Flute, Piano - Grade 1

SKU: FL.FX071557

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071557. Published by FLEX Editions (FL.FX071557).

Latin music divided into three parts of 32 mes. each: the first is for students with 1-2 years of experience (only long values and small chromatisms are used), the second is for those who have 2 or 3 (add dotted quarter / eighth notes and intervals of fourths), the third is for those at the end of the first cycle (flow from eighth in addition). This piece can follow the students for three years and / or allow 3 students with different levels to play together.

Chamber Music & Piano Accompaniment 1 Flute 1 Piano - Grade 1

SKU: FL.FX073378

Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX073378. Published by FLEX Editions (FL.FX073378).

The Flute du cote de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately.

This volume, for beginners, is A visit full of surprises in an incredible zoo where nice elephants applaude a parade of ants... These 6 short pieces for very young flutists reflect those rare moments! ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 1; Duration: 6 mn 30 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST;.

Chamber Music flute, piano

SKU: PR.114422710

Composed by Charles Gibb. Set of Score and Parts. 44+8 pages. Duration 24 minutes. Theodore Presser Company #114-42271. Published by Theodore Presser Company (PR.114422710).

ISBN 9781491136072. UPC: 680160688227.

DUOâ €™s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.” Gibb’s DUO is sure to become a favorite major work for flute recitalists.
This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here” begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,” the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,” is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardentâ� � is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.

Flute, piano

SKU: BR.EB-8285

Composed by York Holler. Solo instruments; Softcover. Edition Breitkopf. World premiere Cologne, February 26, 1984. Music post-1945. Score. Composed 1979. 20 pages. Duration 10'. Breitkopf and Haertel #EB 8285. Published by Breitkopf and Haertel (BR.EB-8285).

ISBN 9790004176016. 9 x 12 inches.

World premiere Cologne, February 26, 1984 For me, one of the most interesting aspects of composition is to draw the most varied consequences from one and the same musical idea. Thus my pieces Umbra, Mythos, Resonance and Moments Musicaux, for all their disparity, form a group of works in that they are based on a common Klanggestalt, a 34-note melodic-harmonic structure from whose formal basis the overall shape of the piece is derived by projection. I have called the method 'Gestalt composition', Thus there are 12 clearly differentiated formal characters or motives, which appear frequently in irregular sequence and are variously interconnected. The 'bell' motives play a special role here: the piano part frequently bears the instruction quasi Campane, Campanelli, Campane grandi.(York Holler, translated by Niall Hoskin)

World premiere Cologne, February 26, 1984.

Flute & Piano

SKU: SU.97023310

For Flute & Piano. Composed by William Thomas McKinley. Woodwinds, Flute/Piccolo. Accompanied by piano. Score & Parts. Notevole Music Publishing #97023310. Published by Notevole Music Publishing (SU.97023310).

Inspired by the French Romantic and Impressionist traditions, my romances for fute and piano, composed during late July and early August 1984, was carefully conceived for the marvelous lyrical and technical gifts of Robert Stallman and Richard Goode, to whom the work is warmly dedicated. All three Romances, although brief in duration, unfold with a sense of large gesture and design. The first Romance is in 3/4 time and flows generally in the manner of a lyrical waltz with occasional turbulent interruptions. The second Romance is in 4/4 time, unfolding in a stately Baroque-like manner, and the third Romance is in 2/4 time, melodically expansive and often tempestuous. All three Romances strive to honor the goals of traditional performance practice while, at the same time, they create an energy and drama of modernity and contemporary richness. And for these goals I am indebted to so many of the most outstanding performers and conductors of our time with whom I have worked and from whom I have learned much– those who have demonstrated the importance of preserving in addition to further developing those significant natural attributes of musical expression and traditional performance practice which are so often ignored in contemporary compositional values. — William Thomas McKinleyFlute & Piano Duration: 14' Composed: 1984 Published by: Notevole Music Publishing.

By Pam Wedgwood. For Flute. Book; CD; Woodwind - Flute Method or Collection. Faber Edition: After Hours. 24 pages. Published by Faber Music

(Flute and Piano with Piano Accompaniment On CD). By Arcangelo Corelli (1653-1713). Edited by Donald Peck. For Solo Flute and Piano. Carl Fischer CD Solo Series. BEGINNING. Score and Audio CD. Standard notation. 3 pages

"Andante Cantabile" from String Quartet No. 8, Nob. III: No. 17, Flute and Piano with Piano Accompaniment On CD. By Franz Joseph Haydn. Edited by Donald Peck. For Flute Solo, Piano. Carl Fischer CD Solo Series Grade 2: Apprentice Level. Book and Audio CD. 3 pages. Published by Carl Fischer.

Flute and Piano with Piano Accompaniment On CD. By Benedetto Marcello. Edited by Donald Peck. Arranged by Donald Peck. For Flute Solo, Piano. Carl Fischer CD Solo Series. Level: Intermediate Level. Score and parts. 8 pages. Published by Carl Fischer.

From the Opera "Carmen" - Flute and Piano with Piano Accompaniment On CD. By Georges Bizet. Edited by Donald Peck. For Piano, Flute Solo. Carl Fischer CD Solo Series. Score and Audio CD. 4 pages. Published by Carl Fischer.
Level: Grade 3, Achievement Level.

(flute/piano)

SKU: HL.48185301

Composed by Serge Lancen. Leduc. Classical. CD only. 12 pages. Alphonse Leduc #AL28786. Published by Alphonse Leduc (HL.48185301).

UPC: 888680858612. 9x12 inches.

“If I were... by Serge Lancen is a set of easy works for Flute and Piano. Each piece was written as if the author were impersonating a famous composer and this book includes those inspired by Schubert, Chopin and Grieg. Written for upper beginners / intermediate level players, these works can all be interpreted separately. - N. 10 ”“If I were Schubert”“ has a slow tempo, starts Allegro Moderato and lasts 1''10 - N.11 ”“If I were Chopin”“ is slower than the first piece, in Moderato and uses Chopin''s musical style,. Ithas an introduction and twodistinctive parts - N.12 ”“If I were Grieg”“ is starts with the piano at a tempo 84. The introduction is followed by a main theme which is repeated before an harmonious close If I were... can also be found with pieces inspired by Offenbach, Beethoven or Albeniz among others. Serge Lancen is a French musician and composer. He wrote numerous pieces including chamber music, orchestral works, for solo instruments and for voice. He won many radio prizes and received a Prix de Rome.&rdquo.

By Cecile Chaminade. Arranged by Donald Peck. flute, piano and CD. Published by Carl Fischer.

By Johann Sebastian Bach. Arranged by Donald Peck. flute, piano and CD. Published by Carl Fischer.

(From Sonata in F Major). By George Frideric Handel (1685-1759). Edited by Donald Peck. Arranged by Donald Peck. For Flute, Piano. Carl Fischer Solo Series. Classical. Score and Audio CD. Standard notation. Opus 1. 3 pages

Flute and Piano

SKU: BT.EMBZ2142

Composed by Bela Bartok. EMB Music of Bela Bartok. Book Only. Composed 1955. 6 pages. Editio Musica Budapest #EMBZ2142. Published by Editio Musica Budapest (BT.EMBZ2142).

English-German-Hungari an.

From 1906 on Béla Bartók was collecting folksongs on a regular basis. It was in 1907, during his first collecting trip to Transylvania, that he jotted down those three melodies in Gyergyóteker patak, Cs k, which he both provided with piano accompaniment (From Gyergyó) and arranged for solo piano (Three Hungarian Folksongs from Cs k) in the same year. The melodies were played by a ''sixty-year old man'' on a peasant flute. In 2015 we are launching a series entitled Bartók Transcriptions for Music Students to mark the 70th anniversary of the composer s death. This involves reissuing our tried publications, and publishing some further, new transcriptions that fulfill in every respectthe strict aesthetic demands of the earlier ones. We trust these publications will allow us to introduce still more music students to the realm of one of the great geniuses of 20th-century music.

By Robert Schumann. Arranged by Donald Peck. flute, piano and CD. Published by Carl Fischer.

By Franz Schubert. Arranged by Donald Peck. flute, piano and CD. Published by Carl Fischer.

From Trios Gymnopedies. By Erik Satie. Edited by Donald Peck. For Flute, Piano. Carl Fischer Solo Series. Classical. Score and Audio CD. 3 pages. Published by Carl Fischer.
Level: beginning.

Suite Francaise for Flute and Piano. Richard Rodney Bennett dedicated this suite to all the flute players who have played his 'Summer Music', He was particularly keen on those who played the slow movment from memory! These tunes are French popular songs, written between the 15th and 19th centuries

By Ludwig van Beethoven (1770-1827). Arranged by Jonathon Robbins. For Flute or violin and piano (all C instruments). Published by Santorella Publications

For Flute and Piano. Composed by Jules Edouard Demerssema. Leduc. Classical. Softcover. 24 pages. Alphonse Leduc #AL19484. Published by Alphonse Leduc

Flute and Piano

SKU: BT.EMBZ13185

By Istvan Mariassy. By Johann Sebastian Bach. Book Only. Composed 1987. 40 pages. Editio Musica Budapest #EMBZ13185. Published by Editio Musica Budapest (BT.EMBZ13185).

English-German-Hungari an.

It is only fair that the Suite in B minor by J. S. Bach has become such a popular piece in flute literature. The version for flute and piano of the present edition has a double aim. On the one hand, it offers help for studying the work and solving the performing problems the Suite abounds in. On the other hand, it permits playing the composition (or incidentally only certain movements of it) by those, too, who would otherwise lack the opportunity of having an orchestra at their disposal.

Composed by Daniel Paget. Edited by Carol Wincenc. LKM Music. Classical, Contemporary. Softcover. 28 pages. Lauren Keiser Music Publishing #S111011. Published by Lauren Keiser Music Publishing

By Giuseppe Verdi. Arranged by Jonathon Robbins. For Flute. Published by Santorella Publications.

V: Periferia di un paese

SKU: HL.50603660

For Flute and Piano. Composed by Nino Rota. Arranged by C. Tabarelli. Woodwind Solo. Softcover. Ricordi #NR142176. Published by Ricordi (HL.50603660).

ISBN 9781705127810. UPC: 840126952278.

This work is a reworking of the music written by Nino Rota for the film of the same name by Federico Fellini, Oscar winner in 1957. In 1967 Rota composed the music for the ballet La strada for the Teatro alla Scala, in collaboration with the choreographer Mario Pistoni, where Carla Fracci was expected to play the role of Gelsomina. This show has always remained alive in my memory since in those years I began the profession of flutist at La Scala, where I also had the opportunity to perform ballet. The transcription traces the salient moments of the plot, highlighted by the captions taken from the original score. Free of virtuosity, so appreciated by the flutists, it is conceived with the intention of restoring the dramaturgical tension of the Fellini-Rota masterpiece. (C. Tabarelli).

Performed by James Galway, Phil Coulter. For flute solo and piano accompaniment. Format: set of performance parts (includes separate pull-out flute part). With chord names. Celtic and irish. 64 pages. 9x12 inches. Published by Hal Leonard.