Score and Critical
Report Weber Clothbound
Score and Critical
Rep. Composed by Carl
Maria von Weber. Edited
by Gerhard Allroggen,
Joachim Veit, Markus
Bandur, and Salome Obert.
Edition Schott.
Classical. Hardcover. 248
pages. Schott Music
#WGA1072. Published by
Schott Music
(HL.49042463).
Volume VII/2 of
Weber's Complete Works
contains all of Carl
Maria von Weber's extant,
independent sets of
variations for solo
piano.Weber's piano
variations were
considered by
contemporary music
critics to be amongst the
most successful
compositions in this
field. A review of the
time states: His themes
are interesting and
idiosyncratically formed.
They stand before us with
a definite personality,
showing us in each
variation a new side to
their character, a new
characteristic situation
from their life. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical
Commentaries.
Solo Piano and Jazz
Band 2-Piano Score and
Critical Report.
Composed by George
Gershwin. Edited by Ryan
Paul Bañ and agale.
Edition Schott.
Classical. Softcover. 110
pages. Duration 1020
seconds. Schott Music
#GIGE2102. Published by
Schott Music
(HL.49047271).
2 Pianos, 4 Hand Reduction Piano Duet (2-Pianos) SKU: HL.51481383 2 Pi...(+)
2 Pianos, 4 Hand
Reduction Piano Duet
(2-Pianos)
SKU:
HL.51481383
2
Pianos, 4 Hand Reduction
2 copies needed to
perform. Composed by
Johann Sebastian Bach.
Edited by Maren Minuth,
Norbert Mü, and
llemann. Henle Music
Folios. Classical.
Softcover. 35 pages. G.
Henle #HN1383. Published
by G. Henle
(HL.51481383).
UPC:
196288308102.
9.25x12.25x0.123
inches.
Bach's
harpsichord concertos
have proven extremely
popular, though several
were originally written
as concertos for another
solo instrument â
either violin or a
woodwind instrument. But
we know nothing about any
such preliminary versions
in the case of the
A-major Concerto BWV
1055. Its enchantingly
songlike middle movement
inevitably makes one
think of the oboe
d�amore, though
there is in fact no
reason to suppose that
its idiomatic, spirited
harpsichord writing was
conceived from the outset
for anything but a
keyboard instrument.
Ultimately, this music is
so fresh and irresistible
that all such speculation
is irrelevant. For this
Henle Urtext edition of
the A-major Concerto, we
consulted the autograph
score and especially the
original orchestral parts
that presumably contain
the musical text of the
concerto as Bach himself
performed it. You
can�t get more
authentic than this! The
piano reduction contains
the solo part with
carefully chosen
fingerings by Michael
Schneidt, plus a piano
accompaniment that
Johannes Umbreit has
arranged so as to be
practical and easily
playable.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)