Chamber Music Violin SKU: CF.BF131 Composed by Roland Vamos. With Standar...(+)
Chamber Music Violin
SKU: CF.BF131
Composed by Roland Vamos.
With Standard notation.
168 pages. Carl Fischer
Music #BF131. Published
by Carl Fischer Music
(CF.BF131).
ISBN
9781491153765. UPC:
680160911264. 9 x 12
inches.
Inspired by
Clarence Cameron
White’s book The
Violinist’s Daily
Dozen, The
Violinist’s Daily
Sixteen is a collection
of daily exercises
compiled by Roland Vamos.
Intended for student and
professional violinists,
the collection provides
the performer with a
variety of exercises for
daily warm-ups. Mr. Vamos
also focuses on
developing dexterity and
flexibility in the
fingers and joints, the
first and fourth fingers
in particular. Each of
the sixteen exercises is
notated for each of the
four strings, and Vamos
recommends that the
exercises be practiced as
warm-ups, choosing a
different string for each
day of practice.Also
included with the Daily
Sixteen is a
comprehensive set of
studies for developing
fluency with scales and
arpeggios. Mr.
Vamos’ unique
methodology is to begin
with major scales and
arpeggios, followed by
minor scales and
arpeggios, all of which
are notated in two, three
and four octaves.
Alternate fingers are
provided, as well as a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. It is
a remarkably systematic
approach to performing
scales and arpeggios on
the violin and will
surely benefit students
and professionals
alike. ForewordThis
short hand-setting set of
exercises was inspired by
a book entitled The
Violinist’s Daily
Dozen, conceived by
Clarence Cameron White, a
prominent
African-American
violinist, composer and
arranger who enjoyed the
bulk of his career in the
first half of the
twentieth century.I have
practiced this set of
exercises since I was
twelve years old. It has
served me as a superb
warm-up and hand setting
tool. Over the years, I
have found that there are
some aspects of this
warm-up routine that were
not given sufficient
attention or not
addressed at all.
Consequently, I have
expanded the Daily Dozen
to create a new work
entitled The
Violinist’s Daily
Sixteen.I have also paid
particular attention in
this work as to how these
exercises are to be
practiced. In exercises
one and two, I have
indicated some notes to
be played before the
actual written exercises.
This is to ensure that
the fourth finger will be
over the string in a
position ready to strike
even though it is not
being used. Before
playing exercises three,
four, nine, ten, eleven
and twelve, I have
indicated silent fingers
to be placed on the notes
they would be playing if
they were being used.I
have replaced Mr.
White’s grace
notes with notes of
specific value and have
slowed down the exercises
so that the first joint
(the joint nearest the
string) of each finger
can move with flexibility
and strength. At no time
should the first joint
buckle.In Mr.
White’s version,
the last exercise gave
the first finger some
very valuable backward
extensions. In this
exercise (number 14 in
this book), I caution the
student not to move the
hand along with the first
finger. The hand should
remain in position while
the first finger
independently moves back
and forth.It became
obvious to me that if the
first finger were given
the opportunity to
develop the dexterity
that Mr. White’s
twelfth exercise
emphasizes, the fourth
finger could benefit from
an exercise that gives it
a forward extension.
Consequently, I added
another exercise to
create a Baker’s
Dozen (thirteen).Several
years later, I felt that
the second and third
fingers should also have
an exercise to further
develop their
dexterity…hence
exercise fourteen was
added to create a
“Vamos
Dozen.â€Because the
first finger did not have
sufficient practice in
the development of the
first joint in the
original version, I have
added two exercises to
precede White’s
fifth exercise. After
re-working and
re-numbering these
exercises, I have come up
with a total of sixteen
exercises. It is my
suggestion that these be
practiced as a warm-up,
choosing a different
string each
day.—Roland
VamosEvanston, Illinois
2017Â PrefaceScales are
a means of teaching a
person the fingerboard on
his or her instrument.
The fingers move across
the strings and are
required to make shifts,
all in highly organized
patterns. Scales and
arpeggios are the
foundation upon which our
repertoire is built. Many
scale books have been
written; each one being
organized in its own
specific way. The Flesch
Scale System has been a
standard for many
decades. It is very
comprehensive and
systematic. From the
point of view of
establishing similar
patterns, it has one
drawback: it is organized
by starting with a major
key, followed by its
relative minor, going
through the circle of
fifths. I believe that it
is more profitable to do
only major scales with
their arpeggios first,
going up chromatically,
and then follow them in a
similar way with the
minor scales. In using
this approach, the
similarities in
fingerings between the
various scales are more
apparent. It is also
profitable to have
alternate fingerings
whenever possible. My
approach to scales and
arpeggios includes a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. These
bowings are not
all-inclusive. Whenever a
particularly awkward
bowing pattern is
encountered in the
repertoire, it can be
practiced as an
additional bowing
variation in the scales
and arpeggios. Â Â I
have chosen to introduce
the three and four octave
scales by teaching two
octave scales across the
strings in one position
going up chromatically
through seven positions;
starting on the first,
second, third, and
finally fourth fingers in
major and melodic
minor.—Roland
VamosEvanston, Illinois
2017.
By Barry Solomon. For Guitar: Flatpicking. Saddle-stitched, methods. Grossman ...(+)
By Barry Solomon. For
Guitar:
Flatpicking.
Saddle-stitched,
methods. Grossman Audio.
Solos/Transcriptions.
Intermediate-Advanced.
Book/3-
CD Set. 36 pages.
Published by
Mel Bay Publications, Inc
Band concert band - Grade 1 SKU: CF.BPS124F Composed by Joseph Compello. ...(+)
Band concert band - Grade
1
SKU: CF.BPS124F
Composed by Joseph
Compello. Sws. Bps. Full
score. 12 pages. Duration
1:30. Carl Fischer Music
#BPS124F. Published by
Carl Fischer Music
(CF.BPS124F).
ISBN
9781491156155. UPC:
680160914692. 9 x 12
inches.
Personal
Note My high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in the Baltimore City. He
was my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of music.
Performance Notes The
idea for this easy march
is a parade with horses,
hence the title Cadets'
Cavalcade. It may be
taught and performed in
common time, but the feel
is in 2 at the indicated
tempo. Directors who wish
to perform it a little
faster or slower than 80
should feel free to do
so. All cues are for
endurance considerations.
Bands that are capable of
playing from beginning to
end without rests may
ignore the cues. When
cymbals are just
following the bass drum
line, be certain that the
player observes the
proper
balance. Personal
NoteMy high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in the Baltimore City. He
was my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of
music.Performance
NotesThe idea for this
easy march is a parade
with horses, hence the
title Cadets' Cavalcade.
It may be taught and
performed in common time,
but the feel is in 2 at
the indicated tempo.
Directors who wish to
perform it a little
faster or slower than 80
should feel free to do
so. All cues are for
endurance considerations.
Bands that are capable of
playing from beginning to
end without rests may
ignore the cues. When
cymbals are just
following the bass drum
line, be certain that the
player observes the
proper balance.
Band concert band - Grade 1 SKU: CF.BPS124 Composed by Joseph Compello. F...(+)
Band concert band - Grade
1
SKU: CF.BPS124
Composed by Joseph
Compello. Folio. Bps. Set
of Score and Parts.
8+2+4+4+2+5+2+2+4+4+3+6+2
+3+1+1+2+1+12 pages.
Duration 1:30. Carl
Fischer Music #BPS124.
Published by Carl Fischer
Music (CF.BPS124).
ISBN 9781491156148.
UPC: 680160914685. 9 x 12
inches.
Personal
Note My high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in the Baltimore City. He
was my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of music.
Performance Notes The
idea for this easy march
is a parade with horses,
hence the title Cadets'
Cavalcade. It may be
taught and performed in
common time, but the feel
is in 2 at the indicated
tempo. Directors who wish
to perform it a little
faster or slower than 80
should feel free to do
so. All cues are for
endurance considerations.
Bands that are capable of
playing from beginning to
end without rests may
ignore the cues. When
cymbals are just
following the bass drum
line, be certain that the
player observes the
proper
balance. Personal
NoteMy high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in the Baltimore City. He
was my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of
music.Performance
NotesThe idea for this
easy march is a parade
with horses, hence the
title Cadets' Cavalcade.
It may be taught and
performed in common time,
but the feel is in 2 at
the indicated tempo.
Directors who wish to
perform it a little
faster or slower than 80
should feel free to do
so. All cues are for
endurance considerations.
Bands that are capable of
playing from beginning to
end without rests may
ignore the cues. When
cymbals are just
following the bass drum
line, be certain that the
player observes the
proper balance.
SAB choir, assembly, piano accompaniment, trumpet in B-flat, trumpet in C, cello...(+)
SAB choir, assembly,
piano accompaniment,
trumpet in B-flat,
trumpet in C, cello,
guitar - Early
intermediate
SKU:
GI.G-9905
Arranged by
Tony Alonso S.J. Trinity
Sunday. Celebration
Series. Tune Name:
Grosser Gott. Sacred.
Octavo. With guitar chord
names. 12 pages. GIA
Publications #9905.
Published by GIA
Publications (GI.G-9905).
UPC: 785147990505.
English. Text Source:
Grosser Gott,
wir loben dich, ascr.
Ignaz Franz,
1719&ndash,1790, tr.
Clarence Walworth,
1820&ndash,1900, alt.;
Translation: Clarence
Walworth. Text by Ignaz
Franz.
Listen to
the recording and see the
score in the video
below:.
By Barry Solomon. For Guitar: Flatpicking. Saddle-stitched, methods. Grossma...(+)
By Barry Solomon. For
Guitar:
Flatpicking.
Saddle-stitched,
methods. Grossman Audio.
Jazz
and Contemporary.
Intermediate-Advanced.
Book/3-
CD Set. 40 pages.
Published by
Mel Bay Publications, Inc
For Piano. By Adoniram J. Gordon; Anonymous; Arthur Seymour Sullivan; Charles C....(+)
For Piano. By Adoniram J.
Gordon; Anonymous; Arthur
Seymour Sullivan; Charles
C. Converse; George J.
Webb; H.Cutler Fall; John
Baptiste Calkin; Oliver
Holden; Robert Lowry;
Samuel Sebastian Wesley;
Samuel Webbe; William B.
Bradbury; William H.
Doane; Wm. R. Fischer.
Edited by Clarence
Kohlmann. Arranged by
Clarence Kohlmann. Solo
piano. For Piano Solo.
Collection. 51 pages.
Published by Theodore
Presser Company
Choral SATB choir, piano SKU: PR.352001010 An Anthem For Fast Day....(+)
Choral SATB choir, piano
SKU: PR.352001010
An Anthem For Fast
Day. Composed by
William Billings. Edited
by Clarence Dickinson.
Arranged by Clarence
Dickinson. Performance
Score. With Standard
notation. 16 pages.
Theodore Presser Company
#352-00101. Published by
Theodore Presser Company
(PR.352001010).
ISBN
9781491114711. UPC:
680160056194. 6.875 x
10.5 inches. English.
From the Continental
Harmony, 1794.
By Clarence Gaskill and Jimmy McHugh. Arranged by Darmon Meader. Jazz Ensemble. ...(+)
By Clarence Gaskill and
Jimmy McHugh. Arranged by
Darmon Meader. Jazz
Ensemble. Jazz Ensemble.
Jazz Vocal Series. Swing.
Grade 4. Conductor Score
and Parts. 98 pages
Come Go with Me Fanfare [Conducteur et Parties séparées] - Facile Alfred Publishing
By Clarence Quick. Arranged by Doug Adams. Marching Band. Marching Band; Part(s)...(+)
By Clarence Quick.
Arranged by Doug Adams.
Marching Band. Marching
Band; Part(s); Score.
Easy Pops for Marching
Band. Grade 2. Published
by Alfred Music
By Horace Clarence Boyer. For SATB Choir and Piano accompaniment. African Americ...(+)
By Horace Clarence Boyer.
For SATB Choir and Piano
accompaniment. African
American Church Music
Series. Sacred, Easter.
Text language: English. 8
pages. Published by GIA
Publications
A Gospel - Christmas Song. By Robert Macgimsey. Arranged by Clarence K. Mcdonald...(+)
A Gospel - Christmas
Song. By Robert
Macgimsey. Arranged by
Clarence K. Mcdonald;
Kenny Rogers; Kin Vassy.
Text: Robert Macgimsey.
For Keyboard, Voice.
Piano/Vocal Score. 6
pages. Published by Carl
Fischer.
Dumb Love Orchestre [Conducteur] Alfred Publishing
(As performed by Sean Kingston). By Bruno Mars, Philip Lawrence, Ari Levine, Car...(+)
(As performed by Sean
Kingston). By Bruno Mars,
Philip Lawrence, Ari
Levine, Carlos Battey,
Steven Battey, and
Clarence Quick [Sean
Kingston]. Arranged by
Ralph Ford. Orchestra.
Full Orchestra; Score.
Pop Intermediate Full
Orchestra. Light Concert;
Pop/Ro
Physical Fanfare - Intermédiaire Alfred Publishing
Marching Band - Grade 3 SKU: AP.49231 As Recorded by Dua Lipa. Com...(+)
Marching Band - Grade 3
SKU: AP.49231
As Recorded by Dua
Lipa. Composed by
Clarence Coffee, Dua
Lipa, Jason Evigan, Music
by Sarah Hudson, and
Words. Arranged by Nick
Baratta. Marching Band;
Performance Music
Ensemble; Single Titles.
Mega Sounds for Marching
Band. Pop; Rock. Score
and Part(s). 71 pages.
Duration 1:55. Alfred
Music #00-49231.
Published by Alfred Music
(AP.49231).
ISBN
9781470647339. UPC:
038081566566.
English.
Physical
is a power pop tune from
Dua Lipa, and is an
awesome stands chart that
is also perfect for drill
teams and dance units.
Nick Baratta's energetic
arrangement will really
have the crowd rockin'!
(1:55).