Piano SKU: HL.48186486 Composed by Isabelle Aboulker. Leduc. Softcover. 3...(+)
Piano
SKU:
HL.48186486
Composed
by Isabelle Aboulker.
Leduc. Softcover. 32
pages. Alphonse Leduc
#AL30753. Published by
Alphonse Leduc
(HL.48186486).
UPC:
888680829018. 9x12
inches.
“AL
30 753 - MILA AND THE
SHIP TREE - Version for
piano For decades the
French composer Isabelle
Aboulker has been very
successful with vocal
works for children and
young people, in whom
well-known fairy tales
are processed. Now she
has once again met with
Mila and the Schiffbaum,
a work commissioned by
the Académie
musicale by Villecroze in
the course of the project
”“3 composers
write for the
school”“, and
by the French music
publishers with the music
prize 2015 in the
category ”“
Works for young
performers
”“. With this
composition, Isabelle
Aboulker has created a
musical story for
narrator, children's
choir and instrumental
accompaniment, which
helps children between
five and eight years in
educational and valuable
ways to gain first
experiences with music
theater and choral
singing. Thanks to an
excellent German
translation, the
successful work can now
also be found in the
German-speaking world.
With the deep sensitivity
and subtlety that is the
secret of her art,
Isabelle Aboulker tells
of a little girl who
succeeds in getting over
the loss of a loved one,
namely, his grandfather.
The highly charming
melodies of this piece,
written for unanimous
children's choir, are
joined by an instrumental
accompaniment in which
tender melancholy and
subtle humor alternate -
this musical language
comes directly from the
heart. AL 30 754 - Choral
Partitur (German and
French text) The work is
also available in English
translation: AL 30 732 -
version for speaker,
children's choir and
piano (French and English
text) AL 30 743 - Choral
Partitur (French and
English text) As well as
with other instrumental
accompaniments: AL 30 733
- version for speaker,
children's choir and trio
(clarinet in B, cello and
piano) (French and
English text) AL 30 734 -
version for spokesman,
children's choir and
instrumental ensemble
(French, English, German,
French, Italian,
Italian)&rdquo.
Piano Solo (Piano) SKU: HL.50601848 For Piano. Composed by Cheryl ...(+)
Piano Solo (Piano)
SKU: HL.50601848
For Piano.
Composed by Cheryl
Frances-Hoad.
Instrumental. Concert,
Recital. Softcover. 8
pages. Duration 2340
seconds. Cadenza Music
#CAZ1122. Published by
Cadenza Music
(HL.50601848).
UPC:
888680937089.
English.
Cheryl
Frances-Hoad'sCommuterland for Solo Piano.
'Commuterland was
written directly after I
had had to do a long
commute every day for a
week for a project I was
working on.
The frustration of
rush hour, and being
caught behind crowds
walking slowly through
underground tunnels is
expressed in this piece!
At the
same time I was listening
to a lot of Bartok, and
the repetitive motivic
cells and harmonies are
in part a hommage to this
composer, who is one of
my idols.'
- Cheryl
Frances-Hoad
Piano (Study Score) SKU: HL.132293 Version for One Piano. Composed...(+)
Piano (Study Score)
SKU: HL.132293
Version for One
Piano. Composed by
Frederic Chopin. Edited
by Jan Ekier and Pawel
Kaminski. PWM. Classical.
Study Score. Polskie
Wydawnictwo Muzyczne
#51600915. Published by
Polskie Wydawnictwo
Muzyczne (HL.132293).
UPC:
884088971274.
Piano
concertos combine two
elements: pure playing
and full poetic
expression. Virtuosity
and romance. Pianistic
brilliance, educated in
the works in the stile
brillant, brought to
perfection, but at the
same time - a farewell.
Both are forms of direct
expression of the
personality of the
composer, which showed
itself in them for the
first time with so much
strength and is
manifested in a group of
characteristics of
forming Chopin's
individual style. Piano
Concerto in F minor In
terms of size,
substantially smaller
than the E minor concerto
and also a different kind
of expression: more
lyrical, drawn in
delicate pastel colours.
Especially famous is the
second movement, the
Larghetto, which Chopin
wrote under the
inspiration of his first
love. Critical
source-edition edited by
Jan Ekier and Pawel
Kaminski based on
manuscripts, copies
approved by Chopin
himself, and first
editions. Its purpose is
to present the works of
Chopin in authentic form.
The historical version of
the score of the
Concerto, based on the
semi-autograph and parts
from the first editions,
forms volume 21 A XVe,
and the concert version
of the score, recreated
by taking into
consideration also other
sources which present
Chopin's intention,
constitutes volume 34 B
VIIIb.
Cello; Clarinet; Piano SKU: HL.50565821 For Clarinet, Cello and Piano<...(+)
Cello; Clarinet; Piano
SKU: HL.50565821
For Clarinet, Cello
and Piano. Composed
by Laurent Petitgirard.
Editions Durand.
Classical. Softcover.
Editions Durand #DF16275.
Published by Editions
Durand (HL.50565821).
Born in 1950,
Laurent Petitgirard
studied the piano with
Serge Petitgirard and
composition with Alain
Kremski. His catalogue
includes more than twenty
symphonic ad chambre
music works, an opera and
more than one hundred and
sixty film scores. From
1989 to 1996 he was
founded and musical
director of the Orchestre
Symphonique Francais,
and, since 2005, has been
the music director of the
Orchestre Colonne in
Paris. He has also made
more than 30 records, and
from 1986 to 1997
directed the Festival and
the Summer Music Academy
of Flaine.
For Piano. Composed by Hans Luedemann. This edition: Saddle stitching. Sheet ...(+)
For Piano. Composed by
Hans
Luedemann. This edition:
Saddle stitching. Sheet
music. Piano. Softcover.
72
pages. Schott Music #ED
22240. Published by
Schott
Music
Piano SKU: BT.PWM5939140 By Emma Altberg. Tuition. Book Only. Composed 20...(+)
Piano
SKU:
BT.PWM5939140
By Emma
Altberg. Tuition. Book
Only. Composed 2019. 44
pages. Polskie
Wydawnictwo Muzyczne
#PWM5939140. Published by
Polskie Wydawnictwo
Muzyczne (BT.PWM5939140).
Polish.
The
''Music Reader'' has been
conceived as a kind of
music magazine for junior
music schools. Its aim is
to provide children with
a valuable music
material; and the
collecting together of
works by various
composers of different
epochs in one volume will
make it easier for a
teacher to select a
repertory which would
have to be assembled from
different, not always
available, collections.
In addition, the Music
Reader, as its title
suggests, might provide
useful material for
sight-reading practice.
All the pieces in the
Music Reader have been
checked against urtext
editions or the most
recent critical editions.
The editing in itself has
also been modernized in
order to make the text as
transparent as possible.
The editor's performance
directions, regarding
tempo, dynamics,
articulation and so on,
have been placed in
brackets in order to
differentiate them from
the composer's marks,
while added slurs are
pecked. In this way, both
teacher and student will
be able to distinguish
the original marks from
those added by the
editor, which - of course
- are less binding.
(Paraphrase on Flight of the Bumble-Bee by Rimsky-Korsakov). Composed by Vestard...(+)
(Paraphrase on Flight of
the Bumble-Bee by
Rimsky-Korsakov).
Composed by Vestard
Shimkus. For Piano. Piano
Solo. Schott Music
#ED21737. Published by
Schott Music
Piano SKU: GI.G-7884 Edited by James Abbington. African American Church M...(+)
Piano
SKU:
GI.G-7884
Edited by
James Abbington. African
American Church Music
Series. Sacred.
Collection. GIA
Publications #7884.
Published by GIA
Publications (GI.G-7884).
UPC: 785147788430.
English.
Recorded
Live in Baltimore! Like
the previous ?ve
recordings and
collections, I Heard the
Voice highlights some of
the ?nest selections from
GIA’s African
American Church Music
series except this time
these powerful anthems,
spirituals, and gospel
selections were recorded
before a live audience.
Featuring the
incomparable Joseph
Joubert on Piano and
charismatic conductor
James Abbington directing
a powerful group of
Morgan State and Oakwood
University grads, this
live performance engaged,
thrilled, and inspired an
enthusiastic crowd. Feel
the excitement for
yourself—add I
Heard the Voice to your
growing collection today!
Contains a CD recording
and one of each of the
following octavos: Sing a
New World into Being
(From New Wine in Old
Wineskins, Volume 2,
G-7857)* - Jesus, Lay Yo'
Head in de Winda' JOUBERT
- Praise the Lord, All Ye
Nations RANDEGGER -
Sanctus SIMON - Study War
No More—down by
the Riverside JOUBERT -
Jesus Is the King
BURLEIGH - Holy, Holy,
Holy, Lord God Almighty*
JOUBERT - The Glorious
Medley DICKENSON - I Sing
the Mighty Power of God
BURTON - If My People
WADDLES - Just for Me
HOLLAND - Even Me REID -
Higest Praise JOUBERT - I
Heard the Voice WOOTEN
*on CD, but not included
in music collection
 .
Bach's Wohltemperiertes
Klavier was Bartók's
first instructional
publication, divided into
four books. Bartók
became a professor of
piano at the Budapest
Music Academy in 1907,
and it was probably in
this capacity that he was
entrusted with preparing
a Hungarian edition of
the set of pieces. His
basic idea was that
students learning
independently without
adequate guidance should
receive sufficient
directions from the music
to perform the works. As
a consequence Bartók's
score is deliberately
over-detailed.For
pedagogical reasons the
composer ignored the
original order of pieces,
and compiled the material
according to grades of
difficulty, dividing it
into four books.
Thepresent edition
presents the Bartók
Wohltemperiertes Klavier
in two volumes, each
containing two books. One
interesting feature of
the Bartók edition is
that two of the fugues in
both book III and book IV
are written out in full
score, to accustom the
pupil to score-reading.
For some pieces he
deliberately refrained
from providing
performance indications,
to give pianists an
opportunity to exercise
their creativity.The
current edition is not a
reprint: errors we know
of have been corrected,
and the layout of the
score has been
re-arranged keeping in
mind the need to turn
pages. This edition which
includes Bartók's
detailed comments is
complemented by
facsimiles of Bach's
manuscript and an
afterword by László
Somfai.
Piano solo SKU: HH.HH131-SOL Composed by Jeremy Arden. Piano Solo. Playin...(+)
Piano solo
SKU:
HH.HH131-SOL
Composed
by Jeremy Arden. Piano
Solo. Playing score.
Duration 27 minutes.
Edition HH Music
Publishers #HH131-SOL.
Published by Edition HH
Music Publishers
(HH.HH131-SOL).
ISBN
9790708041672.
Infi
nite Sets And Double
Binds is a term coined by
Margaret Arden in her
book The Midwifery Of The
Soul(1). It refers to the
circumstances of human
relationships where
communications are so
full of emotional
confusions that people
drive one another mad.
Let me say here that
there is no direct
equivalence between the
psychoanalytical theory
and the music and I
certainly don’t
want to drive listeners
to madness.
(15 Jazz Variations in the Style of the Masters (incl. free mp3-download)). By M...(+)
(15 Jazz Variations in
the Style of the Masters
(incl. free
mp3-download)). By
Michael Publig. For
piano. Level 3 to 4. 60
pages. Published by
Doblinger Music
Publishers
Piano SKU: HL.49012015 Composed by Richard Wagner. Edited by Carl Dahlhau...(+)
Piano
SKU:
HL.49012015
Composed
by Richard Wagner. Edited
by Carl Dahlhaus. This
edition: Full-cloth
binding. Sheet music.
Richard Wagner -
Samtliche Werke.
Classical. Score and
critical commentary,
complete edition. 124
pages. Schoenberg #RWA
119. Published by
Schoenberg (HL.49012015).
ISBN 9783795792459.
UPC: 073999726176.
11.0x15.0x0.818
inches.
The Richard
Wagner Complete Edition
presents the composer's
entire output for the
first time in a reliable
form. The conductor
Michael Balling, in the
early years of the 20th
century, attempted to
make Wagner's work more
accessible for research
and performance, but the
edition only reached 10
volumes - some with grave
shortcomings - and was
discontinued after
Balling's death in 1925.
A further attempt at a
complete edition by Otto
Strobel was abandoned at
the preliminary
stages.This third attempt
at a complete edition
will be the first
scholarly, critical
edition, based on an
evaluation of all the
accessible source
materials and the latest
findings of serious
Wagner research. As the
edition is also intended
for practical
performance, the musical
text has been kept free
of philological
insertions; these are
listed in the appendices
of each volume in the
Critical Commentary.
Numerous, partly
unpublished works - some
relatively unknown - and
variant versions are
published here for the
first time. The edition
presents authentic texts
for Wagner specialists
and researchers and
critically based
performing materials.
Contrary to widely held
opinions, even the
well-known works of
Wagner are not
necessarily available in
reliable editions. The
genesis, history and
performances directed by
Wagner himself are
extensively documented so
as to present as complete
an image as possible of
Wagner's compositional
intentions.
Piano SKU: PR.701175060 Arranged by Edison Quintana. Peermusic Classical ...(+)
Piano
SKU:
PR.701175060
Arranged
by Edison Quintana.
Peermusic Classical
#70117-506. Published by
Peermusic Classical
(PR.701175060).
UPC:
888680101268.
“Th
e idea of writing the
Danzón No.2 originated
in 1993 during a trip to
Malinalco with the
painter Andrés Fonseca
and the dancer Irene
Martínez, both of whom
are experts in salon
dances with a special
passion for the danzón,
which they were able to
transmit to me from the
beginning, and also
during later trips to
Veracruz and visits to
the Colonia Salon in
Mexico City. From these
experiences onward, I
started to learn the
danzón’s rhythms, its
form, its melodic
outline, and to listen to
the old recordings by
Acerina and his Danzonera
Orchestra. I was
fascinated and I started
to understand that the
apparent lightness of the
danzón is only like a
visiting card for a type
of music full of
sensuality and
qualitative seriousness,
a genre which old Mexican
people continue to dance
with a touch of nostalgia
and a jubilant escape
towards their own
emotional world; we can
fortunately still see
this in the embrace
between music and dance
that occurs in the State
of Veracruz and in the
dance parlors of Mexico
City. The Danzón No.2 is
a tribute to the
environment that
nourishes the genre. It
endeavors to get as close
as possible to the dance,
to its nostalgic
melodies, to its wild
rhythms, and although it
violates its intimacy,
its form and its harmonic
language, it is a very
personal way of paying my
respects and expressing
my emotions towards truly
popular music. Danzón
No.2 was written on a
commission by the
Department of Musical
Activities at Mexico’s
National Autonomous
University and is
dedicated to my daughter
Lily.” -- Arturo
Marquez About the danzon
genre, Lidice Valenzuela
writes in Cubanow: The
history of the danzon
goes back to the arrival
in Cuba of the European
contradance. It came in
three different ways:
directly from Spain, the
colonial metropolis; with
the British, who occupied
Havana in 1762; and the
French colonizers and
their slaves who landed
in Cuba's Eastern shores
after fleeing from the
Haitian Revolution. From
all of that
trans-cultural process
the Danzon was born. This
new Cuban dance,
naturalized by the
Creoles, had much more
expressive freedom: the
couple danced in each
other's arms, and the
dancing time was
extended. People began
calling it Danzon and it
was in Matanzas, in the
1870s that figure dancing
also began to be called
Danzon. Thus, Failde, an
outstanding musician,
named his composition
with the generic name of
Danzon..
Piano SKU: PR.701185010 Arranged by Leticia Gómez-Tagle. Peermusic Class...(+)
Piano
SKU:
PR.701185010
Arranged
by Leticia Gómez-Tagle.
Peermusic Classical
#70118-501. Published by
Peermusic Classical
(PR.701185010).
UPC:
888680101275.
“Th
e idea of writing the
Danzón No.2 originated
in 1993 during a trip to
Malinalco with the
painter Andrés Fonseca
and the dancer Irene
Martínez, both of whom
are experts in salon
dances with a special
passion for the danzón,
which they were able to
transmit to me from the
beginning, and also
during later trips to
Veracruz and visits to
the Colonia Salon in
Mexico City. From these
experiences onward, I
started to learn the
danzón’s rhythms, its
form, its melodic
outline, and to listen to
the old recordings by
Acerina and his Danzonera
Orchestra. I was
fascinated and I started
to understand that the
apparent lightness of the
danzón is only like a
visiting card for a type
of music full of
sensuality and
qualitative seriousness,
a genre which old Mexican
people continue to dance
with a touch of nostalgia
and a jubilant escape
towards their own
emotional world; we can
fortunately still see
this in the embrace
between music and dance
that occurs in the State
of Veracruz and in the
dance parlors of Mexico
City. The Danzón No.2 is
a tribute to the
environment that
nourishes the genre. It
endeavors to get as close
as possible to the dance,
to its nostalgic
melodies, to its wild
rhythms, and although it
violates its intimacy,
its form and its harmonic
language, it is a very
personal way of paying my
respects and expressing
my emotions towards truly
popular music. Danzón
No.2 was written on a
commission by the
Department of Musical
Activities at Mexico’s
National Autonomous
University and is
dedicated to my daughter
Lily.” -- Arturo
Marquez About the danzon
genre, Lidice Valenzuela
writes in Cubanow: The
history of the danzon
goes back to the arrival
in Cuba of the European
contradance. It came in
three different ways:
directly from Spain, the
colonial metropolis; with
the British, who occupied
Havana in 1762; and the
French colonizers and
their slaves who landed
in Cuba's Eastern shores
after fleeing from the
Haitian Revolution. From
all of that
trans-cultural process
the Danzon was born. This
new Cuban dance,
naturalized by the
Creoles, had much more
expressive freedom: the
couple danced in each
other's arms, and the
dancing time was
extended. People began
calling it Danzon and it
was in Matanzas, in the
1870s that figure dancing
also began to be called
Danzon. Thus, Failde, an
outstanding musician,
named his composition
with the generic name of
Danzon..