Composed by Ferdinand David, arranged by Robert Mueller. Set of performance parts for trombone solo and piano accompaniment. Eb Major. 26 pages. Published by Carl Fischer.

By Ferdinand David. For trombone and piano. Swiss import. Score and parts. Published by Editions Marc Reift. (EMR 2064A)
Level: 4+.

By Ferdinand David. For Bassoon. Woodwind - Bassoon Solo. Masterwork. 16 pages. Published by Alfred Publishing.

Violin and cello

SKU: IM.3768

Composed by Johann Sebastian Bach. Edited by Ferdinand David, Nanae Iwata, and Patrick Jee. Set of parts. International Music Co. #3768. Published by International Music Co. (IM.3768).

Ferdinand DavidaEUR(tm)s classic arrangement of the Two-Part Inventions has been newly edited by acclaimed
violinist and Baroque specialist Nanae Iwata. Includes generous, scholarly annotations on ornamentation.

Violin solo, orchestra

SKU: BR.SON-433

Complete Works. Composed by Felix Bartholdy Mendelssohn. Edited by Birgit Muller and Salome Reiser. Linen. Complete Works. Romantic period. Complete Works. 184 pages. Breitkopf and Haertel #SON 433. Published by Breitkopf and Haertel (BR.SON-433).

ISBN 9790004802892. 10 x 12.5 inches.

Felix Mendelssohn Bartholdy's violin concerto op. 64 had - like many of his other works - a lengthy genesis: it is in the summer of 1838 that surviving documents first mention the promise made to his friend Ferdinand David, concert master of the Leipzig Gewandhaus, to write, besides a sonata, a grand solo concerto for him. Ultimately, work on this opus continued - with some longer interruptions - until September 1844. Even then, it owed its preliminary completion in no small measure to the constant urging of the prospective solo violinist. But after the ,,official handing-over of the parts to David and a first joint rehearsal of the concert in Leipzig Mendelssohn continued working on the score. There subsequently began an intensive correspondence with David between Leipzig and Frankfurt am Main, where Mendelssohn resided with his family, in particular concerning issues of the principal part and the reworking of the solo cadence. In March 1845 the then current version of the work was premiered in a subscribers' concert in Leipzig.This volume deals with Mendelssohn's first complete manuscript of the score with the corrections contained therein, including all surviving drafts and sketches; also included is the epistolary evidence of the correspondence with Ferdinand David prior to the premiere. The further developments up to the printing of the main version of op. 64 by Breitkopf & Hartel are dealt with in Series II, Vol. 7 of the edition.

Violin, orchestra Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Birgit Muller. Breitkopf and Haertel #OB 5645-27. Published by Breitkopf and Haertel

Violin and orchestra (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-5712

Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Birgit Muller. Orchestra; Softcover. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Study Score. Duration 25'. Breitkopf and Haertel #PB 5712. Published by Breitkopf and Haertel (BR.PB-5712).

ISBN 9790004216491. 6.5 x 9 inches.

Felix Mendelssohn Bartholdy created a standard work with his final violin concerto in E minor op. 64 MWV O 14 that is now firmly established in today's concert repertoire. When in 1838 the composer indicated that he had in mind a violin concerto [...] in E minor [...], it was not only his friend Ferdinand David, the Gewandhaus concertmaster for whom it was intended, who was euphoric. The whole civilized violin world was awaiting this concerto - and yet it was another seven years before the much-anticipated composition was ultimately published by the Leipzig publishing house Breitkopf & Hartel in June 1845, as well as simultaneously in London and Milan. The concerto particularly appeals through its innovative treatment of the solo part, not only because the solo violin strikingly opens the first movement without a preceding orchestral tutti, but also because of its musical dialogue with the orchestra. The Leipzig Gewandhaus premiere on 13 March 1845 with Ferdinand David as soloist under the direction of Nils Wilhelm Gade served - as so frequently with Mendelssohn - virtually as a proofreading process. After the composer subsequently made extensive changes that also involved David, the work first appeared just short of nine months later. The first edition documents the composer's valid final revision, which is reproduced as the work's main version in the present Urtext edition.The matching piano reduction includes not only an unmarked string part, but also a part with the established markings by Igor Oistrach.

Violin 2 (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-5645-16

Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Birgit Muller. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Romantic. Part. 12 pages. Duration 25'. Breitkopf and Haertel #OB 5645-16. Published by Breitkopf and Haertel (BR.OB-5645-16).

ISBN 9790004344736. 10 x 12.5 inches.

Felix Mendelssohn Bartholdy created a standard work with his final violin concerto in E minor op. 64 MWV O 14 that is now firmly established in today's concert repertoire. When in 1838 the composer indicated that he had in mind a violin concerto [...] in E minor [...], it was not only his friend Ferdinand David, the Gewandhaus concertmaster for whom it was intended, who was euphoric. The whole civilized violin world was awaiting this concerto - and yet it was another seven years before the much-anticipated composition was ultimately published by the Leipzig publishing house Breitkopf & Hartel in June 1845, as well as simultaneously in London and Milan. The concerto particularly appeals through its innovative treatment of the solo part, not only because the solo violin strikingly opens the first movement without a preceding orchestral tutti, but also because of its musical dialogue with the orchestra. The Leipzig Gewandhaus premiere on 13 March 1845 with Ferdinand David as soloist under the direction of Nils Wilhelm Gade served - as so frequently with Mendelssohn - virtually as a proofreading process. After the composer subsequently made extensive changes that also involved David, the work first appeared just short of nine months later. The first edition documents the composer's valid final revision, which is reproduced as the work's main version in the present Urtext edition.The matching piano reduction includes not only an unmarked string part, but also a part with the established markings by Igor Oistrach.

Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Birgit Muller. Score. Breitkopf and Haertel #PB 5645. Published by Breitkopf and Haerte

Violin, piano (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.EB-9374

Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Birgit Muller. Solo instruments; stapled. Edition Breitkopf. Solo concerto; Romantic. Piano reduction. 92 pages. Duration 25'. Breitkopf and Haertel #EB 9374. Published by Breitkopf and Haertel (BR.EB-9374).

ISBN 9790004188446. 9 x 12 inches.

Felix Mendelssohn Bartholdy created a standard work with his final violin concerto in E minor op. 64 MWV O 14 that is now firmly established in today's concert repertoire. When in 1838 the composer indicated that he had in mind a violin concerto [...] in E minor [...], it was not only his friend Ferdinand David, the Gewandhaus concertmaster for whom it was intended, who was euphoric. The whole civilized violin world was awaiting this concerto - and yet it was another seven years before the much-anticipated composition was ultimately published by the Leipzig publishing house Breitkopf & Hartel in June 1845, as well as simultaneously in London and Milan. The concerto particularly appeals through its innovative treatment of the solo part, not only because the solo violin strikingly opens the first movement without a preceding orchestral tutti, but also because of its musical dialogue with the orchestra. The Leipzig Gewandhaus premiere on 13 March 1845 with Ferdinand David as soloist under the direction of Nils Wilhelm Gade served - as so frequently with Mendelssohn - virtually as a proofreading process. After the composer subsequently made extensive changes that also involved David, the work first appeared just short of nine months later. The first edition documents the composer's valid final revision, which is reproduced as the work's main version in the present Urtext edition. The matching piano reduction includes not only an unmarked string part, but also a part with the established markings by Igor Oistrach.

Violin 1 (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-5645-15

Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Birgit Muller. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Romantic. Part. 12 pages. Duration 25'. Breitkopf and Haertel #OB 5645-15. Published by Breitkopf and Haertel (BR.OB-5645-15).

ISBN 9790004344729. 10 x 12.5 inches.

Felix Mendelssohn Bartholdy created a standard work with his final violin concerto in E minor op. 64 MWV O 14 that is now firmly established in today's concert repertoire. When in 1838 the composer indicated that he had in mind a violin concerto [...] in E minor [...], it was not only his friend Ferdinand David, the Gewandhaus concertmaster for whom it was intended, who was euphoric. The whole civilized violin world was awaiting this concerto - and yet it was another seven years before the much-anticipated composition was ultimately published by the Leipzig publishing house Breitkopf & Hartel in June 1845, as well as simultaneously in London and Milan. The concerto particularly appeals through its innovative treatment of the solo part, not only because the solo violin strikingly opens the first movement without a preceding orchestral tutti, but also because of its musical dialogue with the orchestra. The Leipzig Gewandhaus premiere on 13 March 1845 with Ferdinand David as soloist under the direction of Nils Wilhelm Gade served - as so frequently with Mendelssohn - virtually as a proofreading process. After the composer subsequently made extensive changes that also involved David, the work first appeared just short of nine months later. The first edition documents the composer's valid final revision, which is reproduced as the work's main version in the present Urtext edition.The matching piano reduction includes not only an unmarked string part, but also a part with the established markings by Igor Oistrach.

Woodwinds (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-5645-30

Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Birgit Muller. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). Solo concerto; Romantic. Set of parts. 96 pages. Duration 25'. Breitkopf and Haertel #OB 5645-30. Published by Breitkopf and Haertel (BR.OB-5645-30).

ISBN 9790004344767. 10 x 12.5 inches.

Felix Mendelssohn Bartholdy created a standard work with his final violin concerto in E minor op. 64 MWV O 14 that is now firmly established in today's concert repertoire. When in 1838 the composer indicated that he had in mind a violin concerto [...] in E minor [...], it was not only his friend Ferdinand David, the Gewandhaus concertmaster for whom it was intended, who was euphoric. The whole civilized violin world was awaiting this concerto - and yet it was another seven years before the much-anticipated composition was ultimately published by the Leipzig publishing house Breitkopf & Hartel in June 1845, as well as simultaneously in London and Milan. The concerto particularly appeals through its innovative treatment of the solo part, not only because the solo violin strikingly opens the first movement without a preceding orchestral tutti, but also because of its musical dialogue with the orchestra. The Leipzig Gewandhaus premiere on 13 March 1845 with Ferdinand David as soloist under the direction of Nils Wilhelm Gade served - as so frequently with Mendelssohn - virtually as a proofreading process. After the composer subsequently made extensive changes that also involved David, the work first appeared just short of nine months later. The first edition documents the composer's valid final revision, which is reproduced as the work's main version in the present Urtext edition.The matching piano reduction includes not only an unmarked string part, but also a part with the established markings by Igor Oistrach.

Viola

SKU: BT.MUSVWP000091

Composed by Ferdinand David. Viola World. Tuition. Study Score. 28 pages. Viola World #MUSVWP000091. Published by Viola World (BT.MUSVWP000091).

UPC: 890346001034.

Twent y Four Etudes For The Intermediate Violist by Ferdinand David, which test and develop bowing, fingering and rhythmic technique.

Violin, piano

SKU: KU.GM-102

Op.2. Composed by Nicolo Paganini. Edited by Ferdinand David. Arranged by Ferdinand David. DIN-A4. Staple Bound. Piano score, part. Op. 2. 28 pages. Edition Kunzelmann #GM-102. Published by Edition Kunzelmann (KU.GM-102).

Violin Sonatas (6)Op.2.

Composed by Franz Schubert (1797-1828) and Franz Schubert (1797-1828). Edited by Ferdinand David and Ferdinand David. This edition: pamphlet. Score and parts. Published by Library Commerce (LC.39087012875144FANTASI A).

Composed by Pierre Rode (1773-1830) and Pierre Rode (1773-1830). Edited by Ferdinand David, Henry Schradieck and Ferdinand David, Henry Schradieck. This edition: pamphlet. Score and part. Published by Library Commerce (LC.39087009425093).

SKU: BA.BVK01950

Composed by Andreas N. Tarkmann and Johannes Kohlmann. Paperback. Book. 240 pages. Baerenreiter Verlag #BVK01950_00. Published by Baerenreiter Verlag (BA.BVK01950).

ISBN 9783761819500. 19 x 12.5 cm inches. Language: German. Preface: Tarkmann, Andreas N.

Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere; the 'child prodigy' Joseph Joachim; and Hubert Leonard, a young Belgian virtuoso about whom little is known.

As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.

The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Leonard.

The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Leonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.

It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Leonard's playing and offers to lend his support in finding employment in Germany.

This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.

The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.

- New source situation owing to recently rediscovered proofs
- Revised Urtext edition
- With a separate booklet on performance practice (Eng/Ger).

Composed by Clive Brown. Stapled. Book. Opus 64. 72 pages. Baerenreiter Verlag #BA09060. Published by Baerenreiter Verlag (BA.BA09060).

Violin, orchestra (V-solo, 2 Fl, 2 Ob, 2 clarinet-ia, 2 bassoon, 2 Hn, 2 Trp, timpani, 2 Violin, Viola, Cello,KB)

SKU: BA.BA09099

Composed by Felix Bartholdy Mendelssohn. Edited by Clive Brown and R. Larry Todd. This edition: urtext edition. Paperback. Barenreiter Urtext. Early version 1844 and late version 1845. Score. Opus 64. Duration 12 hours. Baerenreiter Verlag #BA09099_00. Published by Baerenreiter Verlag (BA.BA09099).

ISBN 9790006564330. 31 x 24.3 cm inches. Key: E minor. Preface: Todd, R. Larry / Brown, Clive.

Mendelssohnà ¢â‚¬â„¢s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ‘child prodigy’ Joseph Joachim; and Hubert Lonard, a young Belgian virtuoso about whom little is known.

As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Lonard.

The letter informs us that the composer invited Lonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Lonard.

The recently discovered proofs reveal how Lonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Lonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.

It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for Lonard’s playing and offers to lend his support in finding employment in Germany.

This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.

The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.

About Barenreiter Urtext

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- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
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