(SSATB with Solos a cappella). By Benjamin Britten (1913-1976). For Choral (SSAT...(+)
(SSATB with Solos a
cappella). By Benjamin
Britten (1913-1976). For
Choral (SSATB). BH Large
Choral. 48 pages. Boosey
and Hawkes #M051481666.
Published by Boosey and
Hawkes
SSAA & Piano SKU: SU.YR4309 For SSAA & Piano. Composed by Holly Ne...(+)
SSAA & Piano
SKU:
SU.YR4309
For SSAA
& Piano. Composed by
Holly Near. Vocal/Choral,
Secular Choral.
Accompanied by piano,
Women’s Chorus.
Choral Octavo. Subito
Music Corporation
#YR4309. Published by
Subito Music Corporation
(SU.YR4309).
Arranged by
Anne AlbrittonSSAA &
piano Composed: 2000
Published by: Barton
Rhodes Press Minimum
order quantity: 8 copies.
To order quantities fewer
than 8, please email
customer service at
sales@subitomusic.com.
(GEH) SKU: HL.49023822 Composed by Kunterbund. Edited by Martin Ketels. T...(+)
(GEH)
SKU:
HL.49023822
Composed
by Kunterbund. Edited by
Martin Ketels. This
edition: Saddle
stitching. Sheet music.
Kunter-bund-edition.
Melody line (with
chords). 96 pages. Schott
Music #BUND 71017.
Published by Schott Music
(HL.49023822).
ISBN
9783795756505.
5.75x8.25x0.14 inches.
German.
Der
Liederkarren greift auf,
was uberall gesungen
wird: die beliebtesten
Melodien der
Jugendgruppen und
Schulklassen, die
popularsten Songs vieler
Musikgruppen und
Gitarrenkurse, die
bekanntesten Lieder der
Burgerinitiativen und
anderer engagierter
Gruppen und
Liedermacher.
Piano SKU: SU.32020080 For Piano. Composed by Dorothy Hindman. Key...(+)
Piano
SKU:
SU.32020080
For
Piano. Composed by
Dorothy Hindman.
Keyboard,
Piano/Harpsichord. Score.
Subito Music Corporation
#32020080. Published by
Subito Music Corporation
(SU.32020080).
The New York
Classical Review says,
These five short pieces
in the manner of Debussy
have exquisite craft,...
with dazzling
fingerwork... The
fifteen-minute Steinway
Preludes - Sparkling,
Pearly, Velvety, Brittle
and Thunderous - range
from intermediate to
advanced difficulty.Piano
Duration: 15' Composed:
2004 Published by:
Distributed Composer.
Piano SKU: SU.95010680 For Piano. Composed by Judith Lang Zaimont....(+)
Piano
SKU:
SU.95010680
For
Piano. Composed by
Judith Lang Zaimont.
Score. Subito Music
Corporation #95010680.
Published by Subito Music
Corporation
(SU.95010680).
Throughout our
wonderful spectrum of
sounds every instrument
speaks in its own unique
voice - in a special
manner, with a special
accent. Keyboard Cousins
asks the developing
pianist to adopt a few of
these other voices using
controlled varieties of
touch. —Judith
Lang Zaimont The
Harpsichord A
Harpsichord's sounds are
short and a bit brittle.
So use a detached touch,
and no pedal. The Guitar
A Guitar's tones linger,
and the instrument
responds to flexing
tempos. Watch for the
detached, moving inner
line, shared from hand to
hand, while the top and
bottom anchor points
sustain. And note the
given direction for
certain arpeggios, and
where the tempo loosens
(especially a long ending
ritard). The Harp A
Harp's exuberance
flourishes across its
wide range. Its
arabesques build up
resonance over time, so
watch how the pedaling
matches the phrasing.
Though the meter twice
switches from triple to
duple, there are the same
steady 2 beats in every
bar.Keyboard Cousins is
included in Piano
Premieres, Volume 1
(Cat.# 96010590), New
music for developing
pianists. Piano Duration:
ca. 5' Composed: 2020
Published by: Subito
Music Publishing.
Maple Leaf Overture Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-322-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-322-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Score
Only. Composed 2011. 24
pages. Anglo Music Press
#AMP 322-140. Published
by Anglo Music Press
(BT.AMP-322-140).
9x12
inches.
English-German-French-Dut
ch.
Named after the
leaf displayed on
Canada’s flag,
Maple Leaf Overture
was composed
specifically to open a
Canadian school’s
symphonic band tour of
England. A short fanfare
during the overture
smoothly transitions to a
jazzy, syncopated
section. The main theme
is first played by the
horns and saxophones, and
then by the entire
ensemble. This lively
theme then alternates
with a slower second
theme, building momentum
before a brisk coda
culminates in a rousing
finale!
Maple Leaf
Overture gaat natuurlijk
over het bekendste
herkenningsteken van
Canada: het blad van de
esdoorn, in de vlag.
Sparke componeerde dit
openingswerk speciaal
voor een Canadees
schoolorkest uit Calgary,
voor hun tour door
Groot-Brittannië.Een
korte fanfare gaat in
deze ouverture naadloos
over in een jazzachtig,
syncopisch vivo. Eerst
nemen de hoorns en
saxofoons het hoofdthema
voor hun rekening. Daarna
speelt het hele orkest
dit thema. Spanning
ontstaatwanneer het
snelle hoofdthema een
langzaam tweede deel
afwisselt. Daarna keert
het snelle hoofdthema
weer terug. Een snel coda
beëindigt de
ouverture. Maple Leaf
Overture: feestelijk en
sprankelend!
Ma
ple Leaf Overture
trägt das kanadische
Wahrzeichen, das
Ahornblatt im Titel. Eine
kurze Fanfare geht in
dieser Ouvertüre
nahtlos in eine jazzig
synkopiertes Vivo
über. Das
Hauptthema dürfen
erst die Hörner und
Saxophone vorstellen,
dann spielt das gesamte
Blasorchester. Es
entsteht Spannung durch
den Wechsel zwischen dem
schnellen Hauptthema,
einem langsameren zweiten
Thema und zurück,
bevor eine schnellere
Coda das Werk
beendet.
Maple
Leaf Overture, il cui
titolo riporta
all’emblema della
bandiera canadese (la
foglia di acero), è un
brano commissionato a
Philip Sparke
dall’Orchestra
Sinfonica di un liceo di
Calgary che l’ha
eseguita in occasione di
una serie di concerti
tenutisi in Inghilterra.
Il brano apre con una
fanfara maestosa che
alterna fraseggi affidati
alle varie sezioni della
banda. Questa successione
omogenea in un tempo vivo
introduce
progressivamente ritmi
sincopati in stile jazz.
Un tema principale,
all’inizio
eseguito dai corni e dai
sassofoni, sar in seguito
ripreso da tutto
l’organico. Segue
un motivo più dolce
che si intercala
progressivamente verso
un’apoteosi nella
qualeviene riproposto il
tema principale. Il brano
si conclude con un breve
richiamo alla fanfara di
apertura, seguita da una
rapida coda.
The Legend of Celobrium Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-202-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-202-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2007.
Anglo Music Press #AMP
202-010. Published by
Anglo Music Press
(BT.AMP-202-010).
9x12
inches.
English-German-French-Dut
ch.
This piece is
about a medieval legend,
The Treasure of
Zolverknapp, thatis
associated with the
region around the village
Zolver in Luxembourg.It
tells the tale of hidden
treasure, brave knights,
fierce battles, silverand
jewels and a devil?s
curse! All of these
combine to make The
Legendof Celobrium a
legendary concert work.
The Legend of
Celobrium is
geschreven in opdracht
van de Harmonie de
Soleuvre uit Luxemburg,
ter gelegenheid van het
honderdjarig bestaan in
2007. Celobrium was de
Romeinse naam voor
Soleuvre (Zolwer in het
Luxemburgs, Zolverin het
Duits). Het werk
beschrijft een beroemde
sage die al eeuwen bekend
is in de regio. Een
muzikaal verhaal
boordevol
avontuur!
Dieses
Stück handelt von
einer mittelalterlichen
Sage aus der Region um
das Dorf Zolver
(lateinisch Celobrium) in
Luxemburg. Sie erzählt
von einem Silberschatz in
einer alten Burg.
Raubritter, Krieg,
Flucht, Silber und
Juwelen, der Teufel und
ein Fluch, der heute noch
jene trifft, die
versuchen, den Schatz zu
heben, machen The
Legend of Celobrium
zu einem spannenden
Konzertwerk.
SKU: HL.50605426 For Alto Recorder, Kannel, Harpsichord, Synth/Theremi...(+)
SKU: HL.50605426
For Alto Recorder,
Kannel, Harpsichord,
Synth/Theremin.
Composed by Britta
Bystrom. Instrumental.
Softcover. Edition
Wilhelm Hansen #WH33455.
Published by Edition
Wilhelm Hansen
(HL.50605426).
Piano, vocal, guitar SKU: GH.GE-12051 En musikbok om vara sinnen. ...(+)
Piano, vocal, guitar
SKU: GH.GE-12051
En musikbok om vara
sinnen. Composed by
Ensemble Yria. Fall ut
dina vingar och flyg ivag
i en balansdans! Onska en
frukt som smakar bra, ut
och sniffa med din
luktmackapar och klia
loss fran topp till ta!
Educational. Book & CD.
With Language: Swedish.
Melody, lyrics and
chords. Gehrmans
Musikforlag #GE 12051.
Published by Gehrmans
Musikforlag
(GH.GE-12051).
ISBN
978-91-7748-329-8.
Valkomna med pa ett
Sinnenas Spektakel! I
denna musikbok bjuder
vannerna Keniso och
Sinsabell in till ett
fargsprakande och
fartfyllt musikaventyr
som uppmanar till
kreativa upptag med
samtliga sinnen pa spann.
Materialet riktar sig
framst till barn i
forskolealder och de
lagre skol-aren och har
en tydlig forankring i
laroplanen. Nyskrivna
latar varvas med
aktivitetstips och fakta
som vacker forundran och
nyfikenhet kring vara
sinnen. Titta, lyssna,
smaka, lukta och kann pa
bade fantasi och
verklighet i en
utforskande miljo. Med
boken foljer en CD med
alla sangerna och
sing--along--spar.
Sinnenas Spektakel ar
ett rytmikpedagogiskt
helhetskoncept skapat av
Ensemble Yria. Ensemblen
bestar av Britta
Forslund, Sara Ohlzon,
Karin Westberg och
Madeleine Wittmark, som
alla ar verksamma musiker
och rytmiklarare
utbildade vid Kungl.
Musikhogskolan i
Stockholm.
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-202-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-202-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2007. 60 pages.
Anglo Music Press #AMP
202-140. Published by
Anglo Music Press
(BT.AMP-202-140).
9x12
inches.
English-German-French-Dut
ch.
This piece is
about a medieval legend,
The Treasure of
Zolverknapp, thatis
associated with the
region around the village
Zolver in Luxembourg.It
tells the tale of hidden
treasure, brave knights,
fierce battles, silverand
jewels and a devil?s
curse! All of these
combine to make The
Legendof Celobrium a
legendary concert work.
The Legend of
Celobrium is
geschreven in opdracht
van de Harmonie de
Soleuvre uit Luxemburg,
ter gelegenheid van het
honderdjarig bestaan in
2007. Celobrium was de
Romeinse naam voor
Soleuvre (Zolwer in het
Luxemburgs, Zolverin het
Duits). Het werk
beschrijft een beroemde
sage die al eeuwen bekend
is in de regio. Een
muzikaal verhaal
boordevol
avontuur!
Dieses
Stück handelt von
einer mittelalterlichen
Sage aus der Region um
das Dorf Zolver
(lateinisch Celobrium) in
Luxemburg. Sie erzählt
von einem Silberschatz in
einer alten Burg.
Raubritter, Krieg,
Flucht, Silber und
Juwelen, der Teufel und
ein Fluch, der heute noch
jene trifft, die
versuchen, den Schatz zu
heben, machen The
Legend of Celobrium
zu einem spannenden
Konzertwerk.
Maple Leaf Overture Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-322-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-322-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Set (Score
& Parts). Composed 2011.
Anglo Music Press #AMP
322-010. Published by
Anglo Music Press
(BT.AMP-322-010).
9x12
inches.
English-German-French-Dut
ch.
Named after the
leaf displayed on
Canada’s flag,
Maple Leaf Overture
was composed
specifically to open a
Canadian school’s
symphonic band tour of
England. A short fanfare
during the overture
smoothly transitions to a
jazzy, syncopated
section. The main theme
is first played by the
horns and saxophones, and
then by the entire
ensemble. This lively
theme then alternates
with a slower second
theme, building momentum
before a brisk coda
culminates in a rousing
finale!
Maple Leaf
Overture gaat natuurlijk
over het bekendste
herkenningsteken van
Canada: het blad van de
esdoorn, in de vlag.
Sparke componeerde dit
openingswerk speciaal
voor een Canadees
schoolorkest uit Calgary,
voor hun tour door
Groot-Brittannië.Een
korte fanfare gaat in
deze ouverture naadloos
over in een jazzachtig,
syncopisch vivo. Eerst
nemen de hoorns en
saxofoons het hoofdthema
voor hun rekening. Daarna
speelt het hele orkest
dit thema. Spanning
ontstaatwanneer het
snelle hoofdthema een
langzaam tweede deel
afwisselt. Daarna keert
het snelle hoofdthema
weer terug. Een snel coda
beëindigt de
ouverture. Maple Leaf
Overture: feestelijk en
sprankelend!
Ma
ple Leaf Overture
trägt das kanadische
Wahrzeichen, das
Ahornblatt im Titel. Eine
kurze Fanfare geht in
dieser Ouvertüre
nahtlos in eine jazzig
synkopiertes Vivo
über. Das
Hauptthema dürfen
erst die Hörner und
Saxophone vorstellen,
dann spielt das gesamte
Blasorchester. Es
entsteht Spannung durch
den Wechsel zwischen dem
schnellen Hauptthema,
einem langsameren zweiten
Thema und zurück,
bevor eine schnellere
Coda das Werk
beendet.
Maple
Leaf Overture, il cui
titolo riporta
all’emblema della
bandiera canadese (la
foglia di acero), è un
brano commissionato a
Philip Sparke
dall’Orchestra
Sinfonica di un liceo di
Calgary che l’ha
eseguita in occasione di
una serie di concerti
tenutisi in Inghilterra.
Il brano apre con una
fanfara maestosa che
alterna fraseggi affidati
alle varie sezioni della
banda. Questa successione
omogenea in un tempo vivo
introduce
progressivamente ritmi
sincopati in stile jazz.
Un tema principale,
all’inizio
eseguito dai corni e dai
sassofoni, sar in seguito
ripreso da tutto
l’organico. Segue
un motivo più dolce
che si intercala
progressivamente verso
un’apoteosi nella
qualeviene riproposto il
tema principale. Il brano
si conclude con un breve
richiamo alla fanfara di
apertura, seguita da una
rapida coda.
Clarinet and Piano SKU: ST.C129 Composed by Mark Tanner. Wind & brass mus...(+)
Clarinet and Piano
SKU: ST.C129
Composed by Mark Tanner.
Wind & brass music.
Clifton Edition #C129.
Published by Clifton
Edition (ST.C129).
ISBN
9790570811298.
As I
sit myself down to write
this brief foreword, I
ask myself can there be
music more stirring than
these old Cornish folk
melodies? Though not
Cornish myself (I confess
to being born a little
further up the road, in
Bristol), I feel I have
spent sufficient time in
these 'ere parts to
resonate with the sturdy
brass band tradition that
continues to permeate
this incomparably
beautiful, rugged county.
One can almost detect a
French 'accent' when
listening to the piano
music of Debussy, and
likewise, speaking as a
lapsed brass player,
there is undoubtedly
something of the Cornish
twang about Trelawny when
played on a cornet or
euphonium. Then again,
one gets a different, yet
entirely convincing
effect upon hearing these
melodies rendered on
woodwind instruments;
hence, with a little
gamesmanship on my part,
I am pleased to see my
collection of these
fifteen delectable
ditties come to fruition
in the form of
arrangements for treble
clef brass instruments
(in B flat and E flat),
trombone and tuba (bass
clef), horn in F, flute,
clarinet and bassoon.
While many will find
themselves humming the
likes of Going up
Camborne Hill, Lamorna or
The Helston Furry Dance
even before they have
turned to the first page
- for these are indelibly
intertwined with Cornish
culture – I wonder if I
might draw your attention
to The Cornish Squire,
The Pool of Pilate and
Cold Blows the Wind Today
Sweetheart, which are
quite simply sublime
melodies, perhaps needing
that extra bit of help in
bringing them to mind
nowadays. In the best
tradition of musical
hand-me-downs, Cornish
folk music works equally
ideally sung and played,
and only by doing so on a
regular basis can such
traditions hope to
continue forward with
vigour and authority. A
legitimate way of
achieving this is to
revitalise the harmonic
scheme of these ancient
tunes and bring them up
to date for a modern
audience; after all, it
was such an approach that
fuelled the imagination
of Benjamin Britten and
Ralph Vaughan Williams in
decades past, while
skilfully paying homage
to the underlying charm
and, for want of a better
word, simplicity, of the
original music. But this
is only a start – for
without an energetic
response from younger
generations, Cornish folk
music is destined to
wither on the vine in
much the same way as is
happening with the
Cornish dialect. So, put
your instrument to your
lips and proceed, not
with caution, but with
enthusiasm and a smile,
for your great
grandparents (and perhaps
even their grandparents)
would surely raise a
glass if they could hear
you doing your bit to
ensure the survival of
this splendid
heritage. Timeless
Cornish melodies, cooked
up for hungry clarinet
players Grades
1–4 Former Spartan
Press Cat. No.:
SP1218.
Bassoon and Piano SKU: ST.C130 Composed by Mark Tanner. Wind & brass musi...(+)
Bassoon and Piano
SKU:
ST.C130
Composed by
Mark Tanner. Wind & brass
music. Clifton Edition
#C130. Published by
Clifton Edition
(ST.C130).
ISBN
9790570811304.
As I
sit myself down to write
this brief foreword, I
ask myself can there be
music more stirring than
these old Cornish folk
melodies? Though not
Cornish myself (I confess
to being born a little
further up the road, in
Bristol), I feel I have
spent sufficient time in
these 'ere parts to
resonate with the sturdy
brass band tradition that
continues to permeate
this incomparably
beautiful, rugged county.
One can almost detect a
French 'accent' when
listening to the piano
music of Debussy, and
likewise, speaking as a
lapsed brass player,
there is undoubtedly
something of the Cornish
twang about Trelawny when
played on a cornet or
euphonium. Then again,
one gets a different, yet
entirely convincing
effect upon hearing these
melodies rendered on
woodwind instruments;
hence, with a little
gamesmanship on my part,
I am pleased to see my
collection of these
fifteen delectable
ditties come to fruition
in the form of
arrangements for treble
clef brass instruments
(in B flat and E flat),
trombone and tuba (bass
clef), horn in F, flute,
clarinet and bassoon.
While many will find
themselves humming the
likes of Going up
Camborne Hill, Lamorna or
The Helston Furry Dance
even before they have
turned to the first page
- for these are indelibly
intertwined with Cornish
culture – I wonder if I
might draw your attention
to The Cornish Squire,
The Pool of Pilate and
Cold Blows the Wind Today
Sweetheart, which are
quite simply sublime
melodies, perhaps needing
that extra bit of help in
bringing them to mind
nowadays. In the best
tradition of musical
hand-me-downs, Cornish
folk music works equally
ideally sung and played,
and only by doing so on a
regular basis can such
traditions hope to
continue forward with
vigour and authority. A
legitimate way of
achieving this is to
revitalise the harmonic
scheme of these ancient
tunes and bring them up
to date for a modern
audience; after all, it
was such an approach that
fuelled the imagination
of Benjamin Britten and
Ralph Vaughan Williams in
decades past, while
skilfully paying homage
to the underlying charm
and, for want of a better
word, simplicity, of the
original music. But this
is only a start – for
without an energetic
response from younger
generations, Cornish folk
music is destined to
wither on the vine in
much the same way as is
happening with the
Cornish dialect. So, put
your instrument to your
lips and proceed, not
with caution, but with
enthusiasm and a smile,
for your great
grandparents (and perhaps
even their grandparents)
would surely raise a
glass if they could hear
you doing your bit to
ensure the survival of
this splendid
heritage. Timeless
Cornish melodies, cooked
up for hungry clarinet
players Grades
1–4 Former Spartan
Press Cat. No.:
SP1219.