(DVD/Book Pack). By Doug Boduch, Marcus Henderson, and Troy Stetina. At a Glance...(+)
(DVD/Book Pack). By Doug
Boduch, Marcus Henderson,
and Troy Stetina. At a
Glance. Softcover with
DVD. Guitar tablature. 32
pages. Published by Hal
Leonard
Trio (acc,cym,perc) SKU: BR.KM-2524 Composed by Adriana Holszky. Chamber ...(+)
Trio (acc,cym,perc)
SKU: BR.KM-2524
Composed by Adriana
Holszky. Chamber music;
Folder.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere:
Munich, 1988
Opera;
Music theatre; Music
post-1945; New music
(post-2000). Performance
score. Composed 1988. 36
pages. Duration 5'.
Breitkopf and Haertel #KM
2524. Published by
Breitkopf and Haertel
(BR.KM-2524).
ISBN
9790004504376. 15 x 11.5
inches.
World
premiere Munich in 1988
Fassbinder Place
and time: Bremen 1831
Personae:
GEESCHE GOTTFRIED (Mezzo
Soprano) - MILTENBERGER
HER FIRST MAN (Baritone)
- TIMM HER FARTHER (Bass)
- MOTHER (Alto) -
GOTTFRIED HER SECOND MAN
(heroic Tenor) -
ZIMMERMANN A FRIEND
((dramatic Tenor) - RUMPF
A FRIEND (lyric Tenor) -
JOHANN HER BROTHER / BOHM
A COUSIN (heroic
Baritone) - LUISE MAUER A
FRIEND (Soprano) - PATER
MARKUS (Bass) - ONE
ALTO Scoring:
b>
fl(picc.A-fl.B-fl).ob(cor
ang).clar(Eb-clar.B-clar.
db clar).bsn(dble bsn) -
trp(picc.trp.flugel hn).
- 2tbn -
perc.cymbal(dulcimer.gran
pno) - acc -
2vl.2vc.db Additional
instruments for members
of the vocal ensemble -
tape
Biblio
graphy:
Hie
kel Jorn Peter:
,,Chaotische Zustande
auskomponieren. Adriana
Holszkys
Musiktheaterstuck
,,Bremer Freiheit als
Werk des Durchbruchs in:
Adriana Holszky hrsg. von
Ulrich Tadday
(Musik-Konzepte Neue
Folge Heft 160/161)
Munchen: edition
text+kritik 2013 S.
43-56 Kostakeva
Maria: Metamorphose und
Eruption. Annaherung an
die Klangwelten Adriana
Holszkys Hofheim: wolke
2013 (S.
29-35) Spassov
Bojidar: Der Tod als
Wiederholungsspiel im
,,Bremer Freiheit von
Adriana Holszky in:
Katastrophe Suhne
Erlosung: Der Tod im
(Musik-)Theater hrsg. von
Jurgen Kuhnel Ulrich
Muller und Oswald Panagl
(= Wort und Musik.
Salzburger akademische
Beitrage 72)
Anif/Salzburg:
Mueller-Speiser 2010 S.
492-497
CD
Produktion der
Staatsoper Stuttgart
Ensemble avance cond.
Andras Hamary Wergo WER
5411 2
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band
SKU:
PR.46500013L
For
Wind Ensemble.
Composed by Dan Welcher.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013L. Published by
Theodore Presser Company
(PR.46500013L).
UPC:
680160600151. 11 x 14
inches.
I n 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William Clarks
Corps of Discovery to
find a water route to the
Pacific and explore the
uncharted West. He
believed woolly mammoths,
erupting volcanoes, and
mountains of pure salt
awaited them. What they
found was no less
mind-boggling: some 300
species unknown to
science, nearly 50 Indian
tribes, and the Rockies.
I have been a student of
the Lewis and Clark
expedition, which Thomas
Jefferson called the
Voyage of Discovery, for
as long as I can
remember. This
astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri and took
the travelers up more
than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
hired trappers and
explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing and along with
other trinkets, a box of
200 jaw harps to be used
in trading with the
Indians. Their trip was
long, perilous to the
point of near
catastrophe, and arduous.
The dream of a Northwest
Passage proved ephemeral,
but the northwestern
quarter of the continent
had finally been
explored, mapped, and
described to an anxious
world. When the party
returned to St. Louis in
1806, and with the
Louisiana Purchase now
part of the United
States, they were greeted
as national heroes. I
have written a sizeable
number of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks, doesnt
try to tell a story.
Instead, it captures the
flavor of a certain time,
and of a grand adventure.
Cast in one continuous
movement and lasting
close to fourteen
minutes, the piece falls
into several subsections,
each with its own
heading: The Dream (in
which Jeffersons vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III . The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate river song, and
which becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by Cruzattes
fiddle. From various
journals and diaries, we
know the men found
enjoyment and solace in
music, and almost every
night encampment had at
least a bit of music in
it. In addition to
Cruzatte, there were two
other members of the
party who played the
fiddle, and others made
do with singing, or
playing upon sticks,
bones, the ever-present
jaw harps, and boat
horns. From Lewis
journals, I found all the
tunes used in Upriver:
Shenandoah (still popular
after more than 200
years), Vla bon vent,
Soldiers Joy, Johnny Has
Gone for a Soldier, Come
Ye Sinners Poor and Needy
(a hymn sung to the tune
Beech Spring) and Fishers
Hornpipe. The work
follows an emotional
journey: not necessarily
step-by-step with the
Voyage of Discovery
heroes, but a kind of
grand arch. Beginning in
the mists of history and
myth, traversing peaks
and valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of Jeffersons
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
SATB choir, piano SKU: LO.15-4070H Composed by Michael Malthaner. Choral....(+)
SATB choir, piano
SKU:
LO.15-4070H
Composed
by Michael Malthaner.
Choral. Christmas,
Concert, Secular
Christmas. Octavo.
Heritage Music Press
#15/4070H. Published by
Heritage Music Press
(LO.15-4070H).
ISBN
9780787779733.
It's
about time that someone
asked the question What
Were You Thinking?
regarding the gifts in
The Twelve Days of
Christmas. This humorous
commentary on the
impracticality of
twenty-three birds, eight
cows, fifty people, and a
tree will have your
audiences erupting with
laughter. The
conversational approach
to this piece allows for
opportunities to stage
your choir accordingly to
help express the
back-and-forth dialogue
and intensification of
the argument before
arriving at a happy
conclusion.
Brass Band - Grade 4 SKU: BT.GOB-000449-130 Composed by Carl Wittrock. Sc...(+)
Brass Band - Grade 4
SKU:
BT.GOB-000449-130
Composed by Carl
Wittrock. Score Only. 20
pages. Gobelin Music
Publications #GOB
000449-130. Published by
Gobelin Music
Publications
(BT.GOB-000449-130).
The word
‘tsunami’ is of
Japanese origin. When you
look it up in a
dictionary, you will find
that it means ‘a great
sea wave produced by
submarine earth movement
or volcanic eruption’.
A megatsunami is the
superlative of this
awesome expressionof
power that nature can
create, and has
catastrophic
consequences.
When Carl Wittrock
completed this
composition not many such
big earth movements had
occurred, but since then
we have become all too
familiar with the
disastrousconsequences
which a tsunami may
have. On the 26th of
December 2004 a heavy
seaquake took place near
the Indonesian island of
Sumatra. Tidal waves 10
meters in height ravaged
the coastal regions of
many countries for miles
around. The tsunamitook
the lives of thousands of
people and destroyed many
villages and
towns.
There are
more areas which run the
risk of being struck by a
tsunami, such as the
island of La Palma, one
of the Canary Islands.
This island is based on
oceaniccrust at a
fracture zone and as such
is one of nature’s time
bombs. The consequences
of a natural calamity
like a megatsunami are
immense. In the case
of La Palma, the tidal
wave will move in the
direction of South
America, where it may
reach 50km inland,
destroying everything on
its way.
In his
composition Wittrock
describes an ordinary day
which will have an
unexpected ending.
Right from the
beginning there seems to
be something in the air,
the music creating an
oppressiveatmosphere of
impending disaster.
Themes are interrupted,
broken off suddenly,
followed by silence,
suggesting the calm
before the storm.
Suddenly a short
climax (glissandi in the
trombone part) indicates
the seaquake, and the
megatsunami isa fact.
Hereafter follows a
turbulent passage
symbolising the huge
rolling waves. After
nature’s force has
spent itself, resignation
sets in and the
composition ends with a
majestic ode to
nature.
Het woord
tsunami is afkomstig uit
het Japans. Het
woordenboek geeft als
betekenis: een vloedgolf
als gevolg van een
onderzeese aardbeving.
Een megatsunami is de
overtreffende trap van
deze vorm van
natuurgeweld en heeft
catastrofale
gevolgen.
Toen
Carl Wittrock deze
compositie voltooide
waren er nog niet veel
voorbeelden van
dergelijke grote
bevingen, maar inmiddels
weten we maar al te goed
welke desastreuze
gevolgen een tsunami kan
veroorzaken. Op 26
december 2004 vond ereen
zware beving plaats in de
zee nabij het
Indonesische eiland
Sumatra. Vloedgolven van
wel 10 meter hoog
teisterden de kuststreken
van menig land in de
verre omtrek. De tsunami
eiste duizenden
mensenlevens en
verwoestte vele dorpen
ensteden.
Er zijn
meer gebieden waar sprake
is van een directe
dreiging, zoals op het
eiland La Palma, één
van de Canarische
eilanden. Dit eiland ligt
op een breukvlak en is
daarmee een tijdbom van
de natuur. Bij een
calamiteit als
eenmegatsunami zijn de
gevolgen niet te
overzien. In het
geval van La Palma
begeeft de vloedgolf van
enkele honderden meters
zich richting Zuid
Amerika met alle gevolgen
van dien. Tot ongeveer 50
kilometer landinwaarts
heeft de megatsunami
eenallesverwoestende
werking.
In de
compositie schetst
Wittrock een gewone dag
die ongewoon zal aflopen.
Al vanaf het begin hangt
er iets in de lucht en is
er sprake van een
dreigende, beklemmende
sfeer. Themas worden
onderbroken
doorplotselinge
afbrekingen en stiltes.
Opeens is daar de korte
climax (glissandi in
trombones) die de beving
symboliseert en de
megatsunami is een feit.
Een onrustig gedeelte
vangt aan, daarmee de
rollende, voortstuwende
golven symboliserend. Na
hetnatuurgeweld is er
berusting en The Power of
the Megatsunami wordt
afgesloten met een
majestueuze ode aan de
natuur.
Concert Band; Orchestra - Grade 1.5 SKU: AP.49116S Composed by Scott Wats...(+)
Concert Band; Orchestra -
Grade 1.5
SKU:
AP.49116S
Composed by
Scott Watson. 5 or More;
MakeMusic Cloud; Mixed
Instruments - Flexible
Instrumentation;
Performance Music
Ensemble; Quartet; Single
Titles; Solo Small
Ensembles. Sound
Innovations for Concert
Band. Score. 20 pages.
Duration 4:40. Alfred
Music #00-49116S.
Published by Alfred Music
(AP.49116S).
UPC:
038081563428.
English.
This
version of Escape from
Thunder Mountain by Scott
Watson is part of our
Alfred FLEX offerings and
is designed with maximum
flexibility for use by
any mix of
instruments---wind,
strings, and percussion,
including like- or
mixed-ensembles with as
few as 4 players. The
suggested instrumentation
and a customizable
Teacher Map will help you
plan out how to best
assign parts to suit your
ensemble's needs. The
4-part instrumentation
will support balanced
instrumentation of the
lower voices. It also
comes with supplemental
parts for maximum
flexibility. With the
purchase of this piece,
permission is granted to
photocopy the parts as
needed for your ensemble.
A percussion
accompaniment track is
also available as a free
download. String parts
have been carefully
edited with extra
fingerings and
appropriate bowings to
support students in mixed
ensembles playing in less
familiar keys.
The tropical
island volcano, Thunder
Mountain, has lain
dormant for years. As a
party of adventurous
researchers work atop the
legendary mountain, it
begins to shake with
pre-eruption tremors!
Check out this original
composition by Scott
Watson! (4:40)
Voice and piano (Soli: SBar(T) - 1(picc.A-fl).1(cor ang).1(Ebclar.Bclar).0. - 1....(+)
Voice and piano (Soli:
SBar(T) -
1(picc.A-fl).1(cor
ang).1(Ebclar.Bclar).0. -
1.1.2.0. - perc - hp -
pno - str: 1.1.1.1.1.)
SKU: BR.DV-6140
Scenes for 2 Singers
and 15
Instrumentalists.
Composed by Udo
Zimmermann. Voice;
Softbound. Deutscher
Verlag. World premiere:
Hamburg, February 27,
1986DV 1140 awarded the
German Music Edition
Prize. Opera; Music
theatre; Music post-1945;
New music (post-2000).
Piano/Vocal Score.
Composed 1984/85. 140
pages. Duration 75'.
Deutscher Verlag fur
Musik #DV 6140. Published
by Deutscher Verlag fur
Musik (BR.DV-6140).
ISBN 9790200460230.
13.5 x 10.5
inches.
Translation
: Engl. (S. Wadsworth)
(1988) / (Norbert
Rubesaat) (1993); French
(Jean-Pierre Wurtz)
(1997) Place and time:
Jail Munchen-Stadelheim,
in the hour before the
execution on 22nd
February 1943 Characters:
Sophie Scholl (soprano) /
Hans Scholl (baritone or
tenor) >>Weisse Rose<<
(White Rose) was the name
of the resistance group
to which Hans and Sophie
Scholl belonged. Udo
Zimmermann's composition
is characterized by the
varying structure of its
scenes: dramatic,
visionary scenes, e.g.
the remembered wartime
experiences on the front,
Sophie's anxiety about
the removal of the
children and the wish to
see her parents one last
time, contrast with
contemplative monologues
that are intended to
provide insights into the
individual's particular
situation. The composer
interweaves into the
structure of the piece
dream sequences with
sudden bursts of anxiety
that are not triggered by
the execution that is
about to take place but
by the consequences of
one's own actions. The
result is a deliberate
fusion of the various
parts into one another.
More than 100 different
productions prove that
the topic is as important
as ever and that the work
is both artistically
rewarding and
practicable. Udo
Zimmermann About the
piece Two young people,
the siblings Sophie and
Hans Scholl, are in a
prison cell, one hour
before they are to be put
to death by their fascist
executioners. Their
christian convictions and
sense of responsibility
gave them the courage to
put up resistance,
resistance against the
lies, the contempt for
humanity and all human
values. Sophie and Hans
Scholl took their stand
in the full knowledge
that they were taking a
deadly risk. They would
simply not have been able
to live with their
feelings of shame had
they not grasped the
chance of fighting for
what they believed in,
even though it was a
dangerous thing to do.
Memories of past events,
doubts, hopes and fears,
justification of deeds
and an acceptance of
death, all these things
happen and move in, and
between, these two people
during this
representation of the
hour before death. The
orchestra provides a
psycho-physical shorthand
of their inner mental
state. Musical effects
and gestures search for
their identity in human
behaviour. The moments of
stillness and silence
provide moments of
musical tension, which
are just as powerful as
the eruptions of fear and
desperation. CDs:
Gabriele Fontana
(soprano), Lutz-Michael
Harder (tenor),
Instrumentalensemble,
cond. Udo Zimmermann CD
Orfeo C 162 871 Grazyna
Szklarecka (soprano),
Frank Schiller (tenor),
musica viva-ensemble
dresden, cond. Udo
Zimmermann CD Berlin
Classics Eterna BC 0120
060-2 CD (excerpts):
Gabriele Fontana
(soprano), Lutz-Michael
Harder (tenor), Ein
Instrumentalensemble,
cond. Udo Zimmermann CD
BMG 74321 73628 2
Bibliography : Kornel ,
Attila: ,,Tief unter uns
nur Schweigen - Die
Asthetik der Stille in
Udo Zimmermanns
Kammeroper ,,Weisse Rose,
in: Die Tonkunst 11
(2017), pp. 368-377.
Rheinlander , Matthias:
Im Osten nichts Neues?
Ostalgie ohne Kitsch am
Beispiel von Udo
Zimmermanns Oper Die
weisse Rose, in: Musik
und Unterricht, Heft 73
(2003), pp.
34-40.
World
premiere: Hamburg,
February 27, 1986DV 1140
Awarded the German Music
Edition Prize.
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1769S Score Only. C...(+)
Concert Band Concert Band
- Grade 2.5
SKU:
FJ.B1769S
Score
Only. Composed by
Brian Balmages. Concert
Band. FJH Young Band.
Score. Duration 3:15. The
FJH Music Company Inc
#98-B1769S. Published by
The FJH Music Company Inc
(FJ.B1769S).
English.
Everyon
e is still. The countdown
begins. And in a single
moment, adrenaline surges
in an eruption of energy
and power. This intense
closer does not let go,
keeping the audience and
performer on the edge of
their seats throughout.
Very playable - just make
sure you find time to
catch your breath (or
does that refer to the
audience?...). Ready,
set...
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
Chorus; Orchestra (Study Score) SKU: HL.48025427 For Chorus and Orches...(+)
Chorus; Orchestra (Study
Score)
SKU:
HL.48025427
For
Chorus and Orchestra
Study Score. Composed
by Magnus Lindberg.
Boosey and Hawkes
Scores/Books. Classical.
Softcover. 156 pages.
Duration 1920 seconds.
Boosey and Hawkes
#M060137518. Published by
Boosey and Hawkes
(HL.48025427).
ISBN
9781784546175. UPC:
196288207788.
Compo
sed in 2008-09, GRAFFITI
is Lindberg's first work
for chorus and orchestra,
and it earned him the
2009 Finnish Composer
Society's Award. The
libretto for the
half-hour work is
compiled from ancient
Latin graffiti discovered
during excavations of
Pompeii, the city
destroyed by volcanic
eruption in 79 CE. Some
of the writings are
specific to the time and
place, such as publicity
for gladiatorial combats,
but many of the political
denunciations, silly
aphorisms, and sexual
encounters either
documented or solicited
could, with the Roman
names changed, be found
in present-day settings.
Lindberg assembled the
brief texts without
aiming to create a
narrative or thematic
scheme, his intention
being to evoke 'a grand
choral and orchestral
fresco of the life of the
town'. A work of great
energy and originality,
and a significant
addition to the
repertoire of large-scale
choral writing.
Violin, cello, piano
(Violin, Violoncello,
Piano) - Level 4
SKU:
BA.BA11041
Composed
by Giselher Klebe. In a
folder. Performance
scores (3). Opus 145.
33/33/33 pages. Duration
5 minutes, 30 seconds.
Baerenreiter Verlag
#BA11041_00. Published by
Baerenreiter Verlag
(BA.BA11041).
ISBN
9790006543106. 34 x 27.2
cm inches.
This
three movement piano trio
from Giselher
Klebe’s late
period of creativity
originates from his
estate. The
composition’s
appeal lies in the clear,
restrained diction whilst
at the same time a high
intensity of expression
is achieved. Two
diverse slow outer
movements with eruptive
injections frame a lively
middle movement. This
work which has a duration
of 20 minutes undoubtedly
represents an impressive
document of a musical
style which we perceive
today as the classical
modern.
Rising into a New Era Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Score and Parts Concert Band (Score & Parts) - Grade 4 SKU: HL.4008967 (+)
Score and Parts Concert
Band (Score & Parts) -
Grade 4
SKU:
HL.4008967
Concert
Band, Grade 4 9:30 Score
and Parts. Composed
by Hermann Pallhuber.
Symphonic Dimensions.
Concert, Concert Band.
Softcover. Duration 570
seconds. Hal Leonard
#SDP267-24-02. Published
by Hal Leonard
(HL.4008967).
UPC:
196288282167.
“Ri
sing into a New Era”
was commissioned by the
city of Landeck in 2023
to commemorate its 100th
anniversary since being
declared a city. The
composition serves as the
introductory part of a
trilogy, encapsulating
the years from 1923 to
1956, depicting Landeck's
transformation from a
market town to a city.
The outset of the piece
is characterized by a
reserved and hushed
atmosphere, reflecting
the initial uncertainty
during a period of
economic challenges. The
optimistic anticipation
of a new beginning is
only echoed by the sound
of the city's new bells.
The central motif,
threading throughout the
entire composition, is
derived from the name of
the city: LAnDECk
(A-D-E-C). This motif
unfolds at the onset
within the resonance of
the city's bells,
gradually evolving into
the main theme through
the gentle tones of the
clarinets. Following the
initial years of the
burgeoning city, where a
positive societal shift
and newfound security are
symbolized by a second
musical theme, the sudden
eruption of the Second
World War disrupts this
progress. A mournful
melody, borrowed from the
cheerful second theme of
the piece, speaks of
sorrow, nostalgia, yet
also solace and hope for
peace and freedom. A
“Vivace furioso”
captures the
uncertainties and intense
turbulence of the war.
These tumultuous emotions
gradually settle,
culminating after a
delicate oboe and
saxophone solo into the
now powerful main theme
presented in the form of
a majestic chorale. A
“Vivace con bravura”
brings the composition to
a radiant conclusion,
signifying a strengthened
future for the city of
Landeck.
Wrath of Vesuvius Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Concert band - Grade 2 SKU: CL.011-4426-01 Composed by P. Clark. Young Co...(+)
Concert band - Grade 2
SKU:
CL.011-4426-01
Composed by P. Clark.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR389). Extra full
score. Composed 2016.
Duration 3 minutes, 44
seconds. C.L. Barnhouse
#011-4426-01. Published
by C.L. Barnhouse
(CL.011-4426-01).
This exciting
concert/contest piece is
filled with powerful
brass, lyrical woodwinds
and explosive percussion!
Musically depicting the
two day eruption of Mount
Vesuvius in the year 72
A.D. and the destruction
it brought to the city
and people of Pompeii,
this is not only a
wonderful addition to
your music library, but
also a great way to teach
your students and
audiences about this
event in ancient history.
A very musical and
impressive composition at
this level!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Escape the Lost City Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Band Concert Band - Grade 3.5 SKU: CF.CPS122F Composed by Alan Lee Silva....(+)
Band Concert Band - Grade
3.5
SKU:
CF.CPS122F
Composed
by Alan Lee Silva. SWS.
Carl Fischer Concert
Performance Series. Full
score. With Standard
notation. 24 pages.
Duration 3:30. Carl
Fischer Music #CPS122F.
Published by Carl Fischer
Music (CF.CPS122F).
ISBN 9780825885082.
UPC: 798408085087. 9 x 12
inches. Key: C
minor.
It’s
time to run! Erupting
from the outset, Escape
the Lost City drives
forward with wild
intensity. With all the
thrilling qualities of an
action movie score, this
work’s quick
ensemble figures, played
with precision and
passion, conclude this
whirlwind journey. Hang
on tight and wow the
judges with this one!
Composed by Andy Beck. Performance Music Ensemble; Single Titles. Alfred Chora...(+)
Composed by Andy Beck.
Performance Music
Ensemble;
Single Titles. Alfred
Choral
Designs. Secular. Choral
Octavo. 12 pages. Alfred
Music #00-48464.
Published by
Alfred Music
Organ SKU: BA.BA11045 Composed by Dominik Susteck. Edited by Zsigmond Sza...(+)
Organ
SKU:
BA.BA11045
Composed
by Dominik Susteck.
Edited by Zsigmond
Szathmary. Stapled.
Organova, Volume 10.
Performance score.
Composed 2011. 14 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA11045_00. Published by
Baerenreiter Verlag
(BA.BA11045).
ISBN
9790006543243. 30 x 23 cm
inches. Language:
German/English. Preface:
Dominik
Susteck.
Thoughts
on the composition
“Zwischenklänge
€ with regard to the
subject of “home
and abroadâ€: -
Music that never rests,
that is in constant
motion and mutation, its
tones almost trembling,
on the run, in constant
tension. - Music that
unfolds its beauty in the
“in betweenâ€,
in the appoggiatura, in
the flash-like emergence
and disappearance of
harmonic colors. -
Music as an evolvement of
time, waiting, bustling,
erupting, or
withdrawing.
The
composition
“Zwischenklänge
€ was awarded tje
11th Composition Prize of
Contemporary Sacred Music
of the European Church
Music Festival
Schwäbisch Gmünd.
– The premiere was
given on 27 August 2012
by Roman Summereder
(Vienna).
Concert Band Concert Band - Grade 1.5 SKU: FJ.B1607S Score Only. C...(+)
Concert Band Concert Band
- Grade 1.5
SKU:
FJ.B1607S
Score
Only. Composed by
Robert Sheldon. Concert
Band. FJH MOS
Performance. Score.
Duration 2:00. The FJH
Music Company Inc
#98-B1607S. Published by
The FJH Music Company Inc
(FJ.B1607S).
English.
Inspire
d by the 1888 eruption of
Mt. Bandai in northern
Japan, this bold,
imaginative work captures
the drama and fury of a
pyroclastic flow. The
driving rhythms in the
percussion along with the
dark and ominous melodies
are sure to get the
audience involved in this
evocative work for young
band.
Violin and piano - difficult SKU: HL.49019900 For violin and piano...(+)
Violin and piano -
difficult
SKU:
HL.49019900
For
violin and piano.
Composed by Olli
Mustonen. This edition:
Saddle stitching. Sheet
music. String. Softcover.
Composed 2012. 40 pages.
Duration 21'. Schott
Music #VLB178. Published
by Schott Music
(HL.49019900).
ISBN
9790001193375.
9.25x12.0x0.213
inches.
In this
sonata, calm passages
alternate with extremely
lively ones in
traditional style. The
piano plays in chordal
style most of the time as
real accompaniment, with
polyphonic ensemble
playing not being given
special emphasis. The
sonata is characterized
by melodious cantilenas
of the violin, intricate
rhythms and almost
symphonic tonal eruptions
alike. The piece demands
great technical skills
while actually seeming to
be easy to grasp.Mustonen
is one of the virtuoso
pianists-composers of the
younger generation. In
his works, he often
refers to the history and
culture of his home
country Finland. He
performed the world
premiere of his Violin
Sonata with the young
Finnish violinist Pekka
Kuusisto in London in
April 2013.
Voice and piano SKU: BR.KM-2529 Composed by Adriana Holszky. Voice; Folde...(+)
Voice and piano
SKU:
BR.KM-2529
Composed
by Adriana Holszky.
Voice; Folder.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere:
Tubingen, Landestheater,
May 11, 1988
Music
post-1945; New music
(post-2000). Score.
Composed 1988. 68 pages.
Duration 20'. Breitkopf
and Haertel #KM 2529.
Published by Breitkopf
and Haertel (BR.KM-2529).
ISBN 9790004504420.
11.5 x 16.5
inches.
CD:Vokalens
emble belcanto Frankfurt,
cond. Dietburg SpohrAulos
55013Bibliography:Adam-Sc
hmidmeier, Eva-Maria von:
Journalist ermordet
Schmuck und Geld , in:
Musik und Unterricht,
Heft 105 (November 2011),
pp. 16-21.Holszky,
Adriana: Wandernde
Klangraume und die
Korperlichkeit des
Klanges, in: Neue
Rundschau 132 (2021),
Heft 1, S.
146-158Kostakeva, Maria:
Metamorphose und
Eruption. Annaherung an
die Klangwelten Adriana
Holszkys, Hofheim: wolke
2013 (pp.
67-71).
World
premiere: Tubingen,
Landestheater, May 11,
1988.