SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107619

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Set of Orchestra Parts. Composed 1723. BWV 76. Duration 35 minutes. Carus Verlag #CV 31.076/19. Published by Carus Verlag (CA.3107619).

ISBN 9790007134082. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and parts available separately - see item CA.3107600.

SATB vocal soli, SATB choir, flute, 2 oboes/2 oboe d'amore, taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3114605

Cantata for the Sunday Jubilate. Composed by Johann Sebastian Bach. Edited by Anja Morgenstern. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Wir mussen durch viel Trubsal. Sacred vocal music, Cantatas, Easter and Eastertide. Choral Score. Composed circa 1728? BWV 146. 8 pages. Duration 40 minutes. Carus Verlag #CV 31.146/05. Published by Carus Verlag (CA.3114605).

ISBN 9790007112479. Key: D minor. Language: German/English.

It is evident from the sources that the cantata was written for the 3rd Sunday after Easter. The text, the identity of whose author is unknown, is based on the comparison between sadness and joy prescribed in the Gospel for that Sunday. This cantata has survived only in copies made after 1750, but undoubtedly the cantata dates from Bachs's years in Leipzig. Score available separately - see item CA.3114600.

Orchestra SATB vocal soli, SATB choir, flute, 2 oboes/2 oboe d'amore, taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3114607

Cantata for the Sunday Jubilate. Composed by Johann Sebastian Bach. Edited by Anja Morgenstern. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Wir mussen durch viel Trubsal. Sacred vocal music, Cantatas, Easter and Eastertide. Study score. Composed circa 1728? BWV 146. 80 pages. Duration 40 minutes. Carus Verlag #CV 31.146/07. Published by Carus Verlag (CA.3114607).

ISBN 9790007092467. Key: D minor. Language: German/English.

It is evident from the sources that the cantata was written for the 3rd Sunday after Easter. The text, the identity of whose author is unknown, is based on the comparison between sadness and joy prescribed in the Gospel for that Sunday. This cantata has survived only in copies made after 1750, but undoubtedly the cantata dates from Bachs's years in Leipzig. Score available separately - see item CA.3114600.

SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo

SKU: CA.3500513

Kantate zum 1. Sonntag nach Epiphanias. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gedenke, Herr, wie es uns gehet. Sacred vocal music, Cantatas, Epiphany. Single Part, Viola. 8 pages. Duration 14 minutes. Carus Verlag #CV 35.005/13. Published by Carus Verlag (CA.3500513).

ISBN 9790007212902. Language: German/English.

Amo ng the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th century, there are certain compositonal errors which cannot possibly be reconciled to Bach's mature style. The implication is that this is not a genuine cantata by the Leipzig Thomaskantor, but an ambitious piece by one of his pupils. Score and part available separately - see item CA.3500500.

SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo

SKU: CA.3500503

Kantate zum 1. Sonntag nach Epiphanias. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gedenke, Herr, wie es uns gehet. Sacred vocal music, Cantatas, Epiphany. Vocal score. 20 pages. Duration 14 minutes. Carus Verlag #CV 35.005/03. Published by Carus Verlag (CA.3500503).

ISBN 9790007091699. Language: German/English.

Amo ng the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th century, there are certain compositonal errors which cannot possibly be reconciled to Bach's mature style. The implication is that this is not a genuine cantata by the Leipzig Thomaskantor, but an ambitious piece by one of his pupils. Score available separately - see item CA.3500500.

SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo

SKU: CA.3500511

Kantate zum 1. Sonntag nach Epiphanias. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gedenke, Herr, wie es uns gehet. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 1. 8 pages. Duration 14 minutes. Carus Verlag #CV 35.005/11. Published by Carus Verlag (CA.3500511).

ISBN 9790007212889. Language: German/English.

Amo ng the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th century, there are certain compositonal errors which cannot possibly be reconciled to Bach's mature style. The implication is that this is not a genuine cantata by the Leipzig Thomaskantor, but an ambitious piece by one of his pupils. Score and part available separately - see item CA.3500500.

SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo

SKU: CA.3500500

Kantate zum 1. Sonntag nach Epiphanias. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gedenke, Herr, wie es uns gehet. Sacred vocal music, Cantatas, Epiphany. Full score. 40 pages. Duration 14 minutes. Carus Verlag #CV 35.005/00. Published by Carus Verlag (CA.3500500).

ISBN 9790007103439. Language: German/English.

Amo ng the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th century, there are certain compositonal errors which cannot possibly be reconciled to Bach's mature style. The implication is that this is not a genuine cantata by the Leipzig Thomaskantor, but an ambitious piece by one of his pupils.

SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo

SKU: CA.3500519

Kantate zum 1. Sonntag nach Epiphanias. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Epiphany. Set of Orchestra Parts. Duration 14 minutes. Carus Verlag #CV 35.005/19. Published by Carus Verlag (CA.3500519).

ISBN 9790007144456. Text language: German/English.

Amo ng the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th century, there are certain compositonal errors which cannot possibly be reconciled to Bach's mature style. The implication is that this is not a genuine cantata by the Leipzig Thomaskantor, but an ambitious piece by one of his pupils. Score and parts available separately - see item CA.3500500.

SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo

SKU: CA.3500505

Kantate zum 1. Sonntag nach Epiphanias. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gedenke, Herr, wie es uns gehet. Sacred vocal music, Cantatas, Epiphany. Choral Score. 8 pages. Duration 14 minutes. Carus Verlag #CV 35.005/05. Published by Carus Verlag (CA.3500505).

ISBN 9790007103446. Language: German/English.

Amo ng the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th century, there are certain compositonal errors which cannot possibly be reconciled to Bach's mature style. The implication is that this is not a genuine cantata by the Leipzig Thomaskantor, but an ambitious piece by one of his pupils. Score available separately - see item CA.3500500.

SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo

SKU: CA.3500549

Kantate zum 1. Sonntag nach Epiphanias. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gedenke, Herr, wie es uns gehet. Sacred vocal music, Cantatas, Epiphany. Single Part, Organ. 12 pages. Duration 14 minutes. Carus Verlag #CV 35.005/49. Published by Carus Verlag (CA.3500549).

ISBN 9790007212926. Language: German/English.

Amo ng the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th century, there are certain compositonal errors which cannot possibly be reconciled to Bach's mature style. The implication is that this is not a genuine cantata by the Leipzig Thomaskantor, but an ambitious piece by one of his pupils. Score and part available separately - see item CA.3500500.

SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo

SKU: CA.3500512

Kantate zum 1. Sonntag nach Epiphanias. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gedenke, Herr, wie es uns gehet. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 2. 8 pages. Duration 14 minutes. Carus Verlag #CV 35.005/12. Published by Carus Verlag (CA.3500512).

ISBN 9790007212896. Language: German/English.

Amo ng the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th century, there are certain compositonal errors which cannot possibly be reconciled to Bach's mature style. The implication is that this is not a genuine cantata by the Leipzig Thomaskantor, but an ambitious piece by one of his pupils. Score and part available separately - see item CA.3500500.

SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo

SKU: CA.3500514

Kantate zum 1. Sonntag nach Epiphanias. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gedenke, Herr, wie es uns gehet. Sacred vocal music, Cantatas, Epiphany. Single Part, Cello/Double Bass. 8 pages. Duration 14 minutes. Carus Verlag #CV 35.005/14. Published by Carus Verlag (CA.3500514).

ISBN 9790007212919. Language: German/English.

Amo ng the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th century, there are certain compositonal errors which cannot possibly be reconciled to Bach's mature style. The implication is that this is not a genuine cantata by the Leipzig Thomaskantor, but an ambitious piece by one of his pupils. Score and part available separately - see item CA.3500500.

Orchestra SATB vocal soli, SATB choir, 2 oboes, tromba (da tirarsi), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3107719

Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Du Sollst Gott, Deinen Herren, Lieben. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1723. BWV 77. Duration 17 minutes. Carus Verlag #CV 31.077/19. Published by Carus Verlag (CA.3107719).

ISBN 9790007134099. Key: C major / d minor. Language: German/English. Text: Knauer, Johann Oswald. Text: Johann Oswald Knauer.

The closing chorale of the cantata is given without text in the autograph. In this edition, the recommendation of the Neuen Bachausgabe (NBA 1/21) is followed. Score and parts available separately - see item CA.3107700.

Orchestra SATB vocal soli, SATB choir, 2 oboes, tromba (da tirarsi), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3107705

Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Du Sollst Gott, Deinen Herren, Lieben. Sacred vocal music, Cantatas, Trinity. Choral Score. Composed 1723. BWV 77. 12 pages. Duration 17 minutes. Carus Verlag #CV 31.077/05. Published by Carus Verlag (CA.3107705).

ISBN 9790007045029. Key: C major / d minor. Language: German/English. Text: Knauer, Johann Oswald. Text: Johann Oswald Knauer.

The closing chorale of the cantata is given without text in the autograph. In this edition, the recommendation of the Neuen Bachausgabe (NBA 1/21) is followed. Score available separately - see item CA.3107700.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112014

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Praise and thanks. Single Part, basso continuo. Composed 1742. BWV 120. 12 pages. Duration 26 minutes. Carus Verlag #CV 31.120/14. Published by Carus Verlag (CA.3112014).

ISBN 9790007207311. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and part available separately - see item CA.3112000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112000

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Praise and thanks. Full score. Composed 1742. BWV 120. 60 pages. Duration 26 minutes. Carus Verlag #CV 31.120/00. Published by Carus Verlag (CA.3112000).

ISBN 9790007164829. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, solo violin, 2 violins, viola, basso continuo

SKU: CA.3112019

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Composed 1742. BWV 120. Duration 26 minutes. Carus Verlag #CV 31.120/19. Published by Carus Verlag (CA.3112019).

ISBN 9790007164522. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and parts available separately - see item CA.3112000.

(as a pasticcio by Johann Sebastian Bach, with arias from Hande'ls Brockes-Passion). Composed by Georg Friedrich Handel / Kaiser. Edited by Christine Blanken. Arranged by Johann Sebastian Bach. For SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso continuo. This edition: Paperbound. Edition Bach-Archiv Leipzig - Musical Monuments. German title: Markuspassion. Passions, Lent and Passiontide, Holy Week. Vocal score. Language: German. Composed circa 1747. 88 pages. Duration 90 minutes. Published by Carus Verlag

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112012

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Praise and thanks. Single Part, Violin 2. Composed 1742. BWV 120. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.120/12. Published by Carus Verlag (CA.3112012).

ISBN 9790007207298. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and part available separately - see item CA.3112000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112049

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Praise and thanks. Single Part, Organ. Composed 1742. BWV 120. 12 pages. Duration 26 minutes. Carus Verlag #CV 31.120/49. Published by Carus Verlag (CA.3112049).

ISBN 9790007207328. Language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and part available separately - see item CA.3112000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112011

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Praise and thanks. Single Part, Violin 1. Composed 1742. BWV 120. 12 pages. Duration 26 minutes. Carus Verlag #CV 31.120/11. Published by Carus Verlag (CA.3112011).

ISBN 9790007207281. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and part available separately - see item CA.3112000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112009

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. 1x 31.120/21 oboe d'amore 1, 1x 31.120/22 oboe d'amore 2, 4x 31.120/31 trumpet. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Composed 1742. BWV 120. Duration 26 minutes. Carus Verlag #CV 31.120/09. Published by Carus Verlag (CA.3112009).

ISBN 9790007207274. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and parts available separately - see item CA.3112000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112013

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Praise and thanks. Single Part, Viola. Composed 1742. BWV 120. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.120/13. Published by Carus Verlag (CA.3112013).

ISBN 9790007207304. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and part available separately - see item CA.3112000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112003

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Praise and thanks. Vocal score. Composed 1742. BWV 120. 28 pages. Duration 26 minutes. Carus Verlag #CV 31.120/03. Published by Carus Verlag (CA.3112003).

ISBN 9790007164539. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score available separately - see item CA.3112000.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113949

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Single Part, Organ. Composed 1724. BWV 139. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.139/49. Published by Carus Verlag (CA.3113949).

ISBN 9790007208295. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and part available separately - see item CA.3113900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113914

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello piccolo. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Single Part, Cello piccol. Composed 1724. BWV 139. 4 pages. Duration 20 minutes. Carus Verlag #CV 31.139/14. Published by Carus Verlag (CA.3113914).

ISBN 9790007208271. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and part available separately - see item CA.3113900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113900

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Full score. Composed 1724. BWV 139. 40 pages. Duration 20 minutes. Carus Verlag #CV 31.139/00. Published by Carus Verlag (CA.3113900).

ISBN 9790007170479. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113915

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Single Part, basso continuo. Composed 1724. BWV 139. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.139/15. Published by Carus Verlag (CA.3113915).

ISBN 9790007208288. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and part available separately - see item CA.3113900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113911

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Single Part, Violin 1. Composed 1724. BWV 139. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.139/11. Published by Carus Verlag (CA.3113911).

ISBN 9790007208240. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and part available separately - see item CA.3113900.