Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). In
the case of the First
Symphony, Clive Brown
again reaches an optimal
balance between source
criticism and
performance-practical
requirements. Symphony;
Classical. Part. 12
pages. Duration 30'.
Breitkopf and Haertel #OB
5231-23. Published by
Breitkopf and Haertel
(BR.OB-5231-23).
ISBN
9790004337080. 10 x 12.5
inches.
Whether for
first editions or not the
primary sources of
Beethoven's works always
have to be interpreted
with great expertise. The
editor's knowledgeability
is the decisive point
when it comes to the
level of quality of a new
edition. And both Clive
Brown and Peter Hauschild
are setting standards.On
the whole, it was a good
idea for Breitkopf to
give itself time with
these editions. The
difficult feat of doing
justice to the needs of
performers and to
philological scholarship
has been carried off at a
level that raises the
standards to an almost
frighteningly high level.
(Peter Gulke) In the case
of the First Symphony,
Clive Brown reaches an
optimal balance between
source criticism and
performance-practical
requirements.
Interpreters and scholars
appreciate the source
criticism for performance
practice that Breitkopf
cultivates not only in
its Beethoven
editions.
In the
case of the First
Symphony, Clive Brown
again reaches an optimal
balance between source
criticism and
performance-practical
requirements.
Bartók
probably first played
pieces by Domenico
Scarlatti in public in
1911. During the next two
decades he featured them
in his piano recitals
more than 60 times. His
dedication to Italian and
French Baroque music is
also illustrated by the
fact that, in 1920, he
signed a contract with
the Budapest publisher
Rozsnyai to edit seven
volumes of Baroque
keyboard music. His plan
was to select
compositions by Couperin
and Rameau in addition to
pieces by Scarlatti, but
during the 1920s it ended
up being only two volumes
of Couperin and another
two comprising ten
compositions by
Scarlatti. In editing
these masterpieces,
Bartók's aim was
primarily to
counterbalance or
evenovershadow the works
by the
Mendelssohn-Schumann
epigones used in primary
and secondary music
education. The present,
single-volume collection
comprises Bartók's two
Scarlatti volumes,
complete with an
editorial preface, his
detailed performing
instructions, and his
commentary. The editor
recommends these
compositions for pianists
with at least five years'
experience, and gives
practical recommendations
for the grouping of
individual items to form
charming sonatina-like
sets of pieces.
Bartók spielte
wahrscheinlich 1911
erstmals Werke von
Domenico Scarlatti
öffentlich und in den
folgenden zwei
Jahrzehnten ließ er
sie an seinen
Klavierabenden mehr als
sechzig Mal erklingen.
Seine Verbundenheit mit
der italienischen und
französischen
Barockmusik beweist sich
auch darin, dass er 1920
einen Vertrag mit dem
Budapester Verlag
Rozsnyai über die
Herausgabe von sieben
Heften mit Werken der
Klaviermusik schloss.
Geplant war, dass er das
Material der Bände
sowohl mit Werken
Scarlattis als auch mit
Kompositionen Couperins
und Rameaus
zusammenstellte. Im Laufe
der 1920er-Jahre kam es
schließlich zur
Herausgabe einer
Couperin-Auswahl in zwei
Heften sowie - ebenso in
zwei Heften - von zehn
Scarlatti-Kompositionen.
Mit der
Veröffentlichung
dieser Meisterwerke
beabsichtigte Bartók
in erster Linie, den
Mendelssohn-Schumann-Epig
onen bereits in der
Musikausbildung in der
Grund- und Mittelstufe
entgegenwirken und ihre
Werke in den Hintergrund
treten zu lassen.
Die
vorliegende Publikation
versammelt in einem Band
das Material der beiden
mit Bartóks Vorwort,
detaillierten
Vortragsanweisungen und
Anmerkungen erschienenen
Scarlatti-Hefte. Der
Herausgeber empfiehlt
PianistInnen diese
Kompositionen seit
mindestens fünf Jahren
zum Klavier spielen und
gibt auch praktische
Vorschläge dafür,
wie man die einzelnen
Stücke zu einem
attraktiven
Sonatina-artigen Ganzen
gruppieren kann.
Symphony No. 8 Orchestre à Cordes [Conducteur] - Facile Alfred Publishing
By Johann Stamitz. Arranged by Bob Phillips. Music by Johann Stamitz / arr. Bob ...(+)
By Johann Stamitz.
Arranged by Bob Phillips.
Music by Johann Stamitz /
arr. Bob Phillips. For
String Orchestra. String
Orchestra. String
Orchestra. Level: 2
(grade 2). Conductor
Score. 12 pages.
Published by Alfred
Publishing.
Orchestra Orchestra SKU: PR.416413710 For Chamber Orchestra. Compo...(+)
Orchestra Orchestra
SKU: PR.416413710
For Chamber
Orchestra. Composed
by Clint Needham.
Watkiss. Contemporary.
Full score. With Standard
notation. Composed 2008.
92 pages. Duration 21
minutes. Theodore Presser
Company #416-41371.
Published by Theodore
Presser Company
(PR.416413710).
ISBN
9781598068214. UPC:
680160587162. 9x12
inches.
Needham's
original intent with
Chamber Symphony was to
encapsulate the 2008
presidential election,
from the Democratic
primaries to the historic
general election campaign
and win of Barack Obama.
But, says Needham, In the
midst of the general
election circus, I
decided to broaden my
inspiration and have the
work's overall goal focus
on the larger ideas of
hope and transformation.
Chamber Symphony was
commissioned by the
American Composers
Orchestra with generous
support of Paul
Underwood. Additional
support was from the
National Endowment for
the Arts. I originally
envisioned a work
inspired by the political
landscape of the 2008
presidential election,
focusing primarily on the
hard-fought Democratic
Primary race. I was
fascinated by the
historic and hopeful
spirit that both the
Barack Obama and Hillary
Clinton campaigns
embodied. Sometime later,
in the midst of the
general election circus,
I decided to broaden my
inspiration and have the
work’s overall
goal focus on the larger
ideas of hope and
transformation. Chamber
Symphony is constructed
in three movements
(played without pause):
I. Hammering Out, II.
Open-ended Echoes, and
III. Radiant Nation. The
titles suggest a general
atmosphere that each
movement attempts to
express. The outer
movements, both quick in
tempo, act as the
antithesis of each other
in terms of mood.
“Hammering
Out†employs an
aggressive, relentless,
pounding beat that
frequently shifts, often
emphasized with metallic
sounds. “Radiant
Nation†is much
lighter and more
optimistic in tone, and
uses an up-beat groove
throughout the movement.
The middle movement,
“Open-ended
Echoes,†is the
proverbial calm after the
storm. Unlike the outer
movements,
“Open-ended
Echoes†is almost
void of any strong sense
of pulse. The movement
attempts to create a
peaceful, contemplative
mood that transforms the
volatile nature of the
first movement tothe
radiant spirit of the
last. Chamber Symphony
was commissioned by the
American Composers
Orchestra for its
Orchestra Underground
Series with the generous
support of Paul
Underwood. Additional
support for the
ACO’s Emerging
Composers Program comes
from the National
Endowment for the
Arts.— November 5,
2008.
Piano, Vocal and Guitar SKU: HL.14004875 Composed by Linda Lehun. Music S...(+)
Piano, Vocal and Guitar
SKU: HL.14004875
Composed by Linda Lehun.
Music Sales America.
Educational Tool. Book
[Softcover]. Edition
Wilhelm Hansen #WH30416.
Published by Edition
Wilhelm Hansen
(HL.14004875).
ISBN
9788759809433.
Danish.
The
favourites of children -
120 favourites in one
book! The music teacher's
indispensable handbook.
Linda Lehun has through
her years as a teacher of
music in the primary
school collected a large
number of songs that the
children have chosen
themselves. The songs
range from the simple
songs usually sung by the
younger pupils till the
older classes, where eg
Mona, Mona, Mona, hvornar
kommer den dag ... still
is a hit. With Bornenes
Favoritter the teacher is
well dressed for
teaching, singing etc.
All songs are written in
keys easy to sing and
with contemporary chords.
Anne Lassen has
illustrated
everything.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Viola 1. Sacred vocal
music, Requiem. Single
Part, Viola 1. 12 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/13. Published by
Carus Verlag
(CA.2731813).
ISBN
9790007201883. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.
Piano, Vocal and Guitar SKU: HL.14021541 By Alison Hedger. By Debbie Camp...(+)
Piano, Vocal and Guitar
SKU: HL.14021541
By Alison Hedger. By
Debbie Campbell. Music
Sales America. Musicals.
Cassette. Composed 2015.
Golden Apple Productions
#GA11092. Published by
Golden Apple Productions
(HL.14021541).
English.
Minibea
st Madness takes a
humorous and delightfully
appealing look at a bug's
life, as fiesta guests
gather in the garden on
midsummer's night. The
ten new songs from Debbie
Campbell will both amuse
and provide excellent new
repertoire for young
singers.Minibeast Madness
can be performed as a
musical or concert piece
and is ideal for use with
conservation projects.
Approximate duration as a
musical is 45mins. The
musical suits Key Stages
2 and 3, but also has
parts which can be taken
by younger children, and
is appropriate for whole
primary school
productions. If you need
to license a school/youth
theatre performance of
this product, please use
the online application
form.
Christian, Children,
Children's Musicals,
Contemporary Christian,
Gospel, Inspirational.
Duration 3:30. Jackman
Music Corporation #02027.
Published by Jackman
Music Corporation
(JK.02027).
This
spirit-rich accompaniment
of I Am a Child of God
beautifully illuminates
the eternal truth that we
have a loving Heavenly
Father. Children will
have no trouble learning
the arrangement as they
sing the familiar melody
right out of the Primary
Songbook. The
accompaniment is medium
hard in difficulty yet
very intuitive to play.
The sheet music includes
the children's part and
accompaniment.
Words: Naomi Ward
Randall Music: Mildred
Tanner
Pettit Arrangement:
Grant
Gibbons Difficulty:
Easy for Children's
Chorus/Medium Hard
Accompaniment Duration
: approx.
3:30 Scripture
References: Romans 8:16,
Psalm 82:6, Mosiah 4:15,
Doctrine and Covenants
14:7 I Am a Child of
God Song Kit is also
available separately
HERE. It is a resource
designed to facilitate
spirit-filled learning of
this beloved children's
song using beautiful
graphics, reverent
activities, scriptures,
as well as the sheet
music.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Stephan
Horner. Stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10765 is
printed in score form;
two copies will be needed
for performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Solo
concerto; Classical.
Part. 8 pages. Duration
30 '. Breitkopf and
Haertel #OB 15108-26.
Published by Breitkopf
and Haertel
(BR.OB-15108-26).
ISBN
9790004339626. 10 x 12.5
inches.
Mozart's
Concerto K. 453 enjoyed
great popularity during
the composer's lifetime
and was widely known
through copies and a
print. The state of the
sources is thus
multi-faceted yet
unequivocal: the primary
source is the
rediscovered autograph,
which was considered lost
after 1945 and was not at
the disposal of the Neue
Mozart-Ausgabe. The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Stephan Horner to
whom Henle has entrusted
its urtext editions.
Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Peter
Hauschild. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library).
Hauschild combines
source criticism with the
demands of performance
practice, while keeping
the Critical Notes brief
(it goes without saying
that they are in the
score). His editorial
emendations can thus be
checked immediately.
Symphony; Classical. Set
of parts. 136 pages.
Duration 27'. Breitkopf
and Haertel #OB 5238-30.
Published by Breitkopf
and Haertel
(BR.OB-5238-30).
ISBN
9790004335475. 10 x 12.5
inches.
Ludwig van
Beethoven composed his
Eighth Symphony op. 93 in
1811/1812. As a
consequence of the
wartime upheavals of
those years, the world
premiere of the work did
not take place until 27
February 1814 in Vienna
under the composer's
direction.Hauschilds new
edition is based on all
the major primary
sources. With masterful
expertise, Hauschild
combines source criticism
with the demands of
performance practice,
while keeping the
Critical Notes brief (it
goes without saying that
they are in the score).
His editorial emendations
can thus be checked
immediately. Whoever
seeks more about how the
Breitkopf new edition
differs from other
available editions will
also find this
information quickly and
easily.
Hauschild
combines source criticism
with the demands of
performance practice,
while keeping the
Critical Notes brief (it
goes without saying that
they are in the score).
His editorial emendations
can thus be checked
immediately.
By Martha Sherrill Kelsey. For piano. Www.pianosolos4u.com. Educational piano sh...(+)
By Martha Sherrill
Kelsey. For piano.
Www.pianosolos4u.com.
Educational piano sheet.
Published by Heritage
Music Press.
(80/1077H) SMP Level 2
(Late Elementary); NFMC
Level: Primary Class 3.
Whispering Wind Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053880-010 Composed by Maxim...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1053880-010
Composed by Maxime Aulio.
Inspiration Series.
Concert Piece. Set (Score
& Parts). Composed 2005.
De Haske Publications
#DHP 1053880-010.
Published by De Haske
Publications
(BT.DHP-1053880-010).
9x12 inches.
English-German-French-Dut
ch.
“Donâ€
™t listen to
anyone’s advice,
but listen to the lessons
of the wind passing and
telling the history of
the world.†Claude
Debussy Since the dawn of
time, the wind has played
an important role in all
civilisations. Worshipped
as a deity,
“mastermindâ€
of poetry, driving force,
or heaven’s
messenger, the wind took
on the most varied shapes
according to the era and
people. In Claude
Debussy’s time,
music listened to the
voice of nature, and
imagination found its
primary rights again.
This importance of wind
was the inspiration for
Maxime Aulio’s
work Whispering Wind with
its suspended
atmospheres, vaporous
lines and luminous
colours. The wind
caresses the canvas. A
fascinatingnew work for
concert band.
“Luister
niet naar adviezen van
wie dan ook, maar naar de
lessen van de wind die
voorbij waait en de
geschiedenis van de
wereld vertelt.â€
(Claude Debussy) Sinds
het begin der tijden
heeft de wind in alle
beschavingen een
belangrijkerol gespeeld.
In de tijd van Claude
Debussy gaf muziek het
geluid van de natuur weer
en stond
verbeeldingskracht in
hoog aanzien. Het is deze
Franse sensibiliteit die
Maxime Aulio’s
werk Whispering
Wind kenmerkt, met
vluchtigelijnen en
heldere kleuren. De wind
raakt het doek,
suggereert en roept
slechts op, maar met een
indrukwekkende precisie.
Een mooie en bijzondere
compositie!
Seit
Menschengedenken hat der
Wind immer eine wichtige
Rolle in allen
Zivilisationen gespielt.
Vor allem auch zu
Lebzeiten von Claude
Debussy hörte die
Musik auf die Stimme der
Natur. Jedes Instrument
schien Symbol eines
Bildes oder einer
Vorstellung zu sein.
Genau diese typisch
französische
Empfindsamkeit zeichnet
auch deutlich Maxime
Aulios Whispering Wind
mit seinen
spannungsreichen
Stimmungen, nebelhaften
Linien und leuchtenden
Farben aus. Ein sehr
ausdruckvolles
Werk!
“Non
ascoltate i suggerimenti
degli altri, ma ascoltate
le lezioni del vento che
passa raccontando la
storia del mondo.â€
Claude Debussy Le strade
del vento sono quelle che
non sono tracciate in
precedenza, ci raccontato
mille storie di altri
luoghi. I mormorii del
vento sono i sentieri
diafani
dell’anima, i
colori
dell’effimero, la
poesia dei suoni. Con
Claude Debussy, la musica
ascoltava le voci della
natura. Ritroviamo questa
sensibilit tutta francese
che Debussy contribuì
a formare in Whispering
Wind (Il mormorio del
vento), brano del giovane
compositore francese
Maxime Aulio. Tratti
vaporosi, colori
luminosi, il vento che
accarezza, suggerisce,
evoca con
sorprendenteprecisione.
Il vento è una parola
nomade che viaggia a
lungo nel nostro
interiore.
SKU: HL.49046901 Book 2, 1879-1881 Hardcover. Edited by Thomas Koh...(+)
SKU: HL.49046901
Book 2, 1879-1881
Hardcover. Edited by
Thomas Kohlhase. Edition
Schott. Classical, German
Edition. Hardcover.
Schott Music #ED22750-20.
Published by Schott Music
(HL.49046901).
UPC:
196288075271.
This
complete edition, which
is the first outside
Russia, of the almost
fourteen-year
correspondence between P.
I. Tchaikovsky and the
music-loving patron (and
wealthy widow of a Baltic
railway entrepreneur) N.
F. von Meck represents
for German-speaking
readers and music
historians an
indispensable primary
source on the life and
work of the greatest
Russian composer as well
as on his environment,
while, at the same time,
reflecting the political,
cultural and social
situation of the Russian
Empire from the
perspective of two
privileged, educated and
regime-loving subjects.
The life of the large
families
Tchaikovsky-Davydov and
von Meck, the unpleasant
consequences of the
composer's unhappy
marriage, faith and
religion, literature,
philosophy, the reception
of earlier and
contemporary Russian and
European music, fine
arts, foreigntravel,
political, economic and
social conditions - even
farming (in Brailov and
Kamenka/Verbovka, the
Ukrainian estates of the
von Meck and Davydov
families) and many more
are the topics of this
correspondence between
two related and yet so
different personalities
who, as agreed, never met
in personal conversation
and yet talked to each
other in lively, often
confessional speech. The
texts of the letters in
the present edition
(whose planning dates
back to the 1950s), with
the added contrasting
excerpts from letters of
Tchaikovsky to other
persons, such as his
trusted brothers Anatoly
and Modest, have been
revised according to the
new Russian Complete
Edition by Polina Vajdman
(Celjabinsk 2007 ff.).
Various introductions,
accompanying texts and
overviews as well
ascomprehensive indices
(one of them
systematically by
subjects), together with
numerous explanations and
notes at the bottom of
the pages, make it easier
for the reader to find
his/her way through the
all in all more than
1,200 documents. The
three volumes are also
available for
subscription.
The Gates of Destiny Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
Concert Band - Grade 1 SKU: AP.33839S Composed by Gary Fagan. Concert Ban...(+)
Concert Band - Grade 1
SKU: AP.33839S
Composed by Gary Fagan.
Concert Band; Performance
Music Ensemble; Single
Titles. Alfred Debut
Series. Score. 12 pages.
Alfred Music #00-33839S.
Published by Alfred Music
(AP.33839S).
UPC:
038081395128.
English.
This
exciting work for
beginning band uses a
technique in which
primary themes begin on a
unison note and then move
stepwise away and back
while the other voices
remain static or proceed
in contrapuntal
inversion. This creates
chords that expand and
contract almost
continuously beneath the
melody. The percussion
section plays an
important role providing
a rhythmic base which
enhances the flow and
development of the piece
from beginning to
end.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Violin 1. Sacred vocal
music, Requiem. Single
Part, Violin 1. 8 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/11. Published by
Carus Verlag
(CA.2731811).
ISBN
9790007201869. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.
Ants in My Pants Voix d'Enfants [Partition + Accès audio] Alfred Publishing
10 Funtastic Animal Songs with Creative Movement Concepts for Unison Voices. ...(+)
10 Funtastic Animal Songs
with Creative Movement
Concepts for Unison
Voices.
Composed by Sally K.
Albrecht. Classroom/Pre-
School; Early Childhood;
General Music and
Classroom
Publications;
Reproducible;
Songbooks. Children. Book
and CD. 56 pages. Alfred
Music #00-47173.
Published
by Alfred Music
(Violin). For Violin.
Book; CD; Play-Along;
String Series.
Instrumental Solos
Series. Pop; Pop/Rock.
Grade 2; Grade 3. 52
pages. Published by
Alfred Music