Composed by Charles Dieupart (1667-1740). Edited by Andrew Wooley. For Harpsicho...(+)
Composed by Charles
Dieupart (1667-1740).
Edited by Andrew Wooley.
For Harpsichord. Playing
score. 30(xv) pages.
Published by Edition HH
Music Publishers
Sonatas for Harpsichord. Composed by Domenico Scarlatti (1685-1757). Edit...(+)
Sonatas for
Harpsichord. Composed
by Domenico Scarlatti
(1685-1757). Edited by
Emilia Fadini and Marco
Moiraghi. Piano.
Softcover. 296 pages.
Ricordi #ER2757.
Published by Ricordi
(HL.50600627).
Composed by Lennox Berkeley (1903-1989). Edited by Christopher D. Lewis. Music S...(+)
Composed by Lennox
Berkeley (1903-1989).
Edited by Christopher D.
Lewis. Music Sales
America. Classical.
Softcover. 16 pages.
Chester Music #CH84810.
Published by Chester
Music (HL.14048181).
Piano or Harpsichord SKU: BT.EMBZ20018 France 1. By Szilvia Elek_A...(+)
Piano or Harpsichord
SKU: BT.EMBZ20018
France 1. By
Szilvia Elek_Anikó
Horváth. By Szilvia
Elek. Classical. Book
Only. Composed 2020. 108
pages. Editio Musica
Budapest #EMBZ20018.
Published by Editio
Musica Budapest
(BT.EMBZ20018).
Hungarian-English-Germ
an-French.
This
brand-new series is
intended as a guide to
the keyboard music of the
16th to 19th centuries
for pupils of the piano
and the harpsichord, as
well as of other early
keyboard instruments.
Each volume contains
pieces by well-known and
lesser-known composers
from one country or
region. The main purpose
of the series is to
extend the repertoire and
stylistic knowledge of
both pianists and
harpsichordists while
also presenting fine
pieces and typical genres
based on original
sources. Our edition
retains the performance
indications of the
composers' manuscripts
and contemporary
editions. Each volume
includes:- suggestions
for stylistically
appropriate performance
bothon the piano and on
period instruments-
suggested elaborated
versions of some pieces
and excerpts- a fold-out
list of ornamentation
signs and the composers'
own tables of
ornamentation signs-
biographies of the
composers and the sources
of the pieces-
translations of
foreign-language
performance indications.
The two volumes devoted
to French keyboard music
includes close to 50
showy and relatively easy
works - preludes, dances,
suites, rondeaux, and
character pieces - from
the early 16th until the
late 18th century
(ordered
chronologically).This
publication is printed on
high-quality,
age-resistant paper that
is produced in an
environmentally-friendly,
climate-neutral manner
using renewable raw
materials.
Una nuova collana
ideata per offrire una
guida alla scoperta della
musica per pianoforte e
clavicembalo dal
sedicesimo al
diciannovesimo secolo.
Ogni volume include brani
di compositori di una
specifica nazione o area
geografica. L'intento
è amplicare la
conoscenza e il
repertorio di ogni
musicista. Inoltre in
ogni edizione sono
riportati fedelmente i
suggerimenti per
l'interpretazione e le
indicazioni presenti sui
manoscritti originali. I
due volumi dedicati alla
musica francese includono
circa 50 brani
significativi - preludi,
danze, suites, rondò e
altri - che risalgono
all'inizio del sedicesimo
secolo fino alla fine del
diciottesimo secolo,
rigorosamente inordine
cronologico.
Harpsichord SKU: BT.ALHE33874 Composed by Richard Siegel. Book with Onlin...(+)
Harpsichord
SKU:
BT.ALHE33874
Composed
by Richard Siegel. Book
with Online Audio. 60
pages. Heugel & Cie
#ALHE33874. Published by
Heugel & Cie
(BT.ALHE33874).
French.
Richard
Siegel won prizes for the
Harpsichord and Chamber
Music at the Paris
Conservatoire before
going on the win first
prize in the 1977
International Harpsichord
Competition. He has since
recorded over 30 CDs and
his passionfor the
instrument has been
further apparent in his
production of Apprendre
Toucher le Clavecin. As
stated in the preface,
the study of the
Harpsichord has long been
reserved, frequently
dismissed as an
'old-fashioned'instrument
. However, a recent rise
in the popularity of
early music has rekindled
interest in the
Harpsichord. In Apprendre
Toucher le Clavecin,
volume 1 being the first
of two helpful volumes to
aid student's learning
andprogression, Siegel
enables Harpsichord
beginners to learn
through repertoire pieces
themselves, drawn from
the Keyboard masters of
the Baroque period. The
pupil will be guided
towards an understanding
of technique and
stylesuited to the
Harpsichord. Furthermore,
Apprendre Toucher le
Clavecin, which is
accompanied by a CD,
enables adults who learnt
the instrument as a child
to return to the
instrument and have the
instant feeling of making
music.
Harpsichord SKU: HL.48188975 Composed by Richard Siegel. Leduc. Softcover...(+)
Harpsichord
SKU:
HL.48188975
Composed
by Richard Siegel. Leduc.
Softcover. 64 pages.
Heugel and Cie #HE33876.
Published by Heugel and
Cie (HL.48188975).
UPC: 888680948825.
9x12 inches.
French.
?Richard
Siegel won prizes for the
Harpsichord and Chamber
Music at the Paris
Conservatoire before
going on the win first
prize in the 1977
International Harpsichord
Competition. He has since
recorded over 30 CDs and
his passion for the
instrument has been
apparent further in his
production of Learn to
Play the Harpsichord. As
stated in the preface,
the study of the
Harpsichord has long been
reserved, frequently
dismissed as an
'old-fashioned'
instrument. However, a
recent rise in the
popularity of early music
has rekindled interest in
it. In Learn to Play the
Harpsichord Volume 2
being the second of two
helpful volumes to aid
student's learning and
progression, Siegel
enables Harpsichord
beginners to learn
through repertoire pieces
themselves, drawn from
the Keyboard masters of
the Baroque period. The
pupil will be guided
towards an understanding
of technique and style
suited to the
Harpsichord. Furthermore,
Learn to Play the
Harpsichord enables
adults who learnt the
instrument as a child to
return to the instrument
and have the instant
feeling of ??music
making??. andrdquo.
Harpsichord SKU: OT.21125 Composed by Daniel Akiva. 5 short pieces for ha...(+)
Harpsichord
SKU:
OT.21125
Composed by
Daniel Akiva. 5 short
pieces for
harpsichord/cembalo.
Classical. Score. OR-TAV
Music Publications
#21125. Published by
OR-TAV Music Publications
(OT.21125).
ISBN
9789655051117. 8.27 x
11.69 inches.
The
five short movements for
solo cembalo are brief,
personal prayers that
depict how the subject
manages a range of
feelings and emotions.
The miniatures each
represent a different
emotional state:
reflection, searching,
meditation, agitation,
and resolution. Each is a
small-scale
representation of a
grand, wide-ranging
prayer of
supplication. As a
composer, performer, and
researcher of early
music, writing for
cembalo allows me not
only to express my
special connection to the
instrument and the period
in which it flourished,
but also to present its
contemporary dimensions
as a rich and versatile
instrument. The
piece was composed at the
request of Hagai Yodan,
who performs it with
great skill. Daniel
Akiva is a composer,
performer, and educator
whose performances on
guitar and lute have won
great acclaim. Mr. Akiva
graduated from the Rubin
Academy of Music in
Jerusalem in 1981, where
he studied classical
guitar with Haim Asulin
and composition with Haim
Alexander. In 1987 he
completed his studies at
the Geneva Conservatorium
in Switzerland where he
studied lute with
Jonathon Rubin and
composition with Jean
Ballisa. For many years,
he headed the Music
Department at the WIZO
High School for the Arts
in Haifa, which he
founded in 1986, and
served as the Artistic
Director of the Guitar
Gems Festival from
2006-2019. As part of his
work at WIZO High School,
he has developed a method
for teaching free
improvisation that has
been incorporated into
the music program at the
school. Mr. Akiva has
appeared in concert as a
guitarist and lutist and
given master classes in
Israel, Europe, Russia,
the United States, and
Latin America. Daniel
Akiva’s
compositional output
includes works for solo
instruments, chamber
ensembles, choir, voice
and guitar, piano, and
chamber orchestra. His
works have been recorded
on twelve CDs, the latest
of which, Malchut, was
issued by OR-TAV in
2014. A native of
Haifa whose family has
lived in Israel for over
five hundred years, he
was steeped in the
Sephardic
(Jewish-Spanish)
tradition from his youth.
Much of his compositional
output has been devoted
to a dialogue with the
music of the Sephardic
Jews. Daniel Akiva has
also maintained a
creative dialogue over
many years with the poets
and writers Amnon
Shamash, Rivka Miriam,
and Avner Peretz.
Harpsichord SKU: FZ.5834 Serie I - France 1600-1800. Edited by Phi...(+)
Harpsichord
SKU:
FZ.5834
Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5834).
ISBN
9790230658348. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
Anonyme - Jean-Henry
d'ANGLEBERT - Francois
COUPERIN (1-2) -
Jean-Joseph Cassanea de
MONDONVILLE - Michel
CORRETTE (1) - Jacques
Champion de CHAMBONNIERES
- Francois DAGINCOURT -
Jean-Francois DANDRIEU -
Louis Claude DAQUIN -
Jean II DENIS - Francois
DIEUPART - Louis-Antoine
DORNEL - Antoine
FORQUERAY - Antoine
FURETIERE - Charles
Alexandre JOLLAGE -
Nicolas-Antoine LEBEGUE -
Jean Leonor LE GALLOIS -
Gaspard LE ROUX - Marin
MERSENNE - Jean-Philippe
RAMEAU (1-2-3) - Pancrace
ROYER - Michel de SAINT
LAMBERT - Charles Joseph
VAN HELMONT. Table of
contents: Mersenne Marin:
Harmonie universelle -
1636. Denis Jean II:
Traite de l'accord de
l'espinette - 1650.
Chambonnieres Jacques
Champion de: Les pieces
de clavessin - 1670.
Anonyme: Tablature pour
le clavecin - s. d.
Lebegue Nicolas-Antoine:
Les pieces de clavessin -
1677. Le Gallois Jean
Leonor: Lettre de Mr Le
Gallois - 1680. Anglebert
Jean-Henry d': Pieces de
clavecin - 1689.
Furetiere Antoine:
Dictionnaire universel -
1690. Dieupart Francois:
Six suittes de clavessin
- 1701. Saint-Lambert
Michel de: Les principes
du clavecin - 1702. Le
Roux Gaspard: Pieces de
clavessin - 1705.
Couperin Francois: Pieces
de clavecin - 1713.
Couperin Francois: L'art
de toucher le clavecin -
1717. Rameau
Jean-Philippe: Pieces de
clavecin - 1724. Dandrieu
Jean-Francois: Livre de
pieces de clavecin -
1724. Rameau
Jean-Philippe: Nouvelles
suites de pieces de
clavecin - 1728. Dornel
Louis Antoine: Pieces de
clavecin - 1731.
Dagincourt Francois:
Pieces de clavecin -
1733. Corrette Michel:
Premier livre de pieces
de clavecin - 1734.
Daquin Louis Claude: 1er
livre de pieces de
clavecin - 1735. Rameau
Jean-Philippe: Pieces de
clavecin - 1736. Van
Helmont Charles Joseph:
Pieces de clavecin -
1737. Jollage Charles
Alexandre: Premier livre
de pieces de clavecin -
1738. Royer Pancrace:
Pieces de clavecin -
1737. Forqueray Antoine:
Pieces de viole (. . . )
mises en pieces de
clavecin - 1747.
Mondonville Jean-Joseph
Cassanea de: Pieces de
clavecin avec voix ou
violon - 1748. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from:-
Inguimbertine Library of
Carpentras (France). -
Municipal Library of Lyon
(France). - National
Library of Paris
(France). - Sainte
Genevieve Library of
Paris (France). - British
Library of London
(England). - Municipal
Library of Grenoble
(France). - Municipal
Library of Bordeaux
(France). - Gemmente
Museum of The Hague
(Netherlands). - In
Private collection. Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the harpsichord.
ISBN 9790006505623. 31
x 24.3 cm inches.
Preface: Denis
Herlin.
‘Once
again the French
musicologist Denis
Herlin, who mastered the
harpsichord under the
tutelage of such keyboard
legends as Kenneth
Gilbert and Huguette
Dreyfus, has presented an
exemplary edition of a
classic from the
harpsichord
repertoire.’ (Jury
of the German Music
Edition Prize on BA
10844)
Bärenrei
ter presents Book II of
Couperin’s
“Pièces de
clavecinâ€, first
published in 1717, In
addition the eight
preludes and one
allemande from his
treatise
“L’Art de
toucher le
clavecin†are
included in the appendix.
For the first time Denis
Herlin has evaluated the
many later impressions of
the original print, most
of which he unearthed
himself in international
libraries. By preserving
the essential features of
the original print while
largely dispensing with
disruptive page-turns
within the pieces, the
volume brings modern
performers close to the
special sound of this
music. Rounding off this
pioneering new edition
are an extensive
Foreword, notes on
historical performance
practice, a comprehensive
glossary, facsimile pages
and a detailed Critical
Commentary.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Harpsichord SKU: HL.48188858 Composed by Louis Couperin. Leduc. Softcover...(+)
Harpsichord
SKU:
HL.48188858
Composed
by Louis Couperin. Leduc.
Softcover. 172 pages.
Heugel & Cie #HE33691.
Published by Heugel & Cie
(HL.48188858).
UPC:
840126994933.
9.0x12.0x0.306 inches.
French.
The
complete Harpsichord work
- Volume 2 by Louis
Couperin is the second of
a series of volumes with
suites for Harpsichord.
Composed in a Baroque
style, the whole series
features 133 pieces for
advanced players. Louis
Couperin (1626-1661) was
a French composer and
performer, who created
many pieces for Organ and
for Harpsichord who later
became musician at the
court. He invented the
genre of Unmeasured
Prelude for which he
created a form of
notation where the
harpsichordist can choose
how long each note lasts.
Francois Couperin, Louis?
nephew, is also a very
famous musician who
played the
Harpsichord..
Harpsichord SKU: FZ.5835 Serie I - France 1600-1800. Edited by Phi...(+)
Harpsichord
SKU:
FZ.5835
Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5835).
ISBN
9790230658355. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
ANCELET - Antoine
BEMETZIEDER (1-2) -
Jean-Laurent de BETHISY -
Michel CORRETTE (2) -
Denis DIDEROT - Jacques
DUPHLY (1-2) -
Encyclopedie -
Encyclopedie methodique -
Louis-Joseph le neveu
FRANCOEUR - Pierre Claude
FOUCQUET (1-2) -
Francois-Alexandre-Pierre
de GARSAULT -
Jean-Benjamin de LABORDE
- Philippe MACQUER -
Friedrich Wilhelm MARPURG
- Jean-Philippe RAMEAU
(4) - Jean-Jacques
ROUSSEAU - Simon SIMON.
Table of contents:
Corrette Michel: Les
amusements du Parnasse -
1749. Foucquet Pierre
Claude: Les caracteres de
la paix - 1749. Foucquet
Pierre Claude: Second
livre de pieces de
clavecin - 1751.
Encyclopedie:
Encyclopedie ou
dictionnaire raisonne -
1751/1772. Duphly
Jacques: Troisieme livre
de pieces de clavecin -
1756. Ancelet:
Observations sur la
musique - 1757. Rameau
Jean-Philippe: Code de
musique pratique - 1760.
Garsault
Francois-Alexandre-Pierre
de: Notionnaire - 1761.
Simon Simon: Pieces de
clavecin - 1761. Bethisy
Jean-Laurent de:
Exposition de la theorie
- 1764. Rousseau
Jean-Jacques:
Dictionnaire de la
musique - 1768. Duphly
Jacques: Du doigter - c.
1769. Diderot Denis:
Manuscrit autographe - s.
d. Bemetzrieder Antoine:
Lecons de clavecin -
1771. Francoeur
Louis-Joseph le neveu:
Diapason general - 1772.
Macquer Philippe:
Dictionnaire raisonne -
1773. Laborde
Jean-Benjamin de: Essai
sur la musique - 1780.
Bemetzrieder Antoine:
Nouvelles lecons de
clavecin - 1783.
Encyclopedie methodique:
Encyclopedie methodique,
arts et metiers
mecaniques - 1788.
Marpurg Friedrich
Wilhelm: L'art de toucher
le clavecin - c. 1797.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from:- National
Library of Paris
(France). - Fitzwilliam
Museum of Cambridge
(England). - Bayerische
Staatsbibliotheck of
Munich (Germany). -
British Library of London
(England). - In Private
collection. Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the harpsichord.
Harpsichord; Early Music SKU: UT.HS-307 Composed by Antonio Valente. Edit...(+)
Harpsichord; Early Music
SKU: UT.HS-307
Composed by Antonio
Valente. Edited by Maria
Luisa Baldassari.
Paperback (Soft Cover).
Classical. Ut Orpheus #HS
307. Published by Ut
Orpheus (UT.HS-307).
ISBN 9790215327146. 9
x 12
inches.
Antonio
Valente blind,
Neapolitan since a
long time according
to the list of Neapolitan
musicians by Scipione
Cerreto and organist in
S. Angelo a Nilo in
Naples, is known in
modern times for his two
volumes of keyboard
music: Versi
spirituali published
in 1580 and, some years
before, the volume here
in transcription,
Intavolatura de
cimbalo, printed by
Giuseppe Cacchio in
1576. This volume has
many original features:
first keyboard tablature
ever printed in Naples,
itâ??s not written in
musical characters but in
a number-based system
never met, according to
the current studies, in
any other print or
manuscript both in and
outside Italy. The
dedication letter,
written by Fraâ??
Alberto Mazza, praises
Valente as the inventor
of this writing method,
so easy and effective
that everybody, even
uncouth youths that did
not know music and
keyboard, could attain
the result of playing
from it in two
months. The
Intavolatura presents
different genres of
music: a fantasia, six
ricercatas, a Salve
Regina on a cantus
firmus, four vocal
chansons
intabulated for keyboard
with more or less
diminutions,and nine
dances, variations and
dance/variations on
long-living tenors like
Romanesca or
Zefiro. There are
no liturgical
compositions, both
because unsuitable in a
collection for amateurs
and because Valente will
publish a new book of
sacred music in a few
years. The book is a
sort of compendium of the
keyboard genres of the
period, similar to some
older Spanish
publications and to the
later Neapolitan ones by
Trabaci and Majone. Other
contemporary volumes on
the contrary choose to
present a single type of
composition: this is the
case of the
Versetti by
Valente and the
Ricercate by Rocco
Rodio.
Harpsichord SKU: FZ.5849 Edited by Emer Buckley. This edition: Facsimile....(+)
Harpsichord
SKU:
FZ.5849
Edited by
Emer Buckley. This
edition: Facsimile.
Fac-Similes Enseignement.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5849).
ISBN
9790230658492. 22.00 x
31.00 cm
inches.
These
original publications of
Couperin, Corrette,
Boismortier, Duphly and
Bach are in facsimile on
Fac-similes et
Enseignement collection.
Couperin Francois : L'art
de toucher le clavecin.
Paris, 1717. Allemande.
Couperin Francois :
Quatrieme livre de pieces
de clavecin. Paris, 1730.
Menuets croises. Corrette
Michel : Premier livre de
pieces de clavecin.
Paris, 1734. - Manuscrit,
s. d. Les Giboulees de
Mars. Boismortier Joseph
Bodin de : Quatre suites
de pieces de clavecin.
Paris, 1736. La Rustique.
Duphly Jacques : Pieces
de clavecin, quatrieme
livre. Paris, 1768. La Du
Buq. Bach Carl Philipp
Emmanuel : Kurze und
leichte clavierstucke.
Berlin, c. 1766. Allegro.
Fantasia. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. This facsimile
was realized by Emer
buckley for harpsichord.
Facsimile of copies from:
- National Library of
Paris (France). -
Inguimbertine Library of
Carpentras (France). -
Zentralbibliothek of
Zurich (Switzerland). -
osterreichische
Nationalbibliothek of
Wien (Austria). Anne
Fuzeau Classique propose
period copies of
classical music
scores.
Edited by Emer Buckley. For Harpsichord. This edition: Facsimile. Fac-Similes En...(+)
Edited by Emer Buckley.
For Harpsichord. This
edition: Facsimile.
Fac-Similes Enseignement.
Score. 16 pages.
Published by Anne Fuzeau
Productions - France
Harpsichord SKU: BT.ALHE31972 Le Pupitre. Composed by Francois Cou...(+)
Harpsichord
SKU:
BT.ALHE31972
Le
Pupitre. Composed by
Francois Couperin. Le
Pupitre - Heugel. Book
Only. 140 pages. Heugel &
Cie #ALHE31972. Published
by Heugel & Cie
(BT.ALHE31972).
French.
Harpsich
ord work - Volume 4,
LP.24 by Francois
Couperin is the fourth in
a series of 4 volumes of
suites for Harpsichord.
Published in 1930, three
years before
Couperin_x001A_s death,
when he was very ill,
this volume
initiallypresented some
small mistakes and some
white pages. It features
seven Ordres, from the
20th to the 27th, with a
total of 43 pieces. For
upper-intermediate
players, this volume was
edited by Kenneth
Gilbert. François
Couperinwas a very famous
French composer who
played the Harpsichord,
the Organ. Coming from a
famous family of
musicians, he was
nicknamed _x001A_Couperin
le Grand_x001A_ (Couperin
the Great).
Harpsichord SKU: BT.ALHE31977 Composed by Antoine Forqueray. Le Pupitre -...(+)
Harpsichord
SKU:
BT.ALHE31977
Composed
by Antoine Forqueray. Le
Pupitre - Heugel.
Classical. Score Only.
128 pages. Heugel & Cie
#ALHE31977. Published by
Heugel & Cie
(BT.ALHE31977).
English.
This
edition of Harpsichord
Work by Antoine Forqueray
has been reviewed and
edited by Colin Tilney.
Dedicated to
_x001A_Madame la
Dauphine_x001A_ (i.e. The
King_x001A_s daughter,
here, the daughter of
Louis XV), this volume
includes six suites fora
total of 32 pieces. Each
of these pieces is
actually named after the
Courtesans of the
Dauphine. With different
degrees of complexity,
these pieces would fit
the skills of players
with an upper
intermediate level and
above. The mark-ups in
this edition are quite
close to those used on
Rameau, his pieces being
popular and well
commented. Antoine
Forqueray was a
harpsichordist under the
King Louis XV period.
Professor of the Dauphine
Henriette-Anne,he
dedicated this piece to
her.
