SKU: HL.21619041

UPC: 884088279677. 8.5x11.0x0.018 inches.

This perennial favorite is a great way to feature one or more of your mallet percussionists. The wind parts are extremely playable, and you will find that this piece works well at a variety of tempos.

SKU: BT.WH31456

ISBN 9788759824122. English.

Peter Bruun's Spring Song (2000) for Mixed Choir (SATB). Text by H.C. Andersen. English version.

Danish version: WH31026

SKU: HL.14015791

ISBN 9788759858134.

K ai Normann Andersen's I Dit Korte Liv expertly arranged for Mixed Choir SATB by Vagn Nørgaard. Text by Poul Henningsen.< br/>

SKU: HL.14042680

ISBN 9788759828076.

84. Salme (Psalm 84) by set by Vagn Holmboe in 1985. for SATB choir.

SKU: HL.14037187

ISBN 9788759873007.

< strong>5 Sange for lige stemmer af Vagn Nørgård , med tekster af Poul Feldvoss.

Arrangeret til DR Radiopigekoret.

Version for blandet kor: WH30545

SKU: HL.14037186

ISBN 9788759882962.

< strong>5 Sange for blandet kor SATB af Vagn Nørgård . Tekster af Poul Feldvoss.

Version for lige stemmer: WH30591

SKU: HL.14037093

ISBN 9788759887639. Danish.

Fire Digte Af Mao Tse-Tung (Four Poems by Mao Tse-Tung) for Choir SATB by Bent Lorentzen (1972).

SKU: HL.14010364

ISBN 9788759893968. Danish.

Engång Skall Du Vara En Av Dem by Per Nørgård. Text by Pär Lagerkvist.

SKU: HL.14001895

ISBN 9788759887806. Danish.

Änglamark by Evert Taube expertly arranged for Mixed Choir SATB by Erik Sommer. Text in Swedish.

SKU: HL.14020320

ISBN 9788759864142. 7.0x10.25x0.056 inches.

Madonna Over Bolgerne Op.65/2 was composed by P.E. Lange-Muller in 1900, with lyrics by Thor Lange.

SKU: HL.14018010

ISBN 9788774552758.

Kirk emusik For Blandet Kor 2 (1947) edited byOluf Ring og Mogens Woldike.

SKU: HL.14042296

ISBN 9788759826201. UPC: 888680032104. English.

Lontanamen te - Fragments Of A Waltz for Clarinet solo was composed by Bent Sorensen in 2012. Commissioned by the 5th Carl Nielsen International Clarinet Competition in Odense, Denmark in 2013.

SKU: BT.WH28093

Lykk estrejf for mandskor TTBB af Per Nørgård.

Tekst af Thorkild Bjørnvig.

SKU: HL.14043157

ISBN 9788759830802.

Wand ering In The Wood by the Danish composer Peter Bruun , scored for SATB.

SKU: HL.14042652

ISBN 9788759827963.

To Motetter/Two Motets: Magnificat & Nunc Dimittis.

SKU: HL.14042676

ISBN 9788759823248.

Drop ar by Sunleif Rasmussen For 2 choirs. Choir 1 is 1/3 of the total members. Text: Oddfridur Rasmussen.

SKU: HL.14019363

ISBN 9788759865163.

< strong>Londonderry Air (Irish trad.) expertly arranged for Mixed Choir SATB by Vagn Nørgaard.

Text by W.G. Rothery.

SKU: BT.WH26893

Tonerne by Carl Leopold Sjöberg arranged for Mixed Choir SATB by Josef Jonsson (1951). Text in Danish by Mogens Dam.

Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e.unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period, some of which are dated 1698.

Thesonatas are both inscribed on the title page Sonata à Violone Solo. Col Basso per l'Organo, o Cembalo. A third sonata bears the words Sonata à Violino e Violoncino … di Giovannino del Violone.Giovannino(=Littl e, or Young John) must have been a performer, and although the third sonata has been copied by a different hand, it is conceivable that Giovannino is a connecting link between the three. He cannot, however, beassumed to be their author.

The Violone was a six-stringed instrument with frets, and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino(=Little Violone, or Violoncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family, which means that the sonatas might well have been written for a tenor or abass Viol, and not necessarily a Violone as such. Indeed, when they are played on a Violone, or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument, to prevent inversion of the intendedharmony. (The use of a Violone/Double Bass continuo or 16' organ tone would overcome this problem.)

The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It isopen to debate whether a Violone player, owing to the very nature of his instrument, would have used any but the simplest melodic decorations. Nevertheless, the performer should acquaint himself thoroughly with those seventeenthcentury traditions that