Hymn to the Spirit. (From Christus: A Cycle of Hymns for Choir and Viola). By John Ferguson. For SATB choir divisi, viola, clarinet. Pentecost. Moderately Difficult. Octavo. 12 pages. Published by MorningStar Music Publishers

By Bob Chilcott. For SATB choir (with divisions) and viola obbligato. This edition: BC111. Mixed Voices. Secular Choral Leaflet. Vocal (full) score and viola part. 16 pages. Duration 6'

Composed by Ralph Vaughan Williams (1872-1958). Edited by Julian Rushton. For SATB choir (wordless), viola solo, and orchestra (flute/piccolo, oboe, clarinet, bassoon, horn, trumpet, 2 percussion, celeste, strings). Level D (difficult). Viola Part. 16 pages. Duration 18 minutes. Published by Oxford University Press

By Hal H. Hopson. For organ or piano, optional violin, viola, or cello (SATB choir). Choral. Confirmation, Commitment/Discipleship, Lent, General. Moderately Easy. Octavo. 11 pages. Published by MorningStar Music Publishers

Composed by Ralph Vaughan Williams (1872-1958). Edited by Julian Rushton. For SATB choir (wordless), viola solo, and orchestra (flute/piccolo, oboe, clarinet, bassoon, horn, trumpet, 2 percussion, celeste, strings). Level D (difficult). Vocal score. 52 pages. Duration 18 minutes. Published by Oxford University Press

Arranged by Larry Shackley. For Clarinet. (SATB). Hymntune, Classics, Hymntune and Sacred. Print Music Single (SATB with optional Clarinet or Viola). 12 pages. Published by Hope Publishing Company.

(He Never Said a Mumbalin' Word). Composed by Robert Rhein. For SATB choir a cappella, soprano voice solo or Section, optional keyboard, viola. Catholic Year C Good Friday; Year C Good Friday. Good Friday, Lent, Holy Week/Three Days, Spiritual. Moderately Easy to Medium. Choral score. Published by MorningStar Music Publishers

SATB choir, hymnal style (viola/violin 3)

SKU: LP.OR-5012

This edition: Loose-Leaf. Songbook. Multicultural and Sacred. Part book. Published by Lillenas Publishing Company (LP.OR-5012).

UPC: 765762139305.

Excel lent for use as accompaniment to 100 contemporary and traditional choruses found in MASTER CHORUS BOOK II. Includes viola part (alto clef) and a substitute part for violin three. Useable with any combination of instruments or with any size of group,.

Composed by Raymond H Haan. For SATB choir, organ accompaniment, viola. OT 13 B. Sacred. Easy. Octavo. Text language: English. 8 pages. Published by GIA Publications

Composed by Glenn L. Rudolph. For SATB choir, Organ and English Horn or Viola. Medium. Octavo. Published by MorningStar Music Publishers

By Russell Schulz-Widmar. For SATB choir, organ accompaniment, clarinet or viola. Augsburg Choral Library. Sacred, Christmas. Octavo. 16 pages. Published by Augsburg Fortress

By Johann Schop. Edited by David W. Music. Arranged by Johann Sebastian Bach. For Voices: SATB. Instruments: String quartet (2 violins [or oboe] viola, cello/bass), B trumpet, continuo (instruments optional). Keyboard accompaniment. Ars Antiqua Choralis Series Sacred. Level: easy. 7 pages. Published by GIA Publications.

SATB choir & orchestra

SKU: GH.N05495

Composed by Gustaf Nordqvist. Viola part. With Language: Swedish. 4 pages. Published by Gehrmans Musikforlag (GH.N05495).

ISBN 9790070032193. A4 inches.

Mixed choir (SATB) and small orchestra (Viola) - intermediate

SKU: HL.49005297

Nach Spruchen aus 4 Jahrtausenden. Composed by Diether De La Motte. Sheet music. Edition Schott. Classical. Individual part. Composed 1961. 4 pages. Duration 21'. Schott Music #ED 4972-14. Published by Schott Music (HL.49005297).

ISBN 9790001056946.

STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo

SKU: CA.3101813

Cantata for Sexagesima. Leipzig version. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola 3. Sacred vocal music, Cantatas, Holy Week. Single Part, Viola 3. Composed 1715(?). BWV 18. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.018/13. Published by Carus Verlag (CA.3101813).

ISBN 9790007204860. Text language: German/English.

The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score and part available separately - see item CA.3101800.

STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo

SKU: CA.3101814

Cantata for Sexagesima. Leipzig version. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola 4. Sacred vocal music, Cantatas, Holy Week. Single Part, Viola 4. Composed 1715(?). BWV 18. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.018/14. Published by Carus Verlag (CA.3101814).

ISBN 9790007204877. Text language: German/English.

The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score and part available separately - see item CA.3101800.

STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo

SKU: CA.3101812

Cantata for Sexagesima. Leipzig version. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola 2. Sacred vocal music, Cantatas, Holy Week. Single Part, Viola 2. Composed 1715(?). BWV 18. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.018/12. Published by Carus Verlag (CA.3101812).

ISBN 9790007204853. Text language: German/English.

The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score and part available separately - see item CA.3101800.

STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo

SKU: CA.3101811

Cantata for Sexagesima. Leipzig version. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola 1. Sacred vocal music, Cantatas, Holy Week. Single Part, Viola 1. Composed 1715(?). BWV 18. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.018/11. Published by Carus Verlag (CA.3101811).

ISBN 9790007204846. Text language: German/English.

The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score and part available separately - see item CA.3101800.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117414

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Viola solo 1-3. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Viola solo 1-3. Composed 1729. BWV 174. 16 pages. Duration 23 minutes. Carus Verlag #CV 31.174/14. Published by Carus Verlag (CA.3117414).

ISBN 9790007209674. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117416

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Viola. Composed 1729. BWV 174. 4 pages. Duration 23 minutes. Carus Verlag #CV 31.174/16. Published by Carus Verlag (CA.3117416).

ISBN 9790007209698. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

SATB/SATB choir, 2 violins, 4 trombones (4 viola da gamba or 3 violas, cello or 2 violas, 2 violoncello), basso continuo

SKU: CA.4043714

Aus: Selva morale et spirituale. Composed by Claudio Monteverdi. Edited by David Blazey. Arranged by Paul Horn. German title: Magnificat A 8 Voci Con 6 Istromenti. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Viola 2. Composed 1640. SV. 2 pages. Duration 13 minutes. Carus Verlag #CV 40.437/14. Published by Carus Verlag (CA.4043714).

ISBN 9790007068257. Language: Latin.

Score available separately - see item CA.4043700.

SATB/SATB choir, 2 violins, 4 trombones (4 viola da gamba or 3 violas, cello or 2 violas, 2 violoncello), basso continuo

SKU: CA.4043715

Aus: Selva morale et spirituale. Composed by Claudio Monteverdi. Edited by David Blazey. Arranged by Paul Horn. German title: Magnificat A 8 Voci Con 6 Istromenti. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Viola 3. Composed 1640. SV. 2 pages. Duration 13 minutes. Carus Verlag #CV 40.437/15. Published by Carus Verlag (CA.4043715).

ISBN 9790007068264. Language: Latin.

Score available separately - see item CA.4043700.

SATB/SATB choir, 2 violins, 4 trombones (4 viola da gamba or 3 violas, cello or 2 violas, 2 violoncello), basso continuo

SKU: CA.4043713

Aus: Selva morale et spirituale. Composed by Claudio Monteverdi. Edited by David Blazey. Arranged by Paul Horn. German title: Magnificat A 8 Voci Con 6 Istromenti. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Viola 1. Composed 1640. SV. 2 pages. Duration 13 minutes. Carus Verlag #CV 40.437/13. Published by Carus Verlag (CA.4043713).

ISBN 9790007068240. Language: Latin.

Score available separately - see item CA.4043700.

SB vocal soli, SATB choir, violin, oboe, bassoon, recorder, 2 violas da gamba (viola), basso continuo

SKU: CA.3913913

Funeral music. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Viola da gamba 2. Sacred vocal music, Cantatas, Mourning, death. Single Part, Viola da gamba 2. TVWV 4:17. 12 pages. Duration 30 minutes. Carus Verlag #CV 39.139/13. Published by Carus Verlag (CA.3913913).

ISBN 9790007216184. Text language: German.

With the final verse of the Book of Daniel from the Old Testament and a related cantata text, Telemann mourns the death of a prominent, but until now unknown dignitary in a cantata marked by great intimacy and with exquisite instrumentation. Jakob Ditmar, the Kantor of the Nikolaikirche in Berlin, to whom we owe the survival of this work, contributed two beautiful chorale settings for a performance in 1757. First critical edition of this cantata. Score and part available separately - see item CA.3913900.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117409

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. 1x 31.174/21 violin/oboe 1, 1x 31.174/22 violin/oboe 2, 1x 31.174/23 taille, 2x 31.174/31 horns 1 and 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Set of Orchestra Parts. Composed 1729. BWV 174. Duration 23 minutes. Carus Verlag #CV 31.174/09. Published by Carus Verlag (CA.3117409).

ISBN 9790007209636. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and parts available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117419

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Set of Orchestra Parts. Composed 1729. BWV 174. Duration 23 minutes. Carus Verlag #CV 31.174/19. Published by Carus Verlag (CA.3117419).

ISBN 9790007187248. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and parts available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117449

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Organ. Composed 1729. BWV 174. 16 pages. Duration 23 minutes. Carus Verlag #CV 31.174/49. Published by Carus Verlag (CA.3117449).

ISBN 9790007209711. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117400

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Full score. Composed 1729. BWV 174. 68 pages. Duration 23 minutes. Carus Verlag #CV 31.174/00. Published by Carus Verlag (CA.3117400).

ISBN 9790007171643. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata.