Chamber Music & Piano Accompaniment 1 Flute 1 Piano - Grade 2

SKU: FL.FX072610

Composed by Alain Lopez. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX072610. Published by FLEX Editions (FL.FX072610).

Cuban music with a A-B-A' structure. Every sentence begins with 3 half notes followed by reversed intervals (eighth notes) and ends with a rhythmic tie. It is possible to learn this piece by heart to be closer to the oral tradition. The sentences are not difficult to learn and MP3 support will be a significant support for this. - Alain LOPEZ ;

A Piece for students from 2 years of instrument practice ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 2; Duration: 2 mn 10 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Alain LOPEZ;.

Flute and Piano

SKU: IS.FP4175EM

Composed by Jef Schampaert. Woodwinds - Flute. Metropolis Music Publishers #FP4175EM. Published by Metropolis Music Publishers (IS.FP4175EM).

ISBN 9790365041756.

Joze f (Jef) Schampaert's 1952 Notturno e Danza (Nocturne and Danse) for flute and piano, written as a concours piece for the Royal Conservatoire Antwerp in Belgium, is a bit of a curious beast. While the rest of the Belgian school was experimenting with a return to lush romanticism (Alpaerts, Maes, and the musical progeny of Benoit), or beginning to prod the tonal bounds of listenable 12-tone and serialism (Constant and Verbesselt), Schampaert took towards a different sound: that of the Impressionists, transmuted through his distinctly Flemish touch. The Nocturne and Danse is no exception. The core of the Nocturne is a relatively straightforward melody, but it's quickly pulled apart into Debussyian fragments and melodic cells - a rhapsody in miniature, with touches of Ibert's stranger runs and figures through. The Danse retains a clearer sense of melody, but one that's even closer to Debussy and Ravel - grace notes and intertwined, changing runs are integral melodic material, by turns dark then playful. A small cadenza again touches on a sense of Ibert before the piece is brought to a quiet close.