Recorder (alternate sopranino, descant, treble, tenor, bass), celesta and guitar - advanced

SKU: HL.49018836

7 Little Pieces. Composed by Eduard Puetz. This edition: Saddle stitching. Sheet music. Performance score. Composed 1969. 16 pages. Duration 11'. Schott Music #ED21120. Published by Schott Music (HL.49018836).

ISBN 9790001177245. UPC: 884088793982. 9.0x12.0x0.077 inches.

By Barry Galbraith. Published by Jamey Aebersold Jazz. (BG3) From the great recording artist and studio guitarist comes the first comprehensive material on the art of jazz guitar comping. Contains jazz voicings and rhythms for a range of standards and blues. Bass parts shown in treble clef. Recording has Barry on Guitar and Milt Hinton on Bass with excellent stereo separations.

By Barry Galbraith. Published by Jamey Aebersold Jazz. (BG5DS) Contains 10 finger/transcribed solos based on "standard" chord changes by the great Barry Galbraith. Recording contains Mark Slifstein playing the transcribed solos with Milt Hinton on Bass and Barry comping behind you. Turn off the Slifstein channel and solo with Barry and Milt comping! Turn off the other channel and comp with Milt behind Mark. You can also listen to both channels and simply enjoy the trio!

(Based on the 1936-1938 Bluebird Recordings by The Monroe Brothers). By Charlie Monroe. Guitar. Softcover. 64 pages. Published by Centerstream Publications

By Barry Galbraith. Published by Jamey Aebersold Jazz. (BG4DS) Play along with Barry! Contains 15 2-part inventions that demonstrate the rich, melodic genius of Bach in his most economical form. Contains position markings, where applicable, to smooth out difficult passages. The recording has Barry playing both parts with total stereo separation so you can turn off either channel and fill in the missing part! Works great as a listening CD too!

Weihnachtsliedsatze, for 2-4 Guitars (Recorder ad lib). By Michael Praetorius. Chamber Music (Guitar). For 2-4 guitars (with recorder part). Recorder part. Published by Doblinger (Austrian import).

(Windows / Macintosh). For Guitar. My Guitar is the perfect way to introduce children to playing guitar! Gary the Guitar leads kids through the basics, like tuning your guitar and learning chords, and moves on to reading music and playing songs. An animated fretboard, games, MIDI tracks an. CD-ROM. Published by eMedia Music

2-part Children's Choir, Timpani, 2 Xylophones, Metallophone, Glockenspiel, Recorder (c2, f1), Contrabass (Violoncello), Guitar

SKU: CA.1223521

Composed by Gunther Kretzschmar. Children's music and musicals. German title: Der Samaritaner. Sacred vocal music, Cantatas, Cantatas and Singspiele for children. Single Part, Recorder 1. 2 pages. Carus Verlag #CV 12.235/21. Published by Carus Verlag (CA.1223521).

Language: German. Text: Steinwede, Dietrich. Text: Dietrich Steinwede.

Score available separately - see item CA.1223500.

2-part Children's Choir, Timpani, 2 Xylophones, Metallophone, Glockenspiel, Recorder (c2, f1), Contrabass (Violoncello), Guitar

SKU: CA.1223522

Composed by Gunther Kretzschmar. Children's music and musicals. German title: Der Samaritaner. Sacred vocal music, Cantatas, Cantatas and Singspiele for children. Single Part, Recorder 2. 2 pages. Carus Verlag #CV 12.235/22. Published by Carus Verlag (CA.1223522).

Language: German. Text: Steinwede, Dietrich. Text: Dietrich Steinwede.

Score available separately - see item CA.1223500.

Variationen uber ein englisches Volkslied. By Anonymous. Edited by E. Schaller. Chamber Music (Recorder & Guitar). For soprano recorder and guitar. Level: 3-4. 16 pages. Published by Doblinger (Austrian import).

Guitar

SKU: HL.50564707

Guitar. Composed by Miguel de Fuenllana. Editions Durand. Softcover. Composed 2001. Hal Leonard #ME00726000. Published by Hal Leonard (HL.50564707).

ISBN 9781423406860. UPC: 884088012144.

Inch. ...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire ofBach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.

Guitar

SKU: HL.50564705

Guitar. Composed by Emilio Pujol Vilarrubí. Editions Durand. Score Only. Composed 2001. Hal Leonard #ME0788400. Published by Hal Leonard (HL.50564705).

ISBN 9781423406846. UPC: 884088012113. 9.5x12.5x0.024 inches.

Inch....thi s work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire ofBach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.

Composed by Frederic Hand. Performance score. With Standard notation. Handwerks Music #494-03105. Published by Handwerks Music

2-part Children's Choir, Cymbal, Drum, 2 Xylophone, Metallophone, Glockenspiel, 3 Recorders c2, 2 Recorders f1, Recorder f, Guitar

SKU: CA.1252521

Passion cantata. Composed by Gustav Gunsenheimer. Children's music and musicals. German title: Die dunkle Nacht. Sacred vocal music, Cantatas, Cantatas and Singspiele for children, Lent and Passiontide, Holy Week. Single Part, Wind player. 4 pages. Carus Verlag #CV 12.525/21. Published by Carus Verlag (CA.1252521).

ISBN 9790007028688. Language: German.

Score available separately - see item CA.1252500.

2-part Children's Choir, Cymbal, Drum, 2 Xylophone, Metallophone, Glockenspiel, 3 Recorders c2, 2 Recorders f1, Recorder f, Guitar

SKU: CA.1252541

Passion cantata. Composed by Gustav Gunsenheimer. Children's music and musicals. German title: Die dunkle Nacht. Sacred vocal music, Cantatas, Cantatas and Singspiele for children, Lent and Passiontide, Holy Week. Single Part, Percussion. 8 pages. Carus Verlag #CV 12.525/41. Published by Carus Verlag (CA.1252541).

ISBN 9790007028695. Language: German.

Score available separately - see item CA.1252500.

2-part Children's Choir, Cymbal, Drum, 2 Xylophone, Metallophone, Glockenspiel, 3 Recorders c2, 2 Recorders f1, Recorder f, Guitar

SKU: CA.1252505

Passion cantata. Composed by Gustav Gunsenheimer. Children's music and musicals. German title: Die dunkle Nacht. Sacred vocal music, Cantatas, Cantatas and Singspiele for children, Lent and Passiontide, Holy Week. Choral Score. 4 pages. Carus Verlag #CV 12.525/05. Published by Carus Verlag (CA.1252505).

ISBN 9790007028671. Language: German.

Score available separately - see item CA.1252500.

Performance Score Descant Recorder; Guitar - very easy to easy

SKU: HL.49015099

For 1-2 Descant Recorders, Guitar ad lib. - Performance Score. Edited by Hans Hilsdorf. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Playing score. 44 pages. Schott Music #ED4352. Published by Schott Music (HL.49015099).

ISBN 9790001051330. UPC: 073999567991. 5.25x7.5x0.17 inches.

Children's Choir 1-4 part, 2 Speakers, Percussion, 3 Xylophones, Metallophone, Glockenspiel, 3 Recorders, Accordion (Organ), Contrabass, Guitar

SKU: CA.1240822

Weihnachtsgeschichte. Composed by Gunther Kretzschmar. Children's music and musicals. German title: Geboren im Jahre null. Sacred vocal music, Cantatas, Cantatas and Singspiele for children, Advent, Christmas. Single Part, Recorder 2. 4 pages. Duration 20 minutes. Carus Verlag #CV 12.408/22. Published by Carus Verlag (CA.1240822).

Language: German. Text: Maslo, Helmut. Text: Helmut Maslo.

Score available separately - see item CA.1240800.

Children's Choir 1-4 part, 2 Speakers, Percussion, 3 Xylophones, Metallophone, Glockenspiel, 3 Recorders, Accordion (Organ), Contrabass, Guitar

SKU: CA.1240821

Weihnachtsgeschichte. Composed by Gunther Kretzschmar. Children's music and musicals. German title: Geboren im Jahre null. Sacred vocal music, Cantatas, Cantatas and Singspiele for children, Advent, Christmas. Single Part, Recorder 1. 4 pages. Duration 20 minutes. Carus Verlag #CV 12.408/21. Published by Carus Verlag (CA.1240821).

Language: German. Text: Maslo, Helmut. Text: Helmut Maslo.

Score available separately - see item CA.1240800.

Children's Choir 1-4 part, 2 Speakers, Percussion, 3 Xylophones, Metallophone, Glockenspiel, 3 Recorders, Accordion (Organ), Contrabass, Guitar

SKU: CA.1240823

Weihnachtsgeschichte. Composed by Gunther Kretzschmar. Children's music and musicals. German title: Geboren im Jahre null. Sacred vocal music, Cantatas, Cantatas and Singspiele for children, Advent, Christmas. Single Part, Recorder 3. 4 pages. Duration 20 minutes. Carus Verlag #CV 12.408/23. Published by Carus Verlag (CA.1240823).

Language: German. Text: Maslo, Helmut. Text: Helmut Maslo.

Score available separately - see item CA.1240800.

Guitar solo - Advanced

SKU: DZ.DZ-4244

Composed by Konstantin Bliokh. Score. Les Productions d'OZ #DZ 4244. Published by Les Productions d'OZ (DZ.DZ-4244).

ISBN 9782898521614.

La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. � ce moment-là, ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.

Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.

Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.

Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.

Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol# â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.

Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ?? Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.

La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.

Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.

Sona ta No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.
Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.
The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.
The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.
The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ? ?B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.
Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.
The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.
I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.

The many faces of the guitar, Volume 1. By Various. Arranged by Collectif. For guitar solo. Level: 1. 28 pages. Published by Les Productions d'OZ. (DZ 1041)

The many faces of the guitar, Volume 1. By Various. Arranged by Collectif. For guitar solo. Level: 1. 28 pages. Published by Les Productions d'OZ. (DZ 1041CD)

The many faces of the guitar, Volume 2. By Various. Arranged by Collectif. For guitar solo. Level: 1.5. 32 pages. Published by Les Productions d'OZ. (DZ 1042CD)

Electric guitar - Intermediate

SKU: MB.30522M

Celtic Rock Solos. Composed by Philip John Berthoud. British, Saddle-stitched, World. Rock and Blues. Book and online audio. 52 pages. Mel Bay Publications, Inc #30522M. Published by Mel Bay Publications, Inc (MB.30522M).

ISBN 9781513464237. 8.75 x 11.75 inches.

Ideal for the intermediate-level guitarist, these 17 traditional tunes from the UK plus one from France are arranged to be played with your electric guitar plugged-in. The transformation that occurs in switching from acoustic to electric instruments adds an unmistakable Celtic rock element to the authorâ??s companion recording.

< span style=font-family: Arial;> The tunes are all played twice through on the recording and transcribed note-for-note in the book. The recording features backup from both electric bass and a second electric guitar, often played with a slide and a little â??dirtâ? thrown into the mix. Skillful bodhrán and djembe playing on many of the tracks adds to the dynamic nature of the recording.

< span style=font-family: Arial;> Many of these tunes can be played in lower positions but a few venture as high as the 14th fret. Playing one note at a time within a narrow range, if you donâ??t read particularly well now, working through these tunes will help you improve and gain confidence as a sight reader.

Written in standard notation and guitar tablature. Includes access to online audio.