Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064121-010 Let Us Journey...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1064121-010
Let Us Journey to
Bethlehem. Composed
by Joseph Schnabel.
Arranged by Wil van der
Beek. Christmas
Collection. Hymns and
Chorals. Set (Score and
Parts). Composed 2006. De
Haske Publications #DHP
1064121-010. Published by
De Haske Publications
(BT.DHP-1064121-010).
9x12 inches.
English-German-French-Dut
ch.
The German
composer Joseph Ignaz
Schnabel (1767-1831) was
a descendant of a musical
family. During his
lifetime he occupied
several musical posts
including Violinist,
Organist, Concertmaster,
Conductor, Music Teacher
and managing director of
the Royal Institute for
Church Music. Schnabel
composed masses, hymns,
vespers, military music
and a clarinet concerto.
His choir work Transeamus
usque Bethlehem is still
widely performed and Wil
van der Beek has produced
this excellent
arrangement for concert
band which does justice
to the
original.
De
Duitse violist, organist
en componist Joseph Ignaz
Schnabel, die leefde van
1767 tot 1831,
componeerde onder andere
missen, hymnen, vespers,
militaire muziek en een
klarinetconcert. Zijn
prachtige koorwerk
Transeamus usque
Bethlehemwordt nog
altijd veel uitgevoerd.
Wil van der Beek maakte
van dit werk een
uitstekend arrangement
voor harmonieorkest,
waarin het origineel goed
tot zijn recht
komt.
Der deutsche
Komponist, Geiger,
Organist, Dirigent und
Musiklehrer Joseph Ignaz
Schnabel komponierte
Messen, Hymnen, Vespern,
Militärmusik und ein
Klarinettenkonzert. Sein
Chorwerk Transeamus usque
Bethlehem wird noch immer
weltweit aufgeführt.
Wil van der Beek schuf
ein ausgezeichnetes
Arrangement des
Stückes für
Blasorchester, das dem
Original absolut gerecht
wird.
The Donkey's Christmas Story. (Easy Piano Picture Book). By Catherine Storr. For...(+)
The Donkey's Christmas
Story. (Easy Piano
Picture Book). By
Catherine Storr. For
Piano. This edition: Easy
Piano. Book; Piano - Easy
Piano Collection; Piano
Supplemental. Faber
Edition. Children;
Christmas; Sacred;
Winter. Easy Piano;
Elementary. Published by
Faber Music
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064121-140 Let Us Journey...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1064121-140
Let Us Journey to
Bethlehem. Composed
by Joseph Schnabel.
Arranged by Wil van der
Beek. Christmas
Collection. Hymns &
Chorals. Score Only.
Composed 2006. 16 pages.
De Haske Publications
#DHP 1064121-140.
Published by De Haske
Publications
(BT.DHP-1064121-140).
9x12 inches.
English-German-French-Dut
ch.
The German
composer Joseph Ignaz
Schnabel (1767-1831) was
a descendant of a musical
family. During his
lifetime he occupied
several musical posts
including Violinist,
Organist, Concertmaster,
Conductor, Music Teacher
and managing director of
the Royal Institute for
Church Music. Schnabel
composed masses, hymns,
vespers, military music
and a clarinet concerto.
His choir work Transeamus
usque Bethlehem is still
widely performed and Wil
van der Beek has produced
this excellent
arrangement for concert
band which does justice
to the
original.
Der
deutsche Komponist,
Geiger, Organist,
Dirigent und Musiklehrer
Joseph Ignaz Schnabel
komponierte Messen,
Hymnen, Vespern,
Militärmusik und ein
Klarinettenkonzert. Sein
Chorwerk Transeamus usque
Bethlehem wird noch immer
weltweit aufgeführt.
Wil van der Beek schuf
ein ausgezeichnetes
Arrangement des
Stückes für
Blasorchester, das dem
Original absolut gerecht
wird.
Journey Carol Chorale 3 parties SAB Sacred Music Press
SAB choir and organ SKU: LO.10-5271S Composed by Gerald Custer. Choral. S...(+)
SAB choir and organ
SKU: LO.10-5271S
Composed by Gerald
Custer. Choral. Sacred
Anthem, Christmas.
Octavo. Sacred Music
Press #10/5271S.
Published by Sacred Music
Press (LO.10-5271S).
ISBN
9780787765200.
This
original carol by Gerald
Custer tells of Mary and
Joseph’s journey
to Bethlehem and connects
it to our own spiritual
journey through life.
Custer portrays this
journey perfectly with
haunting, lilting
music.
Go To the Manger composed by John Parker. Arranged by Robert Sterling. For S...(+)
Go To the Manger composed
by
John Parker. Arranged by
Robert Sterling. For SATB
choir with optional
percussion
& cello. Christmas.
Octavo. 12
pages. Published by Hope
Publishing Company
Unison/2-part choir - Easy SKU: WD.080689633171 Composed by Daniel Semsen...(+)
Unison/2-part choir -
Easy
SKU:
WD.080689633171
Composed by Daniel
Semsen. Choral, cantatas.
Christmas. Choral score
and book. Word Music
#080689633171. Published
by Word Music
(WD.080689633171).
UPC:
080689633171.
Meet
the up-and-coming
Persia’s
Traveling
Band—or
PTB, as their fans call
them—who are out
on “their
biggest tour
yet!†with
their little
“roadieâ€
Abel. Along the way, they
meet three Wise Men, who
are following a star in
search for a King who has
just been born. With the
possibility of playing
for a Royal audience, PTB
decides to join the Wise
Men and make the journey
to Bethlehem. After all,
what better way for the
band to be discovered and
rise to the top the
charts than playing for a
King?
During
this fantastic journey,
the little dude named
Abel, who is sort of a
‘roadie’ for
PTB, unveils his passion
for playing the drums.
While the band does not
take his playing
seriously, the Wise Men
notice his talent and
encourage his efforts,
knowing that he has a
very special gift. One of
the Wise Men expresses to
Abel that perhaps he
might even get to play
his drum for the
King…Will Abel get
his wish??
To
learn the
outcome—and
finally get to meet this
King to be born in
Bethlehem—you
€™ll have to come
along on the journey with
Abel, Persia’s
Traveling Band, the three
Wise Men, and
Abel’s
fantastically whacky and
fun camel, Hakim! Through
The Little Drummer
Dude, each and every
kid in your
children’s
ministry will learn that
God can do amazing things
through everyone, even if
they are “just a
little dude.â€
Composed by Lloyd Larson. Choral, cantatas. Christmas. SATB with performance C...(+)
Composed by Lloyd Larson.
Choral, cantatas.
Christmas.
SATB with performance CD.
Lorenz Publishing Company
#65/2111L. Published by
Lorenz Publishing Company
Composed by Lloyd Larson. Arranged by Ed Hogan. Choral, cantatas. Christmas....(+)
Composed by Lloyd Larson.
Arranged by Ed Hogan.
Choral,
cantatas. Christmas.
Choral
score. Lorenz Publishing
Company #65/2112L.
Published
by Lorenz Publishing
Company
Composed by John Rutter. Vocal score. Duration 5'. Oxford University Pr...(+)
Composed by John Rutter.
Vocal
score. Duration 5'.
Oxford
University Press
#9780193572553. Published
by
Oxford University Press
(OU.9780193572553).
ISBN 9780193572553. 11 x
7
inches.
Choral (Cd 10-Pak) SKU: HL.1197407 Composed by Joseph M. Martin. Shawnee ...(+)
Choral (Cd 10-Pak)
SKU: HL.1197407
Composed by Joseph M.
Martin. Shawnee Sacred.
Cantata, Concert.
Softcover. Duration 2700
seconds. Published by
Shawnee Press
(HL.1197407).
ISBN
9781705193198. UPC:
196288134435.
Take
the journey to Christmas
with this inviting
cantata that is filled
with music of hope and
promise. The prophecy and
acclamation of Christ's
birth is wonderfully
conveyed through new
music and fresh
arrangements of treasured
carols, alongside a
scripture-based
narration. Filled with
vivid musical contrasts,
this work is designed to
be approachable for
choirs of any size.
Stunning orchestrations
give directors
instrumental options, and
a full line of support
materials help encourage
learning and successful
presentations. Songs
include: A Flourish of
Carols; Advent Lament;
Credo in Candlelight;
Comfort, Hope and Joy; A
Joyful, Jubilant Song; A
Palace in Bethlehem;
Angels We Have Heard on
High, Gloria!; Child of
Promise; Let There Be
Joy.
Composed by Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson.
Set of Score and Parts.
44+32+2 pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9743IN.
Published by Carl Fischer
Music (CF.CM9743IN).
ISBN 9781491162231.
UPC: 680160920990. Key: E
minor. English. Iyana
Davis. Negro Spiritual
with Rap crafter by Ayana
Davis.
This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem:Â This refers
to the infant Jesus. Two
for Paul and
Silas:Â This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.Â
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door:Â Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂ
stars in the
right hand of Ch
rist mentioned inÂ
the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun!
Composed by Traditional
African American
Spiritual. Arranged by
Kevin Phillip Johnson. 16
pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9742.
Published by Carl Fischer
Music (CF.CM9742).
ISBN 9781491161555.
UPC: 680160920204. Key: E
minor. English. Iyana
Davis.
This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem:Â This refers
to the infant Jesus. Two
for Paul and
Silas:Â This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.Â
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door:Â Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂ
stars in the
right hand of Ch
rist mentioned inÂ
the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun!
SKU: LO.99-2861L A Joyful Christmas Acclamation. Composed by Mary ...(+)
SKU: LO.99-2861L
A Joyful Christmas
Acclamation. Composed
by Mary McDonald.
Arranged by Larry
Shackley. Choral,
cantatas. Christmas,
Sacred. Bulk performance
CDs. Lorenz Publishing
Company #99/2861L.
Published by Lorenz
Publishing Company
(LO.99-2861L).
UPC:
000308129342.
Compo
sers Mary McDonald and
Larry Shackley have
combined their musical
gifts with the inspired
lyrics of Pamela Martin
to create a captivating
thirty-minute cantata for
SATB or SAB choirs. In
this unique work, the
many names of Christ
foretold in the Old
Testament are used to
proclaim the familiar
story of Christmas:
Emmanuel, God With Us
brings to life Mary's
visit from the angel; Son
of David depicts the
journey to Bethlehem; and
King of Kings involves
the Wise Men and the
congregation in worship.
Lovely original melodies
stand alongside familiar
carols to create a
musical experience
suitable for churches of
all traditions. A simple,
scriptural narration
joins the seven choral
pieces, and an optional
joyous instrumental
overture sets the stage
with a medley of
Christmas favorites. The
orchestration of this
work is within the range
of many churches, with
the option of using
digital keyboard along
with a small group of
woodwinds, brass, and
percussion.
Composed by Amy Grant and
Chris Eaton. Arranged by
Sandra Eithun. Christmas,
Sacred. Handbell score.
12 pages. Hope Publishing
Company #2764. Published
by Hope Publishing
Company (HP.2764).
UPC: 763628127640. By
Amy Grant & Chris
Eaton.
Contemporary
Christian song by Amy
Grant & Chris
Eaton Amy
Grant's poignant and
haunting contemporary
Christmas classic has
been set for 3-7 octaves
of handbells and optional
handchimes. The opening
suspended mallets create
an ethereal backdrop for
this well-known text
which shares the inner
voice of Mary as she
journeys to Bethlehem to
give birth to the Christ
child. Her conversation
with God reveals her
fears and confusion as
she cries out for God to
be with me now. The
quiet and subtle closing
provides a sense of
resolve as Mary accepts
her task and trust in her
Lord.
((from Journey of Promises)). Arranged by Joseph M. Martin. For Choral (SATB). S...(+)
((from Journey of
Promises)). Arranged by
Joseph M. Martin. For
Choral (SATB). Shawnee
Press. Sacred, Christmas.
16 pages. Shawnee Press
#A8900. Published by
Shawnee Press
Choral SATB Choir, Bass Guitar, Percussion, Piano SKU: CF.CM9743 Composed...(+)
Choral SATB Choir, Bass
Guitar, Percussion, Piano
SKU: CF.CM9743
Composed by Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson. 20
pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9743.
Published by Carl Fischer
Music (CF.CM9743).
ISBN 9781491161562.
UPC: 680160920211. Key: E
minor. English. Iyana
Davis. Negro Spiritual
with Rap crafter by Ayana
Davis.
This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem:Â This refers
to the infant Jesus. Two
for Paul and
Silas:Â This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.Â
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door:Â Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂ
stars in the
right hand of Ch
rist mentioned inÂ
the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun!
Early to Intermediate Solos for Harps with and Without Pedals. By Anonymous, Fra...(+)
Early to Intermediate
Solos for Harps with and
Without Pedals. By
Anonymous, Franz Xaver
Gruber, Adolphe-Charles
Adam. Arranged by William
B. Costello. For Harp.
Classical. Level: Early
to Intermediate. Solo
part. 24 pages. Published
by Carl Fischer.
SATB choir; cello; percussion SKU: HP.C5887C Composed by Robert Sterling....(+)
SATB choir; cello;
percussion
SKU:
HP.C5887C
Composed by
Robert Sterling. Arranged
by Robert Sterling. Piano
with Optional Percussion
& Cello. Christmas,
General Worship, Sacred.
Performance/Accompaniment
CD +. Hope Publishing
Company #C5887C.
Published by Hope
Publishing Company
(HP.C5887C).
UPC:
763628958879. John
Parker. Scripture: Luke
2.
Original anthem
From John Parker and
Robert Sterling this
captivating original
Christmas anthem takes
the listener on a journey
to the manger in
Bethlehem. Set in minor
mode with driving
percussion, the story
unfolds for all believers
to worship the infant. .
. Jesus, the Savior of
mankind. The opt. Cello
Part is included and the
Percussion Part is
available separately.
Percussion part (Finger
Cymbals, Hand Drum,
Tambourine).
Choir; cello; percussion SKU: HP.C5887P Composed by Robert Sterling. Arra...(+)
Choir; cello; percussion
SKU: HP.C5887P
Composed by Robert
Sterling. Arranged by
Robert Sterling. Piano
with Optional Percussion
& Cello. Christmas,
General Worship, Sacred.
Percussion parts. Hope
Publishing Company
#C5887P. Published by
Hope Publishing Company
(HP.C5887P).
UPC:
763628258870. John
Parker. Scripture: Luke
2.
Original anthem
From John Parker and
Robert Sterling this
captivating original
Christmas anthem takes
the listener on a journey
to the manger in
Bethlehem. Set in minor
mode with driving
percussion, the story
unfolds for all believers
to worship the infant. .
. Jesus, the Savior of
mankind. The opt. Cello
Part is included and the
Percussion Part is
available separately.
Percussion part (Finger
Cymbals, Hand Drum,
Tambourine).
By Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with g...(+)
By Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. Size 9x12
inches. 272 pages.
Published by Hal Leonard.