SATBB soli, SATB choir, 2 flutes, 2 oboe (oboe d'amore), 2 oboe da caccia, viola da gamba, 2 violin, viola, basso continuo

SKU: CA.3124550

Version II. Composed by Johann Sebastian Bach. Edited by Peter Wollny. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Johannespassion 1725. Sacred vocal music, Passions, Lent and Passiontide. Full score. Composed 1725. BWV 245. 208 pages. Duration 120 minutes. Carus Verlag #CV 31.245/50. Published by Carus Verlag (CA.3124550).

ISBN 9790007058272. Language: German/English.

The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach's lifetime. Consequently, the wish often expressed by conductors to perform an authentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach's direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the standard version which is well known today. Score available separately - see item CA.3124500.

Orchestra Soli STB, SATB Choir, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, 2 Arpe, Org

SKU: CA.4064648

Orchestra version. Composed by Cesar Auguste Franck. Edited by Wolfgang Hochstein. French Sacred Music. Messe In A (Orchesterfassung). Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1860. FWV 12. 32 pages. Duration 46 minutes. Carus Verlag #CV 40.646/48. Published by Carus Verlag (CA.4064648).

ISBN 9790007219727. Key: A major. Language: Latin.

The Mass in A major published here is one of the compositions which Franck wrote for liturgical use at Ste. Clotilde. It received ist first performance there, under the composer's direction, on the 2nd April 1861. Regarding the vocal scoring of the Mass it is noticeable that only a few bars in the Ordinarium movements are expressly given to the solo vooices. Several other passages can, however, by sung by the soloists rather than the choir, and in this edition these are indicated. Score and part available separately - see item CA.4064600.

SATBB vocal soli, SATB choir, 2 flutes, 2 oboes (oboe d'amore), 2 oboe da caccia, viola da gamba, 2 violins, viola, basso continuo

SKU: CA.3124589

Version II. Composed by Johann Sebastian Bach. Edited by Peter Wollny. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Johannespassion 1725. Sacred vocal music, Passions, Lent and Passiontide. Single Part, Organ. Composed 1725. BWV 245. 140 pages. Duration 120 minutes. Carus Verlag #CV 31.245/89. Published by Carus Verlag (CA.3124589).

ISBN 9790007211455. Text language: German/English.

The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach's lifetime. Consequently, the wish often expressed by conductors to perform an authentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach's direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the standard version which is well known today. Score and part available separately - see item CA.3124500.

(from Eternal Light: A Requiem). By Howard Goodall. Choir Sacred. Choral (Sacred); Choral Octavo; Worship Resources. Faber Edition: Choral Signature Series. Published by Faber Music

Composed by Jesse Beulke. Sws. Octavo. 16 pages. Duration 4 minutes, 20 seconds. Carl Fischer Music #CM9653. Published by Carl Fischer Music

SATB choir with optional vocal solo

SKU: LP.OR-2244

Arranged by Thomas Fettke. Anthems. Blended and Sacred. Score and parts. Published by Lillenas Publishing Company (LP.OR-2244).

UPC: 765762109902.

What a profound choice of words for a lyric: I have one deep supreme desire that I may be like Jesus. Our choirs don't sing songs of aspiration and commitment enough these days. It's as if the flow of lyrical thought has gone in other directions. It seems to me the ultimate in praise and worship is to emulate our Lord and Savior. We need to sing about it and strive with all of our beings to live it. You may wish to involve congregation on this anthem.

Soli SATB, SATB Choir, 2 Obda, Cor (Ctto), Trb, 2 Vl, Va, Bc - Level 4

SKU: CA.3100349

2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Organ. Sacred vocal music, Cantatas, Epiphany. Single Part, Organ. Composed 1725. BWV 3. 20 pages. Duration 27 minutes. Carus Verlag #CV 31.003/49. Published by Carus Verlag (CA.3100349).

ISBN 9790007204426. Key: A major. Language: German/English. Text: Moller, Martin.

For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and part available separately - see item CA.3100300.

Solo voices, choir, orchestra (2 Soprano Voice Solo, Tenor Voice Solo, SATB Choir, ballet, 2 Fl, 2 Ob, 2 clarinet, 2 bassoon, 2 Hn, 2 Trp, 3trombone, timpani, harp, 2 Violin, Viola, Cello, Double Bass)

SKU: BA.BA02282

Tragédie-opéra (Drame héroïque) in three acts. Composed by Christoph Willibald Von Gluck. Edited by Ludwig Finscher. This edition: complete edition, urtext edition. Linen. Christoph Willibald Gluck. Complete Works. Series I, Volume 6. Paris Version 1774. Complete edition, Score. Composed 1774. Duration 2 hours. Baerenreiter Verlag #BA02282_00. Published by Baerenreiter Verlag (BA.BA02282).

ISBN 9790006419555. 33 x 26.5 cm inches. Text Language: French, German. Preface: Ludwig Finscher. Text: Pierre-Louis Moline.

Christoph Willibald Gluck’s most popular opera “Orphe et Euridice” was performed in 1774 in Paris to sensational success. This new adaption followed the original Viennese version with Italian text that was first performed in 1762 under the direction of the composer in the Burgtheater. For the Paris version Gluck changed the leading part Orpheus from an alto to a tenor role and composed new recitatives.

Both versions of Gluck’s reform drama are based on a libretto by Ranieri de’ Calzabigi and revolutionised metastasian opera of the 18th century. Solo and choral music, instrumental music, pantomime and dance are all closely connected; the myth replaces a historical plot surrounded by intrigue; where there would have been a da-capo aria there are now simple song forms and coloratura is largely abandoned. These meticulously revised vocal scores of both versions are also newly set.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Kyle Pederson. Graduation. Octavo. Galaxy Music Corporation #1.3613. Published by Galaxy Music Corporation

Solo voices, choir, orchestra (2 Soprano Voice Solo, Alto Voice Solo, 5Tenor Voice Solo, 3Bass Voice Solo, SATB Choir, 2 Fl, 2 Ob, 2 bassoon, 2 Trp, 3trombone, timpani, Glsp, Str, Continuo) - Level 4

SKU: BA.BA04020

Oratorio in three acts. Composed by George Frideric Handel. Edited by Percy M. Young. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 13. Complete edition, Score. HWV 53. Duration 2 hours, 30 minutes. Baerenreiter Verlag #BA04020_00. Published by Baerenreiter Verlag (BA.BA04020).

ISBN 9790006443055. 33 x 26 cm inches. Text Language: English, German. Translation: Walther Siegmund-Schultze, Walther. Charles Jennens.

Saul was given its first performance under Handel’s direction at the Haymarket Theatre, London, on 16 January 1739. The original libretto (dated 1738) refers to the work as “an Oratorio or Sacred Drama”. This libretto was written by Charles Jennens (1700–1770), a wealthy amateur writer from Gopsall, Leicestershire. A letter of 28 July 1735 from Handel to Jennens suggests that a complete raft of the text already existed at that time.

Saul occupies an extraordinarily important position in the English oratorio tradition that Handel brought to perfection, standing alongside Israel in Egypt at the end of the first creative period of such works.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Set of Three Vocal Scores. Composed by Eric Whitacre (1970-). Music Sales America. Concert. Octavo. 72 pages. Hal Leonard #CH8042101. Published by Hal Leonard

(SATB). Composed by Bo Holten. For Choral (SATB). Choral. Softcover. 40 pages. Edition Wilhelm Hansen #WH31502. Published by Edition Wilhelm Hansen

Composed by Samuel Wesley (1766-1837). Music Sales America. Hymns and Chorals. Book Only. Novello and Co Ltd. #MUSNOV290599. Published by Novello and Co Ltd. (HL.14036122).

Composed by Jean Sibelius (1865-1957). Arranged by Lloyd Larson. Hymntune, Hymn Arrangements, Funeral and Memorial, General Worship, Assurance, Encouragement, Eternal Life, Faithfulness, Grief. Octavo. 12 pages. Duration 12 minutes. Hope Publishing Company #C6209. Published by Hope Publishing Company

Choral (SATB)

SKU: HL.1311456

Composed by Mark Sirett. Hinshaw Music. Christian, General Worship, Sacred. Octavo. Hinshaw Music #HMC2711. Published by Hinshaw Music (HL.1311456).

UPC: 196288177326. 6.75x10.5x0.029 inches.

Written for a festival featuring the award-winning Bach Children's Choir of Toronto (directed by Linda Beaupré) and the Amabile Young Men's Choir of London, Ontario (directed by Carol Beynon), the opening verse of this evocative text from the Philippines marvels at the beauty of the universe: the stars, the deep blue ocean, and the green forest. The reflective middle section highlights the profound connection humans share with all living creatures. The joyful conclusion reminds us of the gift of freedom - a blessing that emanates from within each one of us, and made more powerful in unity with our brothers and sisters. Suitable for high school, collegiate, and community choirs.

Composed by Pepper Choplin. Choral, cantatas. Ascension, Eastertide, Pentecost. SATB with performance CD. Lorenz Publishing Company #55/1201L. Published by Lorenz Publishing Company

Mixed choir: SSATBB - Level 3

SKU: BA.BA08957-91

Edited by Gerd-Peter Munden. Stapled. Choral score, anthology. 32 pages. Baerenreiter Verlag #BA08957_91. Published by Baerenreiter Verlag (BA.BA08957-91).

ISBN 9790006525522. 27 x 19 cm inches. Text Language: German, English, Latin.

Year after year, during Advent and the Christmas season, compositions are sought which present well-known carols in a new light, whether it be compositions set for small or larger groups, for children or adults, with or without accompanying keyboard instruments. This collection by Gerd-Peter Munden presents carols in new settings as a welcome addition to the Christmas literature and will enrich the repertoire of an adults' or children's choir.

- Well-known Advent and Christmas carols in new settings
- With texts in German and English
- With short Latin introductions as a part of each motet
- Ideal for a children's or adults' choir during the Christmas season

Contents
There comes a galley, laden / Es kommt ein Schiff, geladen
O saviour, open heaven's gate / O Heiland, reiss die Himmel auf
O Lord, how shall I meet you / Wie soll ich dich empfangen
Angels from the realms of Glory / Hort der Engel helle Lieder
As I was watching o'er my sheep / Als ich bei meinen Schafen wacht
Good Christian men rejoice / Nun singet und seid froh

The Editor
Gerd-Peter Munden is one of the most creative German church-musicians today. From 1992 to 1999 he worked as the cantor in Minden, where he also directed the music school for choristers. From 1999 he has been the Cathedral-Cantor at the Braunschweig Cathedral and the director of the cathedral school for choristers. He is the initiator and artistic director of a successful school project throughout Germany encouraging youngsters to sing.

Composed by David Paich and Jeff Porcaro [Toto]. Arranged by Bryan Sharpe. Choir Secular. SATB choir. Choral Octavo. Pop Choral. Pop; Secular. 20 pages. Published by Alfred Music

By Bob Chilcott. For Mixed Choir and Organ. BC53. Published by Oxford University Press.

(HWV 57). By George Frideric Handel (1685-1759). Edited by Hans Dieter Clausen. Arranged by Andreas Koehs. For Soprano voice solo, Alto voice solo, Tenor voice solo, Bass voice solo, Mixed choir (SATB), Oboe (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum, Violin (2), Viola, Bassi (Violoncello, Contrabass, Bassoon, Bass lute, Harpsichord, Organ). This edition: Urtext. Oratorio. Vocal score. Language: English, Text language: German/English. 432 pages. Published by Baerenreiter Verlag

Composed by Pepper Choplin. Arranged by Michael Lawrence. Choral, cantatas. Ascension, Eastertide, Pentecost. Choral score. Lorenz Publishing Company #55/1200L. Published by Lorenz Publishing Company

Choral (SATB)

SKU: HL.1146759

Composed by Diana Saez and Suzzette Ortiz. Eugene Rogers Choral Series. Concert, Festival, Latin, Spanish. Octavo. Duration 245 seconds. Published by Hal Leonard (HL.1146759).

UPC: 196288117872. 6.75x10.5x0.036 inches.

Commissione d and premiered at the 2023 ACDA National Conference by the SATB honor choir directed by Eugene Rogers. This is an Afro-Puerto Rican folk style â??bomba,â? one of the oldest musical traditions of Puerto Rico. â??Canto' E Libertadâ? is a song of hope with an invitation to free ourselves of hate and prejudice. A detailed IPA pronunciation guide is provided. Pronunciation Guide can be found here.

Choral (SATB divisi)

SKU: HL.215263

For SATB Acappella Divisi. Composed by Marcel Chyrzynski. PWM. Classical, General Worship, Sacred. Octavo. 20 pages. Duration 360 seconds. Polskie Wydawnictwo Muzyczne #11687010. Published by Polskie Wydawnictwo Muzyczne (HL.215263).

8.25x11.5 inches.

I finished Psalm 23 Dominus regit me (The Lord Is My Shepherd), which inspired me musically, in 2013. This prayer of praise, being a radical act of trust in God, as Pope Benedict XVI once said, complements Credo in unum Deum. I was particularly moved by the personal tone of the Psalm author and by the landscape of life symbols that he painted. The psalmist, describing ancient nomads, compares God to a shepherd taking care of his flock. It is a hopeful metaphor of a journey in the future with kind and loving God as a guide - 'Even though I walk through the valley of the shadow of death, I fear no evil, for You are with me.' By interpreting the text with music, I wanted to avoid emotional directness, and to present the 'trust' in a contemplative way, as if it were a kind of a prayer - meditation. -Marcel Chyrzynski, translated by Monika Rokicka.

Orchestra SATB vocal soli, SSATB choir, 2 flute, 2 oboe, 2 bassoon, 2 trumpet, 3 trombone, timpani, 2 violin, viola, harp, carillons, organ, basso continuo

SKU: CA.5505319

Oratorio. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Saul Hwv 53 Kartoniert. Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1739. HWV 53. Duration 165 minutes. Carus Verlag #CV 55.053/19. Published by Carus Verlag (CA.5505319).

ISBN 9790007145804. Text language: English/German.

Sau l, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes. Score and parts available separately - see item CA.5505300.

Orchestra SATB vocal soli, SSATB choir, 2 flute, 2 oboe, 2 bassoon, 2 trumpet, 3 trombone, timpani, 2 violin, viola, harp, carillons, organ, basso continuo

SKU: CA.5505312

Oratorio. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Saul Hwv 53 Kartoniert. Sacred vocal music, Oratorios. Single Part, Violin 2. Composed 1739. HWV 53. 56 pages. Duration 165 minutes. Carus Verlag #CV 55.053/12. Published by Carus Verlag (CA.5505312).

ISBN 9790007226589. Text language: English/German.

Sau l, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes. Score and part available separately - see item CA.5505300.

Orchestra SATB vocal soli, SSATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 trumpets, 3 trombones, timpani, 2 violins, viola, harp, bells, organ, basso continuo

SKU: CA.5505300

Oratorio. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Saul Hwv 53 Kartoniert. Sacred vocal music, Oratorios. Full score. Composed 1739. HWV 53. Duration 165 minutes. Carus Verlag #CV 55.053/00. Published by Carus Verlag (CA.5505300).

ISBN 9790007167639. Text language: English/German.

Sau l, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes.

Orchestra SATB vocal soli, SSATB choir, 2 flute, 2 oboe, 2 bassoon, 2 trumpet, 3 trombone, timpani, 2 violin, viola, harp, carillons, organ, basso continuo

SKU: CA.5505305

Oratorio. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Saul Hwv 53 Kartoniert. Sacred vocal music, Oratorios. Choral Score. Composed 1739. HWV 53. Duration 165 minutes. Carus Verlag #CV 55.053/05. Published by Carus Verlag (CA.5505305).

ISBN 9790007162603. Text language: English/German.

Sau l, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes. Score available separately - see item CA.5505300.

Orchestra SATB vocal soli, SSATB choir, 2 flute, 2 oboe, 2 bassoon, 2 trumpet, 3 trombone, timpani, 2 violin, viola, harp, carillons, organ, basso continuo

SKU: CA.5505314

Oratorio. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Saul Hwv 53 Kartoniert. Sacred vocal music, Oratorios. Single Part, Cello. Composed 1739. HWV 53. 60 pages. Duration 165 minutes. Carus Verlag #CV 55.053/14. Published by Carus Verlag (CA.5505314).

ISBN 9790007226602. Text language: English/German.

Sau l, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes. Score and part available separately - see item CA.5505300.