Choral (SSA Choir) SKU: HL.113134 (from Wonderland). Arranged by M...(+)
Choral (SSA Choir)
SKU: HL.113134
(from Wonderland).
Arranged by Mac Huff.
Broadway Choral. Big
Band, Broadway, Show
Choir, Swing, Vocal Jazz.
Octavo. 16 pages.
Published by Hal Leonard
(HL.113134).
UPC:
884088867645. 6.75x10.5
inches.
This
big-band show-stopper
comes from
Wonderland,
Broadway's contemporary
spin on the classic story
of Alice through the
Looking-Glass, but
this time far beneath the
streets of New York City.
Colorful and slightly
off-kilter, this is the
ultimate show opener for
a Broadway concert
set!
Chords/Lyrics. By Elton John. By Elton John. The Little Black Songbook. Pop and ...(+)
Chords/Lyrics. By Elton
John. By Elton John. The
Little Black Songbook.
Pop and Rock. Book Only.
192 pages. Wise
Publications
#MUSAM1003794. Published
by Wise Publications
Choral (Audio Sampler) SKU: HL.1218087 Audio Sampler. Composed by ...(+)
Choral (Audio Sampler)
SKU: HL.1218087
Audio Sampler.
Composed by Al Hoffman,
Bob Hilliard, Cy Coben,
Danny Elfman, Jerry
Livingston, Mack David,
Michael Abbott, Oliver
Wallace, Sammy Fain, and
Sarah Weeks. Arranged by
Bryan Louiselle and
Patrick Sulken. Recorded
Promo - Stockable.
Movies, Musicals. General
Merchandise. Published by
MTI (Music Theatre
International)
(HL.1218087).
UPC:
196288141457.
9.0x12.0x0.327
inches.
Fall down
the rabbit hole with
Alice as she navigates
the curious world of
Wonderland on a journey
of self-discovery. This
60-minute stage
adaptation of the classic
Disney animated film and
the Lewis Carroll stories
makes a triumphant return
to the Broadway
Junior® catalog, with
an updated script and
score made specifically
for today's young
performers. When young
Alice finds herself in a
strange world where
everything seems upside
down, she must find her
way home...and find
herself along the way. As
she travels through
Wonderland, she
encounters all of the
iconic characters that
audiences have come to
love: including the
ever-tardy White Rabbit,
the grinning Cheshire
Cat, a cool Caterpillar,
the wacky Mad Hatter, and
the hot-tempered Queen of
Hearts. Alice in
Wonderland JR. features
Disney favorites such as
â??The Golden
Afternoon,â? â??The
Unbirthday Song,â? and
â??Painting the Roses
Redâ? along with
brand-new songs,
including music from the
2010 live-action film.
Whether this is your
first experience with
Alice or your hundredth,
you'll fall in love all
over again with this
timeless story of
adventure, imagination,
and pure fun!
Composed by Chick Corea. For piano. Format: instrumental solo songbook. With pia...(+)
Composed by Chick Corea.
For piano. Format:
instrumental solo
songbook. With piano
score, introductory text
and performance notes.
Jazz. 120 pages. 9x12
inches. Published by Hal
Leonard.
Totally Twisted Chorale Unison [Partition + CD] Heritage Music Press
(Songs and Orff Activities for the Music Classroom). By Mark Burrows. For Unison...(+)
(Songs and Orff
Activities for the Music
Classroom). By Mark
Burrows. For Unison
Choir, Orff instruments.
General Music. Grades
1-6. Parts with
Performance &
Accompaniment CD.
Published by Heritage
Music Press
Piano; Viola (Viola) SKU: HL.48011418 Viola and Piano. Composed by...(+)
Piano; Viola (Viola)
SKU: HL.48011418
Viola and Piano.
Composed by Sheila
Nelson. Boosey & Hawkes
Chamber Music. Classical,
Collection, Educational.
26 pages. Boosey & Hawkes
#M060092626. Published by
Boosey & Hawkes
(HL.48011418).
UPC:
073999837377.
9.0x12.0x0.135
inches.
Contents:
The Tadpole's Tale *
Alastair Arbuthnot Has No
Hat * Trot Along *
Tweedledum and Tweedledee
* Pizzicato Pie * If All
the World Were Paper * G
String March * Over the
Moon * Polka * Mad as a
Hatter * On the Ice *
Li'l Liza Jane * Dance to
your Daddy * The First
Waltz * Chicken-Feed *
Octopiece * Flag Dance *
Promenade * Hungarian
Folk Song * Drink to Me
Only * Square Dance *
Cossack Lullaby *
Whirlpool Waltz *
Rigadoon * Minuet and
Trio * Landler * Christ
Church Bells.
Piano; Viola (Viola) SKU: HL.48011419 Viola Part Only. Composed by...(+)
Piano; Viola (Viola)
SKU: HL.48011419
Viola Part Only.
Composed by Sheila
Nelson. Boosey & Hawkes
Chamber Music. Classical,
Collection, Educational.
16 pages. Boosey & Hawkes
#M060092633. Published by
Boosey & Hawkes
(HL.48011419).
UPC:
073999173598.
9.0x12.0x0.07
inches.
Contents:
The Tadpole's Tale *
Alastair Arbuthnot Has No
Hat * Trot Along *
Tweedledum and Tweedledee
* Pizzicato Pie * If All
the World Were Paper * G
String March * Over the
Moon * Polka * Mad as a
Hatter * On the Ice *
Li'l Liza Jane * Dance to
your Daddy * The First
Waltz * Chicken-Feed *
Octopiece * Flag Dance *
Promenade * Hungarian
Folk Song * Drink to Me
Only * Square Dance *
Cossack Lullaby *
Whirlpool Waltz *
Rigadoon * Minuet and
Trio * Landler * Christ
Church Bells.
Piano, Voix [Partition] - Intermédiaire Hal Leonard
Performed by Elton John. For voice and piano. Format: piano/vocal/chords songboo...(+)
Performed by Elton John.
For voice and piano.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and
introductory text. Rock
and pop rock. Series: Hal
Leonard Keyboard Recorded
Versions. 160 pages. 9x12
inches. Published by Hal
Leonard.
Edited by Kris Kropff. Instructional book, pedagogical magazine, examples/accomp...(+)
Edited by Kris Kropff.
Instructional book,
pedagogical magazine,
examples/accompaniment CD
and CD-ROM (Windows and
Mac) for unison voices
and orff instruments.
Published by Heritage
Music Press.
Unveiling the Mystery Behind the Maestro. Amadeus. Biography/Composers an...(+)
Unveiling the Mystery
Behind the Maestro.
Amadeus.
Biography/Composers and
Musicians, Classical
Reference. Hardcover. 312
pages. Published by
Amadeus Press
(HL.333460).
Composed
by Lowell Liebermann.
Full score. Duration 15
minutes. Theodore Presser
Company #116-41139S.
Published by Theodore
Presser Company
(PR.11641139S).
UPC:
680160682119.
Barca
rolles for a Sinking City
was inspired by the city
of Venice, a place that
has long held the
fascination of artists,
writers and composers,
and which I have been
lucky enough to visit on
several occasions. Sadly
it seems that future
generations may not be so
lucky: in addition to the
city's slow sinking and
recently discovered
tilting, studies predict
that if global warming
and the resultant rise of
ocean levels is unabated,
the entire city (as well
as many other coastal
cities around the globe)
will be under water by
2100. I. Funeral
Gondola The late, cryptic
piano works of Franz
Liszt made a profound
impression on me as a
young composer, among
them two works he
entitled La Lugubre
Gondola (usually
translated as The Funeral
Gondola ) which were said
to be a premonition of
Wagner's death in Venice,
his coffin transported
through the canals in a
black gondola. These late
pieces of Liszt acquired
even greater significance
to me after I spent two
summers in Bayreuth under
the patronage of
Friedelind Wagner, the
granddaughter of Wagner
and great-granddaughter
of Liszt. This movement
is a meditation on
Wagner, Liszt, Venice and
its own evanescence. II.
Barcarolle/Quodlibet The
Quodlibet (Latin for what
pleases) is a musical
form dating back to the
15th century where many
disparate melodies are
juxtaposed. Popular in
the Renaissance, sacred
and secular melodies were
combined, often to
comical effect due to the
resultant incongruity of
the words. The form was
considered the ultimate
test of a composer's
mastery of counterpoint.
The most famous Quodlibet
is without doubt the
final Variation of Bach's
Goldberg Variations. As a
form the Quodlibet is
less common in more
recent music, although
examples can be found in
the works of Kurt Weill
and David Del Tredici.
My own
Barcarolle/Quodlibet was
inspired by the (perhaps
apocryphal) story of the
funeral where musicians
were asked to play a Bach
Choral, but due to
miscommunication played
instead the Bacarolle
from The Tales of
Hoffmann. Here, the Bach
Choral Allen Menschen
mussen sterben (All Men
Must Die) is heard in the
strings pizzicato, with a
tempo indication In slow
motion. The alto line of
the Bach suggests a
phrase from Beethoven's
Ninth Symphony (Alle
Menchen werden Bruder)
heard in the muted
trombone. Before long,
the famous tune from
Offenbach's opera is
heard, followed by
quotations from iconic
Barcarolles by Chopin,
Mendelssohn and Faure, as
well as two Venetian
popular songs and more
Beethoven. III.
Barcarola/Ostinato/Carill
on An ostinato is a
repeated musical figure,
and carillon is Italian
for music box. This
movement references the
obsolete genre of salon
pieces that imitated
music boxes: such works
by composers like Liadov
and Gretchaninov used to
be a mainstay of
pianists' encore
repertoire. This movement
is however much darker in
conception than those
pleasant trifles.
Utilizing the full
battery of percussion,
the carefully notated
temporal slowing of the
ostinato becomes
overwhelmed by a poignant
chorale melody before
this box is snapped shut.
IV. Barcarolle
Oubliee (Forgotten
Barcarolle) Marked
limpido (still) the final
movement begins with the
sound of rain produced by
a percussion instrument
called (appropriately) a
rain stick. Halting
phrases in the harp
coalesce into the
accompaniment for a
plangent melody heard in
the clarinet. The central
Adagio of this movement
leads to a shattering
climax, before the
opening phrases return
and dissipate into
nothingness.
Composed
by Lowell Liebermann.
Large Score. Duration 15
minutes. Theodore Presser
Company #116-41139L.
Published by Theodore
Presser Company
(PR.11641139L).
UPC:
680160682126.
Barca
rolles for a Sinking City
was inspired by the city
of Venice, a place that
has long held the
fascination of artists,
writers and composers,
and which I have been
lucky enough to visit on
several occasions. Sadly
it seems that future
generations may not be so
lucky: in addition to the
city's slow sinking and
recently discovered
tilting, studies predict
that if global warming
and the resultant rise of
ocean levels is unabated,
the entire city (as well
as many other coastal
cities around the globe)
will be under water by
2100. I. Funeral
Gondola The late, cryptic
piano works of Franz
Liszt made a profound
impression on me as a
young composer, among
them two works he
entitled La Lugubre
Gondola (usually
translated as The Funeral
Gondola ) which were said
to be a premonition of
Wagner's death in Venice,
his coffin transported
through the canals in a
black gondola. These late
pieces of Liszt acquired
even greater significance
to me after I spent two
summers in Bayreuth under
the patronage of
Friedelind Wagner, the
granddaughter of Wagner
and great-granddaughter
of Liszt. This movement
is a meditation on
Wagner, Liszt, Venice and
its own evanescence. II.
Barcarolle/Quodlibet The
Quodlibet (Latin for what
pleases) is a musical
form dating back to the
15th century where many
disparate melodies are
juxtaposed. Popular in
the Renaissance, sacred
and secular melodies were
combined, often to
comical effect due to the
resultant incongruity of
the words. The form was
considered the ultimate
test of a composer's
mastery of counterpoint.
The most famous Quodlibet
is without doubt the
final Variation of Bach's
Goldberg Variations. As a
form the Quodlibet is
less common in more
recent music, although
examples can be found in
the works of Kurt Weill
and David Del Tredici.
My own
Barcarolle/Quodlibet was
inspired by the (perhaps
apocryphal) story of the
funeral where musicians
were asked to play a Bach
Choral, but due to
miscommunication played
instead the Bacarolle
from The Tales of
Hoffmann. Here, the Bach
Choral Allen Menschen
mussen sterben (All Men
Must Die) is heard in the
strings pizzicato, with a
tempo indication In slow
motion. The alto line of
the Bach suggests a
phrase from Beethoven's
Ninth Symphony (Alle
Menchen werden Bruder)
heard in the muted
trombone. Before long,
the famous tune from
Offenbach's opera is
heard, followed by
quotations from iconic
Barcarolles by Chopin,
Mendelssohn and Faure, as
well as two Venetian
popular songs and more
Beethoven. III.
Barcarola/Ostinato/Carill
on An ostinato is a
repeated musical figure,
and carillon is Italian
for music box. This
movement references the
obsolete genre of salon
pieces that imitated
music boxes: such works
by composers like Liadov
and Gretchaninov used to
be a mainstay of
pianists' encore
repertoire. This movement
is however much darker in
conception than those
pleasant trifles.
Utilizing the full
battery of percussion,
the carefully notated
temporal slowing of the
ostinato becomes
overwhelmed by a poignant
chorale melody before
this box is snapped shut.
IV. Barcarolle
Oubliee (Forgotten
Barcarolle) Marked
limpido (still) the final
movement begins with the
sound of rain produced by
a percussion instrument
called (appropriately) a
rain stick. Halting
phrases in the harp
coalesce into the
accompaniment for a
plangent melody heard in
the clarinet. The central
Adagio of this movement
leads to a shattering
climax, before the
opening phrases return
and dissipate into
nothingness.
