42 Songs from 15 Hit Musicals and Revivals. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 264 pages. Published by Hal Leonard.

Piano/Vocal/Guitar Artist Songbook. Softcover. 104 pages. Published by Hal Leonard

SATB choir, organ accompaniment - Beginning

SKU: GI.G-8340

Arranged by David Sims. Christmastide, Christmas Vigil, Christmas Night, Christmas Dawn, Christmas Day. Christmas. Tune Name: Sussex Carol. Sacred. Octavo. 12 pages. GIA Publications #8340. Published by GIA Publications (GI.G-8340).

UPC: 785147834007. English. Text source: Trad. English carol.

The traditional English carol tune is embellished with occasional quotes of the SUSSEX CAROL. This bright and joyful setting for Christmastide establishes the melody in unison women’s voices, then dividing into two parts before developing further into a four-part, SATB voicing by the end of the first verse. Throughout the piece, the textures continue to vary, complementing the playful dance of the quick 6/8 rhythms, instilling a sense of wonder and delight.

By Euday Bowman. Arranged by James Lyke. For Piano. This edition: 2 copies included. Piano Duo (Two Pianos, Four Hands). Level: Late Intermediate (grade 6). 8 pages. Published by Alfred Publishing.

(Vocal Score). By Adam Guettel. For Piano/Vocal. Vocal Score. Softcover. 240 pages. Published by Hal Leonard

2005 Tony! Award Winner for 6 Awards, including Best Original Score. By Adam Guettel. Piano/Vocal/Chords Vocal Selections (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 96 pages. Published by Hal Leonard.

In All Major and Minor Keys. Composed by J. B. Albert. Edited by Julie DeRoche. Book. With Standard notation. 32 pages. Carl Fischer Music #O99X. Published by Carl Fischer Music

Chamber Music Clarinet, Flute, Mezzo-soprano voice, Percussion, Piano, Tape, Violoncello

SKU: PR.111401800

For Mezzo-soprano Voice and Chamber Ensemble with Tape. Composed by Shulamit Ran. Arranged by Nelly Sachs. Text: Five Poems of Nelly Sachs, Translation from German of Nos. I, III and IV by Ruth and Matthew Mead, of No. II by Michael Roloff and No. V by Michael Hamburger. Contemporary. Set of Score and Parts. With Standard notation. Composed 1969. 51+16+14+20+14+15 pages. Duration 18 minutes. Theodore Presser Company #111-40180. Published by Theodore Presser Company (PR.111401800).

UPC: 680160618132. 8.5 x 11 inches. Text: Nelly Sachs. Nelly Sachs. Text: Five Poems of Nelly Sachs, Translation from German of Nos. I, III and IV by Ruth and Matthew Mead, of No. II by Michael Roloff and No. V by Michael Hamburger.

O The Chimneys is a setting of five poems by Nelly Sachs, the great German-Jewish 1966 Nobel Prize co-winner in literature, whose writing concerned itself almost entirely with the subject of the holocaust. Composed in 1969, the work was my own personal way of saying, through my own art, do not forget. Shockingly, these words have as much relevance today as they did when the work was written. Today we find ourselves having to say do not forget, do not distort, do not deny it ever happened.   I selected the five poems from Sachs' O The Chimneys collection, retaining its grimly evocative title even though I did not include the actual poem by that name. In scoring the work for female voice, flute, clarinet/bass clarinet, cello, piano and percussion, I aimed to give myself the broadest possible palette of instrumental colors while using the smallest number of participants. Yet as I was planning the final moments of my cycle, I felt that instrumental sound alone would not suffice to express the horror. An electronic tape segment was added to the work's final climax.   The first two poems (A Dead Child Speaks and Already Embraced by the Arm of Heavenly Solace), both depicting the tearing of a child away from his mother, are treated essentially as one unit, with the first acting as an introduction to the second. These two, and the cycle's apocalyptic fifth poem (Hell is Naked from Glowing Enigmas II), act as the two weighty pillar points, so to speak, surrounding the more introspective two middle poems (Fleeing and Someone Comes). To maximize dramatic differentiation within the constraints of a relentlessly tragic subject matter, I used range as a means to delineate contrast, by dividing the sounds available to me into low and dark (mvt. III) vs. high and, at times, eerily bright (mvt. IV) colors. Thus the two middle poems are intended to balance the frenzied madness of which the work's outer parts are made.   The work received its first performance in New York at the Metropolitan Museum of Art's Grace Rainey Auditorium on January 19, 1970.   --Shulamit Ran.

(I Wonder As I Wander and We Three Kings). Composed by Nathan Daughtrey. Percussion Ensemble. For Percussion Ensemble (Bells Vibraphone 1 Vibraphone 2 a!! optional Chimes Marimba 1 (4-octave) Marimba 2 (4.3-octave) Marimba 3 (5-octave) a!! optional Percussion (2 Timpani [29a!! and 26a!!], Triangle, Mark Tree, Suspended Cymbal) Optional Piano a!! Only two marimbas are needed). Medium. Score and parts. Duration 4:30. Published by C. Alan Publications

(2-DVD Set). Homespun Tapes. DVD. Guitar tablature. Homespun #DVDBSHRL23. Published by Homespun