Composed by James Meredith. String orchestra. For violin I, violin II, violin III (viola TC), viola, cello, bass, piano. Score and parts. 136+1 pages. Duration 3 minutes, 21 seconds. Published by Carl Fischer

(Stilles Gebet). Composed by Giya Kancheli (1935-). For Bass, Cello, Violin, Vibraphone, String Orchestra, Chamber Ensemble (Score). String. Study score. 36 pages. Sikorski #SIK8613. Published by Sikorski

Orchestra String Orchestra - Grade 1

SKU: AP.36-52250912

Composed by Thom Sharp. Performance Music Ensemble; String Orchestra. Ludwig Masters. Jazz. Score and Part(s). 144 pages. Latham Music Enterprises #36-52250912. Published by Latham Music Enterprises (AP.36-52250912).

ISBN 9781621569596. UPC: 746241230478. English.

This is a great way to introduce your strings to Jazz! This easy-to-play selection inspired by the "Be-Bop" style uses short swing-eighth note patterns over a walking bass line, and sounds good at various tempos. This is really fun way to approach the national standards calling for jazz education!

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

By Mikola Leontovich. Arranged by Bill Calhoun. For Full Score, Violin I, Violin II, Violin III, Viola, Cello, Bass, Piano. Carl Fischer Concert String Orchestra Series. Grade 3 and up. Score and part(s). Published by Carl Fischer

Orchestra String Orchestra - Grade 1

SKU: CF.BAS19F

Full Score. Composed by Sean O'Loughlin. Edited by Amy Rosen. Carl Fischer Beginning String Orchestra Series. Full score. With Standard notation. 12 pages. Carl Fischer Music #BAS19F. Published by Carl Fischer Music (CF.BAS19F).

ISBN 9780825851803. UPC: 798408051808. 8.5 X 11 inches. Key: D major.

Here's an easy original that is enjoyable for both the players and the audience. Using notes the students already know, the tune moves from D major to B minor, uses pizzicato, and other techniques to keep the music lively and appealing.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

Orchestra. Part(s); Score; String Orchestra. Pop Intermediate String Orchestra. Form: Medley. Pop. Grade 2.5. 152 pages. Published by Alfred Music

Orchestra String Orchestra - Grade 1

SKU: CF.BAS5

Composed by Joseph Compello. SWS - FS. Carl Fischer Beginning String Orchestra Series. Classical. Score and Parts. With Standard notation. 12+8+8+5+5+5+3+2 pages. Duration 2:30. Carl Fischer Music #BAS5. Published by Carl Fischer Music (CF.BAS5).

ISBN 9780825845086. UPC: 798408045081. 8.5 X 11 inches. Key: D major.

The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi no tes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

By Victor Lopez. By Victor Lopez. For String Orchestra. String Orchestra. Belwin Beginning String Orchestra. Level: 1 (grade 1). Conductor Score. Published by Alfred Publishing.

By Richard Meyer. Music by Richard Meyer. For string orchestra. String Orchestra. Strictly Strings. Level: Level 1 (grade 1). Conductor Score and Parts. 1 pages. Published by Alfred Publishing.

Arranged by Carrie Lane Gruselle. Traditional. For String Orchestra. String Orchestra. Highland String Orchestra. Level: 1 (grade 1). Conductor Score and Parts. 33 pages. Published by Alfred Publishing.

Full Score. By Traditional. Arranged by Larry Clark. For String Orchestra. Carl Fischer Beginning String Orchestra Series. Level: Grade 1. Full Score. 8 pages. Published by Carl Fischer.

By Loreta Fin. Orchestra. String Orchestra. Wilfin String Orchestra. Grade 2; Grade 2.5. Conductor Score and Parts. 68 pages

Op. 50. By Gabriel Faure. Arranged by Larry Clark. String ensemble. For Violin I, Violin II, Violin III, Viola (Treble Clef), Viola, Cello, Bass, Piano. Carl Fischer Performance Series for String Orchestra. Classical. Level: Medium Easy/Medium. Full Score - Large. 10 pages. Published by Carl Fischer.

Orchestra String Orchestra - Grade 1

SKU: CF.BAS16

Composed by Douglas Townsend. Carl Fischer Beginning String Orchestra Series. Classical. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #BAS16. Published by Carl Fischer Music (CF.BAS16).

ISBN 9780825851735. UPC: 798408051730. 8.5 X 11 inches. Key: D major.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

By Larry Clark. For Violin I, Violin II, Violin III, Viola, Cello, Bass, Piano. Carl Fischer Young String Orchestra Series. Grade 2-2.5. Score and parts. 138 pages. Duration 3 minutes, 25 seconds. Published by Carl Fischer

By Domenico Cimarosa (1749-1801). Arranged by Doris Gazda. For Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Piano. Carl Fischer Concert String Orchestra Series. Grade 3 and up. Score and part(s). Published by Carl Fischer

By Alan Lee Silva. For Violin I, Violin II, Violin III, Viola, Cello, Bass, Piano. Carl Fischer Concert String Orchestra Series. Grade 3 and up. Score and part(s). 136 pages. Duration 3 minutes, 36 seconds. Published by Carl Fischer

By Alan Lee Silva. For Violin I, Violin II, Violin III, Viola, Cello, Bass, Piano. Carl Fischer First Plus String Orchestra Series. Grade 1.5-2. Score and part(s). 112 pages. Duration 2 minutes, 28 seconds. Published by Carl Fischer

By Joseph Compello. For Full Score, Violin I, Violin II, Violin III, Viola, Cello, Bass, Piano. Carl Fischer First Plus String Orchestra Series. Grade 1.5-2. Score and part(s). Published by Carl Fischer

By Gabriel Faure. Arranged by Doris Preucil. By G. Faure / arr. Doris Preucil. For String Orchestra and Solo Violin, Viola, or Cello. String Orchestra. Solo with Orchestra Series. Conductor Score and Parts. Published by Alfred Publishing.

By Sean O'Loughlin. For Full Score, Violin I, Violin II, Violin III (Viola Tc), Viola, Cello, Bass, Piano. Carl Fischer Concert String Orchestra Series. Grade 3 and up. Score and part(s). Published by Carl Fischer

By Alan Lee Silva. For string orchestra (violin I, violin II, violin III (viola T.C.), viola, cello, bass, piano). Score and parts. Duration 4 minutes, 23 seconds. Published by Carl Fischer

By David Hinds. For string orchestra (violin I, violin II, violin III (viola T.C.), viola, cello, bass, piano). Score and parts. Duration 1 minute, 51 seconds. Published by Carl Fischer

String orchestra

SKU: VD.ED14023

Composed by Georg Philipp Telemann. Edited by Peter Albrecht. Das Schottener Kantatenarchiv Vol. 31. Classical. Set of parts. Verlag Dohr #ED14023. Published by Verlag Dohr (VD.ED14023).

ISBN 9790202030233. 12 x 9 inches.

By Loreta Fin. Orchestra. String Orchestra. Wilfin String Orchestra. Grade 2.5. Conductor Score and Parts. 128 pages. Published by Alfred Music Publishing

By Mannheim Steamroller. Arranged by Chip Davis and Robert Longfield. Score and Parts. Pop Specials for Strings. Grade 2

Sequential Repertoire for Solo Strings or String Ensemble (Viola). Composed by Winifred Crock, William Dick, and Laurie Scott. Book; CD; Method/Instruction; String Orchestra Method/Supplement; Suzuki. 48 pages. Published by Alfred Music

By Alan Lee Silva. For Violin I, Violin II, Violin III (Viola T.C), Viola, Cello, Bass, Piano. Carl Fischer Concert String Orchestra Series. Grade 3 and up. Score and part(s). Published by Carl Fischer

(A Suite of English Carols with Optional Narrator). By Andrew H. Dabczynski. Orchestra. For string w/ vln3, pno acc, Bells, optional Chimes, Wind Chimes, Triangle, Suspended Cymbal, Bass Drum or Low Hand Drum, Chains. Part(s); Score; String Orchestra. Highland String Explorer. Form: Suite. Christmas; Light Concert; Winter. Grade 2.5. 308 pages. Published by Alfred Music Publishing