Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Basso continuo.
Sacred vocal music,
Cantatas, Whitsun, Praise
and thanks. Single Part,
basso continuo. Composed
1729. BWV 174. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.174/17. Published by
Carus Verlag
(CA.3117417).
ISBN
9790007209704. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Violoncello solo
1-3. Sacred vocal music,
Cantatas, Whitsun, Praise
and thanks. Single Part,
Cello 1-3. Composed 1729.
BWV 174. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.174/15. Published by
Carus Verlag
(CA.3117415).
ISBN
9790007209681. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun,
Praise and thanks. Vocal
score. Composed 1729. BWV
174. 28 pages. Duration
23 minutes. Carus Verlag
#CV 31.174/03. Published
by Carus Verlag
(CA.3117403).
ISBN
9790007183554. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score available
separately - see item
CA.3117400.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Violin solo 2.
Sacred vocal music,
Cantatas, Whitsun, Praise
and thanks. Single Part,
Violin Solo 2. Composed
1729. BWV 174. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.174/12. Published by
Carus Verlag
(CA.3117412).
ISBN
9790007209650. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun,
Praise and thanks. Choral
Score. Composed 1729. BWV
174. 2 pages. Duration 23
minutes. Carus Verlag #CV
31.174/05. Published by
Carus Verlag
(CA.3117405).
ISBN
9790007186111. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score available
separately - see item
CA.3117400.
Funeral
music. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Viola da
gamba 1. Sacred vocal
music, Cantatas,
Mourning, death. Single
Part, Viola da gamba 1.
TVWV 4:17. 12 pages.
Duration 30 minutes.
Carus Verlag #CV
39.139/12. Published by
Carus Verlag
(CA.3913912).
ISBN
9790007216177. Text
language:
German.
With the
final verse of the Book
of Daniel from the Old
Testament and a related
cantata text, Telemann
mourns the death of a
prominent, but until now
unknown dignitary in a
cantata marked by great
intimacy and with
exquisite
instrumentation. Jakob
Ditmar, the Kantor of the
Nikolaikirche in Berlin,
to whom we owe the
survival of this work,
contributed two beautiful
chorale settings for a
performance in 1757.
First critical edition of
this cantata. Score and
part available separately
- see item
CA.3913900.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Violin solo 1.
Sacred vocal music,
Cantatas, Whitsun, Praise
and thanks. Single Part,
Violin Solo 1. Composed
1729. BWV 174. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.174/11. Published by
Carus Verlag
(CA.3117411).
ISBN
9790007209643. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Violin solo 2.
Sacred vocal music,
Cantatas, Whitsun, Praise
and thanks. Single Part,
Violin solo 3. Composed
1729. BWV 174. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.174/13. Published by
Carus Verlag
(CA.3117413).
ISBN
9790007209667. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400.
Aus: Selva morale et spirituale. By Claudio Monteverdi. Edited by Blazey, David....(+)
Aus: Selva morale et
spirituale. By Claudio
Monteverdi. Edited by
Blazey, David. Arranged
by Paul Horn. For
SATB/SATB Choir, 2
Violins, 4 Trombones (4
Viola da Gamba or 3
Violas, Cello or 2
Violas, 2 Violoncello),
Basso continuo. Full
score available
separately - see item
CA.4043700. Magnificat;
Occasions: Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Morning,
Midday, Evening; Use
during church year:
Christmas. Choral score.
Language: Latin. Composed
1640. 20 pages. Duration
13 min. Published by
Carus Verlag (German
import).
Aus: Selva morale et spirituale. By Claudio Monteverdi. Edited by Blazey, David....(+)
Aus: Selva morale et
spirituale. By Claudio
Monteverdi. Edited by
Blazey, David. Arranged
by Paul Horn. For
SATB/SATB Choir, 2
Violins, 4 Trombones (4
Viola da Gamba or 3
Violas, Cello or 2
Violas, 2 Violoncello),
Basso continuo.
Magnificat; Occasions:
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary, Morning, Midday,
Evening; Use during
church year: Christmas.
Score. Language: Latin.
Composed 1640. 56 pages.
Duration 13 min.
Published by Carus Verlag
(German import).
Aus: Selva morale et spirituale. By Claudio Monteverdi. Edited by Blazey, David....(+)
Aus: Selva morale et
spirituale. By Claudio
Monteverdi. Edited by
Blazey, David. Arranged
by Paul Horn. For
SATB/SATB Choir, 2
Violins, 4 Trombones (4
Viola da Gamba or 3
Violas, Cello or 2
Violas, 2 Violoncello),
Basso continuo. Full
score available
separately - see item
CA.4043700. Magnificat;
Occasions: Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Morning,
Midday, Evening; Use
during church year:
Christmas. Part:
Violoncello. Language:
Latin. Composed 1640. 2
pages. Duration 13 min.
Published by Carus Verlag
(German import).
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext. 1x
31.018/21 flute 1, 1x
31.018/22 flute 2, 1x
31.018/23 bassoon.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Holy
Week. Set of Orchestra
Parts. Composed 1715(?).
BWV 18. Duration 21
minutes. Carus Verlag #CV
31.018/09. Published by
Carus Verlag
(CA.3101809).
ISBN
9790007204839. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and parts
available separately -
see item CA.3101800.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Holy Week. Single Part,
Organ. Composed 1715(?).
BWV 18. 12 pages.
Duration 21 minutes.
Carus Verlag #CV
31.018/49. Published by
Carus Verlag
(CA.3101849).
ISBN
9790007204907. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and part
available separately -
see item CA.3101800.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Holy
Week. Study score.
Composed 1715(?). BWV 18.
32 pages. Duration 21
minutes. Carus Verlag #CV
31.018/07. Published by
Carus Verlag
(CA.3101807).
ISBN
9790007165680. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score available
separately - see item
CA.3101800.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Holy Week.
Single Part, Cello/Double
Bass. Composed 1715(?).
BWV 18. 8 pages. Duration
21 minutes. Carus Verlag
#CV 31.018/15. Published
by Carus Verlag
(CA.3101815).
ISBN
9790007204884. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and part
available separately -
see item CA.3101800.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Holy
Week. Full score.
Composed 1715(?). BWV 18.
32 pages. Duration 21
minutes. Carus Verlag #CV
31.018/00. Published by
Carus Verlag
(CA.3101800).
ISBN
9790007143190. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Holy Week. Set of
Orchestra Parts. Composed
1715(?). BWV 18. Duration
21 minutes. Carus Verlag
#CV 31.018/19. Published
by Carus Verlag
(CA.3101819).
ISBN
9790007204891. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and parts
available separately -
see item CA.3101800.
By Dietrich Buxtehude (1637-1707). Edited by Friedrich Ehrlinger. For SSATB Choi...(+)
By Dietrich Buxtehude
(1637-1707). Edited by
Friedrich Ehrlinger. For
SSATB Choir, 2 Trumpets,
2 Violins, 2 Violas,
Cello, Basso continuo (3
Violins, Viola). This
edition: Paperbound.
C-Dur (C major).
Stuttgart Urtext
editions. Cantatas. Full
score. Language: Latin.
BuxWV 43. 16 pages.
Published by Carus Verlag
SATB/SATB choir, 2 violins, 4 trombones (4 viola da gamba or 3 violas, cello or ...(+)
SATB/SATB choir, 2
violins, 4 trombones (4
viola da gamba or 3
violas, cello or 2
violas, 2 violoncello),
basso continuo
SKU:
CA.4043717
Aus:
Selva morale et
spirituale. Composed
by Claudio Monteverdi.
Edited by David Blazey.
Arranged by Paul Horn.
German title: Magnificat
A 8 Voci Con 6
Istromenti. Sacred vocal
music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Single Part, basso
continuo. Composed 1640.
SV. 4 pages. Duration 13
minutes. Carus Verlag #CV
40.437/17. Published by
Carus Verlag
(CA.4043717).
SATB/SATB choir, 2 violins, 4 trombones (4 viola da gamba or 3 violas, cello or ...(+)
SATB/SATB choir, 2
violins, 4 trombones (4
viola da gamba or 3
violas, cello or 2
violas, 2 violoncello),
basso continuo
SKU:
CA.4043711
Aus:
Selva morale et
spirituale. Composed
by Claudio Monteverdi.
Edited by David Blazey.
Arranged by Paul Horn.
German title: Magnificat
A 8 Voci Con 6
Istromenti. Sacred vocal
music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Single Part,
Violin 1. Composed 1640.
SV. 2 pages. Duration 13
minutes. Carus Verlag #CV
40.437/11. Published by
Carus Verlag
(CA.4043711).
SATB/SATB choir, 2 violins, 4 trombones (4 viola da gamba or 3 violas, cello or ...(+)
SATB/SATB choir, 2
violins, 4 trombones (4
viola da gamba or 3
violas, cello or 2
violas, 2 violoncello),
basso continuo
SKU:
CA.4043709
Aus:
Selva morale et
spirituale. Composed
by Claudio Monteverdi.
Edited by David Blazey.
Arranged by Paul Horn. 1x
40.437/31 trombone 1, 1x
40.437/32 trombone 2, 1x
40.437/33 trombone 3, 1x
40.437/34 trombone 4.
German title: Magnificat
A 8 Voci Con 6
Istromenti. Sacred vocal
music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Set of Orchestra
Parts. Composed 1640. SV.
8 pages. Duration 13
minutes. Carus Verlag #CV
40.437/09. Published by
Carus Verlag
(CA.4043709).
SATB/SATB choir, 2 violins, 4 trombones (4 viola da gamba or 3 violas, cello or ...(+)
SATB/SATB choir, 2
violins, 4 trombones (4
viola da gamba or 3
violas, cello or 2
violas, 2 violoncello),
basso continuo
SKU:
CA.4043712
Aus:
Selva morale et
spirituale. Composed
by Claudio Monteverdi.
Edited by David Blazey.
Arranged by Paul Horn.
German title: Magnificat
A 8 Voci Con 6
Istromenti. Sacred vocal
music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Single Part,
Violin 2. Composed 1640.
SV. 2 pages. Duration 13
minutes. Carus Verlag #CV
40.437/12. Published by
Carus Verlag
(CA.4043712).
SATB/SATB choir, 2 violins, 4 trombones (4 viola da gamba or 3 violas, cello or ...(+)
SATB/SATB choir, 2
violins, 4 trombones (4
viola da gamba or 3
violas, cello or 2
violas, 2 violoncello),
basso continuo
SKU:
CA.4043733
Aus:
Selva morale et
spirituale. Composed
by Claudio Monteverdi.
Edited by David Blazey.
Arranged by Paul Horn.
German title: Magnificat
A 8 Voci Con 6
Istromenti. Sacred vocal
music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Single Part,
Trombone 3. Composed
1640. SV. 2 pages.
Duration 13 minutes.
Carus Verlag #CV
40.437/33. Published by
Carus Verlag
(CA.4043733).
SATB/SATB choir, 2 violins, 4 trombones (4 viola da gamba or 3 violas, cello or ...(+)
SATB/SATB choir, 2
violins, 4 trombones (4
viola da gamba or 3
violas, cello or 2
violas, 2 violoncello),
basso continuo
SKU:
CA.4043731
Aus:
Selva morale et
spirituale. Composed
by Claudio Monteverdi.
Edited by David Blazey.
Arranged by Paul Horn.
German title: Magnificat
A 8 Voci Con 6
Istromenti. Sacred vocal
music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Single Part,
Trombone 1. Composed
1640. SV. 2 pages.
Duration 13 minutes.
Carus Verlag #CV
40.437/31. Published by
Carus Verlag
(CA.4043731).
SATB/SATB choir, 2 violins, 4 trombones (4 viola da gamba or 3 violas, cello or ...(+)
SATB/SATB choir, 2
violins, 4 trombones (4
viola da gamba or 3
violas, cello or 2
violas, 2 violoncello),
basso continuo
SKU:
CA.4043734
Aus:
Selva morale et
spirituale. Composed
by Claudio Monteverdi.
Edited by David Blazey.
Arranged by Paul Horn.
German title: Magnificat
A 8 Voci Con 6
Istromenti. Sacred vocal
music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Single Part,
Trombone 4. Composed
1640. SV. 2 pages.
Duration 13 minutes.
Carus Verlag #CV
40.437/34. Published by
Carus Verlag
(CA.4043734).
SATB/SATB choir, 2 violins, 4 trombones (4 viola da gamba or 3 violas, cello or ...(+)
SATB/SATB choir, 2
violins, 4 trombones (4
viola da gamba or 3
violas, cello or 2
violas, 2 violoncello),
basso continuo
SKU:
CA.4043732
Aus:
Selva morale et
spirituale. Composed
by Claudio Monteverdi.
Edited by David Blazey.
Arranged by Paul Horn.
German title: Magnificat
A 8 Voci Con 6
Istromenti. Sacred vocal
music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Single Part,
Trombone 2. Composed
1640. SV. 2 pages.
Duration 13 minutes.
Carus Verlag #CV
40.437/32. Published by
Carus Verlag
(CA.4043732).
Chorale cantata.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Oswald Bill.
This edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. German
title: O Haupt voll Blut.
Innovative practice aids,
Sacred vocal music,
Cantatas, Lent and
Passiontide, Holy Week,
Eucharist, Communion.
Single Part, Viola 2.
Composed 1830. MWV. 8
pages. Duration 12
minutes. Carus Verlag #CV
40.186/14. Published by
Carus Verlag
(CA.4018614).
ISBN
9790007064402. Language:
German/English. Text:
Gerhardt, Paul. Text:
Paul
Gerhardt.
During
Mendelssohns years of
study with Zelter, the
arrangement of chorales
already played an
important role, and he
continued to be occupied
with the protestant
chorale throughout his
symphonic and oratorical
work. The break Bach's
works in connection with
the reperformance of the
St. Matthew Passion led
to a series of cantatas
based on well-known
chorale melodies for
choir, instruments, and
sometimes also for
soloists. Score and part
available separately -
see item CA.4018600.