioin of a
Brahms-like overarching
structure, though... 8.
Variation: The slowest
variation ever written on
Paganini's 24th Caprice.
9. Scene: Schumann's
Reverie as a Prelude. 10.
Finale: In order to
capture the elusive
harmony of the Finale of
Chopin's Sonate Funebre.
11. Fugue on Au clair de
la lune: Our greatest
nursery rhymes, fugue
fitted and choralized.
12. Fugue de Noel
(Christmas fugue): Quite
appropriate. 13. Fugue on
J'ai du bon tabac:
Prohibited counterpoint.
14. Fugue on La
Marseillaise:
Franco-German
reconciliation. 15. Pedal
- Exercitium: Realization
and conclusion of Bach's
organ pedal exercies.
Orchestra (Study Score) SKU: HL.51489054 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489054
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Klaus Lippe and
Sonja Gerlach. Study
Score. Paperbound. Henle
Study Scores. Classical.
Softcover. 66 pages. G.
Henle #HN9054. Published
by G. Henle
(HL.51489054).
ISBN
9790201890548. UPC:
888680950606.
7.0x9.0x0.287 inches.
Preface: Ullrich
Schneidler.
I Remember Clifford Big band [Conducteur et Parties séparées] - Intermédiaire Jazz Lines Publications
Recorded by the Dizzy Gillespie Alumni All-Stars. Edited by Dylan Canterb...(+)
Recorded by the Dizzy
Gillespie Alumni
All-Stars. Edited by
Dylan Canterbury, Rob
DuBoff, and Jeffrey
Sultanof. Arranged by
Benny Golson. Jazz,
Ballad. Score and parts.
Published by Jazz Lines
Publications
(JL.JLP-7340).
Orchestra (Study Score) SKU: HL.51489052 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489052
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Klaus Lippe and
Sonja Gerlach. Study
Score. Clothbound. Henle
Study Scores. Classical.
Softcover. 60 pages. G.
Henle #HN9052. Published
by G. Henle
(HL.51489052).
ISBN
9790201890524. UPC:
888680950682.
7.0x9.0x0.238 inches.
Preface: Ullrich
Schneidler.
Above and Beyond Orchestre d'harmonie - Intermédiaire Hal Leonard
Score Only Concert Band (Score) - Grade 3 SKU: HL.4006591 Composed by Rob...(+)
Score Only Concert Band
(Score) - Grade 3
SKU:
HL.4006591
Composed
by Robert Buckley.
MusicWorks Grade 3.
Contest, Festival.
Softcover. 36 pages.
Duration 195 seconds.
Published by Hal Leonard
(HL.4006591).
UPC:
840126916713.
9.0x12.0x0.092
inches.
Written as
a celebratory piece,
Above and Beyond is a
stirring overture that
explodes with energy and
enthusiasm - a tribute to
the quest for the
extraordinary and the
desire to do more than is
required. Built around
three distinct themes
which are organically
developed, the work
contains powerful and
triumphant melodies,
driving percussion,
dynamic contrasts and a
marvelous cantabile. This
exhilarating concert
opener exemplifies joy
and spirit.
Orchestra; Piano (Score) SKU: HL.49042455 Concerto for piano and orche...(+)
Orchestra; Piano (Score)
SKU: HL.49042455
Concerto for piano and
orchestra No. 2 E flat
major. Composed by
Carl Maria von Weber.
Edited by Markus Bandur.
This edition: Full-cloth
binding. Sheet music.
Edition Schott.
Classical. Hardcover. Op.
32. 206 pages. Schott
Music #WGA1054-20.
Published by Schott Music
(HL.49042455).
ISBN
9783795794828.
10.0x13.25x0.845 inches.
German -
English.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
(Score) SKU: HL.49042437 For the Celebration of the Fiftieth Anniversa...(+)
(Score)
SKU:
HL.49042437
For
the Celebration of the
Fiftieth Anniversary of
the Reign of King
Friedrich August I of
Saxony. Composed by
Carl Maria von Weber.
Edition Schott.
Classical. Hardcover. 312
pages. Schott Music
#WGA1024. Published by
Schott Music
(HL.49042437).
ISBN
9783795794507.
Carl
Maria von Weber's fame
rests mainly on Der
Freischutz. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was notconducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer,ritic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (68 vols.)
are edited in Berlin and
the letters (810 vols.)
and other writings (2
vols.) in Detmold.This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Webers
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based
on.
Composed
by Carl Maria von Weber.
Edited by Frank Ziegler
and Johannes Kepper. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 306
pages. Schott Music
#WGA1021. Published by
Schott Music
(HL.49042434).
ISBN
9783795794491.
10.25x13.5x1.141 inches.
German.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Piano (P+KRB) SKU: HL.49042462 No. 1-4. Composed by Carl Maria von...(+)
Piano (P+KRB)
SKU:
HL.49042462
No.
1-4. Composed by Carl
Maria von Weber. Edited
by Markus Bandur. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. Op.
24+39+49+70. 372 pages.
Schott Music #WGA1071.
Published by Schott Music
(HL.49042462).
ISBN
9783795794637. German -
English.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Orchestra (Study Score) SKU: HL.51489053 (La Reine) Orchestra Study Sc...(+)
Orchestra (Study Score)
SKU: HL.51489053
(La Reine) Orchestra
Study Score. Composed
by Franz Joseph Haydn.
Edited by Hiroshi Nakano.
Study Score. Paperbound.
Henle Study Scores.
Classical. Softcover. 51
pages. G. Henle #HN9053.
Published by G. Henle
(HL.51489053).
ISBN
9790201890531. UPC:
888680950651.
6.5x9.0x0.131 inches.
Preface: Ullrich
Schneidler.
Orchestra (Study Score) SKU: HL.51489051 (La Poule) Orchestra Study Sc...(+)
Orchestra (Study Score)
SKU: HL.51489051
(La Poule) Orchestra
Study Score. Composed
by Franz Joseph Haydn.
Edited by Hiroshi Nakano.
Study Score. Paperbound.
Henle Study Scores.
Classical. Softcover. 50
pages. G. Henle #HN9051.
Published by G. Henle
(HL.51489051).
ISBN
9790201890517. UPC:
888680950583.
6.5x9.5x0.202 inches.
Preface: Ullrich
Schneidler.
Orchestra (Study Score) SKU: HL.51489055 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489055
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Hiroshi Nakano.
Study Score. Paperbound.
Henle Study Scores.
Classical. Softcover. 58
pages. G. Henle #HN9055.
Published by G. Henle
(HL.51489055).
ISBN
9790201890555. UPC:
888680950590.
7.0x9.0x0.25 inches.
Preface: Ullrich
Schneidler.
Orchestra (Study Score) SKU: HL.51489050 (L'ours) Orchestra Study Scor...(+)
Orchestra (Study Score)
SKU: HL.51489050
(L'ours) Orchestra
Study Score. Composed
by Franz Joseph Haydn.
Edited by Klaus Lippe and
Sonja Gerlach. Study
Score. Paperbound. Henle
Study Scores. Classical.
Softcover. 66 pages. G.
Henle #HN9050. Published
by G. Henle
(HL.51489050).
ISBN
9790201890500. UPC:
888680950699.
7.0x9.0x0.251 inches.
Preface: Ullrich
Schneidler.