Arrangement: Harris Richard. Par HARRIS RICHARD. Play Hollywood features 10 all-time great film themes from across the decades, from the classic Chariots Of Fire and Superman to action-packed Star Wars, James Bond and Lord Of The Rings, selected arranged by Richard Harris for the intermediate (Grade 3-5) clarinet player, with fun backing tracks to play along with. In addition, the accompaniment CD is 'enhanced', and includes a PDF of piano accompaniments to download./ Recueil / Clarinette et Piano

Arr. James Marshall. Par . This set of 10 intermediate-level arrangements was derived from songs from the Colonial through Civil War periods. In these pieces, the hauntingly lyrical tone of the clarinet combined with piano accompaniment creates a unique musical setting. The songs were drawn from the works of Stephen Foster, Sacred Harp shape-note themes, 19th-century folk songs as well as colonial fife and drum music. The arrangements explore the low melodious register of the clarinet through the lyrical mid tones and into the singing moderate-upper register. / Date parution : 2022-04-09/ Recueil / Clarinette et Piano

La référence GB4439 de l'éditeur Billaudot dont l'auteur célèbre est Manouvrier Albert, qui a pour titre ANDANTE ET THEME VARIE, a été écrite et composée pour Clarinette et plus particulièrement pour Clarinette Et Piano. Cette partition musicale appartient à la catégorie Classique. / Clarinette Et Piano / Partition

La référence GB5737 de l'éditeur Billaudot dont l'auteur célèbre est Girard Anthony, qui a pour titre VARIATIONS SUR UN THEME DE VALERY ARZOUMANOV, a été écrite et composée pour Clarinette et plus particulièrement pour Clarinette Et Piano. Cette partition musicale appartient à la catégorie Classique. / Clarinette Et Piano / Partition

Par DAVIS CARL. This is a straight forward arrangement for clarinet and piano of the popular theme tune from Pride and Prejudice written by Carl Davis. The tune has been made famous by the BBC's film of the novel by Jane Austen. The piece is perfect for the end of term concert and students will love to play it as much as audiences love to hear it. / Niveau : Assez Facile / Feuillet / Clarinette et Piano

Par XIAO XINZHOU. Duet for Clarinet and Piano 'Subconscioius light' by XIAO Xinzhou. From the composer: 'The word 'subconscious' came from the book 'The Aesthetic Unconsciousness' by Jacques Rancière. The 'light' of this piece comes from an accidental feeling that I try to grasp but is elusive... It seems that neither 'subconscious' nor 'light' can directly feel its concrete existence in music, and the connection between them seems indistinctive or ambiguous. To express the feeling of the relationship between these two concepts in my mind, I used my work to compose a world, deconstructed, extracted and reconstructed the integer multiple harmonics of note D in the writing process, therefore, condensing them into the pitch material of this piece and cast them on the dynamic textures. These textures take a large portion of the whole music, constantly evolving under control, which can be viewed as the intention of grasping something. Simultaneously, I arranged some appearance of harmonic series prototypes to symbolise the light I long to see.' / Date parution : 2022-11-29/ Répertoire / Clarinette et Piano

Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes, there are five pieces in the set, each dedicated to a different composer and a different clarinettist (with whom Gregson had long musical associations). Each of the dedicatee composers wrote wonderfully for the Clarinet and, as a tribute to them, Gregson tried to invade, indeed imitate, their stylistic worlds in these pieces. They are as follows: To Francis Poulenc (for Emma Johnson) - a rather dreamy toccata, lyrical in feel, but interrupted by typically quirky and disruptive rhythmic episodes. To Gerald Finzi (for John Bradbury) - slow and lyrical with long melodic arches. To Igor Stravinsky (for Linda Merrick) - asymmetric rhythms dominate, with wide leaps in the solo line and bitonal harmony on the Piano. To Olivier Messiaen (for Nicholas Cox) - based on the ravishing slow movement for Cello in his Quartet for the End of Time, a seamless melody is woven around ever-changing repeated chords on the Piano. To Béla Bartók (for Michael Collins) - the most virtuoso of the set - after a slow introduction, a swirling folk-like dance unfolds, mirroring Bartok's penchant for simple modal shapes and ostinati rhythms. / Clarinette Et Piano

The Most Beautiful Meldoies In Easy To Intermediate-Level Arrangements. Par BRAHMS JOHANNES. James Rae has selected a variety of pieces from Brahms's orchestral and song repertoire and transcribed them for clarinettists in their earlier years of tuition through to more advanced levels. From Cradle Song through to Hungarian Dance No. 5, this album will be a treasure trove for developing players. - Arrangements for clarinet and piano of some of Brahms's most beautiful melodies - The pieces are of moderate length and suitable for players at elementary to more advanced levels - Ideal performance pieces and for extending the repertoire / Niveau : Facile / Répertoire / Clarinette et Piano

Par GADE JACOB. Jalousie is a tango written by Danish composer Jacob Gade in 1925, originally scored for full orchestra. It soon became popular around the world and is today a classic in the modern repertoire, including many arrangements for various instruments and ensembles. This publication is the first for clarinet and piano, arranged by Paula Corley, former Pedagogy Chair for the International Clarinet Association, with piano accompaniment edited by Stephanie Bruning. The work consists of two themes the first a temperamental theme in D minor, followed by a lyrical section in D major, both with a typical tango rhythm. It became Gade\'s most popular and successful work, enjoying numerous radio broadcasts and recordings. The work was premiered as accompaniment for the Danish screening of the silent film, Don Q, Son of Zorro on September 14, 1925 under the baton of the composer. / Date parution : 2022-09-20/ Répertoire / Clarinette et Piano

über ein Thema aus der Oper 'Silvana'. Par WEBER CARL MARIA VON. Carl Maria Von Weber's Variatonen Op. 33 Ber Ein Thema Aus Silvana for Clarinet and Piano./ Répertoire / Clarinette et Piano

Brahms had already announced his ?retirement? from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the sonatas op. 120 were first published in June of 1895. They remain pivotal works in the clarinet?s recital repertoire establishing the clarinet sonata as a distinct and viable chamber music genre. An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, clarinet vibrato and portamento, the editors provide an indispensable assistance for a historically informed interpretation of the work. At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general. - A pioneering Urtext edition - With an extensive Performance Practice Commentary - For further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music?, BA 9600

Carl Maria Von Weber's Variatonen Op.33 Ber Ein Thema Aus Silvana for Clarinet and Piano. / Clarinette / Robert Lienau Musikverlag

In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? and Orchestra K.622, known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler, and themusic follows the three-part structure of Allegro, Adagio and a Rondo finale.This work was first published in 1801 and by no less than three publishers. It is one of the most important works in the Clarinet repertoire,and remains a popular work to the present date. / Clarinette / Barenreiter