| Who You Calling Predictable? Big band [Conducteur et Parties séparées] Walrus Music Publishing
| | |
| Crawly Crocodile & Co. Piano seul Boosey and Hawkes
No. 7 Piano (Piano) SKU: HL.48010932 Boosey Big Note Series No. 7....(+)
No. 7 Piano (Piano)
SKU: HL.48010932
Boosey Big Note Series
No. 7. Composed by
Helen Caskie. BH Piano.
Classical, Contemporary.
20 pages. Boosey & Hawkes
#M060075193. Published by
Boosey & Hawkes
(HL.48010932). UPC:
073999376524.
11.75x8.25x0.084
inches. Contents:
Busy Bee * Raining Cats
and Dogs * Scaredy Cat *
The Rabbit and the
Tortoise * The Tall
Animal * The Climbing
Caterpillar * The Small
Animal * Jazzy Jumbo *
Dragons * Penguins *
Calling Cuckoo * Graceful
Gazelles * Butterflies
Flutter By * Bats in the
Belfry * Crawly
Crocodile. $18.95 - Voir plus => Acheter | | |
| 15 Hot Pops - Spring 2004 Piano Facile [Partition] - Facile Alfred Publishing
Edited by Zoby Perez. Piano arrangement mixed folio (Big Note Piano: large, simp...(+)
Edited by Zoby Perez.
Piano arrangement mixed
folio (Big Note Piano:
large, simple,
easy-to-read melodies).
Level: big note.
Published by Alfred
Publishing.
$10.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Big Guitar Chord Songbook '70 Music Sales
| | |
| The Big Book of Hymns Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords...(+)
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 272 pages.
Published by Hal Leonard.
(3)$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| VH1's 100 Greatest Songs of Rock and Roll Clavier [Partition] - Intermédiaire Hal Leonard
E-Z Play Today #315. E-Z Play Today (Easy big-note right-hand-only arrangements ...(+)
E-Z Play Today #315. E-Z
Play Today (Easy big-note
right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 319 pages.
Published by Hal Leonard.
(1)$19.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| E-Z Play Today #358. Gospel Songs of Hank Williams Piano Facile - Facile Hal Leonard
Performed by Hank Williams. E-Z Play Today (Easy big-note right-hand-only arrang...(+)
Performed by Hank
Williams. E-Z Play Today
(Easy big-note
right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 56 pages.
Published by Hal Leonard.
$7.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Paroles et Accords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| On the Beaten Path Batterie [Partition + CD] Alfred Publishing
The Drummer's Guide to Musical Styles and the Legends Who Defined Them. By Rich ...(+)
The Drummer's Guide to
Musical Styles and the
Legends Who Defined Them.
By Rich Lackowski. For
Drum Set. Percussion -
Drum Set Method or
Collection. Instructional
Book and Examples CD. 244
pages. Published by
Alfred Publishing.
(1)$34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Global Variations Orchestre d'harmonie [Conducteur et Parties séparées] Faber Music Limited
Global Variations by Nigel Hess (1953-). Concert Band. For Wind Band. Masterwork...(+)
Global Variations by
Nigel Hess (1953-).
Concert Band. For Wind
Band. Masterworks;
Part(s); Score; Wind
Band. Faber Edition:
Faber Wind Band Series.
20th Century; Masterwork.
Published by Faber Music
$105.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Real Bluegrass Book
Guitare [Fake Book] Hal Leonard
(C Instruments). By Various. Fake Book. Softcover. 432 pages. Published by Hal L...(+)
(C Instruments). By
Various. Fake Book.
Softcover. 432 pages.
Published by Hal Leonard
(1)$44.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Great Smoky Mountains [Conducteur] Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, Double
Bass, English Horn,
Euphonium, Flute 1, Flute
2, Horn 1, Horn 2, Horn
3, Horn 4, Oboe 1, Oboe
2, Percussion 1 and more.
SKU: PR.16500102F
Mvt. 2 from Symphony
No. 6 (Three Places in
the East). Composed
by Dan Welcher. Full
score. 52 pages. Theodore
Presser Company
#165-00102F. Published by
Theodore Presser Company
(PR.16500102F). ISBN
9781491131749. UPC:
680160680276. Ever
since the success of my
series of wind ensemble
works Places in the West,
I've been wanting to
write a companion piece
for national parks on the
other side of the north
American continent. The
earlier work, consisting
of GLACIER, THE
YELLOWSTONE FIRES,
ARCHES, and ZION, spanned
some twenty years of my
composing life, and since
the pieces called for
differing groups of
instruments, and were in
slightly different styles
from each other, I never
considered them to be
connected except in their
subject matter. In their
depiction of both the
scenery and the human
history within these
wondrous places, they had
a common goal: awaking
the listener to the
fragile beauty that is in
them; and calling
attention to the ever
more crucial need for
preservation and
protection of these wild
places, unique in all the
world. With this new
work, commissioned by a
consortium of college and
conservatory wind
ensembles led by the
University of Georgia, I
decided to build upon
that same model---but to
solidify the process. The
result, consisting of
three movements (each
named for a different
national park in the
eastern US), is a
bona-fide symphony. While
the three pieces could be
performed separately,
they share a musical
theme---and also a common
style and
instrumentation. It is a
true symphony, in that
the first movement is
long and expository, the
second is a rather
tightly structured
scherzo-with-trio, and
the finale is a true
culmination of the whole.
The first movement,
Everglades, was the
original inspiration for
the entire symphony.
Conceived over the course
of two trips to that
astonishing place (which
the native Americans
called River of Grass,
the subtitle of this
movement), this movement
not only conveys a sense
of the humid, lush, and
even frightening scenery
there---but also an
overview of the entire
settling-of- Florida
experience. It contains
not one, but two native
American chants, and also
presents a view of the
staggering influence of
modern man on this
fragile part of the
world. Beginning with a
slow unfolding marked
Heavy, humid, the music
soon presents a gentle,
lyrical theme in the solo
alto saxophone. This
theme, which goes through
three expansive phrases
with breaks in between,
will appear in all three
movements of the
symphony. After the mood
has been established, the
music opens up to a rich,
warm setting of a
Cherokee morning song,
with the simple happiness
that this part of Florida
must have had prior to
the nineteenth century.
This music, enveloping
and comforting, gradually
gives way to a more
frenetic, driven section
representative of the
intrusion of the white
man. Since Florida was
populated and developed
largely due to the
introduction of a train
system, there's a
suggestion of the
mechanized iron horse
driving straight into the
heartland. At that point,
the native Americans
become considerably less
gentle, and a second
chant seems to stand in
the way of the intruder;
a kind of warning song.
The second part of this
movement shows us the
great swampy center of
the peninsula, with its
wildlife both in and out
of the water. A new theme
appears, sad but noble,
suggesting that this land
is precious and must be
protected by all the
people who inhabit it. At
length, the morning song
reappears in all its
splendor, until the
sunset---with one last
iteration of the warning
song in the solo piccolo.
Functioning as a scherzo,
the second movement,
Great Smoky Mountains,
describes not just that
huge park itself, but one
brave soul's attempt to
climb a mountain there.
It begins with three
iterations of the
UR-theme (which began the
first movement as well),
but this time as up-tempo
brass fanfares in
octaves. Each time it
begins again, the theme
is a little slower and
less confident than the
previous time---almost as
though the hiker were
becoming aware of the
daunting mountain before
him. But then, a steady,
quick-pulsed ostinato
appears, in a constantly
shifting meter system of
2/4- 3/4 in alteration,
and the hike has begun.
Over this, a slower new
melody appears, as the
trek up the mountain
progresses. It's a big
mountain, and the ascent
seems to take quite
awhile, with little
breaks in the hiker's
stride, until at length
he simply must stop and
rest. An oboe solo, over
several free cadenza-like
measures, allows us (and
our friend the hiker) to
catch our breath, and
also to view in the
distance the rocky peak
before us. The goal is
somehow even more
daunting than at first,
being closer and thus
more frighteningly steep.
When we do push off
again, it's at a slower
pace, and with more
careful attention to our
footholds as we trek over
broken rocks. Tantalizing
little views of the
valley at every
switchback make our
determination even
stronger. Finally, we
burst through a stand of
pines and----we're at the
summit! The immensity of
the view is overwhelming,
and ultimately humbling.
A brief coda, while we
sit dazed on the rocks,
ends the movement in a
feeling of triumph. The
final movement, Acadia,
is also about a trip. In
the summer of 2014, I
took a sailing trip with
a dear friend from North
Haven, Maine, to the
southern coast of Mt.
Desert Island in Acadia
National Park. The
experience left me both
exuberant and exhausted,
with an appreciation for
the ocean that I hadn't
had previously. The
approach to Acadia
National Park by water,
too, was thrilling: like
the difference between
climbing a mountain on
foot with riding up on a
ski-lift, I felt I'd
earned the right to be
there. The music for this
movement is entirely
based on the opening
UR-theme. There's a sense
of the water and the
mysterious, quiet deep
from the very beginning,
with seagulls and bell
buoys setting the scene.
As we leave the harbor,
the theme (in a canon
between solo euphonium
and tuba) almost seems as
if large subaquatic
animals are observing our
departure. There are
three themes (call them
A, B and C) in this
seafaring journey---but
they are all based on the
UR theme, in its original
form with octaves
displaced, in an
upside-down form, and in
a backwards version as
well. (The ocean, while
appearing to be
unchanging, is always
changing.) We move out
into the main channel
(A), passing several
islands (B), until we
reach the long draw that
parallels the coastline
called Eggemoggin Reach,
and a sudden burst of new
speed (C). Things
suddenly stop, as if the
wind had died, and we
have a vision: is that
really Mt. Desert Island
we can see off the port
bow, vaguely in the
distance? A chorale of
saxophones seems to
suggest that. We push off
anew as the chorale ends,
and go through all three
themes again---but in
different
instrumentations, and
different keys. At the
final tack-turn, there it
is, for real: Mt. Desert
Island, big as life.
We've made it. As we pull
into the harbor, where
we'll secure the boat for
the night, there's a
feeling of achievement.
Our whale and dolphin
friends return, and we
end our journey with
gratitude and
celebration. I am
profoundly grateful to
Jaclyn Hartenberger,
Professor of Conducting
at the University of
Georgia, for leading the
consortium which provided
the commissioning of this
work. $36.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Bluegrass Songbook Banjo [Fake Book] - Intermédiaire Oak Publications
Compiled by Peter Wernick. For voice and guitar (or banjo). Format: fake book (s...(+)
Compiled by Peter
Wernick. For voice and
guitar (or banjo).
Format: fake book
(simplified 3 string
guitar tablature). With
vocal melody (simplified
3 string guitar
tablature), lyrics, chord
names, performance notes,
introductory text and
black
(5)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Guitar Chord Songbook White Pages Paroles et Accords [Partition] Hal Leonard
By Various. For Guitar. Guitar Chord Songbook. Softcover. 1024 pages. Published ...(+)
By Various. For Guitar.
Guitar Chord Songbook.
Softcover. 1024 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Bassist's Fake Book Basse electrique Hal Leonard
250 Songs. By Various. Bass. Blues, Pop, Rock. Softcover. 500 pages. Published...(+)
250 Songs. By Various.
Bass.
Blues, Pop, Rock.
Softcover.
500 pages. Published by
Hal
Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Celebracion (Full Score) Ensemble Jazz - Intermédiaire Kendor Music Inc.
Jazz Ensemble - Grade 5 SKU: KN.SN70102S Composed by Sammy Nestico. Sammy...(+)
Jazz Ensemble - Grade 5
SKU: KN.SN70102S
Composed by Sammy
Nestico. Sammy Nestico
Premium Jazz Series.
Kendor Music Inc
#SN70102S. Published by
Kendor Music Inc
(KN.SN70102S). UPC:
822795701024. Calli
ng for crisp,
well-accented horn
articulations, this big
band celebration in the
jazz samba style is
outstanding fare for any
concert program. Several
solo opportunities for
your drummer keep the
energy level high, while
additional solo choruses
are available for tenor
sax and trumpet. The
score calls for five
trumpets and a part for
vibes is also
included. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Monsters, Unite! Orchestre d'harmonie - Débutant Alfred Publishing
Concert Band - Grade 1 SKU: AP.49097 Composed by Kelly Dugger. Concert Ba...(+)
Concert Band - Grade 1
SKU: AP.49097
Composed by Kelly Dugger.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble. Alfred Debut
Series. Fall; Halloween;
Novelty. Score and
Part(s). 76 pages.
Duration 1:35. Alfred
Music #00-49097.
Published by Alfred Music
(AP.49097). ISBN
9781470646042. UPC:
038081564425.
English. Monsters,
Unite! by Kelly Dugger is
a fun beginning band
piece that is sure to be
a hit, not only at
Halloween time but all
year round. Monsters all
around the world are
waking up to a calling to
unite. Some are big,
hairy creatures, and
others are delicate and
fairy-like. They walk and
fly long distances to
find each other. In the
end, they all come
together, marching as
one. Just when you think
they've marched off into
the distance, they come
together to surprise the
audience. Unique
percussion
effects---timpani
glissando and theremin
(or flexatone)---add to
the spooky sound. A tuba
solo at the end is
followed by a surprising
scream that will leave
the performers and the
audience giggling! (1:35)
This title is available
in MakeMusic Cloud. $52.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Celebracion Ensemble Jazz [Conducteur et Parties séparées] Kendor Music Inc.
Composed by Sammy Nestico. Sammy Nestico Premium Jazz Series. Jazz Samba. Score ...(+)
Composed by Sammy
Nestico. Sammy Nestico
Premium Jazz Series. Jazz
Samba. Score and set of
parts. Published by
Kendor Music Inc
(KN.SN70102).
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Monsters, Unite! Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
Concert Band - Grade 1 SKU: AP.49097S Composed by Kelly Dugger. Concert B...(+)
Concert Band - Grade 1
SKU: AP.49097S
Composed by Kelly Dugger.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble. Alfred Debut
Series. Fall; Halloween.
Score. 12 pages. Duration
1:35. Alfred Music
#00-49097S. Published by
Alfred Music (AP.49097S).
ISBN 9781470646059.
UPC: 038081564432.
English. Monsters,
Unite! by Kelly Dugger is
a fun beginning band
piece that is sure to be
a hit, not only at
Halloween time but all
year round. Monsters all
around the world are
waking up to a calling to
unite. Some are big,
hairy creatures, and
others are delicate and
fairy-like. They walk and
fly long distances to
find each other. In the
end, they all come
together, marching as
one. Just when you think
they've marched off into
the distance, they come
together to surprise the
audience. Unique
percussion
effects---timpani
glissando and theremin
(or flexatone)---add to
the spooky sound. A tuba
solo at the end is
followed by a surprising
scream that will leave
the performers and the
audience giggling! (1:35)
This title available in
MakeMusic Cloud. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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