Marienantiphon. By Wolfgang Amadeus Mozart. Edited by Martin, Christine. Arrange...(+)
Marienantiphon. By
Wolfgang Amadeus Mozart.
Edited by Martin,
Christine. Arranged by
Paul Horn. For Solo
Soprano, SATB Choir, 2
Flutes, 2 Oboes, 2 Horns,
2 Violins, 2 Violas,
Cello/Bassoon/Contrabass,
Organ. KV 127. Full score
available separately -
see item CA.4004800.
Stuttgart Urtext
editions; Occasions:
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary, Daily hours; Use
during church year:
Easter and Eastertide.
Part: Violin 1. Language:
Latin. 8 pages. Duration
17 min. Published by
Carus Verlag (German
import).
Marienantiphon.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Mathias Siedel. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Regina Coeli In C
Rev.2001. Sacred vocal
music, Easter and
Eastertide, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Violin 2.
Composed 1771. KV 108
(74d). 8 pages. Duration
11 minutes. Carus Verlag
#CV 40.047/12. Published
by Carus Verlag
(CA.4004712).
ISBN
9790007058791. Key: C
major. Language:
Latin.
(Choralkantate). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Oswald Bi...(+)
(Choralkantate). By Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Oswald Bill. For Bass
Solo, SATB Choir, 2
Flutes, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Violins, 2
Violas, 2 Cellos,
Contrabass. Full score
available separately -
see item CA.4018600.
Genres: Cantatas;
Stuttgart Urtext
Editions; Use / Occasion:
Eucharist; Use during
church year: Lent and
Passiontide, Holy Week.
Level 3. Part: Violin 1.
Language: German/English.
Composed 1830. 4 pages.
Duration 12 min.
Published by Carus Verlag
Composed by Jan Dismas
Zelenka. Edited by Volker
Kalisch. Arranged by
Wolfgang Horn. German
title: Beatus vir in G.
Sacred vocal music, Peace
and justice,
Confirmation, Psalms,
Daily hours. Single Part,
Violin 2. ZWV 76. 4
pages. Duration 9
minutes. Carus Verlag #CV
40.067/12. Published by
Carus Verlag
(CA.4006712).
ISBN
9790007060305. Key: C
major. Language:
Latin/English.
Scor
e available separately -
see item CA.4006700.
Composed by Jan Dismas
Zelenka. Edited by Volker
Kalisch. Arranged by
Wolfgang Horn. German
title: Beatus vir in G.
Sacred vocal music, Peace
and justice,
Confirmation, Psalms,
Daily hours. Single Part,
Violin 1. ZWV 76. 4
pages. Duration 9
minutes. Carus Verlag #CV
40.067/11. Published by
Carus Verlag
(CA.4006711).
ISBN
9790007060299. Key: C
major. Language:
Latin/English.
Scor
e available separately -
see item CA.4006700.
ST vocal soli, SSATB choir, 3 trombones (2 violas, cello or 2 bassoons, english ...(+)
ST vocal soli, SSATB
choir, 3 trombones (2
violas, cello or 2
bassoons, english horn) 2
violins [in tune with 2
horn/cornet (2 oboes), 2
recorders c2 ], basso
continuo
SKU:
CA.513312
Composed by
Johann Hermann Schein.
Edited by Paul Horn.
German title: Mach dich
auf, werde licht. Sacred
concertos, Sacred vocal
music, Advent, Psalms.
Single Part, Violin 2. 4
pages. Carus Verlag #CV
05.133/12. Published by
Carus Verlag (CA.513312).
Composed by Johann
Schelle. German title:
Alleluja, man singet mit
Freuden. Sacred vocal
music, Cantatas, Psalms,
German, Praise and
thanks, Psalms. Single
Part, Violin 2. 4 pages.
Carus Verlag #CV
10.039/12. Published by
Carus Verlag
(CA.1003912).
ST vocal soli, SSATB choir, 3 trombones (2 violas, cello or 2 bassoons, english ...(+)
ST vocal soli, SSATB
choir, 3 trombones (2
violas, cello or 2
bassoons, english horn) 2
violins [in tune with 2
horn/cornet (2 oboes), 2
recorders c2 ], basso
continuo
SKU:
CA.513311
Composed by
Johann Hermann Schein.
Edited by Paul Horn.
German title: Mach dich
auf, werde licht. Sacred
concertos, Sacred vocal
music, Advent, Psalms.
Single Part, Violin 1. 4
pages. Carus Verlag #CV
05.133/11. Published by
Carus Verlag (CA.513311).
Composed by Heinrich
Bach. Edited by Hans
Bergmann. German title:
Ich danke dir, Gott.
Sacred concertos, Sacred
vocal music, Psalms,
German, Praise and
thanks. Single Part,
Violin 2. 4 pages.
Duration 6 minutes. Carus
Verlag #CV 30.402/12.
Published by Carus Verlag
(CA.3040212).
ISBN
9790007039813. Language:
German/English.
Sco
re available separately -
see item CA.3040200.
Cantata. Composed
by Dietrich Buxtehude.
Edited by Thomas Schlage.
This edition: urtext.
Stuttgart Urtext Edition:
Buxtehude. All Solch Dein
Gut' Wir Preisen 3.
Sacred vocal music,
Cantatas, New year.
Single Part, Violin 1.
BuxWV 3. 2 pages.
Duration 4 minutes. Carus
Verlag #CV 36.200/11.
Published by Carus Verlag
(CA.3620011).
ISBN
9790007214081. Language:
German. Text: Eber, Paul.
Text: Paul
Eber.
Liturgically,
the present cantata is
meant to be performed at
the turn of the year. For
his setting of the text
Buxtehude chose a
two-part form with a
concluding Amen. This
plea for a propitious new
year is given a special
musical interpretation.
Score and part available
separately - see item
CA.3620000.
Composed
by Johann Schelle. German
title: Barmherzig und
gnadig. Sacred vocal
music, Cantatas, Psalms,
German, Confirmation,
Praise and thanks. Single
Part, Violin 1. 2 pages.
Carus Verlag #CV
10.166/11. Published by
Carus Verlag
(CA.1016611).
Marienantiphon.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Mathias Siedel. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Regina Coeli In C
Rev.2001. Sacred vocal
music, Easter and
Eastertide, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Violin 1.
Composed 1771. KV 108
(74d). 8 pages. Duration
11 minutes. Carus Verlag
#CV 40.047/11. Published
by Carus Verlag
(CA.4004711).
ISBN
9790007058784. Key: C
major. Language:
Latin.
Cantata
for Ascension.
Composed by Johann
Sebastian Bach. Edited by
Michael Marker. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gott fahret auf mit
Jauchzen. Sacred vocal
music, Cantatas,
Ascension. Set of
Orchestra Parts. Composed
1726. BWV 43. Duration 25
minutes. Carus Verlag #CV
31.043/19. Published by
Carus Verlag
(CA.3104319).
ISBN
9790007136123. Key: C
major / g major.
Language:
German/English.
On
the 30th May 1726, as
part of his third Leipzig
annual cycle of cantatas,
Bach directed the first
performance of his
Ascension Cantata Gott
fahret auf mit Jauchzen.
The libretto was
published at Rudolstadt
during the same year
without any indication of
the autor's name, in a
collection entitled Sonn-
und Fest-Tags-Andachten
uber die ordenlichen
Evangelia. The libretti
in that collection had
already been used during
the Church year 1704/05
at the Court of
Meiningen; their author
may have been Duke Ernst
Ludwig von
Sachsen-Meiningen. Score
and parts available
separately - see item
CA.3104300.
Cantata
for Ascension.
Composed by Johann
Sebastian Bach. Edited by
Michael Marker. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gott fahret auf mit
Jauchzen. Sacred vocal
music, Cantatas,
Ascension. Single Part,
Cello/Double Bass.
Composed 1726. BWV 43. 12
pages. Duration 25
minutes. Carus Verlag #CV
31.043/14. Published by
Carus Verlag
(CA.3104314).
ISBN
9790007205935. Key: C
major / g major.
Language:
German/English.
On
the 30th May 1726, as
part of his third Leipzig
annual cycle of cantatas,
Bach directed the first
performance of his
Ascension Cantata Gott
fahret auf mit Jauchzen.
The libretto was
published at Rudolstadt
during the same year
without any indication of
the autor's name, in a
collection entitled Sonn-
und Fest-Tags-Andachten
uber die ordenlichen
Evangelia. The libretti
in that collection had
already been used during
the Church year 1704/05
at the Court of
Meiningen; their author
may have been Duke Ernst
Ludwig von
Sachsen-Meiningen. Score
and part available
separately - see item
CA.3104300.
Chamber Music String Quartet SKU: PR.114414250 Composed by Lowell Lieberm...(+)
Chamber Music String
Quartet
SKU:
PR.114414250
Composed
by Lowell Liebermann.
Contemporary. Set of
Score and Parts. With
Standard Notation. Op.
103. 28+9+8+9+8 pages.
Duration 25 minutes.
Theodore Presser Company
#114-41425. Published by
Theodore Presser Company
(PR.114414250).
UPC:
680160607846.
Lowel
l Liebermann's 4th String
Quartet was commissioned
by the Canandaigua Lake
Chamber Music Festival
and the Wood Library,
Canandaigua, NY, for the
Orion Quartet in
celebration of their 20th
Anniversary. The quartet
was premiered by the
Orions at the Canandaigua
Lake Chamber Music
Festival in Rochester, NY
on February 9th, 2008. To
quote the writer Mark
Greenberg: It's a
remarkable piece. The
mood is elegiacal and
meditative, the melodic
lines sinuous and
searching, the harmonies
rich and astonishingly
beautiful. Liebermann
works within the
traditions of Western
tonality, but that is a
mansion with many rooms.
Liebermann inhabits all
of them as his expressive
purposes require, and he
doesn't mind knocking
down a wall to create new
harmonic spaces. The
Fourth Quartet doesn't
exactly fit the
neoromantic niche into
which Liebermann is
sometimes placed. Much of
the music, especially
near the beginning, is a
highly advanced and fluid
chromatic expressionism
with modernist
tendencies. Sometimes
this roiling cloudscape
breaks open to allow a
patch of near-classical
harmony and
almost-resolution. Near
the midpoint the clouds
lift in leaping
modulations. Several
chordal passages recall
Russian Orthodox chant.
Suddenly, when you've
begun to think the
somber, deliberate pace
has gone on a bit too
long, Liebermann
introduces a kind of
hobbled, stilted jazz
idiom. The piece dies in
pensive quiet.
String quartet - difficult SKU: HL.49017072 In space. Composed by ...(+)
String quartet -
difficult
SKU:
HL.49017072
In
space. Composed by
Dieter Schnebel. This
edition: Ring/Spiral
binding. Sheet music.
String. Score and parts.
Composed 2005/2006. 140
pages. Duration 42:00.
Schott Music #ED 20297.
Published by Schott Music
(HL.49017072).
ISBN
9790001150118.
9.5x12.0x0.38
inches.
This string
quartet by a grand master
of the German avant-garde
combines a decidedly
traditional four-movement
structure with
experimental situations
in the concert hall. In
various sections the
performers act on
revolving stools, in
others they take
positions at the edge and
in the corners of the
platform or around the
listeners. However, the
composer also allows a
performance in a
conventional seating
arrangement which
emphasizes the work's
classical nature with
regard to material and
form even further.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Full score. TVWV 7:16. 36
pages. Duration 12
minutes. Carus Verlag #CV
39.127/00. Published by
Carus Verlag
(CA.3912700).
ISBN
9790007164416. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep).
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Violoncello. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Cello. Composed 1856. Op.
4. 12 pages. Duration 45
minutes. Carus Verlag #CV
27.060/14. Published by
Carus Verlag
(CA.2706014).
Text
language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Vocal score. TVWV 7:16.
24 pages. Duration 12
minutes. Carus Verlag #CV
39.127/03. Published by
Carus Verlag
(CA.3912703).
ISBN
9790007164423. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score available
separately - see item
CA.3912700.