By Amy Grant and Michael W. Smith. By Amy Grant, Michael W. Smith, and Wes King....(+)
By Amy Grant and Michael
W. Smith. By Amy Grant,
Michael W. Smith, and Wes
King. Arranged by Heather
Sorenson. For Choral
(SATB). Sacred Choral. 12
pages. Published by Hal
Leonard
From A Little Princess. Composed by Andrew Lippa and Brian Crawley. Arranged b...(+)
From A Little Princess.
Composed by Andrew Lippa
and
Brian Crawley. Arranged
by
Mac Huff. Secular
Christmas
Choral. Octavo. 16 pages.
Published by Hal Leonard
By MercyMe. By Lauren Papa, Matt Boswell, and Matt Papa. Arranged by David A...(+)
By MercyMe. By Lauren
Papa,
Matt Boswell, and Matt
Papa.
Arranged by David
Angerman.
PraiseSong Choral.
General
Worship. Octavo. 16
pages.
Duration 215 seconds.
Published by PraiseSong
Choral SATB choir, piano accompaniment SKU: CF.CM9607 Composed by Z. Rand...(+)
Choral SATB choir, piano
accompaniment
SKU:
CF.CM9607
Composed by
Z. Randall Stroope. Sws.
Performance Score. 16
pages. Duration 4
minutes, 3 seconds. Carl
Fischer Music #CM9607.
Published by Carl Fischer
Music (CF.CM9607).
ISBN 9781491154298.
UPC: 680160912797. 6.875
x 10.5 inches. Key: Db
major. English. Lord
George Gordon Byron
(1788-1824).
Lord
George Gordon Byron,
described as mad, bad and
dangerous to know, is one
of the greatest British
poets. He was known for
his brilliant use of the
English language, as well
as his flamboyant
lifestyle and romantic
escapades. Scholars
believe that Byron wrote
She Walks in
Beauty in 1814 when
he met his cousin, Mrs.
John Wilmont. It is an
innocent poem, with
seemingly only admiration
of the subjects outer
physical beauty and inner
peace. Byron feels that
the persons beauty is a
perfect union of dark and
light. The cloudless
night is filled with soft
starlight. She exudes a
captivating purity,
almost an expression of
the divine. This is
arguably Lord Byrons best
known poem.
 . Lord George
Gordon Byron, described
as amad, bad and
dangerous to know,a is
one of the greatest
British poets. He was
known for his brilliant
use of the English
language, as well as his
flamboyant lifestyle and
romantic escapades.
Scholars believe that
Byron wrote She Walks
in Beauty in 1814
when he met his cousin,
Mrs. John Wilmont. It is
an innocent poem, with
seemingly only admiration
of the subjectas outer
physical beauty and inner
peace. Byron feels that
the personas beauty is a
perfect union of dark and
light. The cloudless
night is filled with soft
starlight. She exudes a
captivating purity,
almost an expression of
the divine. This is
arguably Lord Byronas
best known poem.
 . Lord George
Gordon Byron, described
as mad, bad and dangerous
to know, is one of the
greatest British poets.
He was known for his
brilliant use of the
English language, as well
as his flamboyant
lifestyle and romantic
escapades. Scholars
believe that Byron wrote
She Walks in
Beauty in 1814 when
he met his cousin, Mrs.
John Wilmont. It is an
innocent poem, with
seemingly only admiration
of the subject's outer
physical beauty and inner
peace. Byron feels that
the person's beauty is a
perfect union of dark and
light. The cloudless
night is filled with soft
starlight. She exudes a
captivating purity,
almost an expression of
the divine. This is
arguably Lord Byron's
best known poem.
 . Lord George
Gordon Byron, described
as mad, bad and dangerous
to know, is one of the
greatest British poets.
He was known for his
brilliant use of the
English language, as well
as his flamboyant
lifestyle and romantic
escapades. Scholars
believe that Byron wrote
She Walks in Beauty in
1814 when he met his
cousin, Mrs. John
Wilmont. It is an
innocent poem, with
seemingly only admiration
of the subject's outer
physical beauty and inner
peace. Byron feels that
the person's beauty is a
perfect union of dark and
light. The cloudless
night is filled with soft
starlight. She exudes a
captivating purity,
almost an expression of
the divine. This is
arguably Lord Byron's
best known poem.
 . Lord George
Gordon Byron, described
as “mad, bad and
dangerous to know,â€
is one of the greatest
British poets. He was
known for his brilliant
use of the English
language, as well as his
flamboyant lifestyle and
romantic
escapades.Scholars
believe that Byron wrote
She Walks in Beauty in
1814 when he met his
cousin, Mrs. John
Wilmont. It is an
innocent poem, with
seemingly only admiration
of the subject’s
outer physical beauty and
inner peace. Byron feels
that the person’s
beauty is a perfect union
of dark and light. The
cloudless night is filled
with soft starlight. She
exudes a captivating
purity, almost an
expression of the divine.
This is arguably Lord
Byron’s best known
poem. .
SATB Choir a Cappella SKU: HL.14033692 Composed by Per Norgard. Music Sal...(+)
SATB Choir a Cappella
SKU: HL.14033692
Composed by Per Norgard.
Music Sales America.
Classical. Vocal Score.
Composed 2005. Edition
Wilhelm Hansen #WH30605.
Published by Edition
Wilhelm Hansen
(HL.14033692).
1. The Native
Land of Light (for mixed
chorus, SATB) 2. Come
lift me up (for mixed
chorus, SATB -) -) the
second movement may be
performed by a children's
chorus or by the female
voices (SSA) from a mixed
chorus Programme Note
From my very first
aquaintance with these
Andersen poems, I was
deeply moved by the
simple, almost naive, yet
evocative imagery, with
which Andersen realized
his visions, images like:
The Melody of the Heart,
The Poem of Beauty, A
Spiritual Hindustan, Fly,
Death, over the Sea of
Time, fly to Eternal
Summer. Along with this
childishness Hans
Christian Andersen's
poetry encompasses
enormous - almost Willim
Blake-ish - cosmic
visions, in
theinterpolations between
e.g. reaching the Heaven
as opposed to you'll find
it in a Rosebud, or the
juxtaposition of Everyday
Life and Eternal Poetry -
which become one. Thus
the music came to life in
my immediate encounter
with these words, which
almost sang themselves
into my Musical Furnace -
if you will. Per
Norgard.
Composed by Michael Burkhardt. Lent, 21st Century, Hope/Assurance. Duration 3...(+)
Composed by Michael
Burkhardt. Lent, 21st
Century, Hope/Assurance.
Duration 3 minutes, 30
seconds. MorningStar
Music
Publishers #50-3098.
Published by MorningStar
Music Publishers
Thou Art Worthy Chorale SATB [Octavo] Epiphany House Publishing
Composed by Pauline Michael Mills. Arranged by Kevin A. Memley. Epiphany House. ...(+)
Composed by Pauline
Michael Mills. Arranged
by Kevin A. Memley.
Epiphany House. Octavo. 8
pages. Epiphany House
Publishing #EH1052.
Published by Epiphany
House Publishing
(HL.232928).
Soiree en mer Chorale SSATB SSATB, Piano Carus Verlag
SSATB Choir, Piano SKU: CA.926400 Composed by Camille Saint-Saens. Arrang...(+)
SSATB Choir, Piano
SKU: CA.926400
Composed by Camille
Saint-Saens. Arranged by
Denis Rouger, Denis
Rouger. Carus digital:
Extra digital products.
Full Score. Composed
1862. Op. 13, No. 1.
Duration 5 minutes.
Published by Carus Verlag
(CA.926400).
ISBN
9790007261870. French.
Text: Victor
Hugo.
In his poem
Soiree en mer, Victor
Hugo describes how the
sea can be perceived very
differently by two lovers
at the same time in the
same place. While the man
perceives the deepening
shadows on the dancing
waves, the woman marvels
at the stars shining ever
brighter in the
firmament. In nature, as
in the words of the poem,
the painful ambiguity
that represents life at
its core can be
experienced. Like no
other poet, Hugo captures
this almost unbearable
simultaneity of living
and dying, of love and
suffering. Saint-Saens
translates this into
music - probably the most
ephemeral and
contemporary of all art
forms. His balanced
musical form leaves
plenty of room for the
poetry and his subtle
variations in timbre,
which also inspired Denis
Rouger to his choral
arrangement, create a
seething motion under the
surface of the
sea.
This art song
was originally composed
not for chamber choir,
but for solo voice and
piano. Denis Rouger has
carefully adapted it to
suit the requirements and
expressive possibilities
offered by a larger
ensemble, without losing
any of the qualities of
the original in the
process. Each part in the
choir has a melodic line
drawn from the harmonic
and rhythmic framework.
In the process, the
variety and refinement of
the choral language
combines with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
...wo die Ztronen bluhn
(Carus 83.514).
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
1x 31.117/21 flute 1, 1x
31.117/22 flute 2, 1x
31.117/23 oboe 1, 1x
31.117/24 oboe 2. Harmony
parts. Sacred vocal
music, Cantatas, Praise
and thanks. Set of
Orchestra Parts. Composed
1728/1731. BWV 117. 16
pages. Duration 26
minutes. Carus Verlag #CV
31.117/09. Published by
Carus Verlag
(CA.3111709).
ISBN
9790007048662. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and parts
available separately -
see item CA.3111700.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Organ. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Organ. Composed
1728/1731. BWV 117. 24
pages. Duration 26
minutes. Carus Verlag #CV
31.117/49. Published by
Carus Verlag
(CA.3111749).
ISBN
9790007048716. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Viola. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Viola. Composed
1728/1731. BWV 117. 4
pages. Duration 26
minutes. Carus Verlag #CV
31.117/13. Published by
Carus Verlag
(CA.3111713).
ISBN
9790007048693. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Violin 1. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Violin 1. Composed
1728/1731. BWV 117. 8
pages. Duration 26
minutes. Carus Verlag #CV
31.117/11. Published by
Carus Verlag
(CA.3111711).
ISBN
9790007048679. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700.
Composed
by Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: Paperbound.
German title: Sei Lob und
Ehr dem hochsten Gut.
Sacred vocal music,
Cantatas, Praise and
thanks. Full score.
Composed 1728/1731. BWV
117. 52 pages. Duration
26 minutes. Carus Verlag
#CV 31.117/00. Published
by Carus Verlag
(CA.3111700).
ISBN
9790007048631. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Violin 2. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Violin 2. Composed
1728/1731. BWV 117. 4
pages. Duration 26
minutes. Carus Verlag #CV
31.117/12. Published by
Carus Verlag
(CA.3111712).
ISBN
9790007048686. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700.
Sei Lob
und Ehr dem hochsten Gut
neu. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Sacred vocal music,
Cantatas, Praise and
thanks. Choral Score.
Composed 1728/1731. BWV
117. 4 pages. Duration 26
minutes. Carus Verlag #CV
31.117/05. Published by
Carus Verlag
(CA.3111705).
ISBN
9790007048655. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score available
separately - see item
CA.3111700.
Composed
by Johann Sebastian Bach.
Edited by Hans Grischkat.
German title: Sei Lob und
Ehr dem hochsten Gut.
Sacred vocal music,
Cantatas, Praise and
thanks. Set of Orchestra
Parts. Composed
1728/1731. BWV 117.
Duration 26 minutes.
Carus Verlag #CV
31.117/19. Published by
Carus Verlag
(CA.3111719).
ISBN
9790007136666. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and parts
available separately -
see item CA.3111700.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: Paperbound.
Sacred vocal music,
Cantatas, Praise and
thanks. Vocal score.
Composed 1728/1731. BWV
117. 28 pages. Duration
26 minutes. Carus Verlag
#CV 31.117/03. Published
by Carus Verlag
(CA.3111703).
ISBN
9790007048648. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score available
separately - see item
CA.3111700.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Praise and
thanks. Single Part,
Cello/Double Bass.
Composed 1728/1731. BWV
117. 16 pages. Duration
26 minutes. Carus Verlag
#CV 31.117/14. Published
by Carus Verlag
(CA.3111714).
ISBN
9790007048709. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700.
(Cantata for Christmas). Composed by Johann Sebastian Bach (1685-1750). Edited b...(+)
(Cantata for Christmas).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ruprecht Langer. For
SSATB choir, ST vocal
soli, 2 flute, 2 oboe, 3
trumpet, timpani, 2
violin, viola, basso
continuo. This edition:
Paperbound. Cantatas,
Christmas. Full score.
Text language:
German/English. BWV 191.
Duration 18 minutes.
Published by Carus Verlag
SATB choir, handbells - Early intermediate SKU: GI.G-5123 Composed by Cla...(+)
SATB choir, handbells -
Early intermediate
SKU: GI.G-5123
Composed by Clark
Kimberling. Christ the
King. Choral. Sacred.
Octavo. 4 pages. GIA
Publications #5123.
Published by GIA
Publications (GI.G-5123).
Text by Clark
Kimberling.
An
anthem for SATB voices
and two handbells
characterized by
continual meter changes
(at almost every
measure). While at first
seemingly complex, it
quickly becomes clear
that the rhythm perfectly
matches the text creating
an exciting musical
experience. Has a bit of
the flavor of the German
chorale or a Genevan
psalter tune. 2
Handbells. .
Shed No Tear! Chorale SATB SATB A Cappella Subito Music
SATB Chorus, a cappella SKU: SU.27040110 For SATB Chorus, a cappella(+)
SATB Chorus, a cappella
SKU: SU.27040110
For SATB Chorus, a
cappella. Composed by
Gregory J. Hutter.
Vocal/Choral, Secular
Choral. A cappella.
Choral Octavo. Subito
Music Corporation
#27040110. Published by
Subito Music Corporation
(SU.27040110).
First of a set
of two pieces on poems of
John Keats, this is a
gently flowing SATB
unaccompanied piece in D
major with almost no
accidentals. Expressive
yet accessible choral
writing on a unusual and
evocative text. Written
from the faery's point of
view, there are
references to autumn and
spring that encourage
faith, because The flower
will bloom another year.
Secular, Concerts,
Memorial,
Lament/Grief/Sorrow.SATB
Chorus Duration: 3'
Composed: 2011 Published
by: Hutter Music.