Song of India Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1084549-010 Composed by Nikol...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1084549-010
Composed by Nikolay
Andreyevich
Rimsky-Korsakov. Arranged
by Wil van der Beek.
Great Classics.
Classical. Set (Score &
Parts). Composed 2008. De
Haske Publications #DHP
1084549-010. Published by
De Haske Publications
(BT.DHP-1084549-010).
9x12 inches.
English-German-French-Dut
ch.
Aanvankelijk
was Nikolaj
Rimsky-Korsakov
(1844-1908) een Russische
marineofficier, maar de
successen die hij als
componist behaalde, waren
voor hem aanleiding om
zich geheel te wijden aan
het componeren. Hij is
met name bekend
vanwegeorkestwerken als
Capriccio Espagnol
en Sheherazade.
Zijn vijftien
opera’s worden
minder vaak uitgevoerd.
‘Song of
India’ komt uit de
sprookjesachtige opera
Sadko. In het lied
zingt een koopman over
zijn vaderland.Het is
alom bekend geworden,
getuige de vele
uitvoeringen en
bewerkingen. Deze versie
voor harmonieorkest is
van de hand van Wil van
der Beek.
Song
of India, oder auch
Song of the Indian
Guest ist im
Deutschen bekannt als das
Hindu-Lied aus
Rimski-Korskakows Oper
Sadko von 1897.
Das Hindu-Lied ist
eines der
berühmtesten
Stücke von
Rimski-Korsakow, die, wie
der Hummelflug aus
dem Märchen vom
Zaren Saltan, auch
außerhalb ihres
Opernkontexts
berühmt wurden.
Dank Wil van der Beeks
Bearbeitung ist die
beliebte Arie nun auch
Blasorchestern
zugänglich.
Song of India Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1084549-140 Composed by Nikol...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1084549-140
Composed by Nikolay
Andreyevich
Rimsky-Korsakov. Arranged
by Wil van der Beek.
Great Classics.
Classical. Score Only.
Composed 2008. 12 pages.
De Haske Publications
#DHP 1084549-140.
Published by De Haske
Publications
(BT.DHP-1084549-140).
9x12 inches.
English-German-French-Dut
ch.
Aanvankelijk
was Nikolaj
Rimsky-Korsakov
(1844-1908) een Russische
marineofficier, maar de
successen die hij als
componist behaalde, waren
voor hem aanleiding om
zich geheel te wijden aan
het componeren. Hij is
met name bekend
vanwegeorkestwerken als
Capriccio Espagnol
en Sheherazade.
Zijn vijftien
opera’s worden
minder vaak uitgevoerd.
‘Song of
India’ komt uit de
sprookjesachtige opera
Sadko. In het lied
zingt een koopman over
zijn vaderland.Het is
alom bekend geworden,
getuige de vele
uitvoeringen en
bewerkingen. Deze versie
voor harmonieorkest is
van de hand van Wil van
der Beek.
Song
of India, oder auch
Song of the Indian
Guest ist im
Deutschen bekannt als das
Hindu-Lied aus
Rimski-Korskakows Oper
Sadko von 1897.
Das Hindu-Lied ist
eines der
berühmtesten
Stücke von
Rimski-Korsakow, die, wie
der Hummelflug aus
dem Märchen vom
Zaren Saltan, auch
außerhalb ihres
Opernkontexts
berühmt wurden.
Dank Wil van der Beeks
Bearbeitung ist die
beliebte Arie nun auch
Blasorchestern
zugänglich.
The Viking Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
(March). By King. Arranged by Andrew Glover. Concert band. Karl L. King Centenni...(+)
(March). By King.
Arranged by Andrew
Glover. Concert band.
Karl L. King Centennial
Series. Audio recording
available separately
(item CL.WFR372). Grade
4. Score and set of
parts. Composed 2011.
Duration 2 minutes, 37
seconds. Published by
C.L. Barnhouse
Score
Only. Composed by
Lindsay Boyd.
Windependence Apprentice
Advanced. Festival.
Softcover. 20 pages.
Boosey & Hawkes
#M051663446. Published by
Boosey & Hawkes
(HL.48023760).
UPC:
888680608019.
9.0x12.0x0.071
inches.
While
teaching in India,
composer Lindsay Boyd
became acquainted with
the fundamentals of
Northern Hindustani
music. The result is this
intriguingly unique work
for wind band that
incorporates distinctive
sounds of India. The
“drone†sound
of the tambura is
available as a free
download online, or may
be substituted with a
marimba. The vocal
chanting in the piece is
a representation of the
syllables used by a tabla
player when learning to
play this exotic drum.
This is a wonderful piece
for expanding the musical
horizons of your players
and audience. Dur:
c.3:30.
Arrows of Lightning Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1084423-010 Composed by Mar...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1084423-010
Composed by Marco Putz.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2007. De
Haske Publications #DHP
1084423-010. Published by
De Haske Publications
(BT.DHP-1084423-010).
9x12 inches.
English-German-French-Dut
ch.
Arrows of
Lightning is a work in
four movements by the
Luxembourg composer Marco
Pütz. American Indian
songs and poems, which
includes a song that
translates as Arrows of
Lightning, served as the
inspiration for this
composition.In this song,
the arrows were charmed
by means of singing and
dancing so that they
would go faster - as fast
as lightning. The scoring
enables this piece to be
performed by a band
without a full contingent
of players. A
fantasticwild-west
adventure for your band.
Dur: 10:10 (Grade
2-1/2)
Arrows
of Lightning is een
werk in vier delen van de
hand van de Luxemburgse
componist Marco Pütz.
Als inspiratie voor deze
compositie gebruikte hij
een bundel met oude
indiaanse liederen en
gedichten. Arrows of
Lightningis de
vertaling van een oud
indiaans lied. Hiermee
bezwoer men de pijlen die
voor de jacht bedoeld
waren door middel van
zang en dans, zodat ze
sneller - zo snel als de
bliksem - zouden gaan. De
componist meende dat deze
titeleen pakkende
hoofdtitel zou vormen
voor dit geheel van
dansen en/of liederen.
Met Rocking the
Cradle, The Mystical
Song, Circle Dance en
Battle
Dance.
Zu
diesem Werk ließ sich
der Luxemburger Marco
Pütz von einem
indianischen Gedichte-
und Liederalbum
inspirieren. Die vier
Sätze Rocking the
Cradle, The Mystical
Song, Circle Dance
und Battle Dance
greifen teilweise auf
überlieferte
indianische Gesänge
zurück, teils
entsprangen sie der
Fantasie des Komponisten.
Die Instrumentierung
lässt auch eine
unvollständige
Besetzung zu, nur die
Schlaginstrumente sollten
vollständig besetzt
sein. Ungewöhnlich und
kreativ!
Song of
the Auvergne.
Composed by Kevin
Thompson. Band Music.
Score and parts. Duration
3:30. Published by G & M
Brand Music Publishers
(CN.R10104).
This beautiful
song reflects the
tranquillity of the
French countryside. Dr.
Kevin Thompson is a
leading British authority
on bands and his
sensitive score is ideal
for smaller groups,
providing training for
phrasing and ensemble
playing.
This
beautiful song reflects
the tranquillity of the
French countryside. Dr.
Kevin Thompson is a
leading British authority
on bands and his
sensitive score is ideal
for smaller groups,
providing training for
phrasing and ensemble
playing. Professor Kevin
Thompson is Principal and
Chief Executive of
Dartington College of
Arts, a University Sector
institution dedicated to
the performance
arts.After undergraduate
studies at the Royal
Northern College of
Music, he gained masters
and subsequently doctoral
degrees at the University
of London. He began his
career as a professional
trumpet player,
conductor, composer and
teacher. He was the
architect of University
of Salford's degree in
band musicianship,
launched in 1987 and the
first of its kind. From
1988 - 1993 he was
Principal of Birmingham
Conservatoire and during
this time was elected to
a personal professorship
and subsequently a
Deanship chair.On his
arrival at Dartington, he
was made an honorary
Professor by the
University of Plymouth.
In 1992 he gained a
Winston Churchill
Fellowship to study the
Great American Music
Schools: Juilliard,
Curtis, Eastman, Indiana.
Other awards include
those of the British
Association for American
Studies and the British
Council for the Royal
Danish Academy of Music.
He is a Freeman of the
City of London. His
publications include a
book on brass and wind
bands published by
Cambridge University,
many articles in Times
Newspaper and other
leading British and
American journals. The
book on wind and brass
bands became a key text
in many college and
university reading lists
and was read extensively
throughout the English
speaking world,
particularly in North
America and the Pacific
Rim. He is joint editor,
with Dr Gordon Cox of the
new eleven volume series
on brass playing and
teaching and author of
two of the volumes.
Song of
the Auvergne.
Composed by Kevin
Thompson. Band Music.
Score only. Duration
3:30. Published by G & M
Brand Music Publishers
(CN.S11104).
This beautiful
song reflects the
tranquillity of the
French countryside. Dr.
Kevin Thompson is a
leading British authority
on bands and his
sensitive score is ideal
for smaller groups,
providing training for
phrasing and ensemble
playing.
This
beautiful song reflects
the tranquillity of the
French countryside. Dr.
Kevin Thompson is a
leading British authority
on bands and his
sensitive score is ideal
for smaller groups,
providing training for
phrasing and ensemble
playing. Professor Kevin
Thompson is Principal and
Chief Executive of
Dartington College of
Arts, a University Sector
institution dedicated to
the performance
arts.After undergraduate
studies at the Royal
Northern College of
Music, he gained masters
and subsequently doctoral
degrees at the University
of London. He began his
career as a professional
trumpet player,
conductor, composer and
teacher. He was the
architect of University
of Salford's degree in
band musicianship,
launched in 1987 and the
first of its kind. From
1988 - 1993 he was
Principal of Birmingham
Conservatoire and during
this time was elected to
a personal professorship
and subsequently a
Deanship chair.On his
arrival at Dartington, he
was made an honorary
Professor by the
University of Plymouth.
In 1992 he gained a
Winston Churchill
Fellowship to study the
Great American Music
Schools: Juilliard,
Curtis, Eastman, Indiana.
Other awards include
those of the British
Association for American
Studies and the British
Council for the Royal
Danish Academy of Music.
He is a Freeman of the
City of London. His
publications include a
book on brass and wind
bands published by
Cambridge University,
many articles in Times
Newspaper and other
leading British and
American journals. The
book on wind and brass
bands became a key text
in many college and
university reading lists
and was read extensively
throughout the English
speaking world,
particularly in North
America and the Pacific
Rim. He is joint editor,
with Dr Gordon Cox of the
new eleven volume series
on brass playing and
teaching and author of
two of the volumes.
Arrows of Lightning Orchestre d'harmonie [Partition] - Facile De Haske Publications
Arrows of Lightning by Marco Putz. For Concert Band. De Haske Concert Band. Grad...(+)
Arrows of Lightning by
Marco Putz. For Concert
Band. De Haske Concert
Band. Grade 2.5.
Softcover. De Haske
Publications #1084423.
Published by De Haske
Publications
The Adventures of Mutt (from Indiana Jones and The Kingdom of the Crystal Skull)...(+)
The Adventures of Mutt
(from Indiana Jones and
The Kingdom of the
Crystal Skull) by John
Williams. Arranged by
Paul Lavender. Score and
Parts. Concert Band
Professional. Grade 5.
Published by Hal Leonard
By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin S...(+)
By Robert W. Smith. By
Robert W. Smith. For
Concert Band. Concert
Band. Belwin Symphonic
Band. Level: 5 (Medium
Advanced) (grade 5).
Conductor Score. 56
pages. Published by
Alfred Publishing.
By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin S...(+)
By Robert W. Smith. By
Robert W. Smith. For
Concert Band. Concert
Band. Belwin Symphonic
Band. Multicultural.
Level: 5 (Medium
Advanced) (grade 5).
Conductor Score and
Parts. 394 pages.
Duration 8:19. Published
by Alfred Publishing.
SKU: CL.012-4000-75 March. Composed by Karl L. King. Arranged by A...(+)
SKU:
CL.012-4000-75
March. Composed by
Karl L. King. Arranged by
Andrew Glover. Concert
Band. Karl L. King
Centennial. Audio
recording available
separately (item
CL.WFR372). Oversized
spiral-bound score.
Composed 2011. Duration 2
minutes, 37 seconds.
Published by C.L.
Barnhouse
(CL.012-4000-75).
One of Karl
King's finest early
marches, part of the Karl
L. King Centennial
Series, will have toes
tapping from start to
finish! Composed in 1911,
The Viking is a
moderately challenging
march for mature bands,
and features active,
involved parts for all
sections of the band. The
trio is famous as the
official fight song of
Indiana University, and
this sparkling new
edition will be a
favorite of audiences and
performers both. Loaded
with extensive program
notes, performance
suggestions, and
historical information. A
great classic King
march!
Arrows of Lightning Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1084423-140 Composed by Mar...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1084423-140
Composed by Marco Putz.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2007. 36 pages.
De Haske Publications
#DHP 1084423-140.
Published by De Haske
Publications
(BT.DHP-1084423-140).
9x12 inches.
English-German-French-Dut
ch.
Arrows of
Lightning is een werk
in vier delen van de hand
van de Luxemburgse
componist Marco Pütz.
Als inspiratie voor deze
compositie gebruikte hij
een bundel met oude
indiaanse liederen en
gedichten. Arrows of
Lightningis de
vertaling van een oud
indiaans lied. Hiermee
bezwoer men de pijlen die
voor de jacht bedoeld
waren door middel van
zang en dans, zodat ze
sneller - zo snel als de
bliksem - zouden gaan. De
componist meende dat deze
titeleen pakkende
hoofdtitel zou vormen
voor dit geheel van
dansen en/of liederen.
Met Rocking the
Cradle, The Mystical
Song, Circle Dance en
Battle
Dance.
Zu
diesem Werk ließ sich
der Luxemburger Marco
Pütz von einem
indianischen Gedichte-
und Liederalbum
inspirieren. Die vier
Sätze Rocking the
Cradle, The Mystical
Song, Circle Dance
und Battle Dance
greifen teilweise auf
überlieferte
indianische Gesänge
zurück, teils
entsprangen sie der
Fantasie des Komponisten.
Die Instrumentierung
lässt auch eine
unvollständige
Besetzung zu, nur die
Schlaginstrumente sollten
vollständig besetzt
sein. Ungewöhnlich und
kreativ!
The Best of Village People Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043728-010 Arranged by Loren...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1043728-010
Arranged by Lorenzo
Bocci. De Haske Pop
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2004. De Haske
Publications #DHP
1043728-010. Published by
De Haske Publications
(BT.DHP-1043728-010).
Everything
started when two
Frenchmen, Jacques Morali
and Henri Belolo, after
having sold over ten
records with their band,
the Ritchie Family,
decided to try out
something new. The basic
idea was to form a new
group inspired by the
American male myths of
the seventies: cowboys,
Indians, men in leather
clothes, soldiers and
policemen. This is how
the Village People were
born.Their secret was
their energy,
cheerfulness and tongue
in cheek humour combined
with strong disco beat
and an arresting visual
presence. Even now a
Village People song is
guaranteed to fill the
dance floor in any club
or disco. The Best of
Village People is a
medley including the
following pieces: In
theNavy,Y.M.C.A. and
Macho Man.
Het
begon allemaal toen twee
Fransen, Jacques Morali
en Henry Belolo, besloten
iets nieuws te proberen,
nadat zij meer dan tien
miljoen platen hadden
verkocht met hun groep
The Ritchie Family. Het
idee was een nieuwe groep
te vormendie was ge
nspireerd op de
Amerikaanse machomythen
van de jaren zeventig:
cowboys, indianen, mannen
in leer, soldaten en
politieagenten. Zo kwamen
de Village People in het
leven. Hun geheim lag in
het feit dat ze een
pakkende
discobeatcombineerden met
een energiek, kleurrijk
en humoristisch optreden.
The Best of Village
People is een medley die
de volgende nummers
bevat: In the
Navy,Y.M.C.A. en Macho
Man.
Village
People, die amerikanische
Gruppe aus den 70-er
Jahren haben längst
Kultstatus erlangt. Ihr
Erfolgsrezept bestand aus
farbenfrohen Auftritten
in Kostümen, die
Cowboys, Indianer,
Männer in Leder und
Polizisten - die
männlichen Mythen
Amerikas -
widerspiegelten und vor
allem aber
mitreißenden,
fröhlichen Partyhits,
die bis heute aus keiner
Disco und von keinem Fest
wegzudenken sind. Lorenzo
Bocci schuf ein Medley
für Blasorchester aus
den drei größten
Hits von Village People,
das seine Wirkung
garantiert nicht
verfehlen
wird.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043728-140 Arranged by Loren...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1043728-140
Arranged by Lorenzo
Bocci. De Haske Pop
Collection. Original
Light Music. Score Only.
Composed 2004. De Haske
Publications #DHP
1043728-140. Published by
De Haske Publications
(BT.DHP-1043728-140).
Everything
started when two
Frenchmen, Jacques Morali
and Henri Belolo, after
having sold over ten
records with their band,
the Ritchie Family,
decided to try out
something new. The basic
idea was to form a new
group inspired by the
American male myths of
the seventies: cowboys,
Indians, men in leather
clothes, soldiers and
policemen. This is how
the Village People were
born.Their secret was
their energy,
cheerfulness and tongue
in cheek humour combined
with strong disco beat
and an arresting visual
presence. Even now a
Village People song is
guaranteed to fill the
dance floor in any club
or disco. The Best of
Village People is a
medley including the
following pieces: In
theNavy,Y.M.C.A. and
Macho Man.
Het
begon allemaal toen twee
Fransen, Jacques Morali
en Henry Belolo, besloten
iets nieuws te proberen,
nadat zij meer dan tien
miljoen platen hadden
verkocht met hun groep
The Ritchie Family. Het
idee was een nieuwe groep
te vormendie was ge
nspireerd op de
Amerikaanse machomythen
van de jaren zeventig:
cowboys, indianen, mannen
in leer, soldaten en
politieagenten. Zo kwamen
de Village People in het
leven. Hun geheim lag in
het feit dat ze een
pakkende
discobeatcombineerden met
een energiek, kleurrijk
en humoristisch optreden.
The Best of Village
People is een medley die
de volgende nummers
bevat: In the
Navy,Y.M.C.A. en Macho
Man.
Village
People, die amerikanische
Gruppe aus den 70-er
Jahren haben längst
Kultstatus erlangt. Ihr
Erfolgsrezept bestand aus
farbenfrohen Auftritten
in Kostümen, die
Cowboys, Indianer,
Männer in Leder und
Polizisten - die
männlichen Mythen
Amerikas -
widerspiegelten und vor
allem aber
mitreiÃ?enden,
fröhlichen Partyhits,
die bis heute aus keiner
Disco und von keinem Fest
wegzudenken sind. Lorenzo
Bocci schuf ein Medley
für Blasorchester aus
den drei grö�ten
Hits von Village People,
das seine Wirkung
garantiert nicht
verfehlen
wird.
Home on the Range Orchestre d'harmonie [Conducteur] - Facile Curnow Music
Concert Band/Harmonie - Grade 2.5 SKU: BT.CMP-1111-07-140 Arranged by Bry...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.CMP-1111-07-140
Arranged by Bryan Kidd.
Young Band. Concert
Piece. Score Only.
Composed 2007. 16 pages.
Curnow Music #CMP
1111-07-140. Published by
Curnow Music
(BT.CMP-1111-07-140).
9x12 inches.
English.
This
thoughtful and creative
arrangement of the
classic song of the
American West is a rich
and sonorous treatment
infused with exquisite
and unexpected harmonies.
You’ve never heard
it like this before!
Bryan Kidd has managed to
bring a true musical
adventure to the
developing band in his
own unmistakably personal
way.This is a wonderful
chance for your musicians
to show that they can be
truly expressive. This
piece is the perfect tool
for a cross-curricular
unit with U.S. history.
Surprising!
Home
on the Range is gebaseerd
op een gedicht (‘My
Western Home’ uit
1872) van Brewster
Higley, een arts uit
Indiana die een jaar
daarvoor een stukje land
had gekocht in Kansas.
Vervolgens schreef Dean
Kelley er een melodie bij
-het nieuwe lied werd al
snel geliefd onder
migranten in de Verenigde
Staten. In de loop der
jaren werd het steeds
bekender, het is
uitgevoerd door vele
artiesten, onder wie
Frank Sinatra. In 1947
werd Home on the
Range hetofficiële
lied van de staat Kansas.
Brewster Higleys
omschrijving van een
helderblauwe hemel,
oneindige vergezichten en
een overvloedige fauna
vindt met deze muziek nog
altijd weerklank bij
luisteraars.
Ho
me on the Range ist
ein bekanntes Volkslied
aus dem amerikanischen
Westen und Titelsong
eines lustigen
Disneyfilms, der in
Deutschland als Die
Kühe sind los
bekannt ist. Bryan Kidd
schuf eine sehr kreative,
voll klingende
Bearbeitung des
Klassikers mit
ausgefallenen Harmonien.
So haben Sie dieses Lied
noch nie gehört! Mit
dieser Bearbeitung der
einerseits vertrauten
Melodie können Ihre
Musiker doch eine
völlig neue
musikalische Erfahrung
machen und Ihre
Ausdrucksmöglichkeiten
ausloten.
Ãœberraschend!
Singapore Rhapsody Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1043758-140 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1043758-140
Composed by Jacob De
Haan. Performance Series.
Concert Piece. Score
Only. Composed 2004. 36
pages. De Haske
Publications #DHP
1043758-140. Published by
De Haske Publications
(BT.DHP-1043758-140).
Singapore
Rhapsody is an exciting
work in two movements
based on popular
Malaysian folksongs. The
songs that occur in the
first movement are Rasa
Sayang eh (a love song),
Gelang Sipaku Gelang (a
song about community
spirit), Suriram (a song
about a girl proclaiming
her virtues) and
Di-Tanjung Katong (a love
song that takes place at
the Cape Katong on the
southeast coast of
Singapore). The second
movement features
Lenggang Kangkung, which
literally means
“The swaying of the
watercress,†Katang
Lompat (a moralistic song
about the symbolism of
the frog) and finally
Kenek kenek-lah Udang (a
wedding song). Each
movement of this
enchanting work can be
performed separately but
acomplete performance
will be the crowning
moment of any concert.
Dit tweedelige
werk is gebaseerd op
populaire Maleisische
volksliedjes. De liedjes
uit het eerste deel zijn
Rasa Sayang eh
(een liefdesliedje),
Gelang Sipaku
Gelang (een liedje
over gemeenschapszin),
Suriram (overeen
meisje dat haar eeuwige
vriendschap aanbiedt) en
Di-Tanjung Katong
(een liefdeslied dat zich
afspeelt aan de
zuidoostkust van
Singapore). Deel twee
bestaat uit Lenggang
Kangkung (letterlijk
‘het zwaaien vande
waterkers’),
Katang Lompat
(over de symboliek van de
kikker) en Kenek
kenek-lah Udang (een
bruiloftslied). De twee
delen van Singapore
Rhapsody kunnen prima
los van elkaar worden
uitgevoerd.
Jacob
de Haans Komposition
besteht aus zwei
Sätzen, die auf
malaysischen Volksliedern
basieren: zwei
Liebeslieder, ein Lied
über die Freundschaft,
zwei Lieder über die
Natur sowie ein
Hochzeitslied. Die beiden
Sätze von Singapore
Rhapsody sind nicht
untrennbar miteinander
verbunden; sie können
daher auch problemlos
getrennt voneinander
aufgeführt werden.
Bringen Sie mit dieser
Rhapsodie etwas Exotik in
Ihr nächstes Konzert!
Singapore, la
citt del leone, è uno
dei più importanti
crocevia
dell’Asia.
Singapore mischia
abilmente le culture
provenienti dalla Cina,
dalla Malesia,
dall’India a
quelle occidentali. La
musica tradizionale è
l’immagine delle
molte etnie di questa
citt -stato. I due
movimenti di questa
composizione si ispirano
a canti tradizionali
della Malesia. Il primo
movimento sviluppa
quattro canti
tradizionali di carattere
contrastante e
contrastato. Il secondo
movimento è basato sui
canti Lenggang Kangkung e
Katang Lompat, che, come
d’abitudine in
oriente, descrivono
animali e
l’ambiente in cui
vivono legandoli a
simbolismi, e un canto
tradizionale in occasione
di matrimoni. I
duemovimenti di questa
rapsodia non sono legati
tra loro, rendendo
possibile eseguirli
separatamente.
Singapore Rhapsody Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1043758-010 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1043758-010
Composed by Jacob De
Haan. Performance Series.
Concert Piece. Set (Score
& Parts). Composed 2004.
De Haske Publications
#DHP 1043758-010.
Published by De Haske
Publications
(BT.DHP-1043758-010).
Singapore
Rhapsody is an exciting
work in two movements
based on popular
Malaysian folksongs. The
songs that occur in the
first movement are Rasa
Sayang eh (a love song),
Gelang Sipaku Gelang (a
song about community
spirit), Suriram (a song
about a girl proclaiming
her virtues) and
Di-Tanjung Katong (a love
song that takes place at
the Cape Katong on the
southeast coast of
Singapore). The second
movement features
Lenggang Kangkung, which
literally means
“The swaying of the
watercress,†Katang
Lompat (a moralistic song
about the symbolism of
the frog) and finally
Kenek kenek-lah Udang (a
wedding song). Each
movement of this
enchanting work can be
performed separately but
acomplete performance
will be the crowning
moment of any concert.
Dit tweedelige
werk is gebaseerd op
populaire Maleisische
volksliedjes. De liedjes
uit het eerste deel zijn
Rasa Sayang eh
(een liefdesliedje),
Gelang Sipaku
Gelang (een liedje
over gemeenschapszin),
Suriram (overeen
meisje dat haar eeuwige
vriendschap aanbiedt) en
Di-Tanjung Katong
(een liefdeslied dat zich
afspeelt aan de
zuidoostkust van
Singapore). Deel twee
bestaat uit Lenggang
Kangkung (letterlijk
‘het zwaaien vande
waterkers’),
Katang Lompat
(over de symboliek van de
kikker) en Kenek
kenek-lah Udang (een
bruiloftslied). De twee
delen van Singapore
Rhapsody kunnen prima
los van elkaar worden
uitgevoerd.
Jacob
de Haans Komposition
besteht aus zwei
Sätzen, die auf
malaysischen Volksliedern
basieren: zwei
Liebeslieder, ein Lied
über die Freundschaft,
zwei Lieder über die
Natur sowie ein
Hochzeitslied. Die beiden
Sätze von Singapore
Rhapsody sind nicht
untrennbar miteinander
verbunden; sie können
daher auch problemlos
getrennt voneinander
aufgeführt werden.
Bringen Sie mit dieser
Rhapsodie etwas Exotik in
Ihr nächstes Konzert!
Singapore, la
citt del leone, è uno
dei più importanti
crocevia
dell’Asia.
Singapore mischia
abilmente le culture
provenienti dalla Cina,
dalla Malesia,
dall’India a
quelle occidentali. La
musica tradizionale è
l’immagine delle
molte etnie di questa
citt -stato. I due
movimenti di questa
composizione si ispirano
a canti tradizionali
della Malesia. Il primo
movimento sviluppa
quattro canti
tradizionali di carattere
contrastante e
contrastato. Il secondo
movimento è basato sui
canti Lenggang Kangkung e
Katang Lompat, che, come
d’abitudine in
oriente, descrivono
animali e
l’ambiente in cui
vivono legandoli a
simbolismi, e un canto
tradizionale in occasione
di matrimoni. I
duemovimenti di questa
rapsodia non sono legati
tra loro, rendendo
possibile eseguirli
separatamente.
Singapore Rhapsody Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band - Grade 2.5 SKU: BT.DHP-1043758-040 Composed by Jacob De Haa...(+)
Concert Band - Grade 2.5
SKU:
BT.DHP-1043758-040
Composed by Jacob De
Haan. Performance Series.
Concert Piece. Set (Score
& Parts). Composed 2004.
De Haske Publications
#DHP 1043758-040.
Published by De Haske
Publications
(BT.DHP-1043758-040).
Singapore
Rhapsody is an exciting
work in two movements
based on popular
Malaysian folksongs. The
songs that occur in the
first movement are Rasa
Sayang eh (a love song),
Gelang Sipaku Gelang (a
song about community
spirit), Suriram (a song
about a girl proclaiming
her virtues) and
Di-Tanjung Katong (a love
song that takes place at
the Cape Katong on the
southeast coast of
Singapore). The second
movement features
Lenggang Kangkung, which
literally means
“The swaying of the
watercress,†Katang
Lompat (a moralistic song
about the symbolism of
the frog) and finally
Kenek kenek-lah Udang (a
wedding song). Each
movement of this
enchanting work can be
performed separately but
acomplete performance
will be the crowning
moment of any concert.
Dit tweedelige
werk is gebaseerd op
populaire Maleisische
volksliedjes. De liedjes
uit het eerste deel zijn
Rasa Sayang eh
(een liefdesliedje),
Gelang Sipaku
Gelang (een liedje
over gemeenschapszin),
Suriram (overeen
meisje dat haar eeuwige
vriendschap aanbiedt) en
Di-Tanjung Katong
(een liefdeslied dat zich
afspeelt aan de
zuidoostkust van
Singapore). Deel twee
bestaat uit Lenggang
Kangkung (letterlijk
‘het zwaaien vande
waterkers’),
Katang Lompat
(over de symboliek van de
kikker) en Kenek
kenek-lah Udang (een
bruiloftslied). De twee
delen van Singapore
Rhapsody kunnen prima
los van elkaar worden
uitgevoerd.
Jacob
de Haans Komposition
besteht aus zwei
Sätzen, die auf
malaysischen Volksliedern
basieren: zwei
Liebeslieder, ein Lied
über die Freundschaft,
zwei Lieder über die
Natur sowie ein
Hochzeitslied. Die beiden
Sätze von Singapore
Rhapsody sind nicht
untrennbar miteinander
verbunden; sie können
daher auch problemlos
getrennt voneinander
aufgeführt werden.
Bringen Sie mit dieser
Rhapsodie etwas Exotik in
Ihr nächstes Konzert!
Singapore, la
citt del leone, è uno
dei più importanti
crocevia
dell’Asia.
Singapore mischia
abilmente le culture
provenienti dalla Cina,
dalla Malesia,
dall’India a
quelle occidentali. La
musica tradizionale è
l’immagine delle
molte etnie di questa
citt -stato. I due
movimenti di questa
composizione si ispirano
a canti tradizionali
della Malesia. Il primo
movimento sviluppa
quattro canti
tradizionali di carattere
contrastante e
contrastato. Il secondo
movimento è basato sui
canti Lenggang Kangkung e
Katang Lompat, che, come
d’abitudine in
oriente, descrivono
animali e
l’ambiente in cui
vivono legandoli a
simbolismi, e un canto
tradizionale in occasione
di matrimoni. I
duemovimenti di questa
rapsodia non sono legati
tra loro, rendendo
possibile eseguirli
separatamente.
Band concert band - Grade 3 SKU: KJ.WB174 Composed by Ron Cowherd. Standa...(+)
Band concert band - Grade
3
SKU: KJ.WB174
Composed by Ron Cowherd.
Standard of Excellence in
Concert. Score and set of
parts. Neil A. Kjos Music
Company #WB174. Published
by Neil A. Kjos Music
Company (KJ.WB174).
A Ceremonial In
American Indian Culture
Is An Inter-Tribal
Gathering Held To
Celebrate Traditional
Songs, Dances, And
Rituals. Ceremonial:
Prologue And Dance Brings
North American Indian
Musical Styles To The
Concert Band Medium
Through Pentatonic
Scales, Characteristic
Timbres, Irregular
Phrasing, And In The
Second Section Of The
Work, A Melody Based On
An Authentic Folk Song Of
The Ute Peoples Of
Utah.
About Standard
of Excellence in
Concert
Th
e Standard of Excellence
In Concert series
presents exceptional
arrangements,
transcriptions, and
original concert and
festival pieces for
beginning and
intermediate band. Each
selection is correlated
to a specific page in the
Standard of Excellence
Band Method, reinforcing
and expanding skills and
concepts introduced in
the method up to that
point. Exciting parts
with extensive
cross-cueing are
presented for every
player. Accessible
ranges, appropriate
rhythmic challenges, and
creative percussion
section writing enhance
the pedagogical value of
the series.
Sold
individually, each In
Concert selection
includes a full Conductor
Score and enough student
parts for large symphonic
bands. Each student part
also includes correlated
Warm-Up Studies. The
Conductor Score comes
complete with rehearsal
suggestions, a composer
biography, program notes,
a rehearsal piano part,
several
ready-to-duplicate
worksheets and a
duplicable written
quiz.
Crossroads Orchestre d'harmonie - Facile Hal Leonard
Score Only Concert Band (Score) - Grade 2 SKU: HL.4004202 Composed by Mic...(+)
Score Only Concert Band
(Score) - Grade 2
SKU:
HL.4004202
Composed
by Michael Oare.
MusicWorks Grade 2.
Festival. Duration 230
seconds. Published by Hal
Leonard (HL.4004202).
UPC: 888680061234.
9.0x12.0x0.092
inches.
Commissione
d for the Madison County
(Indiana) Middle School
Honor Band, the title and
nature of this work
references the Indiana
state motto: “The
Crossroads of
America.†By
contrasting a bold and
majestic statement with
an invigorating, mixed
meter faster section,
Crossroads portrays two
divergent musical paths
in this appealing and
very attainable work for
young bands. Dur:
3:50.
Instrumentation: 2,1 2,1 eb,3,bs 2,1; 2a sx, t sx, b sx; 4331; euph, timp, 3 per...(+)
Instrumentation: 2,1 2,1
eb,3,bs 2,1; 2a sx, t sx,
b sx; 4331; euph, timp, 3
perc Duration: 15'
Movement I. Dixie
Truckers Home (McLean,
IL); II.Pecan Joe's
(Newburg, MO); III.
Wolf-Robe's Indian
Trading Post (Tulsa, OK);
IV. Regal Reptile Ranch
(Alanreed, TX); V.
Tucamcari Tonite! Full
Score & Set of Parts:
available for sale
Composed: 1998 Published
by: Subito Music
Publishing
Nne Na Tatu Orchestre d'harmonie - Intermédiaire Boosey and Hawkes
Concert Band (Score) - Grade 5 SKU: HL.48024057 Composed by Daniel French...(+)
Concert Band (Score) -
Grade 5
SKU:
HL.48024057
Composed
by Daniel French.
Windependence Artist
Level. Concert.
Softcover. Boosey &
Hawkes #M051663668.
Published by Boosey &
Hawkes (HL.48024057).
UPC: 888680678708.
9.0x12.0x0.092
inches.
Nne na Tatu
(Swahili for Four on
Three) is inspired by the
music of sub-Saharan
Africa and other world
music traditions. Like
many of those traditions,
Nne na Tatu is driven by
relentless percussion and
rhythmic-focused
development. A bold,
festive theme, introduced
in the brass, recurs
throughout and grounds
the piece amidst a series
of unpredictable detours
- a Scottish-inspired
dance in the winds, a
marimba melody
reminiscent of the music
of the Andes - before
returning in a final
triumphant fanfare. Dur:
5:15 (Recorded live by
the Indiana University of
Pennsylvania Symphony
Band, Jason Worzbyt,
conductor).
Score & Parts Concert Band (SCORE+PARTS) - Grade 3 SKU: HL.4007086 Compos...(+)
Score & Parts Concert
Band (SCORE+PARTS) -
Grade 3
SKU:
HL.4007086
Composed
by Richard L. Saucedo.
MusicWorks Grade 3.
Concert, Contest,
Festival. Softcover.
Duration 105 seconds.
Published by Hal Leonard
(HL.4007086).
ISBN
9781705132876. UPC:
840126956955.
9.0x12.0x0.795
inches.
Here is an
easier version of
Richard's dynamic work
for band that
commemorates the 150th
anniversary of Paige's
Music in Indianapolis,
IN. Legacy features an
intense rhythmic drive,
creative laying and
textural effects, and a
soaring melody that
serves as an
inspirational focal
point. (compatible in
performance with the
“Advanced
Version†–
HL04007084).
Concert Band (Score) - Grade 4 SKU: HL.4003060 Composed by Richard L. Sau...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.4003060
Composed
by Richard L. Saucedo.
MusicWorks Grade 4.
Contest, Festival. Score.
20 pages. Published by
Hal Leonard (HL.4003060).
UPC: 884088574796.
10.5x14
inches.
This
intense and emotional
work was commissioned by
the Indiana Music
Educators Association and
was premiered at the 2011
IMEA Convention with the
composer conducting.
Written as a gift to
longtime friend of music
education, Dr. Tim
Lautzenheiser, the piece
is basically lyrical in
nature with beautiful
lines and colors. A brief
faster section, in the
words of the composer,
“describes that
uncomfortable time when
we are desperately trying
to find ourselves.”
The piece ends on a
solemn yet reaffirming
note, reminding us of the
importance of guides and
mentors along life's
pathway. Duration:
5:00.
Concert Band (Score & Parts) - Grade 4 SKU: HL.4007084 Composed by Richar...(+)
Concert Band (Score &
Parts) - Grade 4
SKU:
HL.4007084
Composed
by Richard L. Saucedo.
MusicWorks Grade 4.
Concert, Contest,
Festival. Softcover.
Duration 105 seconds.
Published by Hal Leonard
(HL.4007084).
ISBN
9781705132869. UPC:
840126956924.
9.0x12.0x0.817
inches.
Commemmorat
ing the legacy of Paige's
Music in Indianapolis, IN
as they celebrate their
150th anniversary, this
dynamic work features an
intense rhythmic drive
along with a soaring
melody that serves as an
inspirational focal
point. Legacy features
creative laying effects
and textures throughout,
along with terrific
interplay between the
winds and percussion.
(compatible in
performance with the
“Intermediate
Version†for
younger players –
HL04007086).
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band
SKU:
PR.465000130
For
Large Wind Ensemble.
Composed by Dan Welcher.
Sws. Contemporary. Full
score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013. Published by
Theodore Presser Company
(PR.465000130).
ISBN
9781598064070. UPC:
680160600144. 9x12
inches.
Following a
celebrated series of wind
ensemble tone poems about
national parks in the
American West, Dan
Welcher’s Upriver
celebrates the Lewis &
Clark Expedition from the
Missouri River to
Oregon’s Columbia
Gorge, following the
Louisiana Purchase of
1803. Welcher’s
imaginative textures and
inventiveness are freshly
modern, evoking our
American heritage,
including references to
Shenandoah and other folk
songs known to have been
sung on the expedition.
For advanced players.
Duration:
14’. In 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William
Clark’s Corps of
Discovery to find a water
route to the Pacific and
explore the uncharted
West. He believed woolly
mammoths, erupting
volcanoes, and mountains
of pure salt awaited
them. What they found was
no less mind-boggling:
some 300 species unknown
to science, nearly 50
Indian tribes, and the
Rockies.Ihave been a
student of the Lewis and
Clark expedition, which
Thomas Jefferson called
the “Voyage of
Discovery,†for as
long as I can remember.
This astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri —
and took the travelers up
more than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
— hired trappers
and explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing — and
along with other
trinkets, a box of 200
jaw harps to be used in
trading with the Indians.
Their trip was long,
perilous to the point of
near catastrophe, and
arduous. The dream of a
Northwest Passage proved
ephemeral, but the
northwestern quarter of
the continent had finally
been explored, mapped,
and described to an
anxious world. When the
party returned to St.
Louis in 1806, and with
the Louisiana Purchase
now part of the United
States, they were greeted
as national heroes.Ihave
written a sizeable number
of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks,
doesn’t try to
tell a story. Instead, it
captures the flavor of a
certain time, and of a
grand adventure. Cast in
one continuous movement
and lasting close to
fourteen minutes, the
piece falls into several
subsections, each with
its own heading: The
Dream (in which
Jefferson’s vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III .The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate “river
song,†and which
becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by
Cruzatte’s fiddle.
From various journals and
diaries, we know the men
found enjoyment and
solace in music, and
almost every night
encampment had at least a
bit of music in it. In
addition to Cruzatte,
there were two other
members of the party who
played the fiddle, and
others made do with
singing, or playing upon
sticks, bones, the
ever-present jaw harps,
and boat horns. From
Lewis’ journals, I
found all the tunes used
in Upriver: Shenandoah
(still popular after more
than 200 years),
V’la bon vent,
Soldier’s Joy,
Johnny Has Gone for a
Soldier, Come Ye Sinners
Poor and Needy (a hymn
sung to the tune
“Beech
Springâ€) and
Fisher’s Hornpipe.
The work follows an
emotional journey: not
necessarily step-by-step
with the Voyage of
Discovery heroes, but a
kind of grand arch.
Beginning in the mists of
history and myth,
traversing peaks and
valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of
Jefferson’s
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Composed by Kees
Schoonenbeek. Inspiration
Series. Concert Piece.
Score Only. Composed
2006. 56 pages. De Haske
Publications #DHP
1064079-140. Published by
De Haske Publications
(BT.DHP-1064079-140).
9x12 inches.
English-German-French-Dut
ch.
The Golden
Age is a programmatic
composition in four
movements. I
Overture For the
Netherlands, the
seventeenth century was a
period of great
flourishing in the fields
of economy, culture and
politics; thus it is
called the Golden Age.
Overseas trade boomed,
and the Dutch East India
Company (known as the VOC
by the Dutch) was founded
and expanded to become a
powerful -and, at the
time - modern enterprise.
II ¡Adiós
españoles!(Farewel
l, Spaniards!) In 1567,
the Spanish army invaded,
led by the Duke of Alva.
There was a fierce
resistance against the
Spanish tyranny; toward
the end of the sixteenth
century, the Dutch
proclaimed theRepublic.
However, the Spanish
continued the war. Only
with the Treaty of
Münster in 1648 did
the Dutch get their much
sought-after
independence. This was
also the end of the
Eighty Years’ War.
III Rembrandt’s
Night WatchThe field
of culture, particularly
literature, painting,
sculpture, architecture,
the art of printing, and
cartography developed
fast. It was in the
Golden Age that the
celebrated painter
Rembrandt van Rijn
created his famous Night
Watch. IV The
Admiral Overseas
trade entailed the
colonization of large
areas in Asia, from where
precious products that
yielded lots of money
were brought in.
Surrounding countries
were also involved in
such practices.
Colonizers poached on
each other’s
territories in the
literal and figurative
sense - in this context
the Anglo-Dutch Sea Wars
are legendary. The fourth
movement starts with the
English patriotic song
Rule Britannia, after
which the Dutch Admiral
Michiel de Ruyter makes
the English change their
tune; one can even hear
the roaring of cannons.
When the smoke of battle
has cleared, a small
fragment of a Dutch song
about Michiel de Ruyter
appears, followed by a
fitting closing.
The Golden
Age is een
programmatische
compositie in vier delen.
Overtureverklankt
de Gouden Eeuw, voor
Nederland een periode van
grote bloei. Dan volgt
¡Adiós
españoles! over
het einde van de
Tachtigjarige
Oorlog.Rembrandtâ€
s Night Watch
beschrijft de
ontwikkeling op cultureel
gebied: in de Gouden Eeuw
schilderde Rembrandt van
Rijn zijn beroemde
Nachtwacht. Deel
vier, The Admiral,
begint met Rule
Britannia,waarna de
Nederlandse admiraal
Michiel de Ruyter de
Engelsen een toontje
lager laat zingen, er is
zelfs kanongebulder te
horen. Dan klinkt een
fragment van het
Nederlandse liedje dat
aan Michiel de Ruyter is
gewijd, waarna een
passendslot
volgt.
The
Golden Age ist eine
programmatische
Komposition in vier
Sätzen über das so
genannte “Goldene
Zeitalter“ in der
Geschichte der
Niederlande. In dieser
Periode erlebte das Land
eine Blütezeit des
(Ãœbersee-)Handels, der
Kultur und Politik, es
befreite sich von der
spanischen Herrschaft,
brachte Kunstwerke wie
Rembrandt’s
Nachtwache hervor
und entwickelte sich zu
einer Kolonialmacht. Die
Aufmerksamkeit der
Zuhörer ist bei Kees
Schoonenbeeks spannender
musikalischer
Geschichtsstunde
garantiert!
Dopo
una guerra che durò 80
anni, la Spagna riconobbe
l’indipendenza
delle Province-Unite
olandesi che divennero
potenze marittime ed
economiche del XVII
secolo. Questo periodo
è conosciuto con il
nome di Secolo
d’Oro (The Golden
Age) e corrisponde ad una
fase di sviluppo
eccezionale dei Paesi
Bassi sia sul piano
coloniale e militare, sia
sul piano culturale,
intellettuale e
artistico.