| Triosätze Peters
2 Oboes, Bassoon SKU: PE.EP14582 For Two Oboes and Bassoon. Compos...(+)
2 Oboes, Bassoon SKU:
PE.EP14582 For Two
Oboes and Bassoon.
Composed by Harald
Genzmer. Mixed
Instruments - Trio; Solo
Small Ensembles; Trio.
Classical; Contemporary.
Book. 24 pages. Edition
Peters #98-EP14582.
Published by Edition
Peters (PE.EP14582).
ISBN 9790014137878.
German. Trio
sätze (GeWV 334)
by Harald Genzmer is a
17-minute work for two
oboes and bassoon and is
here published
posthumously for the
first time. Harald
Genzmer (1909-2007) was
one of the most versatile
and prolific composers of
his time. He began
composition studies in
Berlin in 1928 with Paul
Hindemith, who was a
decisive influence. The
Triosätze is a
characteristically
approachable work, and
makes for an engaging
recital piece for
intermediate
players. This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite
retailer. $31.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I love the almighty with all of my spirit (Ich liebe den Hochsten von ganzem Gemute) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli viol...(+)
ATB vocal soli, SATB
choir, 2 oboes, 2 horns,
Taille (english horn), 3
soli violins + viola +
cello, 2 violins, viola,
basso continuo SKU:
CA.3117409 Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. 1x
31.174/21 violin/oboe 1,
1x 31.174/22 violin/oboe
2, 1x 31.174/23 taille,
2x 31.174/31 horns 1 and
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
Whitsun, Praise and
thanks. Set of Orchestra
Parts. Composed 1729. BWV
174. Duration 23 minutes.
Carus Verlag #CV
31.174/09. Published by
Carus Verlag
(CA.3117409). ISBN
9790007209636. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich. The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and parts available
separately - see item
CA.3117400. $36.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I love the almighty with all of my spirit (Ich liebe den Hochsten von ganzem Gemute) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli viol...(+)
ATB vocal soli, SATB
choir, 2 oboes, 2 horns,
Taille (english horn), 3
soli violins + viola +
cello, 2 violins, viola,
basso continuo SKU:
CA.3117419 Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Whitsun, Praise and
thanks. Set of Orchestra
Parts. Composed 1729. BWV
174. Duration 23 minutes.
Carus Verlag #CV
31.174/19. Published by
Carus Verlag
(CA.3117419). ISBN
9790007187248. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich. The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and parts available
separately - see item
CA.3117400. $169.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I love the almighty with all of my spirit (Ich liebe den Hochsten von ganzem Gemute) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli viol...(+)
ATB vocal soli, SATB
choir, 2 oboes, 2 horns,
Taille (english horn), 3
soli violins + viola +
cello, 2 violins, viola,
basso continuo SKU:
CA.3117449 Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Organ. Sacred
vocal music, Cantatas,
Whitsun, Praise and
thanks. Single Part,
Organ. Composed 1729. BWV
174. 16 pages. Duration
23 minutes. Carus Verlag
#CV 31.174/49. Published
by Carus Verlag
(CA.3117449). ISBN
9790007209711. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich. The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I love the almighty with all of my spirit (Ich liebe den Hochsten von ganzem Gemute) Chorale SATB [Conducteur] Carus Verlag
ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli viol...(+)
ATB vocal soli, SATB
choir, 2 oboes, 2 horns,
Taille (english horn), 3
soli violins + viola +
cello, 2 violins, viola,
basso continuo SKU:
CA.3117400 Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun,
Praise and thanks. Full
score. Composed 1729. BWV
174. 68 pages. Duration
23 minutes. Carus Verlag
#CV 31.174/00. Published
by Carus Verlag
(CA.3117400). ISBN
9790007171643. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich. The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the
cantata. $30.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I love the almighty with all of my spirit (Ich liebe den Hochsten von ganzem Gemute) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli viol...(+)
ATB vocal soli, SATB
choir, 2 oboes, 2 horns,
Taille (english horn), 3
soli violins + viola +
cello, 2 violins, viola,
basso continuo SKU:
CA.3117417 Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Basso continuo.
Sacred vocal music,
Cantatas, Whitsun, Praise
and thanks. Single Part,
basso continuo. Composed
1729. BWV 174. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.174/17. Published by
Carus Verlag
(CA.3117417). ISBN
9790007209704. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich. The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I love the almighty with all of my spirit (Ich liebe den Hochsten von ganzem Gemute) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli viol...(+)
ATB vocal soli, SATB
choir, 2 oboes, 2 horns,
Taille (english horn), 3
soli violins + viola +
cello, 2 violins, viola,
basso continuo SKU:
CA.3117415 Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Violoncello solo
1-3. Sacred vocal music,
Cantatas, Whitsun, Praise
and thanks. Single Part,
Cello 1-3. Composed 1729.
BWV 174. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.174/15. Published by
Carus Verlag
(CA.3117415). ISBN
9790007209681. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich. The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I love the almighty with all of my spirit (Ich liebe den Hochsten von ganzem Gemute) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli viol...(+)
ATB vocal soli, SATB
choir, 2 oboes, 2 horns,
Taille (english horn), 3
soli violins + viola +
cello, 2 violins, viola,
basso continuo SKU:
CA.3117414 Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Viola solo 1-3.
Sacred vocal music,
Cantatas, Whitsun, Praise
and thanks. Single Part,
Viola solo 1-3. Composed
1729. BWV 174. 16 pages.
Duration 23 minutes.
Carus Verlag #CV
31.174/14. Published by
Carus Verlag
(CA.3117414). ISBN
9790007209674. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich. The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I love the almighty with all of my spirit (Ich liebe den Hochsten von ganzem Gemute) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli viol...(+)
ATB vocal soli, SATB
choir, 2 oboes, 2 horns,
Taille (english horn), 3
soli violins + viola +
cello, 2 violins, viola,
basso continuo SKU:
CA.3117403 Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun,
Praise and thanks. Vocal
score. Composed 1729. BWV
174. 28 pages. Duration
23 minutes. Carus Verlag
#CV 31.174/03. Published
by Carus Verlag
(CA.3117403). ISBN
9790007183554. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich. The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score available
separately - see item
CA.3117400. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I love the almighty with all of my spirit (Ich liebe den Hochsten von ganzem Gemute) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli viol...(+)
ATB vocal soli, SATB
choir, 2 oboes, 2 horns,
Taille (english horn), 3
soli violins + viola +
cello, 2 violins, viola,
basso continuo SKU:
CA.3117412 Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Violin solo 2.
Sacred vocal music,
Cantatas, Whitsun, Praise
and thanks. Single Part,
Violin Solo 2. Composed
1729. BWV 174. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.174/12. Published by
Carus Verlag
(CA.3117412). ISBN
9790007209650. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich. The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I love the almighty with all of my spirit (Ich liebe den Hochsten von ganzem Gemute) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli viol...(+)
ATB vocal soli, SATB
choir, 2 oboes, 2 horns,
Taille (english horn), 3
soli violins + viola +
cello, 2 violins, viola,
basso continuo SKU:
CA.3117405 Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun,
Praise and thanks. Choral
Score. Composed 1729. BWV
174. 2 pages. Duration 23
minutes. Carus Verlag #CV
31.174/05. Published by
Carus Verlag
(CA.3117405). ISBN
9790007186111. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich. The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score available
separately - see item
CA.3117400. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I love the almighty with all of my spirit (Ich liebe den Hochsten von ganzem Gemute) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli viol...(+)
ATB vocal soli, SATB
choir, 2 oboes, 2 horns,
Taille (english horn), 3
soli violins + viola +
cello, 2 violins, viola,
basso continuo SKU:
CA.3117411 Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Violin solo 1.
Sacred vocal music,
Cantatas, Whitsun, Praise
and thanks. Single Part,
Violin Solo 1. Composed
1729. BWV 174. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.174/11. Published by
Carus Verlag
(CA.3117411). ISBN
9790007209643. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich. The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I love the almighty with all of my spirit (Ich liebe den Hochsten von ganzem Gemute) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli viol...(+)
ATB vocal soli, SATB
choir, 2 oboes, 2 horns,
Taille (english horn), 3
soli violins + viola +
cello, 2 violins, viola,
basso continuo SKU:
CA.3117413 Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Violin solo 2.
Sacred vocal music,
Cantatas, Whitsun, Praise
and thanks. Single Part,
Violin solo 3. Composed
1729. BWV 174. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.174/13. Published by
Carus Verlag
(CA.3117413). ISBN
9790007209667. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich. The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I love the almighty with all of my spirit (Ich liebe den Hochsten von ganzem Gemute) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli viol...(+)
ATB vocal soli, SATB
choir, 2 oboes, 2 horns,
Taille (english horn), 3
soli violins + viola +
cello, 2 violins, viola,
basso continuo SKU:
CA.3117416 Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Viola. Sacred
vocal music, Cantatas,
Whitsun, Praise and
thanks. Single Part,
Viola. Composed 1729. BWV
174. 4 pages. Duration 23
minutes. Carus Verlag #CV
31.174/16. Published by
Carus Verlag
(CA.3117416). ISBN
9790007209698. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich. The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I love the almighty with all of my spirit (Ich liebe den Hochsten von ganzem Gemute) Carus Verlag
Orchestra Soli ATB, Coro SATB, 2 Ob, Tl, 3 Vl conc., 3 Va conc., 3 Vc conc., 2 V...(+)
Orchestra Soli ATB, Coro
SATB, 2 Ob, Tl, 3 Vl
conc., 3 Va conc., 3 Vc
conc., 2 Vl, Va, Bc
SKU: CA.3117407
Cantata for the 2nd
day of Pentecost.
Composed by Johann
Sebastian Bach. Edited by
Karin Wollschlager.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Whitsun,
Praise and thanks. Study
score. Composed 1729. BWV
174. 68 pages. Duration
23 minutes. Carus Verlag
#CV 31.174/07. Published
by Carus Verlag
(CA.3117407). ISBN
9790007244996. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich. The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score available
separately - see item
CA.3117400. $15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116414 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Whitsun.
Single Part, basso
continuo. Composed 1725.
BWV 164. 12 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/14. Published by
Carus Verlag
(CA.3116414). ISBN
9790007209056. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116412 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 2. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/12. Published by
Carus Verlag
(CA.3116412). ISBN
9790007209032. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116413 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Whitsun. Single Part,
Viola. Composed 1725. BWV
164. 4 pages. Duration 17
minutes. Carus Verlag #CV
31.164/13. Published by
Carus Verlag
(CA.3116413). ISBN
9790007209049. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116411 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 1. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/11. Published by
Carus Verlag
(CA.3116411). ISBN
9790007209025. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Come thou of man the Saviour TWV 1:1174 Chorale SATB [Conducteur] - Intermédiaire Barenreiter
Singing voice, SATB choir, orchestra (Vocal, Mixed choir, Orchestra) - Level 3 <...(+)
Singing voice, SATB
choir, orchestra (Vocal,
Mixed choir, Orchestra) -
Level 3 SKU:
BA.BA07677 Cantata
for the First Sunday of
Advent. Composed by
Georg Philipp Telemann.
Edited by Ute Poetzsch.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Score. TWV 1.
Baerenreiter Verlag
#BA07677_00. Published by
Baerenreiter Verlag
(BA.BA07677). ISBN
9790006526192. 30 x 23 cm
inches. The cantata
Nun komm der Heiden
Heiland (TWV 1:1174) is
taken from
Telemann’s cantata
cycle of 1717–18.
Though festively scored
for two oboes, two
trumpets, kettledrums,
strings and basso
continuo, it will not
overly strain the
financial resources of
today’s
ensembles.
The
well-known chorale tune
features prominantly in
all choruses. Telemann
gives one aria each to
the three soloists (SAB).
Thanks to the relatively
small instrumental
ensemble, the choral
passages can be taken one
to a part. The vocal
score appears with a
singing translation in
English.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$26.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Lord said unto my Lord Soli, choeur mixte et accompagnement - Intermédiaire Carus Verlag
Composed by Antonio Vivaldi (1678-1741). For SATB vocal soli, SATB/SATB choir, 2...(+)
Composed by Antonio
Vivaldi (1678-1741). For
SATB vocal soli,
SATB/SATB choir, 2
orchestras: 2 oboes, 2
trumpets, 2 violins,
viola, basso continuo,
[timpani]. Stuttgart
Urtext Edition. German
title: Dixit Dominus.
Cantatas, Motets,
Epiphany, Daily hours.
Level 4. Complete
orchestral parts.
Language: Latin/English.
RV 594. Duration 25
minutes. Published by
Carus Verlag
$169.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Erwachet, ihr Christen Chorale SATB [Conducteur et Parties séparées] Carus Verlag
STB vocal soli, SATB/SATB choir, 2 oboes, 2 violins, viola, basso continuo SK...(+)
STB vocal soli, SATB/SATB
choir, 2 oboes, 2
violins, viola, basso
continuo SKU:
CA.3721919 Cantata
for Oculi Sunday.
Composed by Gottfried
August Homilius.
Erwachet, Ihr Christen
(Kantate). Sacred vocal
music, Cantatas, Lent and
Passiontide. Set of
Orchestra Parts. HoWV
II.57. Duration 14
minutes. Carus Verlag #CV
37.219/19. Published by
Carus Verlag
(CA.3721919). ISBN
9790007214821. Text
language:
German. Homilius is
known for having always
searched for new forms in
order to avoid any
schematic pattern. Thus,
one looks in vain in the
present cantata for
arias. The opening choir
is introduced by two
choral groups: One calls
to take up the fight
against the devil, while
the other fearfully
hesitates and finally, in
the chorale Jesus
Christus, wohn uns bei
agrees to join in.
Following each of the
three stanzas of the
embellished chorale, in a
recitative the hesitant
one is given courage
before he also takes up
arms, in a confident
final chorus. Score and
parts available
separately - see item
CA.3721900. $96.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Erwachet, ihr Christen Chorale SATB Carus Verlag
STB vocal soli, SATB/SATB choir, 2 oboes, 2 violins, viola, basso continuo SK...(+)
STB vocal soli, SATB/SATB
choir, 2 oboes, 2
violins, viola, basso
continuo SKU:
CA.3721949 Cantata
for Oculi Sunday.
Composed by Gottfried
August Homilius.
Erwachet, Ihr Christen
(Kantate). Sacred vocal
music, Cantatas, Lent and
Passiontide. Single Part,
Organ. HoWV II.57. 12
pages. Duration 14
minutes. Carus Verlag #CV
37.219/49. Published by
Carus Verlag
(CA.3721949). ISBN
9790007214838. Text
language:
German. Homilius is
known for having always
searched for new forms in
order to avoid any
schematic pattern. Thus,
one looks in vain in the
present cantata for
arias. The opening choir
is introduced by two
choral groups: One calls
to take up the fight
against the devil, while
the other fearfully
hesitates and finally, in
the chorale Jesus
Christus, wohn uns bei
agrees to join in.
Following each of the
three stanzas of the
embellished chorale, in a
recitative the hesitant
one is given courage
before he also takes up
arms, in a confident
final chorus. Score and
part available separately
- see item
CA.3721900. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Erwachet, ihr Christen Chorale SATB [Conducteur] Carus Verlag
STB vocal soli, SATB/SATB choir, 2 oboes, 2 violins, viola, basso continuo SK...(+)
STB vocal soli, SATB/SATB
choir, 2 oboes, 2
violins, viola, basso
continuo SKU:
CA.3721900 Cantata
for Oculi Sunday.
Composed by Gottfried
August Homilius. This
edition: paperback.
Erwachet, Ihr Christen
(Kantate). Sacred vocal
music, Cantatas, Lent and
Passiontide. Full score.
HoWV II.57. Duration 14
minutes. Carus Verlag #CV
37.219/00. Published by
Carus Verlag
(CA.3721900). ISBN
9790007142629. Text
language:
German. Homilius is
known for having always
searched for new forms in
order to avoid any
schematic pattern. Thus,
one looks in vain in the
present cantata for
arias. The opening choir
is introduced by two
choral groups: One calls
to take up the fight
against the devil, while
the other fearfully
hesitates and finally, in
the chorale Jesus
Christus, wohn uns bei
agrees to join in.
Following each of the
three stanzas of the
embellished chorale, in a
recitative the hesitant
one is given courage
before he also takes up
arms, in a confident
final chorus. $50.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Erwachet, ihr Christen Chorale SATB Carus Verlag
STB vocal soli, SATB/SATB choir, 2 oboes, 2 violins, viola, basso continuo SK...(+)
STB vocal soli, SATB/SATB
choir, 2 oboes, 2
violins, viola, basso
continuo SKU:
CA.3721903 Cantata
for Oculi Sunday.
Composed by Gottfried
August Homilius. This
edition: paperback.
Erwachet, Ihr Christen
(Kantate). Sacred vocal
music, Cantatas, Lent and
Passiontide. Vocal score.
HoWV II.57. Duration 14
minutes. Carus Verlag #CV
37.219/03. Published by
Carus Verlag
(CA.3721903). ISBN
9790007143305. Text
language:
German. Homilius is
known for having always
searched for new forms in
order to avoid any
schematic pattern. Thus,
one looks in vain in the
present cantata for
arias. The opening choir
is introduced by two
choral groups: One calls
to take up the fight
against the devil, while
the other fearfully
hesitates and finally, in
the chorale Jesus
Christus, wohn uns bei
agrees to join in.
Following each of the
three stanzas of the
embellished chorale, in a
recitative the hesitant
one is given courage
before he also takes up
arms, in a confident
final chorus. Score
available separately -
see item CA.3721900. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Erwachet, ihr Christen Chorale SATB [Conducteur et Parties séparées] Carus Verlag
STB vocal soli, SATB/SATB choir, 2 oboes, 2 violins, viola, basso continuo SK...(+)
STB vocal soli, SATB/SATB
choir, 2 oboes, 2
violins, viola, basso
continuo SKU:
CA.3721909 Cantata
for Oculi Sunday.
Composed by Gottfried
August Homilius. 1x
37.219/21 oboe 1, 1x
37.219/22 oboe 2.
Erwachet, Ihr Christen
(Kantate). Sacred vocal
music, Cantatas, Lent and
Passiontide. Set of
Orchestra Parts. HoWV
II.57. Duration 14
minutes. Carus Verlag #CV
37.219/09. Published by
Carus Verlag
(CA.3721909). ISBN
9790007214814. Text
language:
German. Homilius is
known for having always
searched for new forms in
order to avoid any
schematic pattern. Thus,
one looks in vain in the
present cantata for
arias. The opening choir
is introduced by two
choral groups: One calls
to take up the fight
against the devil, while
the other fearfully
hesitates and finally, in
the chorale Jesus
Christus, wohn uns bei
agrees to join in.
Following each of the
three stanzas of the
embellished chorale, in a
recitative the hesitant
one is given courage
before he also takes up
arms, in a confident
final chorus. Score and
parts available
separately - see item
CA.3721900. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Erwachet, ihr Christen Chorale SATB Carus Verlag
STB vocal soli, SATB/SATB choir, 2 oboes, 2 violins, viola, basso continuo SK...(+)
STB vocal soli, SATB/SATB
choir, 2 oboes, 2
violins, viola, basso
continuo SKU:
CA.3721905 Cantata
for Oculi Sunday.
Composed by Gottfried
August Homilius.
Erwachet, Ihr Christen
(Kantate). Sacred vocal
music, Cantatas, Lent and
Passiontide. Choral
Score. HoWV II.57.
Duration 14 minutes.
Carus Verlag #CV
37.219/05. Published by
Carus Verlag
(CA.3721905). ISBN
9790007214807. Text
language:
German. Homilius is
known for having always
searched for new forms in
order to avoid any
schematic pattern. Thus,
one looks in vain in the
present cantata for
arias. The opening choir
is introduced by two
choral groups: One calls
to take up the fight
against the devil, while
the other fearfully
hesitates and finally, in
the chorale Jesus
Christus, wohn uns bei
agrees to join in.
Following each of the
three stanzas of the
embellished chorale, in a
recitative the hesitant
one is given courage
before he also takes up
arms, in a confident
final chorus. Score
available separately -
see item CA.3721900. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 3e Symphonie en ut mineur, op. 78 - Avancé Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1,
Fl2 , Fl3(Fl-picc), 2 Ob,
EnglHn, 2 clarinet,
clarinet-B, 2 bassoon,
bassoon-Co, Hn1, Hn2 ,
Hn3(chrom.), Hn4(chrom.),
3Trp, 3trombone, timpani,
Tr-Gr, Tri, Be, Org,
piano-4ms, 2 Violin,
Viola, Cello, Double
Bass) - Level 5 SKU:
BA.BA10303-01
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann. The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$566.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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