SATB choir SKU: AU.9781451477986 Arranged by Daniel Schwandt / Joel Marti...(+)
SATB choir
SKU:
AU.9781451477986
Arranged by Daniel
Schwandt / Joel
Martinson. Liturgy Song.
Choral score. Published
by Augsburg Fortress
(AU.9781451477986).
Choir score to
the Festival Setting of
Holy Communion, Setting
Nine from Evangelical
Lutheran Worship. This
setting has been arranged
by Joel Martinson and
Daniel Schwandt.
By Johannes Brahms (1833-1897). Arranged by Victor H. Mattfeld. For SATB Choir (...(+)
By Johannes Brahms
(1833-1897). Arranged by
Victor H. Mattfeld. For
SATB Choir (Mixed
Voices). Marian Festival.
Choral. 4 pages.
Published by E.C.
Schirmer Publishing
(from Three Festival Choruses). By Gustav Holst (1874-1934). For SATB choir, con...(+)
(from Three Festival
Choruses). By Gustav
Holst (1874-1934). For
SATB choir, concert band
or orchestra. Christmas,
Choral. Choral score. 8
pages. Published by
Galaxy Music Corporation
choral score Christmas,
Choral
(A Festival of Passion Readings and Hymns). Composed by Michael Burkhardt. For S...(+)
(A Festival of Passion
Readings and Hymns).
Composed by Michael
Burkhardt. For SATB
choir, organ, handbells,
optional brass quartet,
cello/bass instrument,
Orff instruments, violin.
Holy Week/Three Days,
Lent. Optional full
score. Duration 50
minutes. Published by
MorningStar Music
Publishers
Composed by David L. Brunner. CME Intermediate Series. Concert, Festival. Octa...(+)
Composed by David L.
Brunner.
CME Intermediate Series.
Concert, Festival.
Octavo. 16
pages. Boosey and Hawkes
#M051485567. Published by
Boosey and Hawkes
(A Festival of Passion Readings and Hymns). Composed by Michael Burkhardt. For S...(+)
(A Festival of Passion
Readings and Hymns).
Composed by Michael
Burkhardt. For SATB
choir, organ, handbells,
optional brass quartet,
cello/bass instrument,
Orff instruments, violin.
Holy Week/Three Days,
Lent. Optional
Instrumental Parts.
Duration 50 minutes.
Published by MorningStar
Music Publishers
Festival Alleluia Chorale SATB SATB, Orgue MorningStar Music Publishers
By James Chepponis. For congregation, cantor, organ (SATB or instruments). Chora...(+)
By James Chepponis. For
congregation, cantor,
organ (SATB or
instruments). Choral
Music. Level:
Easy/Medium-Easy.
Published by MorningStar
Music Publishers.
Festival Version. Composed by Ron Kean. Arranged by Josef Mellan. Sheet music....(+)
Festival Version.
Composed by
Ron Kean. Arranged by
Josef
Mellan. Sheet music.
Pavane
Choral. Spiritual,
Sacred.
Octavo. 1624. 16 pages.
Pavane Publishing #P1624.
Published by Pavane
Publishing
Composed by Vijay Singh. National/Emerson Fred Bock. Festival, Concert. Octavo....(+)
Composed by Vijay Singh.
National/Emerson Fred
Bock. Festival, Concert.
Octavo. 8 pages. National
Music Publishers #NM1043.
Published by National
Music Publishers
(HL.232909).
Festival Edition. Composed by Samuel Ward. Arranged by Joseph M. Martin and Da...(+)
Festival Edition.
Composed by
Samuel Ward. Arranged by
Joseph M. Martin and
David
Angerman. Shawnee Sacred.
A
Cappella, Anthem,
Concert,
Patriotic, Sacred.
Octavo. 12
pages. Published by
Shawnee
Press
Composed by Allen Pote. Faithfulness, Festival, Anniversary, Commemoration, ...(+)
Composed by Allen Pote.
Faithfulness, Festival,
Anniversary,
Commemoration, Sacred,
Dedication, General
Worship. Octavo.
Published by Hope
Publishing Company
(HP.C5130).
SSATBB Chorus & Piano SKU: SU.80400530 For SSATBB Chorus & Piano. ...(+)
SSATBB Chorus & Piano
SKU: SU.80400530
For SSATBB Chorus &
Piano. Composed by
Stephen Paulus.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#80400530. Published by
Subito Music Corporation
(SU.80400530).
SSATBB Chorus &
Piano Duration:
3:00Dedication: For the
Maryland State Boy
choir's 2007 Festival of
Nine Lessons and Carols,
Frank T. Cimino, Artistic
Director, Stephen A.
Holmes, Music
DirectorPremiered by: the
Maryland State Boy
choir's 2007 Festival of
Nine Lessons and Carols,
Frank T. Cimino, Artistic
Director, Stephen A.
Holmes, Music
DirectorCopyright
2007Text author: William
Canton Published by:
Paulus Publications
(SP500) Minimum order
quantity: 8 copies. To
order quantities fewer
than 8.
Choral (SATBB) SKU: HL.115255 Composed by Francis Bellamy and Laurie Ange...(+)
Choral (SATBB)
SKU:
HL.115255
Composed by
Francis Bellamy and
Laurie Angela Hochman.
Edited by Judith Clurman.
Arranged by Larry
Hochman. Festival Choral.
American, Choir &
Orchestra, Concert,
Festival, Inspirational,
Patriotic. Octavo. 8
pages. Published by
Edward B. Marks Music
(HL.115255).
UPC:
884088879013. 6.75x10.5
inches.
From Judith
Clurman's Essential
Voices USA recording
Celebrating the
American Spirit, this
brilliant setting of the
Pledge of Allegiance will
bring pageantry and
artistry and a spirit of
celebration to concerts
and patriotic events
alike. Inspirational!
Instrumental
accompaniment score and
parts available as a
digital download (tpt,
hn, vn, va, vc).
Duration: ca. 2:00.
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir
SKU:
CF.CM9700
Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700).
ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk.
In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ.
Salvation Is Created Chorale SSATBB SSATBB A Cappella [Octavo] Alfred Publishing
By Paul Tschesnokoff. Edited by and arr. Donald Moore. For Choir. (SSATBB, a ca...(+)
By Paul Tschesnokoff.
Edited by and arr. Donald
Moore. For Choir.
(SSATBB, a cappella).
Choral Octavo. Belwin
Festival Series. Choral
Octavo. 8 pages.
Published by Alfred
Publishing.
Choral SATB choir, piano SKU: CF.CM9713 Composed by Jacob Narverud. 16 pa...(+)
Choral SATB choir, piano
SKU: CF.CM9713
Composed by Jacob
Narverud. 16 pages.
Duration 4:01. Carl
Fischer Music #CM9713.
Published by Carl Fischer
Music (CF.CM9713).
ISBN 9781491160084.
UPC: 680160918683. Key: G
major. English. Robert
Bode. Original.
The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering support.
Performance Notes This
lighthearted piece is a
great way to bring
multiple choirs together
in harmony. It may be
sung by a single SATB
choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs: Rehearsal Letters
A to B: Elementary choir
only (two-part, Soprano,
Alto) Rehearsal Letter B:
add Middle Level Soprano,
Alto with Elementary
choir Rehearsal Letter C:
Middle Level choir only
Rehearsal Letter D: High
School choir only
Rehearsal Letter E to the
end: Everyone! Song of
the Sound: Running on the
beach, digging in the
sand, Seaweed in my toes,
bucket in my hand. When
I'm at the shore, way
above the rest, These are
all the things that I
love the best. Skipping
like a stone on the
water, diving deep in the
silvery foam, Swimming
far where the land cannot
hold us, where the
lighthouse calls us home.
Flying free above the
marshes, soaring high
above the sea, Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing shore:
Where the gentle breezes
whisper and the mighty
breakers roar. We will
look to the shining
ocean, to the East, where
the new day dawned: We
will sing a song of the
edge of the world and the
waiting sky beyond. -Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019) About
the Composer: Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.com YouTube
& Spotify:
@jacobnarverud. The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering
support.Performance
NotesThis lighthearted
piece is a great way to
bring multiple choirs
together in harmony. It
may be sung by a single
SATB choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs:Rehearsal Letters
AÂ to B: Elementary
choir only (two-part,
Soprano, Alto)Rehearsal
Letter B: add Middle
Level Soprano, Alto with
Elementary choirRehearsal
Letter C: Middle
Level choir onlyRehearsal
Letter D: High School
choir onlyRehearsal
Letter E to the end:
Everyone!Song of the
Sound:Running on the
beach, digging in the
sand,Seaweed in my toes,
bucket in my hand.When
I'm at the shore, way
above the rest,These are
all the things that I
love the
best. Skipping like a
stone on the water,
diving deep in the
silvery foam,Swimming far
where the land cannot
hold us, where the
lighthouse calls us
home.Flying free above
the marshes, soaring high
above the sea,Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing
shore:Where the gentle
breezes whisper and the
mighty breakers roar.We
will look to the shining
ocean, to the East, where
the new day dawned:We
will sing a song of the
edge of the world and the
waiting sky beyond.-Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019)About
the Composer:Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.comÂ
YouTube & Spotify:
@jacobnarverud.
And Can It Be Chorale SATB SATB, Orgue Fred Bock Music Company
Choir, Organ Accompaniment (SATB Choir) SKU: HL.275001 Composed by Thomas...(+)
Choir, Organ
Accompaniment (SATB
Choir)
SKU:
HL.275001
Composed by
Thomas Campbell. Arranged
by Bruce Wilkin and Mark
Thallander. Fred Bock
Publications. Octavo. 12
pages. Fred Bock Music
Company #BG2655.
Published by Fred Bock
Music Company
(HL.275001).
UPC:
888680741495. 6.75x10.5
inches.
This
well-known hymn begins
simply with just violin,
but it expands and builds
into a full festival
anthem. Provided with
organ accompaniment,
befitting the arrangers'
gifts, a full score with
additional piano parts
and trumpet is available
separately. A center
section introduces a Bach
chorale, and then returns
even more majestically to
the hymn-tune, this time
with an invitation to the
entire congregation. Lent
and Easter season,
Communion, General, and
festival, all work for
this piece. Easy to
Medium in difficulty.
SATB Choir (Mixed choir) SKU: BA.BA06928 Choir Book for the Deutsche P...(+)
SATB Choir (Mixed choir)
SKU: BA.BA06928
Choir Book for the
Deutsche Pueri Cantores
Chorfestival in
Trier. Edited by
Bistum Trier and
Deutscher Chorverband
Pueri Cantores.
Paperback. Chorbuch zum
7. Deutschen Pueri
Cantores Chorfestival in
Trier. Choral score,
anthology. Baerenreiter
Verlag #BA06928_00.
Published by Baerenreiter
Verlag (BA.BA06928).
ISBN 9790006558780. 27
x 19 cm inches. Language:
German. Preface: Dr.
Stephan Ackermann /
Thomas Kiefer / Dr.
Marius Linnenborn /
Matthias
Balzer.
Chorbuch
zum 7. Deutschen Pueri
Cantores Chorfestival in
Trier.
Choral (SATB Choir) SKU: HL.8703436 Composed by John Purifoy. Festival Ch...(+)
Choral (SATB Choir)
SKU: HL.8703436
Composed by John Purifoy.
Festival Choral. Concert,
Contest, Festival,
Poetry. Octavo. 12 pages.
Published by Hal Leonard
(HL.8703436).
UPC:
884088648671. 6.75x10.5
inches.
Here is the
famous
“Daffodils”
text by William
Wordsworth in a sweeping
and romantic setting for
concert choirs, strophic
with a contrasting middle
section. An excellent
festival or contest
selection feature!
Available separately:
SATB, SAB, SSA. Duration:
ca. 3:20.
(Turtle Creek Series). By Samuel Ward and Katherine Lee Bates. Arranged by Marvi...(+)
(Turtle Creek Series). By
Samuel Ward and Katherine
Lee Bates. Arranged by
Marvin Gaspard. For
Choral (SATB). Shawnee
Press. Choral,
Contest/Festival Music,
Patriotic Songs. 12
pages. Shawnee Press
#A2139. Published by
Shawnee Press . Choral,
Contest/Festival Music,
Patriotic Songs.
SATB choir, organ or piano, optional full orchestra - Late Intermediate SKU: ...(+)
SATB choir, organ or
piano, optional full
orchestra - Late
Intermediate
SKU:
MN.CH-1090A
Composed
by Dale Jergenson.
Keynote Choral Festival
Series. 21st Century.
Choral score. Laurendale
Associates #CH-1090A.
Published by Laurendale
Associates (MN.CH-1090A).
Commissioned
for the 1994 Pacific
Choral Festival, and
finally premiered at the
Chicago Choral Festival
in 1998. Instrumentation
has been designed to be
compatible with that of
the Fauré requiem with
full strings. Reduced
instrumental ensemble
possible. Duration
8:00.