Sinfonia in F Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Sinfonia in F by Antonio Vivaldi (1678-1741). Arranged by Steven Frackenpohl. Sc...(+)
Sinfonia in F by Antonio
Vivaldi (1678-1741).
Arranged by Steven
Frackenpohl. Score and
Parts. Music for String
Orchestra. Grade 3-4.
Published by Hal Leonard
This
volume in Leggierissimo
series contains character
pieces and dances, most
of them transcriptions of
piano pieces, though they
also include excerpts
from the ballets Swan
Lake, The Nutcracker and
The Sleeping Beauty.
This volume in
the Leggierissimo
series contains character
pieces and dances, most
of them transcriptions of
piano pieces, though they
also include excerpts
from the ballets Swan
Lake, The Nutcracker
and The
SleepingBeauty.Instru
mentation: 3 vl1, 3 vl2,
3 vl3, 2 vlcThe
Leggierissmo
series - growing
repertoire for children's
and youth string
orchestras (position
1)
Die
Leggerierissmo-Rei
he von Editio Musica
Budapest umfasst
Stücke, mit und an
welchen
Kinderstreichorchester
wachsen können. Jede
Ausgabe ist in der ersten
Lage spielbar und
enthält Partitur und
Stimmen (Violine 3
entspricht Viola).Die
Ausgabe Tchaikovsky:
Dreizehn leichte
Stücke enthält
Charakterstücke und
Tänze, die meisten
davon ursprünglich
für Klavier
geschreiben, aber auch
Auszüge aus
Schwanensee, dem
Nussknacker und
Dornröschen.
Enthaltene Stimmen: 3x
Violine 1, 3x Violine 2,
3x Violine 3, 2x
Cello.
String Orchestra SKU: BT.EMBZ14629 By Lajos Vigh. By Arpad Pejtsik, Edwar...(+)
String Orchestra
SKU:
BT.EMBZ14629
By Lajos
Vigh. By Arpad Pejtsik,
Edward Elgar, and Lajos
Vigh. EMB Leggiero.
Educational Tool. Book
Only. Composed 2008. 164
pages. Editio Musica
Budapest #EMBZ14629.
Published by Editio
Musica Budapest
(BT.EMBZ14629).
Between 1917
and 1931 Ottorino
Respighi harmonized and
instrumented twelve works
from the 16th- and
17th-century Italian and
French lute literature
and arranged the pieces
into three 4-movement
suites, under the title
Antiche danze ed arie. He
instrumented the first
suite for chamber
orchestra, the second for
symphony orchestra and
the third for strings. He
also published six of the
twelve movements in a
piano arrangement. This
publication in the
Leggiero series is a
5-movement selection from
the three suites, in
making this free
transcrip-tion,
Ãrpád Pejtsik took
account of both the
orchestral and the piano
versions. The level of
difficulty of the works
corresponds to thegeneral
demands of the series.
The viola part may also
be played on a third
violin.
Ottorino
Respighi harmonisierte
und instrumentierte
zwischen 1917-1931
zwölf Werke aus der
italienischen und
französischen
Lautenliteratur des 16.
und 17. Jahrhunderts. Er
ordnete dann die
Stücke unter den
Namen: Antiche danze ed
arie in drei jeweils
viersätzige Suiten.
Die erste Suite
instrumentierte er für
Kammerorchester, die
zweite für ein
Sinfonieorchester und die
dritte für Streicher.
Von den zwölf
Sätzen gab er sechs
auch als Klavierfassung
heraus. Die in der
Leggiero-Serie
erscheinende Edition
bildet eine
fünfsätzige Auswahl
aus den drei Suiten. Bei
der freien Bearbeitung
berücksichtigte
Ãrpád Pejtsik
sowohl die orchestrale
als auch die
Klavierversion.
DerSchwierigkeitsgrad der
Stücke stimmt mit den
allgemeinen Anforderungen
der Serie überein. Die
Bratschenstimme kann auch
von einer dritten
Geigenstimme gespielt
werden.
Followin
g the Renaissance volume,
this time it is Baroque
works (more precisely,
transcriptions of Baroque
vocal and instrumental
works) that are presented
in the Leggierissimo
series, extending the
repertoire of junior
string orchestras.
Roughly half of the
selection consists of
well-known pieces by the
greatest composers of the
period (Purcell: Dido and
Aeneas, Rameau: Pi ces de
clavecin, Händel:
Water Music, Music for
the Royal Fireworks, J.S.
Bach: B major partita, C
major orchestral suite),
but works by composers
less well known nowadays
(for example, G. Böhm
and J. C. F. Fischer) are
also included, together
with such unusual items
as Polish, German and
Hungarian dancesfrom
17th- and 18th-century
Hungarian manuscripts:
the Kájoni and
Vietórisz codexes, and
Eleonóra Lányi s
music book.
Nach
dem Renaissance-Band
erscheint die
Leggierissimo-Serie
nunmehr mit Barockwerken
(genauer: mit
Transkriptionen nach
vokalen und
instrumentalen
Barockwerken), die das
Repertoire der
Kinderstreichorchestern
erweitert. Etwa die
Hälfte der Sammlung
machen die Stücke der
allgemein bekannten Werke
der größten
Komponisten der Epoche
(H. Purcell: Dido und
Aeneas, J. Ph. Rameau: Pi
ces de clavecin, G. F.
Händel: Wassermusik,
Feuerwerksmusik, J. S.
Bach: Partita B-Dur,
Ouverture C-Dur) aus. Es
kommen in ihr aber auch
Stücke von heute
weniger bekannten
Komponisten (G. Böhm,
J. C. F. Fischer u.a.),
daneben als Besonderheit
polnische, deutsche und
ungarische Tänze aus
dem 17. und
18.Jahrhundert aus dem
Kájoni- und
Vietórisz-Kodizes und
aus dem Notenbuch der
Eleonora Lányi
vor.
String Orchestra SKU: BT.EMBZ14606A Serie für Jugendorchester. ...(+)
String Orchestra
SKU:
BT.EMBZ14606A
Serie für
Jugendorchester.
Composed by Daniel
Csengery. EMB Leggiero.
Educational Tool. Book
Hardcover. Composed 2008.
176 pages. Editio Musica
Budapest #EMBZ14606A.
Published by Editio
Musica Budapest
(BT.EMBZ14606A).
Dániel
Csengery (b. 1974) wrote
his three-movement
Concertino in 2006. It is
a colourful,
carefree-sounding
composition with lively
rhythms, suitable for
intermediate-level
pianists and youth
orchestras. The viola
part may also be played
by a third violin
section. The music is
available in two
versions: 14606A - score
and parts, 14606B
reduction for two pianos.
Das
dreisätzige Concertino
von Dániel Csengery
(1974) entstand 2006. Es
ist eine bunte, leicht
gestimmte Komposition von
lebendiger Rhythmik
für fortgeschrittene
Pianisten (Z. 14606B) und
Jugendorchester (Z.
14606A). Die
Bratschenstimme kann auch
von einer dritten Geige
gespielt werden.
Divertimenti in D major K. 136 (125a) - Divertimenti in B-flat major K. 137 (125...(+)
Divertimenti in D major
K. 136 (125a) -
Divertimenti in B-flat
major K. 137 (125b) -
Duvertimenti in F major
K. 138 (125c). By
Wolfgang Amadeus Mozart.
Edited by F!Ssl, Karl H.
For String orchestra.
Score; Urtext Edition.
Published by
Baerenreiter-Ausgaben
(German import).
String Orchestra SKU: BT.EMBZ14411 Partitur und Stimmen. Composed ...(+)
String Orchestra
SKU:
BT.EMBZ14411
Partitur und
Stimmen. Composed by
Edvard Grieg. EMB
Leggierissimo.
Educational Tool. Book
Only. Composed 2005. 102
pages. Editio Musica
Budapest #EMBZ14411.
Published by Editio
Musica Budapest
(BT.EMBZ14411).
Hungarian-English-Germ
an-French.
The
latest volume in this
popular series contains
little character pieces
and dances (Heroic
ballad, Lullaby, Peasant
song, Religious song, The
Suitor's song, Solveig's
song, Peasant dance,
etc.), most of which are
transcriptions of piano
pieces. As in the case of
the other volumes in the
Leggierissimo series,
these works scored for a
junior orchestra
consisting of 1st, 2nd
and 3rd violin and cello
can be played in the
first position.
Der neueste Band
der beliebten Serie
beinhaltet kleine
Charakterstücke und
Tänze (Heroischer
Gesang, Wiegenlied,
Bauernlied, Religiöser
Gesang, Lied des Freiers,
Solveigs Lied, Dorftanz
usw.), die in ihrer
Mehrheit Ãœbertragungen
von Klavierstücken
darstellen. Wie bei
anderen Stücken der
Leggierissimo-Serie
lassen sich die Werke
für ein mit 1., 2., 3.
Violine und Cello
besetztes Kinderorchester
in der ersten Lage
spielen.
String orchestra SKU: M2.MOS-10014-70 Orgelstuck fur eine Uhr. Com...(+)
String orchestra
SKU:
M2.MOS-10014-70
Orgelstuck fur eine
Uhr. Composed by
Wolfgang Amadeus Mozart.
Set of string parts.
Möseler Verlag #MOS
10014-70. Published by
Möseler Verlag
(M2.MOS-10014-70).
ISBN
9790203735670.
Ein
Stuck fur ein Orgelwerk
in einer Uhr lautet eine
undatierte
handschriftliche
Eintragung Mozarts
(zwischen Dezember 1790
und 5. Januar 1791) in
sein Verzeichnuss aller
meiner Werke, etwas
spater finden wir unter
dem 3. Marz 1791 Ein
OrgelStucke fur eine Uhr.
Gemeint sind die beiden
ublicherweise als
Fantasie bezeichneten
Werke in f-Moll, KV 594
und KV 608, die Mozart
mit grosser
Wahrscheinlichkeit fur
eine mit einem Uhrwerk
verbundene mechanische
Orgel - also einen
Orgel-Automaten - im
Mausoleum Laudons der
Mullerschen Kunstgalerie
geschrieben hat. Wer
unter diesen so harmlos
wirkenden Titeln eine
ebenso harmlose, hubsche
und unterhaltende Musik
erwartet, wird schon
durch die Tonart der
beiden in Mozarts letztem
Lebensjahr entstandenen
Musiken uberrascht sein -
vielmehr noch durch ihre
konzentrierte Form und
Ausdruckstiefe. Stucke
fur ein mechanisches
Orgelwerk zu schreiben
war durchaus eine
Aufgabe, der sich viele
der grossen Meister des
18. Jahrhunderts
unterzogen. Wir haben
kostliche Miniaturen fur
eine Flotenuhr von
Handel, Haydn, Beethoven
u.a., die heute in der
Regel auf einer Orgel
wiedergegeben werden.
Umso verwunderlicher ist
es, dass Mozart mit
diesen beiden
Kompositionen eine ganz
andere Musik geschaffen
hat: gross dimensioniert
schon in der Ausdehnung,
die der Lange eines
Sinfoniesatzes
entspricht, erst recht
aber in ihrer
inhaltlichen
Ausarbeitung! Vom
dusteren Adagio am Beginn
der Fantasie KV 594 uber
das triumphierend
auffahrende Allegro bis
zum ersterbenden Ende
wird der Horer
gleichermassen wie in der
entgegengesetzt
aufgebauten Fantasie KV
608 von dem mit
dramatisch-heroischem
Impetus anpackenden
Themenkopf uber das durch
2 Fugen von allerhochster
Meisterschaft umrahmten
innig beruhrenden Andante
bis zum letzten Ton in
Atem gehalten. War es die
vermutete Bestimmung der
Kompositionen als
Trauermusik oder Mozarts
Beschaftigung mit Handel
und Bach, die so
ungewohnlich ergreifende
Musik entstehen liess?
Unuberhorbar ist
jedenfalls ihre Nahe zu
seinen letzten grossen
Kirchenmusiken, der Messe
c-Moll und dem Requiem!
Wolfgang Helbich in
seinem Vorwort zu den
beiden Fantasien fur eine
Uhr.
String Orchestra SKU: BT.EMBZ14468 Partitur und Stimmen. Composed ...(+)
String Orchestra
SKU:
BT.EMBZ14468
Partitur und
Stimmen. Composed by
Franz Schubert. EMB
Leggiero. Educational
Tool. Book Only. Composed
2006. 112 pages. Editio
Musica Budapest
#EMBZ14468. Published by
Editio Musica Budapest
(BT.EMBZ14468).
Der neue
Schubert-Band der Reihe
Leggiero bietet ein
vielfältiges Bild
über die Tänze im
ersten Drittel des 19.
Jahrhundert. Es kommen
hier Walzer, Galopp,
Menuett, Ländler,
sentimentale Walzer,
Ecossaise und Wiener
Deutsche vor. Obwohl die
Tänze für die Zeit
typisch sind, sind
siedennoch individuell.
Der Tonumfang der
Violinen überschreitet
die 3. Lage, der des
Violoncello den 4. Lage
nicht. Die Bratsche kann
durch eine 3. Violine
ersetzt werden, deshalb
wird diese Stimme sowohl
mit Altschlüssel, als
auch mit
Violinschlüssel
publiziert. Eine
Kontrabass-stimme ad
libitum ergänzt das
Stimm-Material.
String Orchestra SKU: BT.EMBZ14159 Für Jugendstreichorchester mit K...(+)
String Orchestra
SKU:
BT.EMBZ14159
Für
Jugendstreichorchester
mit Klavier und
Schlagzeug. Composed
by Zsolt Hamar. EMB
Leggiero. Educational
Tool. Book Only. Composed
1997. 100 pages. Editio
Musica Budapest
#EMBZ14159. Published by
Editio Musica Budapest
(BT.EMBZ14159).
String Orchestra SKU: BT.EMBZ13785 Vier Sätze für Jugendstreicho...(+)
String Orchestra
SKU:
BT.EMBZ13785
Vier
Sätze für
Jugendstreichorchester. Composed by Johann
Sebastian Bach. EMB
Leggiero. Educational
Tool. Book Only. Composed
1991. 72 pages. Editio
Musica Budapest
#EMBZ13785. Published by
Editio Musica Budapest
(BT.EMBZ13785).
String orchestra SKU: M2.MOS-40064-70 Composed by Roman Hoffstetter. Coro...(+)
String orchestra
SKU:
M2.MOS-40064-70
Composed by Roman
Hoffstetter. Corona -
Werkreihe fur
Kammerorchester. Set of
string parts. Möseler
Verlag #MOS 40064-70.
Published by Möseler
Verlag (M2.MOS-40064-70).
ISBN
9790203742647.
Die
Frage der Autorschaft von
Haydns Quartetten op. 3
beschaftigt die
Musikwissenschaft seit
Mitte des neunzehnten
Jahrhunderts. Nahezu alle
fuhrenden Haydn-Forscher
haben sich zu diesem
Thema geaussert.
Inzwischen ist man sich
weitgehend einig, dass
Roman Hoffstetter der
Autor ist. Angesichts der
Quellenlage ist aber auch
diese Erkenntnis nicht
unumstosslich, denn es
fehlen unanfechtbare
Beweise. - Das
vorliegende Quartett
F-dur (Haydns op. 3,5
bzw. Hob. III:17) ist um
1775 entstanden. Wegen
seines volkstumlichen
zweiten Satzes, Andante
cantabile, ist das Werk
auch unter dem Beinamen
Serenaden-Quartett oder
Quartett mit der Serenade
bekannt geworden.
Die
Leggerierissmo-Rei
he von Editio Musica
Budapest umfasst
Stücke, mit und an
welchen
Kinderstreichorchester
wachsen können. Jede
Ausgabe ist in der ersten
Lage spielbar und
enthält Partitur und
Stimmen (Violine 3
entspricht Viola).Die
Ausgabe Schubert:
Tänze enthält
Tänze, die im Wien des
beginnenden 19.
Jahhunderts sehr beliebt
waren: Ländler,
Écossaises und
Deutsche Tänze.
Enthaltene Stimmen: 3x
Violine 1, 3x Violine 2,
3x Violine 3, 2x
Cello.
Besetzung: Violine 1,
Violine 2/Viola,
Violoncello, Kontrabass,
Klavier. Composed by
Andrea Holzer-Rhomberg.
Sheet music. Score and
parts. Holzschuh
Musikverlag #VHR 3862.
Published by Holzschuh
Musikverlag
(M7.VHR-3862).
ISBN
9783864340529.
Ein
abwechslungsreicher
Variationssatz über
das bekannte und beliebte
Adventslied von Heinrich
Rohr. Spielvoraussetzung:
Die ersten zwei
Griffarten sollten
beherrscht werden. Die
optionale Melodiestimme 1
für Viola/Violoncello
ist für besonders
engagierte Spieler
geeignet, die bereits
Ãœbung im Lagenspiel
haben. Optionale
Zusatzstimmen: -
Melodiestimme 1 für
Viola/Violoncello, -
Melodiestimme 2 für
Violoncello, -
Melodiestimme 3 für
Violine/Viola, -
Easy-Stimme für
Violine/Viola/Violoncello
Dank der Zusatzstimmen
auch in homogenen
Streichergruppen
spielbar! Somit kann
dieses Musikstück in
folgenden Besetzungen
aufgeführt werden: -
Streichorchester (Vl. 1,
Vl. 2, Vla. Vcl., Kb. +
optionale Zusatzstimmen)
mit Klavier -
Violin-Ensemble mit
Klavier / Viola-Ensemble
mit Klavier /
Violoncello-Ensemble mit
Klavier.
Besetzung: Violine 1,
Violine 2, Viola,
Violoncello, Kontrabass,
Klavier. Composed by
Andrea Holzer-Rhomberg.
Sheet music. Score and
parts. Holzschuh
Musikverlag #VHR 3861.
Published by Holzschuh
Musikverlag
(M7.VHR-3861).
ISBN
9783864340512.
Eine
feierliche
Orchesterbearbeitung des
bekannten traditionellen
Weihnachtsliedes.
Spielvoraussetzung: Die
ersten zwei Griffarten in
der 1. Lage sollten
beherrscht werden. Die
optionalen Zusatzstimmen
verlangen zusätzlich
den 3. Finger hoch bei
der Viola und den weiten
Griff beim Violoncello.
Optionale Zusatzstimmen:
- Melodiestimme 1 für
Viola/Violoncello, -
Melodiestimme 2 für
Viola/Violoncello, -
Melodiestimme 3 für
Violine - Easy-Stimme
für
Violine/Viola/Violoncello
Dank der Zusatzstimmen
auch in homogenen
Streichergruppen
spielbar! Somit kann
dieses Musikstück in
folgenden Besetzungen
aufgeführt werden: -
Streichorchester (Vl. 1,
Vl. 2, Vla., Vcl., Kb. +
optionale Zusatzstimmen)
mit Klavier -
Violin-Ensemble mit
Klavier / Viola-Ensemble
mit Klavier /
Violoncello-Ensemble mit
Klavier (Partitur und
Stimmen).
Orchestra strings - beginner SKU: KJ.SO336F Composed by Raymond Brown. Ar...(+)
Orchestra strings -
beginner
SKU:
KJ.SO336F
Composed by
Raymond Brown. Arranged
by Raymond Brown. Score.
Neil A. Kjos Music
Company #SO336F.
Published by Neil A. Kjos
Music Company
(KJ.SO336F).
UPC:
8402704167.
Into
the Dragon's Den focuses
on playing F-sharps and
F-naturals, and helps
students become more
comfortable with 2-note
slurs. The piece centers
around E minor, offering
the perfect mood for the
subject: confronting
difficult things and
handling fear. As Mr.
Brown mentions in his
program notes, Like the
brave knight [heading
into the dragon's den],
beginning string students
have to venture into the
dark unknown to confront
F-natural. Approx. time -
2:30
Steps to
Successful Literature
presents exceptional
performance pieces -
concert and festival
works for beginning to
intermediate string
orchestras. Each piece is
correlated with a
specific location in
String BasicsTM Books 1
or 2. Literature
reinforces musical
skills, concepts, and
terms introduced in the
method. Sometimes, a few
new concepts are included
and are officially
introduced and defined in
the score and parts. Each
string orchestra work
offers extended learning
opportunities and briefly
taps into one or more
elements related to
common core state
standards.
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Rikudim Orchestre à Cordes [Conducteur et Parties séparées] - Avancé De Haske Publications
String Orchestra - advanced SKU: BT.DHP-0930506-070 Composed by Jan Van d...(+)
String Orchestra -
advanced
SKU:
BT.DHP-0930506-070
Composed by Jan Van der
Roost. Arranged by
Florent van den Vondel.
Educational Tool. Set
(Score & Parts). Composed
1993. 20 pages. De Haske
Publications #DHP
0930506-070. Published by
De Haske Publications
(BT.DHP-0930506-070).
ISBN 9789043153843.
International.
Riku
dim (Hebrew for
“Dancesâ€) is
a four-part dance suite
based on Jewish music. By
using eastern intervals
and irregular time
changes, the composer
succeeds in creating a
slightly melancholy but
specifically Jewish
flavoured piece.
Rikudim,
das hebräische Wort
für tanzen“, ist
der Titel dieser
vierteiligen Suite für
Streichorchester von Jan
Van der Roost. Durch den
Gebrauch von
unregelmäßigen
Taktarten ist es dem
Komponisten gelungen, in
dieser Musik einerseits
einen Hauch Melancholie,
andererseits spezifisch
jüdische Elemente
miteinander zu
verschmelzen.
Scherzo Orchestre à Cordes [Conducteur] - Intermédiaire/avancé Kendor Music Inc.
String Orchestra - Grade 6 SKU: KN.KSS2302FS From F-A-E Sonata for Vio...(+)
String Orchestra - Grade
6
SKU:
KN.KSS2302FS
From
F-A-E Sonata for Violin
and Piano. Composed
by Johannes Brahms.
Arranged by Deborah Baker
Monday. Symphonic String
Orchestra Series 4 & Up.
Score Only. Kendor Music
Inc #KSS2302FS. Published
by Kendor Music Inc
(KN.KSS2302FS).
12 x 9
inches.
Deborah
Baker Monday has done a
masterful job of
arranging this difficult
Brahms Violin Sonata for
string orchestra. All the
thrilling highs and
despondent lows are
represented in this new
arrangement. F-A-E refers
to the German frei aber
einsam which translates
to free but lonely or
free but alone.
By Matt Turner. For string orchestra (violin I, violin II, violin III (viola T.C...(+)
By Matt Turner. For
string orchestra (violin
I, violin II, violin III
(viola T.C.), viola,
cello, bass, drums,
piano). Score and parts.
Duration 3 minutes, 06
seconds. Published by
Carl Fischer
Thirds a Plenty Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Kjos Music Company
Orchestra string orchestra - Grade 1 SKU: KJ.SO213C Composed by Richard S...(+)
Orchestra string
orchestra - Grade 1
SKU: KJ.SO213C
Composed by Richard
Stephan and Robert Frost.
Artistry in Strings.
Score and parts. Neil A.
Kjos Music Company
#SO213C. Published by
Neil A. Kjos Music
Company (KJ.SO213C).
UPC:
8402701421.
The
title refers to the 3rd
degree of a scale, which
refers to F-sharp and
F-natural in Mr.
Stephan's composition.
Thirds A Plenty is in
ternary form and all
instruments have
opportunities for melodic
work. It is correlated
with Artistry in Strings,
Book I, Unit II.
About Artistry
in
Strings
Ar
tistry in Strings is a
groundbreaking string
method that will be at
home in your classroom or
private studio. Its
comprehensive approach
contains all the basic
tools necessary to
establish solid technique
and expressive music
making. Artistry in
Strings is a music
educator's dream,
combining a
performance-centered
approach with optional
theory, composing,
listening, assessment,
and interdisciplinary and
multi-cultural
studies.
Authors
Robert S. Frost, Gerald
Fischbach, and Wendy
Barden have combined
their vast experience as
educators to provide a
string method that is
well paced for all types
of beginning string
classes. Regardless of
class frequency and
duration, or class size
and student age, Artistry
in Strings will assist
you to achieve superior
results.
Bonjour! - Score Orchestre à Cordes [Conducteur] - Débutant Kjos Music Company
Orchestra string orchestra - Grade 1 SKU: KJ.SO206F Composed by Robert Fr...(+)
Orchestra string
orchestra - Grade 1
SKU: KJ.SO206F
Composed by Robert Frost.
Artistry in Strings.
Score. Neil A. Kjos Music
Company #SO206F.
Published by Neil A. Kjos
Music Company
(KJ.SO206F).
This Frost
original features 3/4
time and focuses on
f-sharps and f-naturals.
A perfect piece to
reinforce the necessary
finger patterns while
preparing for
performance.
About Artistry
in
Strings
Ar
tistry in Strings is a
groundbreaking string
method that will be at
home in your classroom or
private studio. Its
comprehensive approach
contains all the basic
tools necessary to
establish solid technique
and expressive music
making. Artistry in
Strings is a music
educator's dream,
combining a
performance-centered
approach with optional
theory, composing,
listening, assessment,
and interdisciplinary and
multi-cultural
studies.
Authors
Robert S. Frost, Gerald
Fischbach, and Wendy
Barden have combined
their vast experience as
educators to provide a
string method that is
well paced for all types
of beginning string
classes. Regardless of
class frequency and
duration, or class size
and student age, Artistry
in Strings will assist
you to achieve superior
results.
(Arranged for String Orchestra Score). Composed by Alfred Schnittke (1934-1998...(+)
(Arranged for String
Orchestra
Score). Composed by
Alfred
Schnittke (1934-1998).
Arranged by Jolán
Berta. For
String Orchestra (Score).
Ensemble. Softcover. 36
pages.
Sikorski #SIK1749.
Published
by Sikorski
(HL.50499714)