Cleopatra Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1216342-140 The Last Queen...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1216342-140
The Last Queen of
Egypt. Composed by
Thierry Deleruyelle.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2021. 39 pages.
De Haske Publications
#DHP 1216342-140.
Published by De Haske
Publications
(BT.DHP-1216342-140).
English-German-French-
Dutch.
Queen
Cleopatra ruled Egypt for
over 20 years. She is one
of antiquity’s
best-known women, in
particular because of her
relationships with Julius
Caesar and, above all,
Mark-Anthony, but also
because the cause of her
death remainsa mystery.
The work is split into
three parts and performed
without breaks. The first
section begins with a
bright introduction
representing
Mark-Anthony. Dynamic in
nature and reminiscent of
military music, this
characterises theRoman
general. But soon after,
another theme emerges,
softer and more melodic,
symbolising
Cleopatra’s
femininity. The two
characters then combine
on a faster tempo. The
middle section of the
work depicts the love
thatMark-Anthony and
Cleopatra feel for each
other. This passionate
relationship lasted ten
years and produced three
children. This is
expressed by a warm and
intense theme, just like
the beauty of the
Egyptian queen. The third
andlast section opens in
a determined and military
mood. Mark-Anthony and
Cleopatra were often
apart, the Roman general
was often away on a
campaign. They met up in
Alexandria to celebrate
their triumph. But, as
the targets of
thejealousy and ambition
of Octavius, Julius
Caesar’s son, the
lovers are trapped and
await the inevitable
conquest of Egypt by the
Romans. When Mark-Anthony
heard the false news that
Cleopatra had committed
suicide, he ended his
ownlife. The Queen of
Egypt, for her part, was
imprisoned shortly
afterwards. The two
lovers remain one of
History’s most
famous couples. This
piece was commissioned by
the Wind Orchestra of the
town of Antony, near
Paris, directedby
Philippe Rossignol, to
mark its 90th
anniversary.
Konin
gin Cleopatra heerste
meer dan twintig jaar
lang over Egypte. Ze is
een van de bekendste
vrouwen uit de oudheid,
vanwege haar relatie met
Julius Caesar en vooral
die met Marcus Antonius,
maar ook omdat de oorzaak
van haardood altijd een
mysterie is gebleven. Dit
werk bestaat uit drie in
elkaar overlopende delen.
Het eerste deel begint
met de levendige
introductie van Marcus
Antonius. Met het
dynamische en enigszins
militaire karakter van de
muziekwordt de Romeinse
generaal krachtig
neergezet. Snel daarna
doemt een zachter en
melodieuzer thema op een
weerspiegeling van
Cleopatra’s
vrouwelijkheid. De twee
persoonlijkheden gaan
vervolgens samen verder
in een vlotter tempo.Het
middelste deel beschrijft
de liefde die Marcus
Antonius en Cleopatra
voor elkaar voelden. Hun
hartstochtelijke relatie
duurde tien jaar en
bracht drie kinderen
voort. Dit wordt
uitgedrukt in een warm en
intens thema waarintevens
de schoonheid van de
Egyptische koningin
doorschemert. Het derde
en laatste deel opent
vastberaden en in
militaire sfeer. Marcus
Antonius en Cleopatra
waren vaak bij elkaar
vandaan: de generaal was
geregeld weg om strijd
tevoeren. In
Alexandrië vierden ze
samen hun triomf, maar de
jaloezie en ambitie van
Octavius, de zoon van
Julius Caesar, gooide
roet in het eten. De
geliefden werden in de
val gelokt en de
onvermijdelijke
verovering van Egypte
doorde Romeinen volgde al
snel. Toen Marcus
Antonius het onjuiste
bericht kreeg dat
Cleopatra zelfmoord had
gepleegd, maakte hij een
eind aan zijn eigen
leven: de koningin van
Egypte werd op haar beurt
kort daarna
gevangengezet. Detwee
geliefden behoren tot de
beroemdste stellen uit de
wereldgeschiedenis.
Cleopatra werd in
opdracht geschreven om
het negentigjarig bestaan
van het blaasorkest uit
de gemeente Antony dicht
bij Parijs te markeren.
Dat orkestbracht het
onder leiding van
Philippe Rossignol in
première.
Kö
nigin Kleopatra regierte
über 20 Jahre lang
Ägypten. Sie ist eine
der bekanntesten Frauen
der Antike, insbesondere
aufgrund ihrer
Beziehungen zu Julius
Cäsar und vor allem zu
Marcus Antonius aber auch
aufgrund
ihrerrätselhaften
Todesursache. Das Werk
besteht aus drei
Abschnitten, die ohne
Unterbrechung gespielt
werden. Der erste
Abschnitt beginnt mit
einer strahlenden
Einleitung, die Marcus
Antonius darstellt. Die
martialische und
dynamischeMusik
beschreibt den
römischen Feldherrn.
Doch bald darauf erklingt
ein neues Thema, das
sanfter und melodischer
ist und Kleopatras
Weiblichkeit
symbolisiert. Die beiden
Charaktere verschmelzen
schließlich in einem
schnellerenTempo. Der
Mittelteil des Werkes
beschreibt die Liebe, die
Marcus Antonius und
Kleopatra füreinander
empfinden. Die
leidenschaftliche
Beziehung der beiden
dauerte zehn Jahre lang
und aus ihr gingen drei
Kinder hervor. Dafür
stehtein warmes und
intensives Thema, das
auch die Schönheit der
ägyptischen Königin
beschreibt. Der dritte
und letzte Abschnitt
beginnt mit einer
entschlossenen und
kriegerischen Stimmung.
Marcus Antonius und
Kleopatra waren
oftmalsgetrennt, wenn
sich der römische
Feldherr auf Feldzügen
befand. In Alexandria
trafen sie sich, um ihren
Sieg zu feiern. Doch sie
waren Opfer der
Eifersucht und der
ehrgeizigen Ambitionen
von Octavius, Julius
Cäsars Sohn, wurden
ineine Falle gelockt und
mussten auf die
bevorstehende Eroberung
Ägyptens durch die
Römer warten. Als
Marcus Antonius die
Nachricht vom
vermeintlichen Selbstmord
Kleopatras erhielt, nahm
er sich selbst das Leben.
Die Königin
vonÄgypten wurde
ihrerseits kurz darauf
inhaftiert. Die beiden
zählen zu den
berühmtesten
Liebespaaren der
Geschichte. Dieses
Stück wurde vom
Orchestre
d’Harmonie de la
Ville d’Antony aus
der Nähe von Paris,
das von PhilippeRossignol
geleitet wird,
anlässlich seines
90-jährigen
Jubiläums in Auftrag
gegeben.
Cleopatra Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1216342-010 The Last Queen...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1216342-010
The Last Queen of
Egypt. Composed by
Thierry Deleruyelle.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2021. De
Haske Publications #DHP
1216342-010. Published by
De Haske Publications
(BT.DHP-1216342-010).
English-German-French-
Dutch.
Queen
Cleopatra ruled Egypt for
over 20 years. She is one
of antiquity’s
best-known women, in
particular because of her
relationships with Julius
Caesar and, above all,
Mark-Anthony, but also
because the cause of her
death remainsa mystery.
The work is split into
three parts and performed
without breaks. The first
section begins with a
bright introduction
representing
Mark-Anthony. Dynamic in
nature and reminiscent of
military music, this
characterises theRoman
general. But soon after,
another theme emerges,
softer and more melodic,
symbolising
Cleopatra’s
femininity. The two
characters then combine
on a faster tempo. The
middle section of the
work depicts the love
thatMark-Anthony and
Cleopatra feel for each
other. This passionate
relationship lasted ten
years and produced three
children. This is
expressed by a warm and
intense theme, just like
the beauty of the
Egyptian queen. The third
andlast section opens in
a determined and military
mood. Mark-Anthony and
Cleopatra were often
apart, the Roman general
was often away on a
campaign. They met up in
Alexandria to celebrate
their triumph. But, as
the targets of
thejealousy and ambition
of Octavius, Julius
Caesar’s son, the
lovers are trapped and
await the inevitable
conquest of Egypt by the
Romans. When Mark-Anthony
heard the false news that
Cleopatra had committed
suicide, he ended his
ownlife. The Queen of
Egypt, for her part, was
imprisoned shortly
afterwards. The two
lovers remain one of
History’s most
famous couples. This
piece was commissioned by
the Wind Orchestra of the
town of Antony, near
Paris, directedby
Philippe Rossignol, to
mark its 90th
anniversary.
Konin
gin Cleopatra heerste
meer dan twintig jaar
lang over Egypte. Ze is
een van de bekendste
vrouwen uit de oudheid,
vanwege haar relatie met
Julius Caesar en vooral
die met Marcus Antonius,
maar ook omdat de oorzaak
van haardood altijd een
mysterie is gebleven. Dit
werk bestaat uit drie in
elkaar overlopende delen.
Het eerste deel begint
met de levendige
introductie van Marcus
Antonius. Met het
dynamische en enigszins
militaire karakter van de
muziekwordt de Romeinse
generaal krachtig
neergezet. Snel daarna
doemt een zachter en
melodieuzer thema op een
weerspiegeling van
Cleopatra’s
vrouwelijkheid. De twee
persoonlijkheden gaan
vervolgens samen verder
in een vlotter tempo.Het
middelste deel beschrijft
de liefde die Marcus
Antonius en Cleopatra
voor elkaar voelden. Hun
hartstochtelijke relatie
duurde tien jaar en
bracht drie kinderen
voort. Dit wordt
uitgedrukt in een warm en
intens thema waarintevens
de schoonheid van de
Egyptische koningin
doorschemert. Het derde
en laatste deel opent
vastberaden en in
militaire sfeer. Marcus
Antonius en Cleopatra
waren vaak bij elkaar
vandaan: de generaal was
geregeld weg om strijd
tevoeren. In
Alexandrië vierden ze
samen hun triomf, maar de
jaloezie en ambitie van
Octavius, de zoon van
Julius Caesar, gooide
roet in het eten. De
geliefden werden in de
val gelokt en de
onvermijdelijke
verovering van Egypte
doorde Romeinen volgde al
snel. Toen Marcus
Antonius het onjuiste
bericht kreeg dat
Cleopatra zelfmoord had
gepleegd, maakte hij een
eind aan zijn eigen
leven: de koningin van
Egypte werd op haar beurt
kort daarna
gevangengezet. Detwee
geliefden behoren tot de
beroemdste stellen uit de
wereldgeschiedenis.
Cleopatra werd in
opdracht geschreven om
het negentigjarig bestaan
van het blaasorkest uit
de gemeente Antony dicht
bij Parijs te markeren.
Dat orkestbracht het
onder leiding van
Philippe Rossignol in
première.
Kö
nigin Kleopatra regierte
über 20 Jahre lang
Ägypten. Sie ist eine
der bekanntesten Frauen
der Antike, insbesondere
aufgrund ihrer
Beziehungen zu Julius
Cäsar und vor allem zu
Marcus Antonius aber auch
aufgrund
ihrerrätselhaften
Todesursache. Das Werk
besteht aus drei
Abschnitten, die ohne
Unterbrechung gespielt
werden. Der erste
Abschnitt beginnt mit
einer strahlenden
Einleitung, die Marcus
Antonius darstellt. Die
martialische und
dynamischeMusik
beschreibt den
römischen Feldherrn.
Doch bald darauf erklingt
ein neues Thema, das
sanfter und melodischer
ist und Kleopatras
Weiblichkeit
symbolisiert. Die beiden
Charaktere verschmelzen
schließlich in einem
schnellerenTempo. Der
Mittelteil des Werkes
beschreibt die Liebe, die
Marcus Antonius und
Kleopatra füreinander
empfinden. Die
leidenschaftliche
Beziehung der beiden
dauerte zehn Jahre lang
und aus ihr gingen drei
Kinder hervor. Dafür
stehtein warmes und
intensives Thema, das
auch die Schönheit der
ägyptischen Königin
beschreibt. Der dritte
und letzte Abschnitt
beginnt mit einer
entschlossenen und
kriegerischen Stimmung.
Marcus Antonius und
Kleopatra waren
oftmalsgetrennt, wenn
sich der römische
Feldherr auf Feldzügen
befand. In Alexandria
trafen sie sich, um ihren
Sieg zu feiern. Doch sie
waren Opfer der
Eifersucht und der
ehrgeizigen Ambitionen
von Octavius, Julius
Cäsars Sohn, wurden
ineine Falle gelockt und
mussten auf die
bevorstehende Eroberung
Ägyptens durch die
Römer warten. Als
Marcus Antonius die
Nachricht vom
vermeintlichen Selbstmord
Kleopatras erhielt, nahm
er sich selbst das Leben.
Die Königin
vonÄgypten wurde
ihrerseits kurz darauf
inhaftiert. Die beiden
zählen zu den
berühmtesten
Liebespaaren der
Geschichte. Dieses
Stück wurde vom
Orchestre
d’Harmonie de la
Ville d’Antony aus
der Nähe von Paris,
das von PhilippeRossignol
geleitet wird,
anlässlich seines
90-jährigen
Jubiläums in Auftrag
gegeben.
Band Concert Band - Grade 2 SKU: CF.YPS200 Composed by Matthew R. Putnam....(+)
Band Concert Band - Grade
2
SKU: CF.YPS200
Composed by Matthew R.
Putnam. Young Band (YPS).
Set of Score and Parts.
With Standard notation.
8+2+4+2+2+5+2+2+4+4+6+3+3
+2+1+3+16+4+4+2+2 pages.
Duration 2:15. Carl
Fischer Music #YPS200.
Published by Carl Fischer
Music (CF.YPS200).
ISBN 9781491152201.
UPC: 680160909704. Key: D
minor.
Nordanvind Orchestre d'harmonie - Intermédiaire Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS71 Composed by Carl Strommen. Se...(+)
Band concert band - Grade
4.5
SKU: CF.SPS71
Composed by Carl
Strommen. Set of Score
and Parts. With Standard
notation.
2+16+4+8+8+8+4+4+2+4+4+4+
4+6+6+6+4+4+4+4+6+6+6+6+4
+8+3+2+12+2+4+28 pages.
Duration 6 minutes, 26
seconds. Carl Fischer
Music #SPS71. Published
by Carl Fischer Music
(CF.SPS71).
ISBN
9781491143544. UPC:
680160901043. Key: G
minor.
Nordanvind
is a tour de force
symphonic rhapsody that
is built on three
Scandinavian folk songs.
Composer Carl Strommen
has composed these
Viking-influenced
melodies into a concert
setting that brings out
all of the history of the
Scandinavian people. The
piece is at times bold
and aggressive, at other
times beautiful. Carl
employs all of the
instrumental colors of
the concert band to
create a new work for
more advanced
ensembles. Modern
Scandinavians are
descendants of the
Vikings, an adventuresome
people who were known for
their love of the sea,
their naval prowess, and
as fierce fighters . The
Scandinavian Vikings were
warriors from Denmark,
Norway, and Sweden who
traded, raided and
settled in various parts
of Europe, Russia, the
North Atlantic islands,
and the northeastern
coast of North America
.Starting around 1850,
over one million Swedes
left their homeland for
the United States in
search of religious
freedom and open farm
land . Augustana College
was founded in 1860 by
graduates of Swedish
universities and is
located on the
Mississippi River in Rock
Island, Illinois . Home
of the
“Vikings,â€
Augustana College is the
oldest Swedish- American
institution of higher
learning in the United
States . This powerful
and lively piece takes
inspiration from Swedish
history and from Swedish
folk songs and hymns
.Havsdrake (Dragon of the
Sea)The Nordanvind or
“North Windâ€
blows a cold wind during
a journey of a group of
courageous Viking rowers
. The
“Dragon-shipâ€
or long ships designed
for raiding and war was a
sophisticated, fast ship
able to navigate in very
shallow water . To
musically portray these
magnificent seafaring
vessels, the director is
encouraged to use an
Ocean Drum (or a rain
stick) during the
introduction . Wind
players may consider
blowing air through their
instruments to suggest
the North wind . Adding
men’s voices to
accompany the haunting
low brass and percussive
“rowerâ€
sounds can be helpful in
creating the dark and
ominous portrayal of
Viking adventurers
.Slangpolska efter Byss -
KalleIn Sweden, a
“polska†is a
partner dance where the
dancers spin each other
(släng in Swedish
“to sling or
tossâ€) .
Slangpolska efter Byss -
Kalle is attributed to
Byss-Kalle, who was a
notable Swedish folk
musician, specifically a
nyckelharpa player .
Slangpolska efter Byss -
Kalle is a traditional
“polskaâ€
dance song most often
played on the Nyckelharpa
or keyed fiddle and is
commonly heard in pubs
and at festive events
throughout Sweden .
Approximately 10,000
nyckelharpa players live
in Sweden today, and the
Swedish and the American
Nyckelharpa Associations
are dedicated to this
Swedish National
instrument . The director
is encouraged to share
video and audio examples
of the nyckelharpa
playing the original
Slangpolska efter Byss -
Kalle .Tryggare Kan Ingen
Vara (Children of the
Heavenly Father)Tryggare
Kan Ingen Vara Is a
traditional Swedish
melody, possibly of
German roots, and was
believed to be arranged
as a hymn by the Swedish
hymn writer, Karolina
Wilhelmina Sandell-Berg
(1832–1903) . As a
daughter of a Swedish
Lutheran minister, she
began writing poems as a
teenager and is said to
have written over 1,700
different texts . There
are two different
accounts as to the
inspiration for this hymn
. The first story is that
Lina (as she was called)
wrote the hymn to honor
her father and to say
thank you to him for
raising her and
protecting her . A second
belief is of her
witnessing the tragic
death of her father . She
and her father were on a
boat, when a wave threw
her father overboard . It
was said that the
profound effect of
watching her father drown
is what caused Lina to
write the text to this
hymn . Although this is a
treasured song to people
of Swedish descent
everywhere, it speaks to
all people about a father
tending and nourishing
his children, and
protecting them from evil
.SPS71FThe Augustana
College Concert
BandFounded in 1874, the
Augustana Band program is
one of the oldest
continuously active
collegiate band programs
in the country . The
Concert Band is one of
two bands on campus and
was formed more than
thirty years ago . The
Concert Band attracts
students of every skill
level and from a wide
variety of majors .
Students in the ensemble
play a large part in
choosing their music for
performance, which
include works from the
standard repertoire,
orchestral
transcriptions, and the
latest compositions from
leading composers .Rick
Jaeschke began his
musical career as a
clarinet player in the
1st US Army Band . He
received a Bachelor of
Music degree from
Susquehanna University, a
Masters of Music from
James Madison University,
and a doctorate from
Columbia University in
New York . He was also
fortunate to study
conducting with Donald
Hunsburger and with
Frederick Fennell .Dr .
Jaeschke taught band and
choir at Great Mills High
School in Southern
Maryland, and for fifteen
years, he was the
district Music Supervisor
in Armonk, New York,
where he taught high
school concert and jazz
bands, beginning band,
and music technology .
During that time, the
music program flourished,
and the high school band
consistently received
Gold Medals in the New
York State Festivals, as
well as in national, and
international festivals .
As a clarinet and
saxophone player, Dr .
Jaeschke performed in the
New York metropolitan
area with the Rockland
Symphony Orchestra, the
Putnam Symphony
Orchestra, Fine Arts
Symphony Orchestra, and
served as the concert
master for the Hudson
Valley Wind Symphony .For
several years, Dr .
Jaeschke served as the
Fine Arts Coordinator for
the District 204 schools
in Naperville, IL, a
district selected as One
of the Best 100 Schools
in America for Music .
Currently, Dr . Jaeschke
is an Associate Professor
at Augustana College
where he teaches music
and music education
courses, and directs the
Concert Band . He has
served on various
educational boards, is a
National edTPA scorer,
and has presented at
state, national and
international music
conferences . He lives
with his family in
Bettendorf Iowa, and
enjoys any opportunity to
explore the open water in
his sea kayak .
Band Concert Band - Grade 2 SKU: CF.YPS200F Composed by Matthew R. Putnam...(+)
Band Concert Band - Grade
2
SKU: CF.YPS200F
Composed by Matthew R.
Putnam. Young Band (YPS).
Full score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS200F.
Published by Carl Fischer
Music (CF.YPS200F).
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 9:00. Published
by Manhattan Beach Music.
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Grade
3. Conductor Full Score.
Duration 9:00
Scottish Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000956-010 Composed by Pete...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000956-010
Composed by Peter Martin.
Arranged by Menno
Haantjes. Set (Score &
Parts). 164 pages.
Gobelin Music
Publications #GOB
000956-010. Published by
Gobelin Music
Publications
(BT.GOB-000956-010).
Scottish Dances
is based on three
Scottish traditionals:
Cock of the North, The
Bonnie Bank's O'Loch
Lomond and Marie's
Wedding.
I. Cock
of the North's name is
used for multiple things
or events. For example
for a locomotive to a
famous, it seems,
delicious liqueur, and
rallies to snowboard
competitions. Furthermore
is Cock O' the North a
nickname of a famous
Duke. (The 4th Duke of
Gordon). In this
composition Cock of the
North (a Jig) is a
traditional Scottish
bagpipe tune, regularly
played on tattoos by Pipe
Bands. Not infrequently
the drummers sing the
text.
Auntie
Mary, had a canary,
Up the leg of her
trousers While she
was sleeping Iwas
peeping Up the leg of
her trousers.
II.
The Bonnie Bank's O'Loch
Lomond is about a sad
story that took place
during an revolt against
the British. In 1745
Bonnie Prince Charlie had
to retreat. Two of his
men were captured. One
was convicted and
executed, while the other
was released. The spirit
of the executed soldier
would arrive in Scotland
via the 'low road'
(underworld) before his
companion, who had still
a long way to go.
You'll take the
high road And I'll
take the low road And
I'll be in Scotland afore
ye But me and my true
love will never meet
again On the Bonnie
Bonnie Banks of Loch
Lomond
III. In a
Scottish wedding, after
the official ceremonies,
there is often danced.
This is called a ceilidh.
For this we use
traditional Scottish
music such as Marie's
Wedding '. Mid dance
we go back to the church,
where a lovely song in
honor of the couple
sounds. Marie's
Wedding has been recorded
by Van Morrison (among
many others).
Step we gaely, on we go,
heel for heel and toe for
toe Arm and arm and
on we go, all for Marie's
wedding
Scottish
Dances is gebaseerd op
drie Schotse
traditionals: Cock of the
North, The Bonnie Bank's
O'Loch Lomond en Marie's
Wedding.
I. De
naam Cock of the North
wordt voor meerdere
dingen of evenementen
gebruikt. Van een
beroemdelocomotief tot
een, naar het schijnt,
een heerlijke likeur, en
van rally's tot snowboard
wedstrijden. Bovendien
was 'Cock O' the North'
een bijnaam van een
bekende hertog. (the 4th
Duke of Gordon) Het
in deze
compositiegebruikte Cock
of the North (een Jig) is
een traditioneel Schotse
bagpipe tune (doedelzak
liedje) wat regelmatig
gespeeld wordt op taptoes
door Pipebands. Niet
zelden zingen de
slagwerkers de tekst
mee.
Auntie Mary,
had acanary, Up the
leg of her trousers
While she was sleeping I
was peeping Up the
leg of her
trousers.
II.
'The Bonnie Bank's O'Loch
Lomond', gaat over een
triest verhaal dat zich
afspeelde tijdens een
opstand tegende Engelsen.
In 1745 moest Bonnie
Prince Charlie zich
terugtrekken. Twee van
zijn mannen werden
gevangen genomen. Eén
van hen werd veroordeeld
en geexecuteerd, terwijl
de ander vrijgelaten
werd. De geest van de
geexecuteerde soldaatzou
via de 'low road'
(onderwereld) eerder in
Schotland aankomen dan
zijn kameraad, die nog
een lange ruige weg te
gaan had.
You'll
take the high road
And I'll take the low
road And I'll be in
Scotland aforeye But
me and my true love will
never meet again On
the Bonnie Bonnie Banks
of Loch Lomond
III. Bij een Schotse
bruiloft wordt na de
officiele plechtigheden
vaak gedanst. Dit noemt
men een ceilidh. Hiervoor
gebruiktmen traditionele
Schotse muziek zoals
bijv. 'Marie's
Wedding'. Halverwege
de dans gaan we nog even
terug naar de kerk, waar
een lieflijk lied ter ere
van het bruidspaar
klinkt. Marie's
Wedding is o.a. door Van
Morrison opgenomen.
Scottish Dances Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000956-140 Composed by Pete...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000956-140
Composed by Peter Martin.
Arranged by Menno
Haantjes. Score Only.
Gobelin Music
Publications #GOB
000956-140. Published by
Gobelin Music
Publications
(BT.GOB-000956-140).
Scottish Dances
is based on three
Scottish traditionals:
Cock of the North, The
Bonnie Bank's O'Loch
Lomond and Marie's
Wedding.
I. Cock
of the North's name is
used for multiple things
or events. For example
for a locomotive to a
famous, it seems,
delicious liqueur, and
rallies to snowboard
competitions. Furthermore
is Cock O' the North a
nickname of a famous
Duke. (The 4th Duke of
Gordon). In this
composition Cock of the
North (a Jig) is a
traditional Scottish
bagpipe tune, regularly
played on tattoos by Pipe
Bands. Not infrequently
the drummers sing the
text.
Auntie
Mary, had a canary,
Up the leg of her
trousers While she
was sleeping Iwas
peeping Up the leg of
her trousers.
II.
The Bonnie Bank's O'Loch
Lomond is about a sad
story that took place
during an revolt against
the British. In 1745
Bonnie Prince Charlie had
to retreat. Two of his
men were captured. One
was convicted and
executed, while the other
was released. The spirit
of the executed soldier
would arrive in Scotland
via the 'low road'
(underworld) before his
companion, who had still
a long way to go.
You'll take the
high road And I'll
take the low road And
I'll be in Scotland afore
ye But me and my true
love will never meet
again On the Bonnie
Bonnie Banks of Loch
Lomond
III. In a
Scottish wedding, after
the official ceremonies,
there is often danced.
This is called a ceilidh.
For this we use
traditional Scottish
music such as Marie's
Wedding '. Mid dance
we go back to the church,
where a lovely song in
honor of the couple
sounds. Marie's
Wedding has been recorded
by Van Morrison (among
many others).
Step we gaely, on we go,
heel for heel and toe for
toe Arm and arm and
on we go, all for Marie's
wedding
Scottish
Dances is gebaseerd op
drie Schotse
traditionals: Cock of the
North, The Bonnie Bank's
O'Loch Lomond en Marie's
Wedding.
I. De
naam Cock of the North
wordt voor meerdere
dingen of evenementen
gebruikt. Van een
beroemdelocomotief tot
een, naar het schijnt,
een heerlijke likeur, en
van rally's tot snowboard
wedstrijden. Bovendien
was 'Cock O' the North'
een bijnaam van een
bekende hertog. (the 4th
Duke of Gordon) Het
in deze
compositiegebruikte Cock
of the North (een Jig) is
een traditioneel Schotse
bagpipe tune (doedelzak
liedje) wat regelmatig
gespeeld wordt op taptoes
door Pipebands. Niet
zelden zingen de
slagwerkers de tekst
mee.
Auntie Mary,
had acanary, Up the
leg of her trousers
While she was sleeping I
was peeping Up the
leg of her
trousers.
You'll
take the high road
And I'll take the low
road And I'll be in
Scotland aforeye But
me and my true love will
never meet again On
the Bonnie Bonnie Banks
of Loch Lomond
III. Bij een Schotse
bruiloft wordt na de
officiele plechtigheden
vaak gedanst. Dit noemt
men een ceilidh. Hiervoor
gebruiktmen traditionele
Schotse muziek zoals
bijv. 'Marie's
Wedding'. Halverwege
de dans gaan we nog even
terug naar de kerk, waar
een lieflijk lied ter ere
van het bruidspaar
klinkt. Marie's
Wedding is o.a. door Van
Morrison opgenomen.
Composed by Larry Clark.
Young Band (YPS). Set of
Score and Parts. With
Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+2+2+4+10+20+4
pages. Duration 3
minutes, 39 seconds. Carl
Fischer Music #YPS212.
Published by Carl Fischer
Music (CF.YPS212).
ISBN 9781491152317.
UPC: 680160909810. Key: C
minor.
Taking its
title from a poem about
grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017.
Concert Band; Orchestra
2.2+EH.2+BCl.2: 2.0.0.0:
Timp: Harp: Str:
(4-4-3-3-3 in set): Solo
Tenor
SKU:
AP.36-A915502
Arranged by Giacomo
Puccini, Heinz Reichert,
adapted from a German
libretto by Alfred M.
Willner, ed./arr. by
Michael Kaye/ Italian
libretto by Giuseppe
Adami, and translated.
Light Opera, Orchestra
Accompaniment, Conductor
Score & Parts. Kalmus
Opera Library. Score and
Part(s). LudwigMasters
Publications #36-A915502.
Published by
LudwigMasters
Publications
(AP.36-A915502).
UPC:
659359800351.
English.
The
three-act operetta LA
RONDINE (The Swallow) by
Giacomo Puccini
(1858-1924) was first
completed in 1916 and
premiered at the Grand
Théâtre de Monte Carlo
on March 27, 1917. It
tells the story of Magda,
a Parisian courtesan, who
is torn between more
transactional love she
has chosen and the
romantic love of a wife
with the young man
Ruggero, whom she meets
at a small house party of
her protector Rambaldo,
then again at a Paris
nightspot. After leaving
to live with Ruggero for
some time, she flees back
to Rambaldo when Ruggero
proposes marriage,
declaring that she cannot
keep her past a secret
and she will not allow
her previous life to
bring grief to both
Ruggero and his parents.
Never satisfied, Puccini
revised the operetta in
both 1920 and 1921,
altering the ending each
time, and he passed
before he settled on the
definitive version. The
beautiful tenor aria
PARIGI! È LA CITTÀ DEI
DESIDERI (Paris! It is
the city of desire) was
not included in the
original libretto and
added by Puccini to give
Ruggero, the romantic
lead, something to do in
the first act. While it
does not move the plot
forward, the aria does
quickly endear listeners
to the Ruggero character.
The aria was later cut
from the opera and is not
usually heard in staged
versions, although the
music was used again with
different text in
Puccini's 1917 song
MORIRE?, S. 89. This
edition of the aria by
Michael Kaye is from the
second version (1920) of
the opera.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2.2+EH.2+BCl.2: 2.0.0.0:
Timp: Harp: Str:
(4-4-3-3-3 in set): Solo
Tenor
SKU:
AP.36-A915501
Arranged by Giacomo
Puccini, Heinz Reichert,
adapted from a German
libretto by Alfred M.
Willner, ed./arr. by
Michael Kaye/ Italian
libretto by Giuseppe
Adami, and translated.
Light Opera, Orchestra
Accompaniment, Conductor
Score. Kalmus Opera
Library. Score.
LudwigMasters
Publications #36-A915501.
Published by
LudwigMasters
Publications
(AP.36-A915501).
ISBN
9798892703277. UPC:
659359566639.
English.
The
three-act operetta LA
RONDINE (The Swallow) by
Giacomo Puccini
(1858-1924) was first
completed in 1916 and
premiered at the Grand
Théâtre de Monte Carlo
on March 27, 1917. It
tells the story of Magda,
a Parisian courtesan, who
is torn between more
transactional love she
has chosen and the
romantic love of a wife
with the young man
Ruggero, whom she meets
at a small house party of
her protector Rambaldo,
then again at a Paris
nightspot. After leaving
to live with Ruggero for
some time, she flees back
to Rambaldo when Ruggero
proposes marriage,
declaring that she cannot
keep her past a secret
and she will not allow
her previous life to
bring grief to both
Ruggero and his parents.
Never satisfied, Puccini
revised the operetta in
both 1920 and 1921,
altering the ending each
time, and he passed
before he settled on the
definitive version. The
beautiful tenor aria
PARIGI! È LA CITTÀ DEI
DESIDERI (Paris! It is
the city of desire) was
not included in the
original libretto and
added by Puccini to give
Ruggero, the romantic
lead, something to do in
the first act. While it
does not move the plot
forward, the aria does
quickly endear listeners
to the Ruggero character.
The aria was later cut
from the opera and is not
usually heard in staged
versions, although the
music was used again with
different text in
Puccini's 1917 song
MORIRE?, S. 89. This
edition of the aria by
Michael Kaye is from the
second version (1920) of
the opera.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by
Michael J. Miller. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+2+4+5+4+4+4+8+12+6+
6+1+1+10+16+4+4+4+2
pages. Duration 3
minutes, 9 seconds. Carl
Fischer Music #YPS205.
Published by Carl Fischer
Music (CF.YPS205).
ISBN 9781491152256.
UPC: 680160909759. Key: F
major.
Cornish
Coastal Walk is a
beautiful new composition
depicting the majestic
cliffs and coastline of
the Cornwall region in
England. Composer Michael
Miller provides young
bands with an opportunity
to stretch their musical
muscles with this lush
and tuneful piece in 3/4
time. Directors will find
in this piece a strong
vehicle to teach
phrasing, beauty of tone,
and musicianship to young
bands. In the far
southwest of England
reaching out towards the
Celtic Sea is the county
Cornwall. A peninsula,
Cornwall is surrounded by
some of the
world’s most
picturesque scenery
including beaches,
cliffs, and rolling
hills. Separated from the
rest of England by the
river Tamar, the Cornish
take great pride in their
culture including the
pasty (a stuffed pastry
and preferred lunch of
miners), Cornish cream
tea (not to be confused
with rival Devon cream
tea where the cream goes
under the jam), and well
known national heritage
sights such as Rough Tor
(Cornwall’s
highest point), and
Tintagel Castle (rumored
birth place of King
Arthur).In the spring and
summer of 2017, I had the
pleasure to visit
Cornwall, while my wife
was a visiting scholar at
the University of Exeter
in the neighboring county
of Devon. One July
afternoon, while she was
making field observations
(she’s a Cultural
Anthropologist), I
decided to take a stroll
along the cliffs as was
recommended by a friend.
I set out from Boscastle,
a small inlet village
where one can enjoy the
most delicious black
currant ice cream, and I
trekked up and down the
cliffs for three or four
miles before finally
arriving in Tintagel. I
had planned to continue
on to Trebarwith Strand,
home of the fantastic
Port William tavern, but
greatly underestimated
the difficulty of the
terrain.Along my walk I
witnessed some of the
most breathtaking views I
have ever seen. The coast
of this particular region
of Cornwall is both
majestic and peaceful. It
is frighteningly
powerful, but also loving
and kind. It is the type
of place where people
have for years looked out
over the sea longing for
their loved ones to
return. I hope this music
brings you the same inner
peace I found on my hike
that day.This piece is
dedicated to Neil and his
sidekick Derek, without
whom I might have been
just another tourist.
Composed
by Michael J. Miller.
Young Band (YPS). Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS205F.
Published by Carl Fischer
Music (CF.YPS205F).
ISBN 9781491152935.
UPC:
680160910434.
Corni
sh Coastal Walk is a
beautiful new composition
depicting the majestic
cliffs and coastline of
the Cornwall region in
England. Composer Michael
Miller provides young
bands with an opportunity
to stretch their musical
muscles with this lush
and tuneful piece in 3/4
time. Directors will find
in this piece a strong
vehicle to teach
phrasing, beauty of tone,
and musicianship to young
bands. In the far
southwest of England
reaching out towards the
Celtic Sea is the county
Cornwall. A peninsula,
Cornwall is surrounded by
some of the
world’s most
picturesque scenery
including beaches,
cliffs, and rolling
hills. Separated from the
rest of England by the
river Tamar, the Cornish
take great pride in their
culture including the
pasty (a stuffed pastry
and preferred lunch of
miners), Cornish cream
tea (not to be confused
with rival Devon cream
tea where the cream goes
under the jam), and well
known national heritage
sights such as Rough Tor
(Cornwall’s
highest point), and
Tintagel Castle (rumored
birth place of King
Arthur).In the spring and
summer of 2017, I had the
pleasure to visit
Cornwall, while my wife
was a visiting scholar at
the University of Exeter
in the neighboring county
of Devon. One July
afternoon, while she was
making field observations
(she’s a Cultural
Anthropologist), I
decided to take a stroll
along the cliffs as was
recommended by a friend.
I set out from Boscastle,
a small inlet village
where one can enjoy the
most delicious black
currant ice cream, and I
trekked up and down the
cliffs for three or four
miles before finally
arriving in Tintagel. I
had planned to continue
on to Trebarwith Strand,
home of the fantastic
Port William tavern, but
greatly underestimated
the difficulty of the
terrain.Along my walk I
witnessed some of the
most breathtaking views I
have ever seen. The coast
of this particular region
of Cornwall is both
majestic and peaceful. It
is frighteningly
powerful, but also loving
and kind. It is the type
of place where people
have for years looked out
over the sea longing for
their loved ones to
return. I hope this music
brings you the same inner
peace I found on my hike
that day.This piece is
dedicated to Neil and his
sidekick Derek, without
whom I might have been
just another tourist.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 20 pages. Carl
Fischer Music #YPS212F.
Published by Carl Fischer
Music (CF.YPS212F).
ISBN 9781491152997.
UPC:
680160910496.
Takin
g its title from a poem
about grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017.
Band concert band - Grade 4.5 SKU: CF.SPS75 Composed by Brant Karrick. SW...(+)
Band concert band - Grade
4.5
SKU: CF.SPS75
Composed by Brant
Karrick. SWS FS. Carl
Fischer Symphonic
Performance Series. Set
of Score and Parts. With
Standard notation.
3+12+12+6+12+12+12+6+6+6+
6+6+6+9+9+9+6+6+9+9+9+9+6
+12+6+9+3+9+9+40 pages.
Duration 6 minutes, 44
seconds. Carl Fischer
Music #SPS75. Published
by Carl Fischer Music
(CF.SPS75).
ISBN
9781491147702. UPC:
680160905201. 9 x 12
inches. Key: F
major.
When Hearts
Tremble is an emotion
packed piece dedicated to
musician friends lost all
to soon. This beautiful
composition by Brant
Karrick reflects on the
fragility of human
existence, joyous
memories of loved ones
and their effect on
everyone around them, and
maintaining hope for what
the future will hold when
all feels lost. This tour
de force piece perfectly
displays Karrick's
polished compositional
craft with impeccable
scoring, beautiful
melodic writing, and
exceptional
orchestrational
color. While the
day-to-day grind of our
lives can be filled with
overwhelming obligations,
goals and commitments, it
is sometimes very easy to
forget just how precious
and fragile life is . It
is so easy to get caught
up in our own personal
feelings and worries that
we sometimes don’t
realize and appreciate
the many blessings we
have, especially
friendships . On
Wednesday, November 18,
2015 the Jefferson High
School Band in Jefferson,
Georgia lost two of its
members to a fatal car
accident . The victims
were brothers . Music was
a constant part of their
lives, and the boys were
talented percussionists
in the marching band . To
help with the grieving
process the school and
community commissioned
this piece to celebrate
the lives of William and
Alex Trimble .As a
father, I cannot imagine
losing a child, let alone
two, and beginning this
piece was very difficult
as I felt extreme
anguish, especially for
the parents . But it was
decided the piece should
primarily reflect the
enthusiasm, youthful
spirits and positive
influence these two young
men demonstrated as they
were deeply loved by
their band mates,
community and family .
There are four main
themes, each representing
the feelings and emotions
that are certain to occur
after a loss of loved
ones . The first theme is
a short, introductory
fanfare, strong and bold,
to stand for courage . A
second dance-like melody
features a liltingly
mixed meter to portray a
youthful and carefree
innocence . This soon
changes into a third more
song-like, and stately
theme intended to provide
encouragement as we move
forward through life .The
middle of the piece
includes a soft
transition as two snare
drummers give voice to
the boys, allowing them
to thank their friends
and assuring them that it
will be okay . This moves
directly into a slow
melody introduced by the
saxophones (Alex, the
younger brother was also
a saxophonist) and is a
time for reflection and
allows for feelings of
sadness at losing beloved
friends . However, a
second statement of the
same theme, now at full
volume with a strong
percussion cadence,
intends to lift the
spirits and allows all
friends to unite in
joyous celebration of
life . Both the
enthusiastic dance theme
and stately lyrical theme
return, now in different
keys, and work their way
toward the highly
energetic burst of
glorious sound in the
short and wild coda .
When Hearts Tremble was
written to celebrate the
joys of youth and life,
and should remind us that
our friends and loved
ones are precious, and we
should live each day to
bring more joy into the
world and into the lives
of others .
Blue Shades Orchestre d'harmonie [Conducteur] Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Conductor Full Score.
Duration 10:00. Published
by Manhattan Beach Music.
Level: Grade 5.
Blue Shades Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Level: Grade 5. Conductor
score and set of parts.
Duration 10:00. Published
by Manhattan Beach Music.
A Shaker Gift Song Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for middle
school and high school
bands. Grade 2. Conductor
score and set of parts.
Duration 2:15. Published
by Manhattan Beach Music
Concert
Band, Grade 4 8:30
Score. Composed by
Otto M. Schwarz.
Symphonic Dimensions.
Concert, Concert Band.
Softcover. Duration 510
seconds. Hal Leonard
#SDP165-22-01. Published
by Hal Leonard
(HL.4008944).
UPC:
196288281719.
What
are the true qualities of
a person? Outward beauty
or inner values? Or
perhaps a balance of the
two? This question has
probably been posed by
everyone at some time or
another, and the answer
is as challenging as it
is subjective. This is
also the theme of this
work. The poet and
soldier Cyrano de
Bergerac is known for his
big nose and his great
intellect. The 17th
century novelist harbours
feelings for the
beautiful Roxane but is
sure that this love will
never be reciprocated.
Roxane herself falls in
love with the cadet
Christian de Neuvillette,
who is certainly handsome
but could be described as
stupid. Cyrano de
Bergerac writes love
poems on behalf of
Christian to win
Roxanes heart. And then
there is the Count
Guiche, who is married
but also wants to make
her is mistress.
Christian and Roxane
eventually marry and the
furious Count Guiche
sends Christian and
Cyrano, who serve
together in the Captains
of Gascony regiment, to
the front and, some
months later, on a
suicide mission. Shortly
before the battle, Roxane
confesses to her husband
that she no longer loves
him so much for his
beauty as for his inner
values. Christian is
dismayed and begs Cyrano
to tell Roxane the truth,
but he cant bring
himself to do so.
Christian de Neuvillette
dies in battle and Cyrano
de Bergerac remains
silent about the true
provenance of the
letters. Only much later
does the truth come to
light: scarred by the
war, Cyrano visits Roxane
in the convent where she
has been living since
Christians death and
confesses his love for
her. He ultimately dies
in Roxanes arms.
Concert
Band, Grade 4 8:30 Score
and Parts. Composed
by Otto M. Schwarz.
Symphonic Dimensions.
Concert, Concert Band.
Softcover. Duration 510
seconds. Hal Leonard
#SDP165-22-02. Published
by Hal Leonard
(HL.4008943).
UPC:
196288281702.
What
are the true qualities of
a person? Outward beauty
or inner values? Or
perhaps a balance of the
two? This question has
probably been posed by
everyone at some time or
another, and the answer
is as challenging as it
is subjective. This is
also the theme of this
work. The poet and
soldier Cyrano de
Bergerac is known for his
big nose and his great
intellect. The 17th
century novelist harbours
feelings for the
beautiful Roxane but is
sure that this love will
never be reciprocated.
Roxane herself falls in
love with the cadet
Christian de Neuvillette,
who is certainly handsome
but could be described as
stupid. Cyrano de
Bergerac writes love
poems on behalf of
Christian to win
Roxanes heart. And then
there is the Count
Guiche, who is married
but also wants to make
her is mistress.
Christian and Roxane
eventually marry and the
furious Count Guiche
sends Christian and
Cyrano, who serve
together in the Captains
of Gascony regiment, to
the front and, some
months later, on a
suicide mission. Shortly
before the battle, Roxane
confesses to her husband
that she no longer loves
him so much for his
beauty as for his inner
values. Christian is
dismayed and begs Cyrano
to tell Roxane the truth,
but he cant bring
himself to do so.
Christian de Neuvillette
dies in battle and Cyrano
de Bergerac remains
silent about the true
provenance of the
letters. Only much later
does the truth come to
light: scarred by the
war, Cyrano visits Roxane
in the convent where she
has been living since
Christians death and
confesses his love for
her. He ultimately dies
in Roxanes arms.
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1071 Tsagaglalal. C...(+)
Concert Band Concert Band
- Grade 2.5
SKU:
FJ.B1071
Tsagaglalal.
Composed by Douglas D.
Nott. Arranged by Douglas
D. Nott. Concert Band.
FJH Young Band.
Multicultural; Patriotic.
Score and Part(s).
Duration 3:15. The FJH
Music Company Inc
#98-B1071. Published by
The FJH Music Company Inc
(FJ.B1071).
UPC:
674398207848.
English.
Based on
authentic musical
material from Washington
state's Yakima Indian
Nation, the composer has
woven this lovely melody
through a series of dark,
rich textures
complemented by full
percussion. Sure to
please both students and
audiences alike.
(3:15).
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
Concert Band - Grade 4 SKU: ML.013766100 The Life of Entgen Luijten(+)
Concert Band - Grade 4
SKU: ML.013766100
The Life of Entgen
Luijten. Composed by
Suzanne Welters. Full
set. Molenaar Edition
#013766100. Published by
Molenaar Edition
(ML.013766100).
Limbricht, near
Sittard, in the late 17th
century. Throughout her
life, Entgen Luijten is
used to going her own
way, in family matters,
in business and in love.
She is supported in this
by a great knowledge of
nature, which she also
regularly uses to help
her fellow villagers. But
then, because of some
unfortunate incidents,
she is accused of
witchcraft. The lord of
the castle is eager for a
confession, for which he
uses every means made
available to him by the
Inquisition. But what if
Entgen holds out against
all
odds?
Limbricht,
nabij Sittard, eind
zeventiende eeuw. Haar
leven lang is Entgen
Luijten gewend haar eigen
weg te gaan, in
familiekwesties, in zaken
en in de liefde. Ze wordt
daarin gesteund door een
grote kennis van de
natuur, die ze ook
regelmatig aanwendt om
haar dorpsgenoten te
helpen. Maar dan wordt ze
vanwege een paar
ongelukkige voorvallen
beschuldigd van hekserij.
De kasteelheer is gebrand
op een bekentenis,
waarvoor hij gebruikmaakt
van alle middelen die de
inquisitie hem ter
beschikking stelt. Maar
wat als Entgen tegen alle
verwachtingen in
standhoudt?
Limbri
cht, près de Sittard, à
la fin du XVIIe siècle.
Tout au long de sa vie,
Entgen Luijten a
l'habitude de suivre sa
propre voie, que ce soit
dans les affaires
familiales,
professionnelles ou
amoureuses. Elle s'appuie
pour cela sur une grande
connaissance de la
nature, qu'elle met
d'ailleurs
régulièrement au
service de ses
concitoyens. Mais à la
suite d'incidents
malheureux, elle est
accusée de sorcellerie.
Le seigneur du château
est avide d'aveux et
utilise pour cela tous
les moyens mis à sa
disposition par
l'Inquisition. Mais que
se passera-t-il si Entgen
résiste contre vents et
marées
?
Limbricht, in
der Nähe von Sittard, im
späten 17. Jahrhundert.
Entgen Luijten ist es
gewohnt, ihr Leben lang
ihren eigenen Weg zu
gehen, in
Familienangelegenheiten,
im Geschäft und in der
Liebe. Unterstützt wird
sie dabei durch ein
großes Wissen über die
Natur, das sie auch
regelmäßig einsetzt, um
ihren Mitbürgern zu
helfen. Doch dann wird
sie aufgrund einiger
unglücklicher Vorfälle
der Hexerei bezichtigt.
Der Schlossherr will ein
Geständnis und setzt
dafür alle Mittel ein,
die ihm die Inquisition
zur Verfügung stellt.
Aber was, wenn Entgen
allen Widrigkeiten zum
Trotz durchhält?
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-377-010 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-377-010
Composed by Philip
Sparke. Debut Series
(Anglo). Concert Piece.
Set (Score and Parts).
Composed 2013. Anglo
Music Press #AMP 377-010.
Published by Anglo Music
Press (BT.AMP-377-010).
9x12 inches.
English-German-French-Dut
ch.
England enjoys
a rich folk song
tradition. Composers such
as Cecil Sharp and
Vaughan Williams
rekindled an interest in
this heritage at the
beginning of the 20th
century by arranging
numerous songs, some of
which were transcribed
for the _x001F_first
time. Philip Sparke
selected three songs from
the 18th and 19 century
for his Three Folk
Song Miniatures: the
_x001F_shermanâ??s song
Dance to Your
Daddy, the love song
O Waly, Waly and
Bobby Shafto, a
song from the northwest
of
England.
Engeland
heeft een rijke traditie
op het gebied van
volksmuziek die door de
jaren heen een beetje in
de vergetelheid raakte.
Componisten als Cecil
Sharp en Vaughan Williams
brachten hierin
verandering door voor het
eerst talloze liederen
bundelen en soms zelfs
voor het eerst tenoteren
in modern notenschrift.
Philip Sparke koos voor
dit werk drie liederen
uit de 18e en 19e eeuw:
het visserslied Dance
to Your Daddy, het
liefdeslied O Waly,
Waly en Bobby
Shafto, een lied uit
het Noord-Westen van
Engeland.
England
kann auf eine lange
Volkslied-Tradition
zuru?ckblicken.
Komponisten wie Cecil
Sharp und Vaughan
Williams weckten Anfang
des 20. Jahrhunderts
erneut das Interesse an
diesem Erbe, indem sie
zahlreiche Lieder
sammelten und teilweise
erstmals notierten.
Philip Sparke wählte
fu?r seine drei
Volkslied-Miniaturenâ??
drei Lieder aus dem 18.
und 19. Jahrhundert: das
Fischerlied Dance to
Your Daddy, das
Liebeslied O Waly,
Waly und Bobby
Shafto, ein Lied aus
dem Nordwesten
Englands.
L
??Inghilterra è una
nazione ricca di canti
popolari. Allâ??inizio
del XX secolo,
compositori quali Cecil
Sharp e Vaughan Williams
risvegliarono
lâ??interesse verso
questa preziosa eredit
raccogliendo e in parte
arrangiando numerosi
canti. Philip Sparke ha
scelto per le sue â??tre
miniatureâ?,
altrettanti canti del
XIII e XIX secolo: la
canzone dei pescatori
Dance to Your Daddy, O
Waly, Waly, una
canzone dâ??amore e
Bobby Shafto, un
canto proveniente dalla
parte nord-occidentale
del paese.
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-377-140 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-377-140
Composed by Philip
Sparke. Debut Series
(Anglo). Concert Piece.
Score Only. Composed
2013. 40 pages. Anglo
Music Press #AMP 377-140.
Published by Anglo Music
Press (BT.AMP-377-140).
9x12 inches.
English-German-French-Dut
ch.
England enjoys
a rich folk song
tradition. Composers such
as Cecil Sharp and
Vaughan Williams
rekindled an interest in
this heritage at the
beginning of the 20th
century by arranging
numerous songs, some of
which were transcribed
for the _x001F_first
time. Philip Sparke
selected three songs from
the 18th and 19 century
for his Three Folk
Song Miniatures: the
_x001F_shermanâ??s song
Dance to Your
Daddy, the love song
O Waly, Waly and
Bobby Shafto, a
song from the northwest
of
England.
Engeland
heeft een rijke traditie
op het gebied van
volksmuziek die door de
jaren heen een beetje in
de vergetelheid raakte.
Componisten als Cecil
Sharp en Vaughan Williams
brachten hierin
verandering door voor het
eerst talloze liederen
bundelen en soms zelfs
voor het eerst tenoteren
in modern notenschrift.
Philip Sparke koos voor
dit werk drie liederen
uit de 18e en 19e eeuw:
het visserslied Dance
to Your Daddy, het
liefdeslied O Waly,
Waly en Bobby
Shafto, een lied uit
het Noord-Westen van
Engeland.
England
kann auf eine lange
Volkslied-Tradition
zuru?ckblicken.
Komponisten wie Cecil
Sharp und Vaughan
Williams weckten Anfang
des 20. Jahrhunderts
erneut das Interesse an
diesem Erbe, indem sie
zahlreiche Lieder
sammelten und teilweise
erstmals notierten.
Philip Sparke wählte
fu?r seine drei
Volkslied-Miniaturenâ??
drei Lieder aus dem 18.
und 19. Jahrhundert: das
Fischerlied Dance to
Your Daddy, das
Liebeslied O Waly,
Waly und Bobby
Shafto, ein Lied aus
dem Nordwesten
Englands.
L
??Inghilterra è una
nazione ricca di canti
popolari. Allâ??inizio
del XX secolo,
compositori quali Cecil
Sharp e Vaughan Williams
risvegliarono
lâ??interesse verso
questa preziosa eredit
raccogliendo e in parte
arrangiando numerosi
canti. Philip Sparke ha
scelto per le sue â??tre
miniatureâ?,
altrettanti canti del
XIII e XIX secolo: la
canzone dei pescatori
Dance to Your Daddy, O
Waly, Waly, una
canzone dâ??amore e
Bobby Shafto, un
canto proveniente dalla
parte nord-occidentale
del paese.
The Huntress Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4300-01 March. Composed by King...(+)
Concert band - Grade 3
SKU:
CL.012-4300-01
March. Composed by
King. Arranged by Glover.
Concert Band. Karl L.
King Centennial. Audio
recording available
separately (item
CL.WFR381). Extra full
score. Composed 2014.
Duration 2 minutes, 36
seconds. Opus III Wind
Orchestra Publications
#012-4300-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4300-01).
This Karl King
gem was written during
King’s days as a
trouper with the circus,
and it really shows! A
brass fanfare is followed
by two magical strains
which are unmistakable
King-tunes, and the trio
shows influence of
ragtime, which was the
great musical craze of
the time. Embellished
with a delightful piccolo
solo (but not too
difficult!) this
wonderful King classic
will bring the house
down! Includes extensive
historical information,
rehearsal suggestions,
and performance
suggestions.
Composed by Manuel de
Falla/ Libretto by
Gregorio Martínez Sierra
and María Martínez
Sierra. Full Orchestra,
Solo Voice(s) with
Ensemble, Conductor Score
& Parts. Kalmus Ballet
Library. Score and
Part(s). LudwigMasters
Publications #36-A932890.
Published by
LudwigMasters
Publications
(AP.36-A932890).
UPC:
676737618148.
English.
This
edition of EL AMOR BRUJO
(LOVE, THE SORCERER) is
the 1924 revision of the
1915 version by Spanish
composer Manuel de Falla
(1876 - 1946). Originally
a collaboration between
de Falla, the flamenco
dancer Pastora Imperio,
and librettist María
Martínez Sierra, the
ballet follows Candela, a
recent widow who attempts
to dispel her abusive
late husband's ghost so
she can remarry. The
original version of the
ballet was not
well-received, so de
Falla dialed back the
Roma cultural elements
prominent in the original
version and expanded the
size of the orchestra to
appeal to contemporary
audiences. The 1924
version premiered in
Paris on May 1925.
Reprint Edition.
Instrumentation: 2(2nd
dPicc).1(dEH).2.1:
2.2.0.0: Timp.Perc(1):
Pno: Str (4-4-3-3-3 in
set): Contralto
Voice.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Manuel de
Falla/ Libretto by
Gregorio Martínez Sierra
and María Martínez
Sierra. Full Orchestra,
Solo Voice(s) with
Ensemble, Conductor
Score. Kalmus Ballet
Library. Score.
LudwigMasters
Publications #36-A932801.
Published by
LudwigMasters
Publications
(AP.36-A932801).
ISBN
9781638879886. UPC:
676737912154.
English.
This
edition of EL AMOR BRUJO
(LOVE, THE SORCERER) is
the 1924 revision of the
1915 version by Spanish
composer Manuel de Falla
(1876 - 1946). Originally
a collaboration between
de Falla, the flamenco
dancer Pastora Imperio,
and librettist María
Martínez Sierra, the
ballet follows Candela, a
recent widow who attempts
to dispel her abusive
late husband's ghost so
she can remarry. The
original version of the
ballet was not
well-received, so de
Falla dialed back the
Roma cultural elements
prominent in the original
version and expanded the
size of the orchestra to
appeal to contemporary
audiences. The 1924
version premiered in
Paris on May 1925.
Reprint Edition.
Instrumentation: 2(2nd
dPicc).1(dEH).2.1:
2.2.0.0: Timp.Perc(1):
Pno: Str (4-4-3-3-3 in
set): Contralto
Voice.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
A Prairie Portrait Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Robert Sheldon. By Robert Sheldon. For Concert Band. Concert Band. Alfred Con...(+)
By Robert Sheldon. By
Robert Sheldon. For
Concert Band. Concert
Band. Alfred Concert
Band. Level: Grade 3.
Conductor Score & Parts.
Duration 5:15:00.
Published by Alfred
Publishing.