Italienisches Madrigal
Nr. 11. Composed by
Heinrich Schutz. Edited
by Hans Joachim Moser.
This edition: urtext
edition. Stapled. Choral
score. SWV 11.
Baerenreiter Verlag
#BA02860_00. Published by
Baerenreiter Verlag
(BA.BA02860).
ISBN
9790006426522. Text
Language: Italian,
German. Translation: Hans
Joachim
Moser.
Print on
demand (POD).
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MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
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Revised Edition with Fingering by 26 Pianists. Composed by Franz Joseph Ha...(+)
Revised Edition with
Fingering by 26 Pianists.
Composed by Franz Joseph
Haydn (1732-1809). Edited
by
Georg Feder. Henle Music
Folios. Classical.
Softcover.
G. Henle #HN1336.
Published
by G. Henle
Violin 1 (Violin 1) SKU: HL.51480733 Violin I. Composed by Franz J...(+)
Violin 1 (Violin 1)
SKU: HL.51480733
Violin I. Composed
by Franz Joseph Haydn.
Edited by Horst Walter.
Sheet Music. Paperbound.
Henle Music Folios.
Pages: Vl I Part = 7.
Classical. Individual
instrument part. 8 pages.
G. Henle #HN733.
Published by G. Henle
(HL.51480733).
ISBN
9790201807331. UPC:
884088178475.
9.25x12.25x0.027
inches.
This volume
completes Henle's urtext
series of Joseph Haydn's
three piano concertos.
Written in or around
1765, the delightful
first concerto is ideally
suited for playing at
home, for the relatively
undemanding part for
piano (or harpsichord) is
accompanied merely by a
string quartet. This
edition draws on the
musical text in our
complete edition of
Haydn's works,
guaranteeing an urtext of
the finest quality.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
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world-wide
longest Urtext
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exclusively for Urtext
editions)
Motet. Composed by Johann Sebastian Bach (1685-1750). Edited by Konrad Ameln. Th...(+)
Motet. Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Konrad Ameln. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Sacred. Single
part. BWV 228. 3 pages.
Baerenreiter Verlag
#BA05133-79. Published by
Baerenreiter Verlag
Messen der Drucke
Venedig 1570 und
München 1574.
Composed by Orlande De
Lassus. Edited by
Siegfried Hermelink. This
edition: complete
edition, urtext edition.
Linen. Orlando di Lasso,
Complete Works (Samtliche
Werke - Neue Reihe),
Volume 3. Complete
edition, Singing Score,
anthology. No. 1-9.
Baerenreiter Verlag
#BA03403_00. Published by
Baerenreiter Verlag
(BA.BA03403).
ISBN
9790006433995. 27.5 x
19.5 cm
inches.
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Barenreiter
Urtext
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expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Motet. Composed by
Heinrich Schutz. Edited
by Werner Breig. This
edition: urtext edition.
Stapled. No. 9 from
Geistliche Chor-Music.
Choral score. SWV 377. 12
pages. Baerenreiter
Verlag #BA07969_00.
Published by Baerenreiter
Verlag (BA.BA07969).
ISBN 9790006559398. 27
x 19 cm inches. Language:
German.
Published
in 1648, Heinrich
Schütz’s
“Geistliche
Chor-Music†is
still regarded as one of
his seminal works. A
two-volume performance
edition based on Werner
Breig’s revised
new text was published in
2012 and 2013 (BA 5901/BA
5902).
Now
selected motets are being
issued in separate
volumes. They offer a
modern notation and
layout, retain the
original keys and include
an integrated figured
bass realisation. In
keeping with contemporary
performance practice, the
‘choral’
parts can be performed by
instruments as well as
voices. Instrumental
parts with underlaid
words may be purchased
separately for
performances with
instruments (see
performance material for
BA 5901 and BA
5902).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Gabriel Faure (1845-1924). Edited by Helga Schauerte-Maubouet. Thi...(+)
Composed by Gabriel Faure
(1845-1924). Edited by
Helga
Schauerte-Maubouet. This
edition: complete
edition,
urtext edition. Cloth
bound.
Gabriel Faure. OEuvres
completes I/4. Complete
Edition, Score,
anthology.
Baerenreiter Verlag
#BA09478-
01. Published by
Baerenreiter
Verlag
Psalm 2. Composed
by Heinrich Schutz.
Edited by Wilhelm Ehmann.
This edition: urtext
edition. Paperback. Aus
Psalmen Davids. Choral
score. SWV 23. 6 pages.
Baerenreiter Verlag
#BA01716_93. Published by
Baerenreiter Verlag
(BA.BA01716-93).
ISBN
9790006413270. 27 x 19 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Mixed choir-SATB, basso
continuo (organ),
instruments ad libitum
(Mixed choir (SATB),
Basso continuo (Organ),
Instrument ad libitum) -
Level 3
SKU:
BA.BA06243
Composed
by Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Stapled.
Barenreiter Urtext. Aus
der Matthäus-Passion.
Choral score, anthology.
BWV 244. 11 pages.
Baerenreiter Verlag
#BA06243_00. Published by
Baerenreiter Verlag
(BA.BA06243).
ISBN
9790006477401. 27 x 19 cm
inches.
10
ausgewahlte Chorale fur
Chor und Bc(Org), nach
dem Urtext der Neuen
Bach-Ausgabe, Instrumente
(2 Fl, 2 Ob, Str) ad
lib.
About
Barenreiter
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expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Violoncello SKU: BA.BA05278 Composed by Johann Sebastian Bach. Edited by ...(+)
Violoncello
SKU:
BA.BA05278
Composed
by Johann Sebastian Bach.
Edited by Andrew Talle.
This edition: Facsimile,
Urtext edition.
Paperback. Barenreiter
Urtext. Urtext from the
New Bach Edition -
Revised (NBArev).
Performance score,
anthology, Facsimile. BWV
1007-1012. Baerenreiter
Verlag #BA05278_00.
Published by Baerenreiter
Verlag (BA.BA05278).
ISBN 9790006569625.
32.5 x 25.5 cm inches.
Preface: Talle,
Andrew.
When we
think of the cello, we
automatically think of
Bach’s immortal
cello suites. They are
the very core of cello
literature, their
timeless beauty
accompanying cellists
from their student years
throughout the height of
their professional
careers.
Consideri
ng the works’
significance, the great
number of editions in
existence is not
surprising. However, the
composer’s
autograph has not been
preserved and is
considered lost. This
circumstance creates an
exceptional challenge
many editors faced over
the years. The four
autograph sources still
in existence and the
first print from 1824
show numerous small
deviations, especially in
terms of articulation
markings and
phrasing.
In this
two-volume edition of
Bach’s cello
suites, Andrew Talle now
presents an entirely new
view of the relationships
between existing sources.
The first volume contains
the edited musical text,
which comes as close to
the composer’s
original intention as the
surviving source material
allows: “This
edition does not
constitute a perfect
reconstruction of the
lost autograph; that is
something no editor could
claim to accomplish.
Instead, I have attempted
to supply musicians and
researchers with a
reliable version of the
surviving musical text of
the six cello suites, and
to convey a sense of the
many possibilities Bach
encouraged his musicians
to explore.â€The
second volume presents,
for the first time,
synoptically arranged
facsimiles of the
handwritten sources as
well as the first print
(with Suite No. V also
including Bach’s
own arrangement for
lute), allowing readers
to compare any specific
section in all sources at
one glance. This allows
for a straightforward and
immediate consideration
of all sources, making
editorial decisions
transparent and
self-evident.
Andr
ew Talle’s edition
is supplemented by a
comprehensive discussion
of the instrument for
which the suites were
created, as well as
information regarding
musical interpretation
during Bach’s
time.
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Urtext
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/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Camille
Saint-Saens. Edited by
Christina M. Stahl. This
edition: urtext edition.
Paperback. Score.
Baerenreiter Verlag
#BA11305. Published by
Baerenreiter Verlag
(BA.BA11305).
ISBN
9790006567027. 31 x 24.3
cm inches. Text Language:
Latin. Preface: Stahl,
Christina M.
Psalm
137 Super flumina
Babylonis also known as
By the rivers of Babylon
was an inspiration for
many composers including
Camille Saint-Saëns.
He repeatedly occupied
himself with his psalm
motet for solo soprano,
mixed choir, saxophone
quartet, string orchestra
and organ, originally
composed in 1854. Two of
the four versions â??
the first version in
Latin and a much later
version in English for
alto solo, SATB choir and
piano â?? are now
available for the first
time in Urtext performing
editions taking a
meticulous account of all
the
sources.
Saint-Sa
«ns lived up to his
reputation as an
innovative composer by
exploring the use of the
saxophone family in
sacred music just a few
years after the invention
of these instruments. The
successful combination of
voice and saxophone
creates a special sound
experience.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SKU: HL.51488043 Henle Music Folios. G. Henle #HN8043. Published by G. He...(+)
SKU: HL.51488043
Henle Music Folios. G.
Henle #HN8043. Published
by G. Henle
(HL.51488043).
UPC:
196288082378. 5.0x7.0x3.0
inches.
“Time
for a break†white
printing on Henle blue,
190 x 135 x 70 mm. Bread,
snacks, fruit and even
sandwiches are kept fresh
and appetizing in the
spacious Henle Lunchbox.
The clip closure is
designed in such a way
that the lunchbox cannot
accidentally open during
transport. The rounded
shape feels smooth to the
touch and ensures that it
does not get caught going
in and out of your bag or
backpack. This product is
based on cellulose: 100%
pure material, 100%
recyclable, extremely
long-lasting, food- and
dishwasher-safe, and
without any harmful
substances, Koziol
quality.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Motet. Composed by
Heinrich Schutz. Edited
by Werner Breig. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. No. 19 from
Geistliche Chor-Music.
Choral score. SWV 387. 27
pages. Baerenreiter
Verlag #BA25009_00.
Published by Baerenreiter
Verlag (BA.BA25009).
ISBN 9790006568031.
29.7 x 21 cm inches.
Language:
German.
Separate
edition from BA 5902,
â??Geistliche
Chor-Musicâ?? SWV
369-380, The six and
seven-part motets, nos.
13-29:
In 1648
Heinrich Schütz
published a collection of
29 motets with five to
seven parts titled
â??Geistliche
Chor-Musicâ? (Sacred
Choir Music). Here, the
term â??Chorâ?
(choir) refers not only
to a (large) vocal
ensemble but, more
generally, to a group of
musicians, vocal or
instrumental. As
explained by Schütz in
the foreword he published
with the collection, all
parts of the motets can
be performed vocally
and/or
instrumentally.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Psalm 103.
Composed by Heinrich
Schutz. Edited by Wilhelm
Ehmann. This edition:
urtext edition.
Paperback. Aus Psalmen
Davids. Choral score. SWV
41. 8 pages. Baerenreiter
Verlag #BA03465_92.
Published by Baerenreiter
Verlag (BA.BA03465-92).
ISBN 9790006435401. 27
x 18.9 cm
inches.
About
Barenreiter
Urtext
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expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Set of Parts Cello; Chamber Music; Piano Accompaniment; Violin (Ensemble) SKU...(+)
Set of Parts Cello;
Chamber Music; Piano
Accompaniment; Violin
(Ensemble)
SKU:
HL.51481531
Set of
Parts for Violin, Cello
and Piano. Composed
by Felix Bartholdy
Mendelssohn. Henle Music
Folios. Classical.
Softcover. 84 pages. G.
Henle #HN1531. Published
by G. Henle
(HL.51481531).
UPC:
840126989311.
9.25x12.25x0.361
inches.
Mendelssohn
is considered a
self-critical composer,
who repeatedly reworked a
number of his pieces
until he deemed them
worthy to be published.
The path to his first
Piano Trio was
particularly rocky: only
after several attempts
was he able to complete
it in the summer of 1839;
it appeared in 1840 after
further revisions. This
perfectionism paid off,
for Mendelssohn's D Minor
Trio was immediately
received with enthusiasm.
Robert Schumann wrote:
“It is the master
trio of the present day,
like those of Beethoven
in Bb and D and that of
Franz Schubert in Eb were
in their time; a very
beautiful composition
which after years will
still delight
grandchildren and
great-grandchildren.â€
Which was to prove
true: even today, it
numbers among the most
popular works in the trio
repertoire in general.
The trio, taken from the
volume Mendelssohn
• Piano Trios HN
957, is now available
from Henle for the first
time also as a practical
single edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Voice or instrument, or voice and instrument (Voice or Instr or Voice, Instr) (+)
Voice or instrument, or
voice and instrument
(Voice or Instr or Voice,
Instr)
SKU:
BA.BA04614-01
Composed by Wolfgang
Amadeus Mozart. Edited by
Anke Bödeker, Dietrich
Berke, Faye Ferguson, and
Ulrich Leisinger. This
edition: complete
edition, urtext edition.
Linen. New Mozart Edition
(NMA). X/28/3-5,2.
Supplement. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA04614_01.
Published by Baerenreiter
Verlag (BA.BA04614-01).
ISBN 9790006546978. 33
x 25.8 cm inches. Text
Language: German,
Italian. Preface:
Dietrich Berke/Ulrich
Leisinger.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Soprano, Alto, Tenor, Bass) SKU: BA.BA05576-91 Composed by Franz Schuber...(+)
(Soprano, Alto, Tenor,
Bass)
SKU:
BA.BA05576-91
Composed by Franz
Schubert. Edited by
Rudolf Faber. This
edition: urtext edition.
Stapled. Choral score.
Baerenreiter Verlag
#BA05576-91. Published by
Baerenreiter Verlag
(BA.BA05576-91).
ISBN
9790006575978. 27 x 19 cm
inches. Key: E-flat
major. Text Language:
Latin.
During the
last summer of his life,
Franz Schubert completed
the Mass in E-flat D 950.
The occasion for the
composition of this Missa
solemnis cannot be
clarified with certainty.
Schubert did not live to
see the premiere of his
sixth mass, which was
first performed
posthumously in 1829
under the baton of his
brother
Ferdinand.
Among
other things, the editor
has paid particular
attention to the
articulation. In order to
be able to present
Schubertâ??s
differentiated use of
accents in the edition, a
new symbol has been
introduced: an accent
which is flexible with
regard to its length,
thus making it possible
to precisely visualize
its compositionally
intended
duration.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Chamber Ensemble 4 Horns and Piano (Score) SKU: HL.51481138 Four Horns...(+)
Chamber Ensemble 4 Horns
and Piano (Score)
SKU:
HL.51481138
Four
Horns and Piano
Reduction. Composed
by Robert Schumann.
Edited by Ernst
Herttrich. Sheet Music.
Paperbound. Henle Music
Folios. Classical.
Softcover. 85 pages. G.
Henle #HN1138. Published
by G. Henle
(HL.51481138).
ISBN
9790201811383. UPC:
888680021511.
9.25x12.25x0.321
inches.
“Some
thing quite curious, I
believe†–
It was thus that Robert
Schumann described the
Concert Piece for Four
Horns and large orchestra
in a letter and he did
indeed break new ground
with this work as far as
the scoring and treatment
of the instruments was
concerned. When it was
composed in 1849, the
French horn was still
fairly new, enabling
players to play
previously unheard-of
runs and free
modulations, a fact which
Schumann made the most
of, particularly with his
scoring for four horns.
Even today the Concert
Piece is the romantic
work for horn par
excellence and a
benchmark for all
soloists.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Motette. Composed
by Johann Hermann Schein.
Edited by Adam Adrio.
This edition: urtext
edition. Stapled. Aus
Israelsbrünnlein.
Sacred. Choral score.
Composed 1623. No. 9. 8
pages. Baerenreiter
Verlag #BA02559_00.
Published by Baerenreiter
Verlag (BA.BA02559).
ISBN 9790006422982. 27
x 19 cm
inches.
Motet no. 9
from
Israelsbrunnlein.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Werner Neumann. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/36. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05020_01.
Published by Baerenreiter
Verlag (BA.BA05020-01).
ISBN 9790006461813. 33
x 26 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
String quartet (2V,Va,Vc) SKU: BA.TP00779 Composed by Camille Saint-Saens...(+)
String quartet (2V,Va,Vc)
SKU: BA.TP00779
Composed by Camille
Saint-Saens. Edited by
Fabien Guilloux. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Study score,
anthology. Opus 112, 153.
Baerenreiter Verlag
#TP00779_00. Published by
Baerenreiter Verlag
(BA.TP00779).
ISBN
9790006203079. 22.5 x
16.5 cm inches. Preface:
Guilloux,
Fabien.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
2 solo tenor voice, solo baritone voice, speaker, Mixed choir: SSTTBB, orchestra...(+)
2 solo tenor voice, solo
baritone voice, speaker,
Mixed choir: SSTTBB,
orchestra (Tenor solo
(2), Baritone solo,
Speaker, Mixed choir:
SSTTBB, Orchestra)
SKU: BA.BA05447
Lyric monodrama in six
parts. Composed by
Hector Berlioz. Edited by
Peter Bloom. This
edition: complete
edition, urtext edition.
Linen. New Berlioz
Edition (Neue
Berlioz-Ausgabe - NBE)
Volume 7. Complete
edition, anthology. Hol.
55. Baerenreiter Verlag
#BA05447_00. Published by
Baerenreiter Verlag
(BA.BA05447).
ISBN
9790006471461. 33.1 x 26
cm inches. Text Language:
French. Translation:
Gerard de Nerval. Hector
Berlioz.
Llio was
composed during Berlioz's
stay in Italy in 1831. In
April of that year he set
out from Rome, where he
held a scholarship as
winner of the Prix de
Rome, and travelled as
far as Nice on hearing
that his fiancee Camille
Moke had rejected him in
favour of another suitor.
He had intended to return
to Paris to exact
revenge, but then he
abandoned his plan and
instead spent three weeks
in Nice, returning in
stages to Rome. On this
return journey he
conceived the idea of a
semi-theatrical work that
combined music and
monologues to express the
idea of returning to life
after a profound
traumatic experience.
The composition
was finished in Rome in
Iune 1831. In the spring
of 1832, while staying
with his parents in
Dauphin, Berlioz copied
the orchestral and vocal
parts, and the work was
first performed in
conjunction with the
Symphonie fantastique at
the Paris Conservatoire
on 9 December 1832. It
was heard again three
weeks later and again on
3 May 1835.
While
designated as the second
part of the Episode in
the Life of an Artist,
Lelio can never- theless
be performed on its own,
without the Symphonie
fantastique to precede
it.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed
by Franz Schubert. Edited
by Marco Beghelli. This
edition: complete
edition, urtext edition.
Linen. New Schubert
Edition (Neue Ausgabe
samtlicher Werke) Series
II, Volume 3. Complete
edition, Score. D 326.
Baerenreiter Verlag
#BA05548_00. Published by
Baerenreiter Verlag
(BA.BA05548).
ISBN
9790006497157. 33.1 x 26
cm inches. Text: Johann
Mayrhofer.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Einzelsätze und
Fragmente. Composed
by Wolfgang Amadeus
Mozart. Edited by Monika
Holl. This edition:
complete edition, urtext
edition. Linen. New
Mozart Edition (NMA)
I/1/1,6. Messen, Klassik
(Masses, Classical).
Complete edition, Score,
anthology. Baerenreiter
Verlag #BA04605_01.
Published by Baerenreiter
Verlag (BA.BA04605-01).
ISBN 9790006451838. 33
x 26 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
For Cello and Double Bass. Composed by Jean-Baptiste Breval. Edited by Tabea ...(+)
For Cello and Double
Bass.
Composed by Jean-Baptiste
Breval. Edited by Tabea
Umbreit. Henle Music
Folios.
Softcover. 24 pages. G.
Henle
#HN1480. Published by G.
Henle
Strings Piano Accompaniment; Violin (Violin and Piano) - l5 SKU: HL.51481346<...(+)
Strings Piano
Accompaniment; Violin
(Violin and Piano) - l5
SKU: HL.51481346
Violin and Piano.
Edited by Peter Jost.
Arranged by Ingolf
Turban. Sheet Music.
Paperbound. Henle Music
Folios. With marked and
unmarked string parts.
Classical. Softcover. 16
pages. G. Henle #HN1346.
Published by G. Henle
(HL.51481346).
ISBN
9790201813462. UPC:
888680925031.
9.25x12.0x0.066
inches.
When
composing his Spanish
Dances (HN 1370), the
composer and violin
virtuoso Sarasate united
existing material - folk
songs and songs by
well-known composers -
with his own uniquely
charming musical
language. The two Dances
op. 22, “Romanza
andaluza†and
“JotaNavarra,â€
were completed in 1878
during Sarasate's first
concert tour through
Scandinavia. After their
initial performances, the
lyrical
“Romanzaâ€
soon outstripped its
brilliant sister piece in
popularity, and
thereafter it was one of
Sarasate's compositions
that he played most often
himself. Since then, this
piece has lost nothing of
its charm, and it is now
available as a
stand-alone edition in
the Henle catalogue.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
String Quartet (Parts) SKU: HL.51481120 Set of Parts. Composed by ...(+)
String Quartet (Parts)
SKU: HL.51481120
Set of Parts.
Composed by Wolfgang
Amadeus Mozart. Edited by
Wolf-Dieter Seiffert.
Ensemble. Classical.
Softcover. G. Henle
#HN1120. Published by G.
Henle (HL.51481120).
UPC: 196288034773.
9.0x12.0x0.625
inches.
This volume
brings together Mozart's
youthful attempts at this
later so central genre of
the string quartet: the
astonishing “Lodi
Quartet†K. 80 by
the only
fourteen-year-old
composer, the three
“Quartet-Divertimen
ti†K. 136-138
which are also readily
played by chamber
orchestras, and Mozart's
first true string-quartet
cycle K. 155-160 which
was composed during his
third (north-)Italian
journey in 1772/73.
Mozart's cleanly written
scores of all the
compositions have been
preserved so that the
edition stands on a
secure foundation. In his
informative commentary,
Wolf-Dieter Seiffert, the
experienced Mozart editor
at G. Henle Publishers,
devotes a separate,
comprehensive explanatory
section to the well-known
articulation problem
“dot or
wedge.†The Armida
Quartet provided artistic
input for this
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano SKU: BA.BA05525 Works for Piano II. Composed by Franz Schube...(+)
Piano
SKU:
BA.BA05525
Works
for Piano II.
Composed by Franz
Schubert. Edited by David
Goldberger. This edition:
complete edition, urtext
edition. Linen. New
Schubert Edition (Neue
Ausgabe samtlicher Werke)
Series VII, Volume 2, No.
4. Klaviermusik, Romantik
(Piano Music, Romantic).
Complete edition,
Performance score,
anthology. Baerenreiter
Verlag #BA05525_00.
Published by Baerenreiter
Verlag (BA.BA05525).
ISBN 9790006472208.
33.2 x 25.8 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding