Cette édition séparée de la première Suite pour violoncelle solo de Johann Sebastian Bach contient le texte musical de l'édition de Wiener Urtext réputé avec tous les six suites violoncelles de Bach par Ulrich Leisinger. Grâce à nouvelles découvertes, Leisinger géré de réévaluer les sources qui n'ont pas quitté la structure du texte musical et le problème délicat associé des insultes intacte. Sa réévaluation a motivé une liberté plus forte de la copie manuscrite de Anna Magdalena Bach, qui avait toujours citée comme source principale jusqu'alors malgré qu'il soit très peu fiable à l'articulation - donc la nouvelle édition mène à des solutions plus convaincantes. Cette édition séparée est le point de départ idéal pour l'étude des suites -s Bach

Johann Sebastian Bach's six suites for solo cello (BWV 1007-1012) are among the most significant compositions for unaccompanied melody instrument and have won a permanent place in the repertoire of every cellist.Joachim Linckelmann has made the first two suites available for performance on the flute. His arrangements exploit the technical possibilities of the instrument while never straying far from the original. ln this form the cello suites will not onIy be a welcome diversion in the literature for solo flute, but pose a genuine challenge to every flautist.· Convincing, straightforward arrangement· Welcome addition to the solo flute repertoire / Flûte / Partition

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition 6 Suites a Violoncello Solo senza Basso qui a été écrite pourVioloncelle. Les éditions Bärenreiter qui ont éditées cette oeuvre l'ont répertoriée sour la référence BA 5215 . / Violoncelle / Partition

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Sechs Suiten für Violoncello solo qui a été écrite pourVioloncelle. Les éditions Bärenreiter qui ont éditées cette oeuvre l'ont répertoriée sour la référence BA 320 . / Violoncelle / Partition

Tout au plus, le programme 'Air' de Johann Sebastian Bach, il peut 'demeurer Jésus ma joie' en popularité avec son record série: Le choeur final de la cantate BWV 147 'Coeur, bouche, action et vie' est dans sa simplicité et la perfection tout en un véritable 'accrocheur' devenir où vous pouvez à peine entendre assez. Ce traitement rend ce point culminant classique accessible à bout conférence et concert pour quatuor à cordes et double basse ad libitum ou orchestre à cordes. / Violoncelle

Peter Freyhan a pris cinq oeuvres, principalement de morceaux de clavier, par J.S. Bach et leur arrangé pour violoncelle non accompagné. Bach était lui-même un arrangeur invétéré de sa propre musique d'autres personnes, y compris les concertos pour violon Vivaldi dont il a organisé pour la harpe sichord - l'habileté est en rendant les arrangements aussi crédible que les originaux. Freyhan le fait avec son habileté - par exemple, son arrangement de Jesu joie de l'homme désirant donne l'impression de la mélodie de la chorale et de le oeuvre sont jouées simultanément. / Violoncelle

Par BACH JOHANN SEBASTIAN. In this two-volume edition of Bach’s cello suites, Andrew Talle now presents an entirely new view of the relationships between existing sources. The first volume contains the edited musical text, which comes as close to the composer’s original intention as the surviving source material allows: “This edition does not constitute a perfect reconstruction of the lost autograph; that is something no editor could claim to accomplish. Instead, I have attempted to supply musicians and researchers with a reliable version of the surviving musical text of the six cello suites, and to convey a sense of the many possibilities Bach encouraged his musicians to explore.”The second volume presents, for the first time, synoptically arranged facsimiles of the handwritten sources as well as the first print (with Suite No. V also including Bach’s own arrangement for lute), allowing readers to compare any specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources, making editorial decisions transparent and self-evident. Andrew Talle’s edition is supplemented by a comprehensive discussion of the instrument for which the suites were created, as well as information regarding musical interpretation during Bach’s time./ Répertoire / Violoncelle

Par BACH JOHANN SEBASTIAN. With his cello technique Pablo Casals set standards new at the time, and with his interpretation and warm, singing tone he helped even little, improbable compositions achieve great effectiveness. By means of his interpretative art he rescued Bach's Cello Suites from oblivion, and he occupied himself with them throughout his life, fascinating his public with his renditions of these suites over and over in new ways./ Répertoire / Violoncelle

Poèmes Evangéliques Op.99 N°5. Par BACH JOHANN SEBASTIAN. Based On The Partita #3 E Major/ Répertoire / Violoncelle

Par BACH JOHANN SEBASTIAN. Révision : Fernand Gabez / classique / Répertoire / Violoncelle

Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Klengel, Julius/ Répertoire / Violoncelle

Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello, you think of Bach's immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous.At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition, based on volume 4 of the New Bach Edition - Revised (NBArev), now completes Bärenreiter's collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. 'This edition does not present a perfect reconstruction of the lost autograph - no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical to the text in New Bach Edition - Revised Volume 4, Book 1- Detailed introduction (Ger/Eng) / Violoncelle