SATB choir SKU: ST.EM26 Composed by Francis Pilkington. Edited by Edmund ...(+)
SATB choir
SKU:
ST.EM26
Composed by
Francis Pilkington.
Edited by Edmund H
Fellowes. Library
Volumes. Edited Edmund
Fellowes. Revised
Thurston Dart. Note:
Print on demand.
Spiral-bound A4.
Madrigals. Choral Score.
Stainer & Bell Ltd.
#EM26. Published by
Stainer & Bell Ltd.
(ST.EM26).
ISBN
9790220212598.
CONT
ENTS Care for thy
soul (SSATB) Chaste
Daphne fled (SST (or A)
B) Chaste Syrinx fled
(SSA (or T) TB) Come
shepherds' weeds (SSA (or
T) TB) Coy Daphne
fled (SST (or A) B)
Crowned with flowers
(SSAAB) Cruel
Pabrilla (SSAT (or A)
TB) Dear shepherdess
(SSAATB) Drown not
with tears (SSATB)
Fancy for the Viols
(SSAATB and Viol
Sextet) Go, you
skipping kids and fawns
(SSATB) If she
neglect me (SSA (or T)
B) Maenalas in an
evening (SSAB) O
gracious God (SSATB)
O praise the Lord
(SSATTB) O
softly-singing lute
(SSAATB) Palaemon and
his Sylvia (SSTB)
Sovereign of my delight
(SST) Stay, heart,
run not so fast (SST)
Surcrease, you faithful
shepherdess (SSATB/Viol
quintet/Lute) Wake,
sleepy Thyrsis (SST)
Weep, sad Urania (SS and
string accompt.) Ye
bubbling springs
(SST) Yond hilltops
Phoebus kissed (SST)
You gentle Nymphs (SSA
(or T) B) Your fond
preferments (SST).
SSAATTBB Chorus, S solo & Organ SKU: SU.80400450 For SSAATTBB Chorus, ...(+)
SSAATTBB Chorus, S solo &
Organ
SKU:
SU.80400450
For
SSAATTBB Chorus, S solo &
Organ. Composed by
Stephen Paulus.
Vocal/Choral, Secular
Choral. Accompanied by
organ. Choral Octavo.
Subito Music Corporation
#80400450. Published by
Subito Music Corporation
(SU.80400450).
SSAATTBB
Chorus, S solo &
OrganDuration:
10:00Commissioned by:
Vestavia Hills Baptist
Church of Birmingham,
Alabama Dedication:
Commissioned by the
Vestavia Hills Baptist
Church of Birmingham,
Alabama, to honor the
inspired service of Dr.
Betty Sue Shepherd,
Organist Premiered by:
Vestavia Hills Baptist
Church of Birmingham,
Alabama Copyright 2006
Published by: Paulus
Publications (SP480)
Minimum order quantity: 8
copies. To order
quantities fewer than
8.
Orchestra Viola SKU: AP.48705 15 Arrangements of Traditional Tunes on ...(+)
Orchestra Viola
SKU:
AP.48705
15
Arrangements of
Traditional Tunes on the
D & A Strings, Perfect
for Differentiated
Instruction. Composed
by Becky Bush, Bob
Phillips, and Sarah
Lenhart. MakeMusic Cloud;
Method/Instruction;
String Orchestra
Method/Supplement. Sound
Innovations for String
Orchestra. Book. 32
pages. Alfred Music
#00-48705. Published by
Alfred Music (AP.48705).
ISBN 9781470643973.
UPC: 038081559896.
English.
Sound
Differentiation is a
motivational, time-saving
supplemental resource
that provides
differentiated parts for
15 well-known
tunes---perfect for a
variety of teaching
situations, including odd
or incomplete
instrumentation, or when
working with a mix of
ability levels. The
arrangements in this
collection are ready for
use in an adaptable
format with identical
parts for all
instruments. The featured
parts are tune, bass
line, harmony, and
variation, and each one
can be assigned to your
choice of soloists,
instrument sections, or
difficulty-leveled
groupings of students of
both like-instrumentation
or mixed-instrumentation.
The difficulty of each
piece progresses
throughout the book.
Here are just
some of the ways to
differentiate with Sound
Differentiation: *
Group students into 3
categories based on skill
level and assign
level-appropriate parts.
* Customize each
arrangement by choosing
the order in which
students play each line
of the song. *
Teachers may assign a new
line order using the
blank Teacher Order
column. This title is
available in MakeMusic
Cloud.
Orchestra SKU: AP.48707 15 Arrangements of Traditional Tunes on the D ...(+)
Orchestra
SKU:
AP.48707
15
Arrangements of
Traditional Tunes on the
D & A Strings, Perfect
for Differentiated
Instruction. Composed
by Becky Bush, Bob
Phillips, and Sarah
Lenhart.
Method/Instruction;
String Orchestra
Method/Supplement. Sound
Innovations for String
Orchestra. Teacher's
score. 64 pages. Alfred
Music #00-48707.
Published by Alfred Music
(AP.48707).
ISBN
9781470643997. UPC:
038081559919.
English.
Sound
Differentiation is a
motivational, time-saving
supplemental resource
that provides
differentiated parts for
15 well-known
tunes---perfect for a
variety of teaching
situations, including odd
or incomplete
instrumentation, or when
working with a mix of
ability levels. The
arrangements in this
collection are ready for
use in an adaptable
format with identical
parts for all
instruments. The featured
parts are tune, bass
line, harmony, and
variation, and each one
can be assigned to your
choice of soloists,
instrument sections, or
difficulty-leveled
groupings of students of
both like-instrumentation
or mixed-instrumentation.
The difficulty of each
piece progresses
throughout the book.
Here are just
some of the ways to
differentiate with Sound
Differentiation: *
Group students into 3
categories based on skill
level and assign
level-appropriate parts.
* Customize each
arrangement by choosing
the order in which
students play each line
of the song. *
Teachers may assign a new
line order using the
blank Teacher Order
column.
SKU: LO.99-2363L A cantata proclaiming God's promise fulfilled. Co...(+)
SKU: LO.99-2363L
A cantata proclaiming
God's promise
fulfilled. Composed
by Larry Shackley.
Choral, cantatas.
Christmas, Sacred. SA/B
part-dominant rehearsal
CD (reproducible). Lorenz
Publishing Company
#99/2363L. Published by
Lorenz Publishing Company
(LO.99-2363L).
UPC:
000308120493.
Many
scripture passages
foretell the coming of
the Messiah, with perhaps
the most well-known being
the angel comforting the
frightened shepherds on
the hillside saying,
“And this shall be
a sign unto you...â€
This musical depiction
recalls seven of those
signs in a unique
re-telling of the
Christmas story,
beginning with the
prophecies of Isaiah
through the blessing from
Simeon in Luke, each
providing a signpost for
the arrival of the Christ
Child. With familiar
carols interspersed among
the very melodic and
stylistically diverse
music of Larry Shackley,
“And This Shall Be
a Sign†will have a
strong appeal for the
congregations of both the
traditional and blended
worship service. And with
both SATB and SAB
editions being available
(along with reproducible
part-dominant CDs for
each voicing), churches
of virtually any size
will be able to
successfully present this
work in a meaningful and
uplifting way.
SKU: LO.99-2340L A cantata proclaiming God's promise fulfilled. Co...(+)
SKU: LO.99-2340L
A cantata proclaiming
God's promise
fulfilled. Composed
by Larry Shackley.
Choral, cantatas.
Christmas, Sacred. Bulk
performance CDs. Lorenz
Publishing Company
#99/2340L. Published by
Lorenz Publishing Company
(LO.99-2340L).
UPC:
000308119206.
Many
scripture passages
foretell the coming of
the Messiah, with perhaps
the most well-known being
the angel comforting the
frightened shepherds on
the hillside saying,
“And this shall be
a sign unto you...â€
This musical depiction
recalls seven of those
signs in a unique
re-telling of the
Christmas story,
beginning with the
prophecies of Isaiah
through the blessing from
Simeon in Luke, each
providing a signpost for
the arrival of the Christ
Child. With familiar
carols interspersed among
the very melodic and
stylistically diverse
music of Larry Shackley,
“And This Shall Be
a Sign†will have a
strong appeal for the
congregations of both the
traditional and blended
worship service. And with
both SATB and SAB
editions being available
(along with reproducible
part-dominant CDs for
each voicing), churches
of virtually any size
will be able to
successfully present this
work in a meaningful and
uplifting way.
Doug Beach Bossa Ensemble Jazz [Conducteur et Parties séparées] - Facile Kendor Music Inc.
Jazz Ensemble standard jazz ensemble; trumpets double on flugelhorn - Grade 3 (+)
Jazz Ensemble standard
jazz ensemble; trumpets
double on flugelhorn -
Grade 3
SKU:
KN.61042
Composed by
Roy Phillippe. Jazz
Journey. Bossa Nova.
Score and set of parts.
Duration 4 minutes, 30
seconds. Kendor Music Inc
#61042. Published by
Kendor Music Inc
(KN.61042).
UPC:
822795610420.
The
title is perfect for the
cool, laidback feel of
this bossa nova original
for advancing groups.
Melodic motives are
assigned to the full
ensemble and to various
sections of the band.
Written or ad lib solos
are provided for alto
saxophone and flugelhorn.
This is an ideal
change-of-pace chart for
your next performance. A
guitar chord chart by Jim
Greeson is included in
each set. Duration 4:30.
Available in
SmartMusic.
Jazz Ensemble trumpets double on flugelhorn - Grade 3 SKU: KN.61042S Comp...(+)
Jazz Ensemble trumpets
double on flugelhorn -
Grade 3
SKU:
KN.61042S
Composed by
Roy Phillippe. Jazz
Journey. Kendor Music Inc
#61042S. Published by
Kendor Music Inc
(KN.61042S).
UPC:
822795610420.
The
title is perfect for the
cool, laidback feel of
this bossa nova original
for advancing groups.
Melodic motives are
assigned to the full
ensemble and to various
sections of the band.
Written or ad lib solos
are provided for alto
saxophone and flugelhorn.
This is an ideal
change-of-pace chart for
your next performance. A
guitar chord chart by Jim
Greeson is included in
each set. Duration 4:30.
Available in
SmartMusic.
SATB choir SKU: ST.B288 Edited by Geoffrey Bush and Michael Hurd. Edited ...(+)
SATB choir
SKU:
ST.B288
Edited by
Geoffrey Bush and Michael
Hurd. Edited by Geoffrey
Bush and Michael Hurd. 12
easy glee-type settings
by 18th- and 19th-century
composers working in
London. SATB. Vocal
Score. Stainer & Bell
Ltd. #B288. Published by
Stainer & Bell Ltd.
(ST.B288).
ISBN
9790220208720.
CONT
ENTS BATTISHILL,
Jonathan Amidst the
myrtles BEALE,
William To a kiss
BENEDICT, Julius Dirge
for a faithful lover
BENNETT, W. Sterndale:
Come live with me
COOKE, Benjamin: Epitaph
on a Dormouse HAYES,
William: Melting airs
HORSLEY, William: Hear my
Chloe MACFARREN,
Walter: Lovers'
parting PAXTON,
Stephen: How sweet, how
fresh SPOFFORTH,
Reginald: Hail smiling
morn SULLIVAN,
Arthur: Long day
closes WEBBE, Samuel:
As the moments roll.
SATB choir, soprano and alto voice soli, organ - Early Intermediate SKU: MN.5...(+)
SATB choir, soprano and
alto voice soli, organ -
Early Intermediate
SKU: MN.50-8852
Composed by Philip W. J.
Stopford. 21st Century.
Octavo. MorningStar Music
Publishers #50-8852.
Published by MorningStar
Music Publishers
(MN.50-8852).
UPC:
688670588525.
A
bouyant and energetic
setting of this great
liturgical text. The
choral parts are written
in a way that allow the
voices to soar. Extremely
well done.
String Quartet (fem vce - str quar - electronics (tape) and projection of lyrics...(+)
String Quartet (fem vce -
str quar - electronics
(tape) and projection of
lyrics ad lib.)
SKU:
BR.KM-2483-07
Holderlin lesen
IV. Composed by Hans
Zender. Chamber music;
stapled.
Kammermusik-Bibliothek
(Chamber Music Library).
Music post-1945; New
music (post-2000). Study
Score. Composed 2000. 56
pages. Duration 40'.
Breitkopf and Haertel #KM
2483-07. Published by
Breitkopf and Haertel
(BR.KM-2483-07).
ISBN
9790004502587. 9 x 12
inches.
Friedrich
HolderlinMnemosyne Ein
Zeichen sind wir,
deutungslos,Schmerzlos
sind wir und haben
fastDie Sprache in der
Fremde verloren.Wenn
namlich uber MenschenEin
Streit ist an dem Himmel
und gewaltigDie Monde
gehn, so redetDas Meer
auch und Strome mussenDen
Pfad sich suchen.
ZweifellosIst aber Einer,
derKann taglich es
andern. Kaum bedarf
erGesetz. Und es tonet
das Blatt und Eichbaume
wehn dann nebenDen
Firnen. Denn nicht
vermogenDie Himmlischen
alles. Namlich es
reichenDie Sterblichen eh
an den Abgrund. Also
wendet es sich, das
Echo,Mit diesen. Lang
istDie Zeit, es ereignet
sich aberDas Wahre. Wie
aber Liebes?
SonnenscheinAm Boden
sehen wir und trockenen
StaubUnd heimatlich die
Schatten der Walder und
es bluhetAn Dachern der
Rauch, bei alter KroneDer
Turme, friedsam; gut sind
namlich,Hat gegenredend
die SeeleEin Himmlisches
verwundet, die
Tageszeichen.Denn Schnee,
wie MaienblumenDas
Edelmutige, woEs seie,
bedeutend, glanzet aufDer
grunen WieseDer Alpen,
halftig, da, vom Kreuze
redend, dasGesetzt ist
unterwegs
einmalGestorbenen, auf
hoher StrassEin
Wandersmann geht
zornigFern ahnend mitDem
andern, aber was ist
dies?Am Feigenbaum ist
meinAchilles mir
gestorben,Und Ajax
liegtAn den Grotten der
See,An Bachen, benachbart
dem Skamandros.An
Schlafen Sausen einst,
nachDer unbewegten
Salamis steterGewohnheit,
in der Fremd, ist
grossAjax
gestorben,Patroklos aber
in des Koniges Harnisch.
Und es starbenNoch andere
viel. Am Kitharon aber
lagEleuthera, der
Mnemosyne Stadt. Der
auch, alsAblegte den
Mantel Gott, das
Abendliche nachher
losteDie Locken.
Himmlische namlich
sindUnwillig, wenn einer
nicht die Seele schonend
sichZusammengenommen,
aber er muss doch;
demGleich fehlet die
TrauerIn meinen Holderlin
lesen-Stucken ging es mir
darum, Wege zu finden,
die gewaltigen
Sprachstrukturen
Holderlins so in die
zeitliche Form der Musik
zu integrieren, dass sie
Funktionen der
musikalischen Form
ubernehmen, ohne in ihrer
Eigenkraft (sowohl
akustisch wie auch im
Sinne expressiver
,,Deutung) im geringsten
geschmalert zu werden.
Das hiess zunachst:
Sprechen, nicht singen! -
Aber das wurde nur
bedeuten, dass es nicht
um die Musikalisierung
von Text geht; ebenso
wichtig ist es, dass es
auch nicht um
melodramatisch
,,erzahlende Musik geht.
Sondern: Zwei autonome
Kunste durchdringen sich
auf diaphane Weise, ohne
sich zu uberformen oder
auszuloschen; es handelt
sich um einen Dialog,
nicht um eine
Vereinnahmung durch
Hierarchisierung.Sind wir
uns selbst zu einem
,,Zeichen...deutungslos
geworden, wie es
Holderlins Anfangszeilen
sagen, so erscheinen auch
die Zeichen, die wir
selber setzen, sich immer
mehr einer Deutbarkeit zu
entziehen. Mein Stuck,
das den vollstandigen
Text von Holderlins
Mnemosyne integriert,
stellt auf seine Weise
die Frage nach dem
,,Zeichen. ,,Was ist
dies? Klang? Wort?
Schrift? Wie sind die
Grenzen, die Ubergange,
die gegenseitigen
Beeinflussungen der
einzelnen
Zeichenregionen? Was
liegt ihnen zugrunde?
Worte und musikalische
Zeichen bewegen sich im
Medium der Zeit;
Schriftzeichen erscheinen
zunachst als
Verraumlichung, aber man
muss daran erinnern, dass
der Vorgang des
Schreibens - wie er in
der ostasiatischen
Kalligraphie zu hochster
Kunst entwickelt wurde -
auch zeitlichen Charakter
hat. Mnemosyne - die
Kraft des Sich-Erinnerns
- schafft die Zeichen,
indem sie Gestalten durch
Wiederholung fixiert und
so aus dem endlosen Fluss
der wahrgenommenen
Vorgange herauslost. Die
so entstehende
artikulierte Zeit schafft
wiederum durch das
Wechselspiel von
fixierten und sich
bewegenden Gestalten das
Bewusstsein fur
differenzierte
Formablaufe. Der
Formverlauf meines
Stuckes zeichnet solche
genetischen Prozesse
nach. Der Horer wird
schnell merken, dass die
Wortzeichen oft einer
zuerst erscheinenden
musikalischen Klangwelt
entspringen (ich stimme
Walter Benjamin zu, wenn
er sagt, dass die Sprache
in ihrer grundlegenden
Schicht expressiven - und
nicht darstellenden -
Charakter hat). Die
Schrift auf der Leinwand
folgt zunachst den
sprachlichen Aktionen der
Stimme, erhalt dann aber
auch eigene Teile der
Form zugeteilt, in der
sie sich als autonomes
Zeichen darstellt. In der
durch die drei Strophen
Holderlins
notwendigerweise
dreiteiligen Gesamtform
gibt es immer wieder
Abschnitte, in denen
entweder das musikalische
Geschehen oder die
Sprachzeichen des
Gedichtes oder das
Sich-Schreiben der
Schrift im Vordergrund
stehen; der Komponist
versteht sich also hier
auch als ,,Zusammensetzer
der in unserer
Wahrnehmung so
verschieden besetzten
Zeiten des Schreibens,
Sprechens und
Musikhorens. Es bilden
sich im Verlauf des
40-minutigen Stuckes auch
Grenzfalle, wie ,,stumme
Musik oder total
musikalisierte - ihrer
Verstehbarkeit beraubte -
Textrezitation. Auch das
Singen von Text - in
meinen bisherigen
Holderlinstucken strikt
vermieden - wird als
ausserste Moglichkeit
gegen Ende des formalen
Prozesses zugelassen. An
einigen Stellen zeigt die
Musik sozusagen direkt
auf sich selbst. Es sind
Formzustande, die ich in
meinem ,,Shir Hashirim
als ,,Koan bezeichnet
habe: ,,endlose
Wiederholungen einer
zeichenhaften
Konstellation, bei jeder
Wiederholung minimal
verandert - so wie ein
Kalligraph sein
Schriftzeichen bei jedem
Malvorgang unwillkurlich
verandert und neu
schafft. Steht im ersten
Teil der Grossform der
Aspekt des Abstrakten,
des Unsinnlichen im
Vordergrund, so wird im
zweiten Teil
Bildhaftigkeit als
Eigenschaft nicht nur der
Sprache, sondern auch der
Musik betont: die
Landschaft, halb schnee -
halb blutenbedeckt, die
der Wanderer ,,zornig
durchstreift. Am Ende
dieses Teils wird das
Schriftbild selber zur
Landschaft, die der
Leser/Horer durchwandert.
Er wird im dritten Teil
durch einen
Verwandlungsprozess zu
den ekstatischen
Ursprungen des
holderlinschen Dichtens
gefuhrt, und damit zur
explizit musikalischen
Ebene: Die Totenklage um
Hektor und Ajax wird zum
,,dithyrambischen Tanz,
wie es Holderlins
Schlusszeile entwirft:
,,... darum fehlet die
Trauer. Es bleibt noch
nachzutragen, dass ich
den in der Stuttgarter
Ausgabe der Werke
Holderlins in drei
Versionen abgedruckten
Text in einer
Mischversion verwendet
habe: die erste Strophe
aus der 2. Fassung, die
zweite mit Abweichungen
und Widerspruchen aus
allen drei Fassungen, und
die dritte Strophe aus
der 3. Fassung. (Hans
Zender) CD:Salome Kammer
(voice), Klangforum Wien,
cond. Hans ZenderKairos
0012522KAIBibliography:Al
lwardt, Ingrid:
Nach-Lese. Holderlins
Gesang im Resonanzraum
der Musik Hans Zenders,
in: Hans Zender.
Vielstimmig in sich,
hrsg. von Werner
Grunzweig, Jorn Peter
Hiekel und Anouk Jeschke
(= Archive zur Musik des
20. und 21. Jahrhunderts,
Band 12), Hofheim: Wolke
2008, pp. 43-60.Fuhrmann,
Wolfgang: Zender lesen.
Die Frage nach dem
Zeichen in ,,Mnemosyne,
in: ,,Ein Zeichen sind
wir, deutungslos.
Holderlin lesen, Ikkyu
Sojun horen, Musik
denken, hrsg. von
Violetta L. Waibel,
Gottingen: Wallstein
2020, S. 194-211Pragungen
im Pluralismus. Hans
Zender im Gesprach mit
Jorn Peter Hiekel, in:
Orientierungen. Wege im
Pluralismus der
Gegenwartsmusik, hrsg.
von Jorn Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 47),
Mainz u. a.: Schott 2007,
pp. 130-137.Mosch,
Ulrich: Ultrachromatik
und Mikrotonalitat. Hans
Zenders Grundlegung einer
neuen Harmonik, in: Hans
Zender. Vielstimmig in
sich, hrsg. von Werner
Grunzweig, Jorn Peter
Hiekel und Anouk Jeschke
(= Archive zur Musik des
20. und 21. Jahrhunderts,
Band 12), Hofheim: Wolke
2008, pp. 61-76.Schmidt,
Dorte: Erfahrung und
Erinnerung.
Kompositorisches Material
zwischen Klang und
Bedeutung in der
Kammermusik des spaten
20. Jahrhunderts, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
pp. 41-58.Zenck, Martin:
Holderlin lesen seiner
Stimme zuhoren.
Holderlin-Lekturen von
Klaus Michael Gruber,
Hans Zender und Bruno
Ganz, in: Neue
Zeitschrift fur Musik 172
(2011), Heft 6, pp.
25-29.Zender, Hans: Zu
meinem Zyklus Holderlin
lesen, in: Mnemosyne.
Zeit und Gedachtnis in
der europaischen Musik
des ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
pp. 26-40.
World
premiere: Witten
(Wittener Tage fur neue
Kammermusik), May 4,
2001.
SATB choir SKU: ST.EM20 Canzonets to Four Voices. Composed by Gile...(+)
SATB choir
SKU:
ST.EM20
Canzonets
to Four Voices.
Composed by Giles
Farnaby. Edited by Edmund
H Fellowes. Library
Volumes. Edited Edmund
Fellowes. Revised
Thurston Dart. Paperback.
Madrigals. Choral Score.
Stainer & Bell Ltd.
#EM20. Published by
Stainer & Bell Ltd.
(ST.EM20).
ISBN
9790220206337.
Reme
mbered chiefly for his
virginal music, this
always fresh and charming
composer - who was
probably an instrument
maker by trade - may well
have penned these pieces
simply for the enjoyment
of his London friends
living in the wards of
Bishopsgate and
Cripplegate. His
experience as a keyboard
player may have led him
to some chromatic vocal
writing, particularly in
the admirable Construe my
meaning, rivalling
strangenesses in the work
of his Italian
contemporary,
Gesualdo.
CONTENTS Among
the daffadillies
(SSAB) Ay me, poor
heart (SATB) Blind
Love was shooting
(SSAB) Carters, now
cast down (SAT (or A)
B) Construe my
meaning (SATB) Daphne
on the rainbow (SSA (or
T) T (or B)) Lady,
the silly flea (SATB)
Lady, when I behold your
passions (SSA (or T)
B) Love shooting
among many (SSAB)
Love shooting at another
(SSA (or T) B) My
Lady's coloured cheeks
(SAT (or A) B) Pearce
did dance with Petronella
(SAT (or A) B) Pearce
did love fair Petronella
(SAAB) Phillida
bewailed (SAT (or A)
B) Simkin said that
Sis was fair (SSAB (or
T)) Some time she
would (SATB) Susanna
fair (SSTB) The
curtain drawn (SATB)
The wavering planet (SSAB
(or T)) Thrice
blessed be the giver
(SSAB (or T))
Witness, ye heavens (SSS
(or A) AAT (or B)
BB).
Kongsgaard Variations Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Faber Music Limited
SKU: AP.12-057153970X Composed by Anders Hillborg. Masterworks; Quartet; ...(+)
SKU:
AP.12-057153970X
Composed by Anders
Hillborg. Masterworks;
Quartet; Solo Small
Ensembles; String
Quartet. Faber Edition.
20th Century; Masterwork.
Score. Faber Music
#12-057153970X. Published
by Faber Music
(AP.12-057153970X).
ISBN 9780571539703.
English.
In his
Kongsgaard Variations
(2006), Swedish composer
Anders Hillborg takes the
Arietta theme from
Beethoven's last
piano-sonata, No. 32 in C
Minor, Op. 111 as the
basis for an evocative
16-minute string quartet.
Beethoven's sublime music
drifts strangely through
the centuries and is
warped, vaporised, and
refashioned as if, in the
words of Hillborg, the
Arietta is dreaming yet
another variation on
itself.
Bass Clarinet Solo SKU: IS.BC6927EM Composed by Gareth Churchill. Woodwin...(+)
Bass Clarinet Solo
SKU: IS.BC6927EM
Composed by Gareth
Churchill. Woodwinds -
Bass Clarinet / Basset
Horn. Metropolis Music
Publishers #BC6927EM.
Published by Metropolis
Music Publishers
(IS.BC6927EM).
ISBN
9790365069279.
Gare
th Churchill trained in
London with Rhian Samuel
and in Cardiff with
Anthony Powers (PhD
Composition 2007); other
teachers having included
Peter Maxwell Davies,
Judith Weir, John Metcalf
and Charles Camilleri.
Commissions include works
for Vale of Glamorgan
Festival for Arvo
Pärt's 75th birthday,
Aberystwyh Musicfest,
Bangor New Music
Festival, Mavron Quartet
and South Wales Gay Men's
Chorus. Performances have
reached audiences in
Belgium, Estonia, Italy,
Japan, Norway, Spain, the
USA and throughout the
UK. His output reflects
an interest in musical
cryptography with many
works' titles providing
the key to understanding
their musical means. He
has taught at Cardiff
University School of
Music, at Aberystwyth
Musicfest and is
composition teacher for
Cardiff University Centre
for Continuing and
Professional
Education.This
composition was written
for bass clarinet soloist
Sarah Watts, who did
extensive research on
bass clarinet
multiphonics. This piece
is a great illustration
on the integration of
multiphonics in
contemporary music.
Symphony No. 1 for Brass Quintet Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba [Conducteur et Parties séparées] - Avancé Cherry Classics
Brass Quintet - advanced SKU: CY.CC3002 Composed by Carl Philipp Emanuel ...(+)
Brass Quintet - advanced
SKU: CY.CC3002
Composed by Carl Philipp
Emanuel Bach. Arranged by
Justin Bland. Classical.
Score and parts. 63
pages. Cherry Classics
#3002. Published by
Cherry Classics
(CY.CC3002).
ISBN
9790530058220.
Symp
hony No. 1 for Brass
Quintet by C. P. E.
Bach, arranged by Justin
Bland C. P. E. Bach
was an innovator as an
early Classical era
composer, helping to
develop the sonata form
that was refined by
Haydn, Mozart and
Beethoven. Like his
father, Carl Phillip
Emanuel was prolific and
showed signs of true
genius.
Symphony
No. 1, in three movements
(fast-slow-fast),
originally in D major,
has been transposed down
a step to C by arranger
Justin
Bland.
This very
fine arrangement (the
entire work) of about 12
minutes in length is
appropriate for advanced
performers and can be the
cornerstone of a recital
program.
Instrum
entation: Trumpets (parts
in C and B-flat), Horn in
F, Trombone and Tuba.
Composed by Jack Curtis Dubowsky. For SATB choir. Choral. Secular; contemporary....(+)
Composed by Jack Curtis
Dubowsky. For SATB choir.
Choral. Secular;
contemporary. Octavo.
Composed 2000. 4 pages.
Duration 1:15. Published
by De Stijl Music
2-part mixed choir and piano SKU: LO.15-3927H Composed by Erik Whitehill....(+)
2-part mixed choir and
piano
SKU:
LO.15-3927H
Composed
by Erik Whitehill.
Choral. Concert, General.
Octavo. Heritage Music
Press #15/3927H.
Published by Heritage
Music Press
(LO.15-3927H).
ISBN
9780787776640.
This
piece is a mission
statement for schools and
communities to support
the growth of students
and to build community.
This piece is perfect for
school and community
events highlighting the
importance of fundamental
principles living and
working together that are
learned at a young age.
Erik Whitehill's musical
setting is reminiscent in
style of a school alma
mater.