| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Facile Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
(8)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Little Classical Fake Book - 2nd Edition Piano seul - Intermédiaire Hal Leonard
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
$27.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Easy Instrumental Solos For Special Occasions and Celebrations Flûte traversière [Partition + CD] - Débutant Alfred Publishing
(Flute). Arranged by Various. For Flute. Book; CD; Instrumental Series; Play-Alo...(+)
(Flute). Arranged by
Various. For Flute. Book;
CD; Instrumental Series;
Play-Along. Easy
Instrumental Solos. Grade
1. 48 pages. Published by
Alfred Music
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Easy Instrumental Solos For Special Occasions and Celebrations for Strings (Cello) Violoncelle [Partition + CD] - Débutant Alfred Publishing
(Cello). Arranged by Various. For Cello. Book; CD; Play-Along; String Series. Ea...(+)
(Cello). Arranged by
Various. For Cello. Book;
CD; Play-Along; String
Series. Easy Instrumental
Solos. Grade 1. 48 pages.
Published by Alfred Music
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Instrumental Praise Volume I - Christmas Instrumentation Flexible [Conducteur + CD] GIA Publications
(Hymns and Songs for Flexible Ensemble). For flute 1, flute 2 or oboe, clarinet ...(+)
(Hymns and Songs for
Flexible Ensemble). For
flute 1, flute 2 or oboe,
clarinet 1 and clarinet 2
in Bb, alto saxophone,
bassoon, horn in F,
trumpet in Bb, trombone,
tuba, percussion/drums,
voice and guitar, piano,
violins 1 and 2, viola,
cello, double bass.
$45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Easy Instrumental Solos For Special Occasions and Célébrations (Clarinet) Clarinette [Partition + CD] - Débutant Alfred Publishing
(Clarinet). Arranged by Various. For Clarinet. Book; CD; Instrumental Series; Pl...(+)
(Clarinet). Arranged by
Various. For Clarinet.
Book; CD; Instrumental
Series; Play-Along. Easy
Instrumental Solos. Grade
1. 48 pages. Published by
Alfred Music
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Easy Instrumental Solos For Special Occasions and Célébrations (Alto Sax) Saxophone Alto [Partition + CD] - Débutant Alfred Publishing
(Alto Sax). Arranged by Various. For Alto Sax. Book; CD; Instrumental Series; Pl...(+)
(Alto Sax). Arranged by
Various. For Alto Sax.
Book; CD; Instrumental
Series; Play-Along. Easy
Instrumental Solos. Grade
1. 48 pages. Published by
Alfred Music
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Easy Instrumental Solos For Special Occasions and Celebrations Trompette [Partition + CD] - Intermédiaire Alfred Publishing
(Trumpet). For Trumpet. Book; CD; Instrumental Series; Play-Along. Easy In...(+)
(Trumpet). For Trumpet.
Book; CD; Instrumental
Series; Play-Along. Easy
Instrumental Solos. Grade
2;
Grade 3. 48 pages.
Published
by Alfred Music
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Easy Instrumental Solos For Special Occasions and Celebrations Saxophone Tenor [Partition + CD] - Intermédiaire Alfred Publishing
(Tenor Sax). For Tenor Sax. Book; CD; Instrumental Series; Play-Along. Easy I...(+)
(Tenor Sax). For Tenor
Sax.
Book; CD; Instrumental
Series; Play-Along. Easy
Instrumental Solos. Grade
2;
Grade 3. 48 pages.
Published
by Alfred Music
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Easy Instrumental Solos For Special Occasions and Celebrations Trombone [Partition + CD] - Intermédiaire Alfred Publishing
(Trombone). For Trombone. Book; CD; Instrumental Series; Play-Along. Easy Ins...(+)
(Trombone). For Trombone.
Book; CD; Instrumental
Series; Play-Along. Easy
Instrumental Solos. Grade
2;
Grade 3. 48 pages.
Published
by Alfred Music
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Easy Instrumental Solos For Special Occasions and Celebrations for Strings (Viola) Alto seul [Partition + CD] - Débutant Alfred Publishing
(Viola). Arranged by Various. For Viola. Book; CD; Play-Along; String Series. Ea...(+)
(Viola). Arranged by
Various. For Viola. Book;
CD; Play-Along; String
Series. Easy Instrumental
Solos. Grade 1. 48 pages.
Published by Alfred Music
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Easy Instrumental Solos For Special Occasions and Celebrations for Strings Violon [Partition + CD] - Intermédiaire Alfred Publishing
(Violin). For Violin. Book; CD; Play-Along; String Series. Easy Instrumental ...(+)
(Violin). For Violin.
Book;
CD; Play-Along; String
Series. Easy Instrumental
Solos. Grade 2; Grade 3.
48
pages. Published by
Alfred
Music
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonatina Orchestre à Cordes - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS13F
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F). ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major. IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| High Flight Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute,
Harp, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2, alto voice,
bass voice, soprano
voice, tenor voice
SKU: PR.31241902A
From Terra Nostra.
Composed by Stacy Garrop.
Set of Score and Parts.
Duration 3:15. Theodore
Presser Company
#312-41902A. Published by
Theodore Presser Company
(PR.31241902A). UPC:
680160690510.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $33.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| High Flight Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute,
Harp, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2, alto voice,
bass voice, soprano
voice, tenor voice
SKU: PR.31241902S
From Terra Nostra.
Composed by Stacy Garrop.
Full score. Duration
3:15. Theodore Presser
Company #312-41902S.
Published by Theodore
Presser Company
(PR.31241902S). UPC:
680160690589.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $20.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| We Remember You Chorale 3 parties SAB [Octavo] Hope Publishing Company
By Walter Harrah. Arranged by Lloyd Larson. (SAB or Three-Part). Scripture Refe...(+)
By Walter Harrah.
Arranged by Lloyd Larson.
(SAB or Three-Part).
Scripture References:
Luke 22:19 1 Corinthians
11:24 1 Corinthians
11:25. Christ's Presence,
Commemoration, Communion,
Good Friday,
Gratefulness, Holy Week,
Lamb of God, Lord's
Supper, Maundy Thursday,
Praise and Worship,
Communion, Contemporary
and Sacred. Print Music
Single (SAB). 8 pages.
Published by Hope
Publishing Company.
$2.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| O Come to Us, Emmanuel Hope Publishing Company
Vocal ensemble (Vocal Solo (Med. Voice - Key of G)) SKU: HP.8686 Composed...(+)
Vocal ensemble (Vocal
Solo (Med. Voice - Key of
G)) SKU: HP.8686
Composed by Joseph M.
Martin. Piano
Accompaniment with
Optional Orchestra. Vocal
Solo Sheet Music Series.
Hymntune, Advent, Sacred.
Vocal score. Hope
Publishing Company #8686.
Published by Hope
Publishing Company
(HP.8686). UPC:
763628186869. Key: Key of
g. Joseph M. Martin.
Isaiah 7:14, Psalms
51:12. Original
anthem Joseph Martin
expertly showcases the
expectancy of the season
in this captivating,
original anthem - a
perfect opener for your
holiday programming. A
compelling original tune
raises the curtain for
the anthem and leads to
the middle section
featuring a quote from
the familiar Advent hymn
tune, VENI EMMANUEL, as
it builds in intensity.
The Orchestration
includes a Conductor's
Score and parts for:
Flute, Trumpet, Horn,
Trombone, 2 Violins (opt.
Viola), Cello and Bass
Guitar. $7.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Festive Praise Chorale SATB Hope Publishing Company
SATB choir with optional brass; orchestra SKU: HP.C5542O Composed by Alle...(+)
SATB choir with optional
brass; orchestra SKU:
HP.C5542O Composed by
Allen Pote. Piano
Accompaniment with
Optional Orchestra.
Celebration, Festival,
General Worship,
Adoration & Praise,
Worship, Sacred. Set of
Instrumental Parts. Hope
Publishing Company
#C5542O. Published by
Hope Publishing Company
(HP.C5542O). UPC:
763628255428. Psalms
92:1-15. Original
anthem Allen Pote's
adaptation of Psalm 92 is
a joyous, uplifting
celebration of the
Psalmist's command to
give thanks for God's
goodness and to sing,
rejoice and be glad. One
of the all-time
top-sellers in the Hope
choral catalog, this
classic Allen Pote
original is now available
in a new SAB setting with
a brand new, full
orchestration by Paul
Thompson. For 'Church
Music Sunday' or any
service centered on
worship & music, this is
an ideal anthem. The
brass parts are for
Trumpets 1 & 2 and
Trombones 1 & 2. The
Orchestration by Paul
Thompson consists of a
Conductor's Score and
parts for: Flute 1 & 2,
Oboe 1 & 2, Clarinet in
B-flat 1 & 2, Horns in F
1 & 2, Trumpets in B-flat
1 & 2, Trombones 1 & 2,
Tuba, Timpani, Percussion
1 & 2, Harp, Piano,
Violin 1 & 2, Viola and
Cello. $89.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| We Give Our Lives Chorale SATB SATB Shawnee Press
By Joseph M. Martin. For Choral (SATB). Glory Sound. 12 pages. Published by Glor...(+)
By Joseph M. Martin. For
Choral (SATB). Glory
Sound. 12 pages.
Published by GlorySound
$2.50 $2.375 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Praise and Exaltation Shawnee Press
Choral (orchestration on CD-rom) SKU: HL.35027321 (Incorporating Prais...(+)
Choral (orchestration on
CD-rom) SKU:
HL.35027321
(Incorporating Praise
to the Lord the
Almighty). Composed
by David Angerman and
Joseph M. Martin. Shawnee
Sacred. General Worship,
Thanksgiving. CD-ROM,
Score and Parts.
Published by Shawnee
Press (HL.35027321).
UPC: 884088501129. 5x5
inches. Words by Joseph
M. Martin; Music by
Joseph M. Martin, David
Angerman. Uses:<
/b> General,
Thanksgiving
Sc
ripture: Psalm
150:1-2; Psalm
41
Let there be
praise and thanksgiving
with this driving paean
of joy. The hymn
Praise to the Lord the
Almighty is the
centerpiece of this
amazing anthem.
Deceptively learnable,
the mixed meter is so
natural your choir will
learn it in an instant. A
festive orchestration
completes the package.
Score and Parts for flute
1&2, oboe, clarinet 1&2,
bassoon, horn 1&2,
trumpet 1, trumpet 2&3,
trombone 1&2, bass
trombone/tuba, timpani,
perc 1&2, piano, violin
1, violin 2, viola,
cello, double bass. $60.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Celtic Choir Shawnee Press
Choral (celtic consort orch) SKU: HL.35029339 Consort Orchestra (CD-RO...(+)
Choral (celtic consort
orch) SKU:
HL.35029339
Consort Orchestra
(CD-ROM). Composed by
Joseph M. Martin. Shawnee
Sacred. Celtic, Sacred.
CD-ROM, Score and Parts.
Published by Shawnee
Press (HL.35029339).
UPC: 884088955519. 5x5
inches. Consort
Orchestra
(CD-ROM/includes score
and parts for flute
(penny whistle), violin,
cello, guitar, piano and
percussion): The
soaring beauty of
traditional folk music
and Gaelic-inspired
original songs permeates
this collection with
fresh sounds and
expressive words. From
lilting dance-like songs
of praise to noble hymn
tunes that encourage and
motivate, this gathering
of sacred songs provides
a great variety of
styles, tempos and
usages. Decorated with
optional acoustic
instruments and driven by
well-crafted piano parts,
these anthems are
designed to work for
choirs of any size. Catch
the wave of enthusiasm
for this ancient, musical
culture and bring a
refreshing spirit of
worship into your
ministry! Songs include:
Celtic Praise Song
• In the Valley
Flows a River • The
Master Has Come • A
Celtic Hosanna •
Come to the Upper Room
• Here is Love
• Celtic Alleluia
• Not I, But Christ
• A Celtic
Blessing. Score and
parts for flute (penny
whistle), violin, cello,
guitar, piano and
percussion. $69.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Testimony of Life Shawnee Press
Consort (CD-ROM) Choral (Instrumental Consort) SKU: HL.35029297 A Serv...(+)
Consort (CD-ROM) Choral
(Instrumental Consort)
SKU: HL.35029297
A Service of Lessons
and Carols Celebrating
the Life of Christ
Chamber
Orchestration.
Composed by Joseph M.
Martin. Shawnee Sacred.
General Worship, Sacred.
CD-ROM. Duration 2400
seconds. Published by
Shawnee Press
(HL.35029297). UPC:
884088951801.
5.0x5.0x0.19
inches. Chamber
Orchestration CD-ROM:
Written in a traditional
style and inspired by the
celebrated lessons and
carols format, Testimony
of Life presents the
life, death and
resurrection of Jesus
Christ. Comprised of
choral anthems, Scripture
and congregational songs,
the work also divides
easily into three
sections, enabling
directors to present the
work progressively
through Lent and Easter.
Choirs of any size will
enjoy the thoughtful part
writing and the easily
learned melodies. From
joyful celebrations of
Christ's early ministry
to the deep sadness of
His suffering and
crucifixion, from the
shadowed whispers of
Gethsemane to the
brilliant alleluias of
Easter, Testimony of Life
is a thoughtful mix of
artistry and ministry. A
full line of support
products is available to
enhance your performance.
Songs include: Prologue *
I Will Sing the Wondrous
Story * The Story Begins
* A Day of Rejoicing and
Praise * Hosanna, Loud
Hosanna * Banquet of
Mercy * Into the Garden *
When I Survey the
Wondrous Cross * A Day
Bright with Joy * I Know
that My Redeemer Lives.
Instrumentation: (1
Player per Part) Score
and parts for flute, oboe
clarinet, bassoon (sub.
Bass clarinet), trumpet,
percussion, harp, piano
(play from vocal score),
violin 1&2, viola,
cello, double bass. Can
work with woodwinds only
or with strings only. $175.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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