From Terra Nostra.
Composed by Stacy Garrop.
Set of Score and Parts.
Duration 3:15. Theodore
Presser Company
#312-41902A. Published by
Theodore Presser Company
(PR.31241902A).
UPC:
680160690510.
English.
Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
A New Approach to Altissimo Trumpet Playing by John H. Lynch. For flute quartet....(+)
A New Approach to
Altissimo Trumpet Playing
by John H. Lynch. For
flute quartet.
Method/Study book.
Method/study book.
Composed 1984. Published
by C.L. Barnhouse
SATB choir, a cappella (SATB) SKU: OU.9780193861527 Composed by Libby Lar...(+)
SATB choir, a cappella
(SATB)
SKU:
OU.9780193861527
Composed by Libby Larsen.
Secular Choral - Mixed
Voices. Vocal score. 12
pages. Duration 3'.
Oxford University Press
#9780193861527. Published
by Oxford University
Press (OU.9780193861527).
ISBN 9780193861527. 12
x 8 inches.
For
SATB unaccompanied The
music, superficially
simple with a gently
rocking rhythm framing a
declamation of the text,
allows the words to speak
for themselves whilst
simultaneously enhancing
their expressive
power.
Piano Transcriptions Piano SKU: HL.285972 By Bill Evans. Jazz Transcripti...(+)
Piano Transcriptions
Piano
SKU:
HL.285972
By Bill
Evans. Jazz
Transcriptions. Jazz.
Softcover. 360 pages.
Published by Hal Leonard
(HL.285972).
ISBN
9781540039538. UPC:
888680892463.
9.0x12.0x0.834
inches.
The
ultimate collection for
jazz keyboardists to
learn 40 Evans classics
with exact note-for-note
transcriptions. Includes:
Alice in Wonderland
• Autumn Leaves
• Bill's Hit Tune
• Blue in Green
• Days of Wine and
Roses • Emily
• Everything
Happens to Me •
Five • For Nenette
• How About You?
• How My Heart
Sings • I Loves
You, Porgy • It
Could Happen to You
• Just You, Just Me
• Letter to Evan
• My Foolish Heart
• My Funny
Valentine • My
Romance • Nardis
• Night and Day
• One for Helen
• Peace Piece
• Peri's Scope
• Quiet Now •
Re: Person I Knew •
Skating in Central Park
• A Sleepin' Bee
• Some Other Time
• Stella by
Starlight • Song
from M*A*S*H (Suicide Is
Painless) • 34
Skidoo • Time
Remembered • The
Touch of Your Lips
• Turn Out the
Stars • Very Early
• Waltz for Debby
• What Kind of Fool
Am I? • Who Can I
Turn to (When Nobody
Needs Me) • You Go
to My Head • You
Must Believe in Spring
• and more. Spiral
bound.
Motet for the Feast of
the Sacred Heart.
Composed by Andreas
Pieper. This edition:
Saddle stitching. Sheet
music. Choral. Octavo.
Composed 2012. 8 pages.
Schott Music #C55791.
Published by Schott Music
(HL.49043990).
ISBN
9790001194525.
Latin.
Andreas
Pieper's overall artistic
aim to 'build a bridge of
confidence to the world
behind things' with his
music can be heard
clearly in his setting of
Tollite iugum meum. The
Latin-language motet for
mixed a cappella choir
(SATB) for the Feast of
the Sacred Heart (Friday
after Corpus Christi) is
based on verses from the
Gospel according to
Matthew (Mt. 11,29).
Permeated by changes of
time and key, yet easy to
master by amateur choirs,
the piece is ideal for
use in the church's
liturgy. The devotion of
the Sacred Heart of Jesus
centres on the sin and
thus also on the
sinfulness of man, which
is musically realized
here through a steady and
moderate tempo, with the
sinful man standing
before God without any
instrumental means,
completely naked so to
speak.
Come, See the Baby Chorale SATB SATB A Cappella [Octavo] Alfred Publishing
By Jay Althouse. For Choir. (SATB, a cappella). Choral Octavo. Choral Designs. ...(+)
By Jay Althouse. For
Choir. (SATB, a
cappella). Choral Octavo.
Choral Designs.
Spiritual, Christmas.
Choral Octavo. 8 pages.
Published by Alfred
Publishing. Level:
Level 4 (grade L4).
Tribute to a Maestro Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1195884-010 Variations on ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1195884-010
Variations on a theme
by Jean-Philippe
Rameau. Composed by
Jan de Haan. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2019.
De Haske Publications
#DHP 1195884-010.
Published by De Haske
Publications
(BT.DHP-1195884-010).
English-German-French-
Dutch.
Tribute
to a Maestro is an
homage to Jean-Philippe
Rameau (1683 1764), one
of the most important
French Baroque composers.
Rameau was a hugely
significant composer,
organist, harpsichordist
and music teacher: he
also published several
authoritative books on
music theory. Jan de Haan
based this tribute on a
theme from ‘Les
Sauvages’ (The
Savages), the fourth act
of Rameau’s
ballet-opera, Les
Indes Galantes
(The Amorous
Indies). The work
begins with two
variations, whereupon the
striking theme can be
heard. After a short
intermezzo, four more
variations follow, of
which the last one is
composed in Baroque
style.
Tribute
to a Maestro is een
hommage aan Jean-Philippe
Rameau (1683 1764), een
van de belangrijkste
componisten uit de barok.
Deze Fransman was niet
alleen componist,
organist, klavecinist en
muziekpedagoog, maar ook
muziektheoreticus. Hij
publiceerde verschillende
toonaangevende boeken
over muziektheorie. Jan
de Haan baseerde dit
eerbetoon op een thema
uit het oeuvre van
Rameau, namelijk
‘Les
Sauvages’ (De
wilden) uit de vierde
akte van een van Rameaus
balletopera’s,
Les Indes Galantes
(De hoffelijke
Indiërs). Het werk
begint met twee
variaties, waarna het
markante thema is te
beluisteren. Na een kort
intermezzo volgen dan nog
vier variaties, waarvan
delaatste in barokstijl
is gecomponeerd.
Tribute to a
Maestro ist eine
Hommage an Jean-Philippe
Rameau (1683 1764), einen
der bedeutendsten
Komponisten der
Barockzeit. Der Franzose
war nicht nur Komponist,
Organist, Cembalist und
Musiklehrer, sondern auch
Musiktheoretiker. Er
veröffentlichte einige
grundlegende
musiktheoretische
Bücher. Jan de Haan
stützte seine
Huldigung auf ein Thema
aus Rameaus Werk,
nämlich Les
Sauvages“ (Die
Wilden“) aus dem
vierten Akt von Rameaus
Ballettoper Les Indes
galantes. Das
Stück beginnt mit zwei
Variationen, woraufhin
das bemerkenswerte Thema
erklingt. Nach einem
kurzen Intermezzo folgen
vier weitere Variationen,
von denen die letzte im
Barockstilkomponiert ist.
Tribute to a Maestro Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1195884-140 Variations on ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1195884-140
Variations on a theme
by Jean-Philippe
Rameau. Composed by
Jan de Haan. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2019. 40
pages. De Haske
Publications #DHP
1195884-140. Published by
De Haske Publications
(BT.DHP-1195884-140).
English-German-French-
Dutch.
Tribute
to a Maestro is an
homage to Jean-Philippe
Rameau (1683 1764), one
of the most important
French Baroque composers.
Rameau was a hugely
significant composer,
organist, harpsichordist
and music teacher: he
also published several
authoritative books on
music theory. Jan de Haan
based this tribute on a
theme from ‘Les
Sauvages’ (The
Savages), the fourth act
of Rameau’s
ballet-opera, Les
Indes Galantes
(The Amorous
Indies). The work
begins with two
variations, whereupon the
striking theme can be
heard. After a short
intermezzo, four more
variations follow, of
which the last one is
composed in Baroque
style.
Tribute
to a Maestro is een
hommage aan Jean-Philippe
Rameau (1683 1764), een
van de belangrijkste
componisten uit de barok.
Deze Fransman was niet
alleen componist,
organist, klavecinist en
muziekpedagoog, maar ook
muziektheoreticus. Hij
publiceerde verschillende
toonaangevende boeken
over muziektheorie. Jan
de Haan baseerde dit
eerbetoon op een thema
uit het oeuvre van
Rameau, namelijk
‘Les
Sauvages’ (De
wilden) uit de vierde
akte van een van Rameaus
balletopera’s,
Les Indes Galantes
(De hoffelijke
Indiërs). Het werk
begint met twee
variaties, waarna het
markante thema is te
beluisteren. Na een kort
intermezzo volgen dan nog
vier variaties, waarvan
delaatste in barokstijl
is gecomponeerd.
Tribute to a
Maestro ist eine
Hommage an Jean-Philippe
Rameau (1683 1764), einen
der bedeutendsten
Komponisten der
Barockzeit. Der Franzose
war nicht nur Komponist,
Organist, Cembalist und
Musiklehrer, sondern auch
Musiktheoretiker. Er
veröffentlichte einige
grundlegende
musiktheoretische
Bücher. Jan de Haan
stützte seine
Huldigung auf ein Thema
aus Rameaus Werk,
nämlich Les
Sauvages“ (Die
Wilden“) aus dem
vierten Akt von Rameaus
Ballettoper Les Indes
galantes. Das
Stück beginnt mit zwei
Variationen, woraufhin
das bemerkenswerte Thema
erklingt. Nach einem
kurzen Intermezzo folgen
vier weitere Variationen,
von denen die letzte im
Barockstilkomponiert ist.
By Peggy Carter. For Dulcimer (Hammered). Solos. Acoustic Music. Level: Beginnin...(+)
By Peggy Carter. For
Dulcimer (Hammered).
Solos. Acoustic Music.
Level:
Beginning-Intermediate.
Book. 96 pages. Published
by Mel Bay Publications,
Inc.
Five James Taylor Classics. By James Taylor. By Carole King, James Taylor...(+)
Five James Taylor
Classics. By James
Taylor. By Carole King,
James Taylor. Arranged by
Philip Lawson. De Haske
Choral Music. Pop.
Octavo. 72 pages.
Published by De Haske
Publications (HL.148295).
Collection. Composed by Thomas Tallis (1505-1585). Edited by Philip Lawson. De...(+)
Collection. Composed by
Thomas Tallis
(1505-1585).
Edited by Philip Lawson.
De
Haske Choral Music.
Concert,
Sacred. Octavo. 32 pages.
Published by De Haske
Publications
Ave verum corpus Chorale SATB SATB A Cappella Oxford University Press
Composed by Ben Parry. Sacred choral - mixed voices. Sacred. Vocal score. 4 pa...(+)
Composed by Ben Parry.
Sacred
choral - mixed voices.
Sacred. Vocal score. 4
pages.
Duration 2'. Oxford
University Press
#9780193528154. Published
by
Oxford University Press
