Psalm 46 Chorale SATB SATB, Piano Lorenz Publishing Company
Composed by Mark Hayes (1953-). Choral. Sacred Anthem, Concert, Festival, Gen...(+)
Composed by Mark Hayes
(1953-). Choral. Sacred
Anthem, Concert,
Festival,
General. Lorenz
Publishing
Company #10/5724L.
Published
by Lorenz Publishing
Company
Orchestra - Grade 1.5 SKU: AP.45823S Composed by Michael Kamuf. Performan...(+)
Orchestra - Grade 1.5
SKU: AP.45823S
Composed by Michael
Kamuf. Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Score. 12
pages. Duration 2:00.
Belwin Music #00-45823S.
Published by Belwin Music
(AP.45823S).
UPC:
038081529196.
English.
Perfect
for concerts and
festivals, Dayspring by
Michael Kamuf is an ideal
piece for reinforcing
both
dotted-quarter/eighth
note and syncopation
rhythms with your
beginning string
orchestra. In this
driving new work by
Michael Kamuf, the
lyrical melodies and
driving motifs are passed
around the entire
ensemble, supported by
rich harmonies.
(2:00).
Composed by
Traditional Christmas
Spiritual. Arranged by
Ken Berg. Sws.
Performance Score. 16
pages. Duration 3
minutes, 40 seconds. Carl
Fischer Music #CM9634.
Published by Carl Fischer
Music (CF.CM9634).
ISBN 9781491157060.
UPC: 680160915620. 6.875
x 10.5 inches. Key: G
major. English, English.
Traditional Christmas
Spiritual.
Berg's
fantastic setting of this
beloved American
Christmas spiritual for
advanced tenor-bass
choirs tells a story of
hope and meaning. The
various textures
throughout the a cappella
arrangement with solos
add much variety and
musical interest. A
holiday programming
must!. This beloved
American Christmas
Spiritual, like all
spirituals and/or folk
songs, tells a story.
This is a story of hope
and meaning. The
introductory solo call
and response (mm. 1-7) is
hymnic in nature, just to
get us started. (Think of
it as an effective head
fake!) The entrance at m.
8 from the upper three
voices (we'll call them
the trio part henceforth)
is pivotal. They set the
stage for the
conversation between the
singers and the soloist
for the rest of the song.
From this point, the song
is basically a Jazz Trio
in vocal form. The bass
singers take on the role
of the cool dude in the
back wearing dark glasses
and a beret playing the
string bass. They provide
the driving force for the
forward movement of the
entire song. The trio
part, basically tenors 1
& 2 and baritones,
take on the role of the
keyboard providing
chordal structure and
syncopation. Their job is
to fill the listener's
ear with sound and
rhythm. The soloist tells
the story using the known
melody and text with
appropriate improv
opportunities to keep the
listeners focused on the
message of the song.
There is enough
repetition to make for
easy learning, but this
also means that the
chords need to snap into
position cleanly every
time. The Verses are
easily identified (there
are three) and presented
with some small
variations in Verse 3
(see mm. 56-58...this
only happens once). The
Refrain (mm. 30-37) is
the part of the song
where the singers switch
from the Jazz Trio role
and actually become a
Men's Choral Ensemble.
This Refrain is repeated
after Verse 3 at mm.
66-71. Between verses 2
& 3, there is not a
refrain. Instead, there
is a bridge repeated from
the introductory
material, but used this
time to move us into a
new key signature. This
can be a very exciting
moment for the singers as
well as the listeners!
Measures 72-75 is known
in the business as a
vamp. It can be repeated
once and then move on, OR
it can be repeated
multiple times, depending
on the comfort level of
the soloist and the
response of the audience.
It is important that
there be a clear signal
from the conductor as to
how to end the vamp and
move effectively to the
actual coda of the song.
The ending should be sung
with tight control that
only looks like reckless
abandon! Faces bright;
words clean; melody
clear; rhythms precise!
Enjoy. This beloved
American Christmas
Spiritual, like all
spirituals and/or folk
songs, tells a story.
This is a story of hope
and meaning. The
introductory solo call
and response (mm. 1-7) is
hymnic in nature, just to
get us started. (Think of
it as an effective head
fake!)The entrance at m.
8 from the upper three
voices (we’ll call
them the “trio
part†henceforth)
is pivotal. They set the
stage for the
conversation between the
singers and the soloist
for the rest of the song.
From this point, the song
is basically a Jazz Trio
in vocal form. The bass
singers take on the role
of the cool dude in the
back wearing dark glasses
and a beret playing the
string bass. They provide
the driving force for the
forward movement of the
entire song.The
“trio partâ€,
basically tenors 1 & 2
and baritones, take on
the role of the keyboard
providing chordal
structure and
syncopation. Their job is
to fill the
listener’s ear
with sound and rhythm.The
soloist tells the story
using the known melody
and text with appropriate
improv opportunities to
keep the listeners
focused on the message of
the song.There is enough
repetition to make for
easy learning, but this
also means that the
chords need to
“snap into
position†cleanly
every time. The Verses
are easily identified
(there are three) and
presented with some small
variations in Verse 3
(see mm. 56-58…this
only happens once).The
Refrain (mm. 30-37) is
the part of the song
where the singers switch
from the “Jazz
Trio†role and
actually become a
“Men’s
Choral Ensembleâ€.
This Refrain is repeated
after Verse 3 at mm.
66-71. Between verses 2 &
3, there is not a
refrain. Instead, there
is a bridge repeated from
the introductory
material, but used this
time to move us into a
new key signature. This
can be a very exciting
moment for the singers as
well as the
listeners!Measures 72-75
is known in the business
as a “vampâ€.
It can be repeated once
and then move on, OR it
can be repeated multiple
times, depending on the
comfort level of the
soloist and the response
of the audience.It is
important that there be a
clear signal from the
conductor as to how to
end the
“vamp†and
move effectively to the
actual coda of the song.
The ending should be sung
with tight control that
only looks like reckless
abandon!Faces bright;
words clean; melody
clear; rhythms precise!
Enjoy.
Edge Of The Earth Ensemble Jazz [Conducteur et Parties séparées] - Facile Kendor Music Inc.
Jazz Ensemble standard jazz ensemble - Grade 3 SKU: KN.61165 Composed by ...(+)
Jazz Ensemble standard
jazz ensemble - Grade 3
SKU: KN.61165
Composed by Jeff Jarvis.
Jazz Journey. 12/8 Funk.
Score and parts. Kendor
Music Inc #61165.
Published by Kendor Music
Inc (KN.61165).
UPC:
822795611655.
This
chart conjures up mental
images of driving on a
curvy mountain road
overlooking a picturesque
desert valley. This
exciting chart for
advancing groups has a
driving 12/8 funk feel
that is sure to engage
your band and audiences
with its relentless
intensity - but without
excessive brass range
demands (trumpet: D6 and
trombone: G4). The
harmonies are sturdy and
the melodies are
memorable. All
instrumental sections
have interesting,
well-articulated parts
and solo space is provide
for guitar and piano. A
guitar chord chard by Jim
Greeson is included in
each set. Duration
5:55.
Gale Force (Full Set) Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
Composed by Larry Neeck. For young concert band. Command Series. Grade 3. Score ...(+)
Composed by Larry Neeck.
For young concert band.
Command Series. Grade 3.
Score and set of parts.
Duration 4 minutes, 22
seconds. Published by
C.L. Barnhouse
Rites Of Tamburo Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Belwin
Composed by Robert W. Smith. Concert Band; Performance Music Ensemble; Single Ti...(+)
Composed by Robert W.
Smith. Concert Band;
Performance Music
Ensemble; Single Titles;
SmartMusic. Belwin Young
Band. Part(s); Score. 260
pages. Duration 3:45.
Belwin Music #00-BD9962.
Published by Belwin Music
Score and Parts flute (also Piccolo), oboe, clarinet in Bb, horn, bassoon and pi...(+)
Score and Parts flute
(also Piccolo), oboe,
clarinet in Bb, horn,
bassoon and piano -
advanced
SKU:
HL.49045997
For
Woodwind Quintet and
Piano Score and
Parts. Composed by
Pierre Jalbert. Sheet
music. Edition Schott.
Softcover. Composed 2018.
92 pages. Duration 21'.
Schott Music #ED30173.
Published by Schott Music
(HL.49045997).
ISBN
9781540033918. UPC:
888680787004.
9.5x12.0x0.681
inches.
Wind Dances
is in seven short
contrasting movements,
each containing
dance-like rhythms, both
slow and fast. Having two
sons who both play the
clarinet, I've heard many
a woodwind quintet, so
I've been wanting to
write for the medium for
quite a while. In this
instance, I also added my
own instrument, the
piano.The work opens with
a fast movement
containing driving
rhythms in the winds,
which are then answered
by the piano. The second
movement features
colorful effects in the
winds and piano (slap
tongue, air sounds, muted
tones) leading to a long
extended lyrical line,
gradually orchestrated to
involve all the winds.
The third movement is a
dynamic scherzo, with a
separate middle section
similar to a traditional
Trio section. The slowly
unfolding fourth movement
is the longest of the
piece and anchors the
middle of the work. The
fifth movement is a kind
of echo of the third
movement, though this
time the dynamic scherzo
is high and light, rather
than low and dark. The
sixth movement is related
to the second movement,
and is basically a solo
cadenza for the clarinet,
with a few
accompanimental gestures
in the piano. The seventh
and final movement
reprises material from
the first movement, this
time with new and driving
dance-like gestures
added.- Pierre
Jalbert.
New Wave Saxophone Alto et Piano [Set de Parties séparées] Advance Music
Alto Saxophone and Piano SKU: AP.1-ADV7032 For Alto Saxophone and Pian...(+)
Alto Saxophone and Piano
SKU: AP.1-ADV7032
For Alto Saxophone and
Piano. Composed by
Greg Yasinitsky. Series;
Solo; Solo Small
Ensembles; Woodwind -
Alto Saxophone Solo.
Advance Music. Jazz.
Part(s). Advance Music
#01-ADV7032. Published by
Advance Music
(AP.1-ADV7032).
UPC:
805095070323.
English.
New Wave
is built from musical
materials which are
similar to many of the
extended harmonies and
modal structures found in
jazz. The first movement
is set in a driving 6/8
rhythm with extensive
imitative counterpoint
between the saxophone and
the piano. The middle
movement begins with a
short cadenza-like
passage from the
saxophone leading to
transparent ethereal
presentation of themes,
followed by a heavy, dark
section. The final
movement gradually builds
to a dramatic, optimistic
conclusion with an
infectious, driving
rhythm. Titles: Black
Light * Heavy Water *
Slame Dance.
Tenacity Orchestre d'harmonie [Conducteur et Parties séparées] - Facile RWS Music Company
Grade 3 SKU: AP.98-RWS222600 Composed by Hoefle. Concert Band. Score and ...(+)
Grade 3
SKU:
AP.98-RWS222600
Composed by Hoefle.
Concert Band. Score and
set of parts. Composed
2022. RWS Music Company
#RWS-2226-00. Published
by RWS Music Company
(AP.98-RWS222600).
Tenacity is an
aggressive, passionate
piece that allows the
musicians to express
themselves. This driving
piece features
aggressive, colorful
percussion writing that
accompanies a driving
bass line and pleading
melodies. Does your band
have Tenacity?
(As recorded by The Who (Featuring Tuba/Bass)). Composed by Peter Townshend [The...(+)
(As recorded by The Who
(Featuring Tuba/Bass)).
Composed by Peter
Townshend [The Who].
Arranged by Doug Adams.
Marching Band. Marching
Band; Score. Easy Pops
for Marching Band. Rock.
Grade 2. 8 pages.
Published by Alfred Music
Jazz Ensemble - Grade 3 SKU: KN.61165S Composed by Jeff Jarvis. Jazz Jour...(+)
Jazz Ensemble - Grade 3
SKU: KN.61165S
Composed by Jeff Jarvis.
Jazz Journey. Kendor
Music Inc #61165S.
Published by Kendor Music
Inc (KN.61165S).
UPC:
822795611655.
This
chart conjures up mental
images of driving on a
curvy mountain road
overlooking a picturesque
desert valley. This
exciting chart for
advancing groups has a
driving 12/8 funk feel
that is sure to engage
your band and audiences
with its relentless
intensity - but without
excessive brass range
demands (trumpet: D6 and
trombone: G4). The
harmonies are sturdy and
the melodies are
memorable. All
instrumental sections
have interesting,
well-articulated parts
and solo space is provide
for guitar and piano. A
guitar chord chard by Jim
Greeson is included in
each set. Duration
5:55.
Band jazz ensemble - Grade 2 SKU: KJ.ZB332F Composed by Dean Sorenson. St...(+)
Band jazz ensemble -
Grade 2
SKU:
KJ.ZB332F
Composed by
Dean Sorenson. Standard
of Excellence Jazz
Ensemble Method. Jazz.
Score. Neil A. Kjos Music
Company #ZB332F.
Published by Neil A. Kjos
Music Company
(KJ.ZB332F).
A
driving rock style with
excellent horn writing
and imaginative rhythm
breaks. The Carpetbaggers
is a straight-ahead rock
chart featuring excellent
horn writing as well as
imaginative rhythm
breaks. A terrific
introduction to the
driving rock style,
students will love this
chart.
About Standard
of Excellence Jazz
Ensemble
Method
The
Standard of Excellence
Jazz Ensemble Method is
designed to help both you
and your jazz ensemble
students explore the
world of jazz through
easy-to-use Rhythm
Studies, Improvisation
Studies, Instrument
Specific Exercises, and
full ensemble jazz
charts. The approach is
non-theoretical and
aurally based. Each part
book comes with an
accompaniment CD, so like
every great jazz player
throughout history,
students learn to play
jazz by listening!
Chamber Music String Quartet SKU: PR.14440505S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet
SKU:
PR.14440505S
Composed
by Sydney F. Hodkinson.
Full score. With Standard
notation. 37 pages.
Duration 17 minutes.
Theodore Presser Company
#144-40505S. Published by
Theodore Presser Company
(PR.14440505S).
UPC:
680160594603.
The
most straightforward and
shortest of any of my
string quartets to date,
the sixth employs only
two thematic gestures
which are used, perhaps
obsessively, throughout:
(a) brief melodic lines
formed principally of
sevenths, and (b) an
ascending scale. The
formal design is born out
of the continual
combining, interweaving
and juxtaposition of
these two elements, which
collect themselves into
two movements played
without pause: the first
predominantly slow and
pensive, the second
rhythmic and driving.
Quartet No. 6 is
approximately 16 minutes
in duration. The score
was commissioned by the
Los Angeles-based Calder
Quartet, four extremely
talented young musicians
with whom I performed at
the Aspen, Colorado,
Music Festival, and is
dedicated to my wife,
Elizabeth on the occasion
of our fifty years
together. The first
movement is written in
memory of my
father-in-law Howard
Deischer (1907 - 2005),
who died during the
course of composing. The
work was completed in
April of 2005 in
Ormond-by-the-Sea,
Florida. -- Sydney
Hodkinson. The most
straightforward and
shortest of any of my
string quartets to date,
the sixth employs only
two thematic gestures
which are used, perhaps
obsessively, throughout:
(a) brief melodic lines
formed principally of
sevenths, and (b) an
ascending scale. The
formal design is born out
of the continual
combining, interweaving
and juxtaposition of
these two elements, which
collect themselves into
two movements played
without pause: the first
predominantly slow and
pensive, the second
rhythmic and
driving.Quartet No. 6 is
approximately 16 minutes
in duration. The
score was commissioned by
the Los Angeles-based
Calder Quartet, four
extremely talented young
musicians with whom I
performed at the Aspen,
Colorado, Music Festival,
and is dedicated to my
wife, Elizabeth on the
occasion of our fifty
years together. The
first movement is written
in memory of my
father-in-law Howard
Deischer (1907 –
2005), who died during
the course of
composing. The work
was completed in April of
2005 in
Ormond-by-the-Sea,
Florida.— Sydney
Hodkinson.
(The Music of James Bond, Part 3). Arranged by Victor L�³pez, perc. arr. An...(+)
(The Music of James Bond,
Part 3). Arranged by
Victor L�³pez, perc.
arr. Anthony M. Falcone
and Victor López,
perc. arr. Anthony M.
Falcone. Marching Band.
Marching Band; Part(s);
Score. Mega Sounds for
Marching Band. Form:
Medley. Jazz; Movie.
Grade 3. 2
Go, Tell It on the Mountain arranged by Susan Geschke. For handbell choir (2-3 o...(+)
Go, Tell It on the
Mountain arranged by
Susan Geschke. For
handbell choir (2-3
octaves). Handbell music.
Christmas, Sacred. Grade
2. Handbell score. 6
pages. Published by Hope
Publishing Company
Choir; rhythm SKU: HP.C5233R Composed by Twila Paris. Arranged by Lloyd L...(+)
Choir; rhythm
SKU:
HP.C5233R
Composed by
Twila Paris. Arranged by
Lloyd Larson.
Contemporary,
Celebration, General
Worship, Confidence,
Adoration & Praise,
Sacred. Rhythm Parts.
Hope Publishing Company
#C5233R. Published by
Hope Publishing Company
(HP.C5233R).
Popular
praise song by Twila
Paris Twila
Paris's exuberant, joyful
celebration exalting
Christ the King has been
given a driving dynamic
choral setting by Lloyd
Larson for SATB choir.
Twila Paris's exuberant,
joyful celebration
exalting Christ the King
has been given a driving
dynamic choral setting by
Lloyd Larson for SATB
choir.
Rock, Paper, Scissors Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.39608S Composed by Vince Gassi. Concert ...(+)
Concert Band - Grade 1.5
SKU: AP.39608S
Composed by Vince Gassi.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Challenger Band Series.
Novelty; Rock. Score. 8
pages. Duration 2:10.
Alfred Music #00-39608S.
Published by Alfred Music
(AP.39608S).
UPC:
038081454689.
English.
A driving
beat, infectious melody
and finger snaps make
this tune a real
toe-tapper. This one will
be an instant hit,and
there is plenty of fun
for all. Each section
gets to play the melody
,and the percussionists
will delight in providing
a driving rock beat
throughout (paper and
scissors optional).
(2:10) This title is
available in MakeMusic
Cloud.
Composed by
Brant Karrick. Symphonic
Band (SPS). Set of Score
and Parts. With Standard
notation.
8+8+4+4+8+16+16+4+4+4+4+4
+4+4+6+12+12+4+4+6+6+6+6+
8+6+2+4+14+36+4 pages.
Duration 4 minutes, 10
seconds. Carl Fischer
Music #SPS80. Published
by Carl Fischer Music
(CF.SPS80).
ISBN
9781491152577. UPC:
680160910076. Key: Bb
major.
With Wind
and Water is a musical
portrayal of an adventure
on the high seas during
the sailing age. It was
during the 16th to the
mid-19th century where
large sailing vessels
dominated global
exploration,
international trade, and
naval warfare. The
piece's compound meter
provides the pulse of
movement as it pitches
and rolls with the rhythm
of the waves. The driving
main melodies convey the
determination and courage
of the explorers and
their crew. Dissonant
harmonies suggest rough
seas, turbulent weather,
and other constant
dangers that sailors must
endure. Finally, the
ending sweeping melody
and climax reflects the
joy and triumph at
arriving on a new land at
the apex of a long and
intense voyage. With
evidence of watercraft
dating back to 8000 BC,
travel by water has
remained an important
aspect of life to many
civilizations. From
paddling down a river or
crossing a large lake, to
steaming across an entire
ocean, generations of
humans have traveled on
water to explore foreign
lands, to seek food and
precious materials, to
move and trade cargo, and
to attack and fend off
enemies.With Wind and
Water is a musical
portrayal of an adventure
on the high seas during
the age of sail. It was
during the sixteenth to
the mid-nineteenth
century when large
sailing vessels dominated
global exploration,
international trade, and
naval warfare. Our
ship sets sail!The
compound meter provides
the pulse of movement as
it pitches and rolls with
the rhythm of the waves.
The driving main melodies
convey the determination
and courage of the
explorers and their crew.
Dissonant harmonies
suggest rough seas,
turbulent weather and
other constant dangers
that sailors must endure.
The final sweeping melody
and climax reflect the
joy and triumph at
arriving on a new land at
the apex of a long and
intense voyage. With
Wind and Water was
commissioned by the
Florida Bandmasters
Association for the 2016
Nine Star Honor Band.